VOLUME 5
VOLUME 5
VOLUME 5
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<strong>VOLUME</strong> 5 d Piano Part
SOLOS FOR YOUI{G VIOLII{ISTS<br />
Selected, Edited and Recorded by Barbara Barber<br />
Solos for Young Violinists is a graded series of works, ranging from elementary to<br />
advanced levels, that represents an exciting variety of styles and techniques for violinists. The<br />
series is a valuable resource for teachers and students of all ages. Many of the works in this collection<br />
have long been recognized as stepping-stones to the major violin repertoire, while<br />
others are newly published pieces for further choices of study.<br />
Books<br />
Cassettes<br />
(0988) Volume 1<br />
(0989) Volume 2<br />
(0990) Volume 3<br />
(0991) Volume 4<br />
(0992) Volume 5<br />
(0993) Volume 6<br />
(8001) Volume I<br />
(8002) Volume 2<br />
(8003) Volume 3<br />
(8004) Volume 4<br />
(8005) Volume 5<br />
(8006) Volume 6<br />
(8011) Volume 1<br />
(8012) Volume 2<br />
(8013) Volume 3<br />
(8014) Volume 4<br />
(8015) Volume 5<br />
(8016) Volume 6<br />
Other Titles by Barbara Barber<br />
(8010) Scales for Advanced Violinists<br />
Scales for Advanced Wolinists is a 27 -page technical source book that<br />
presents practice suggestions and ideas to take the monotony away from scale practice<br />
and to develop and improve evenness, clarity, agility, speed, and intonation. The circleof-fifths<br />
is presented with first position finger patterns, and scales and arpeggios are written ou<br />
ti'ith rhythmic variations and different combinations of bowings. Octaves, thirds, sixths, fingered<br />
octaves, and tenths, as well as harmonics, broken thirds, and chromatic scales are<br />
also presented with practice suggestions. An excellent guide for advanced<br />
students and teachers.<br />
SUMVY-BIRCHARD INC.<br />
(Fùned by<br />
WART'ER BMS. PiTLICATIONS<br />
Ërs fr- h9, Ar l0f TlrE $Ê-rs CdrPûY<br />
lsEl|-LrtÈlr.t. Ltli Fffi 33014<br />
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lsBN 0-87487-992-2<br />
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9 "78087J 879926<br />
Compilct<br />
Discs<br />
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<strong>VOLUME</strong><br />
Violin Part<br />
los for Young<br />
Vi0linists<br />
Compiled and Edited by Violinist Barbara Barber<br />
Waltz<br />
Contents<br />
...WeberÆurmester.. .......5<br />
MeditationfromThai's<br />
Concerto No. 23 in G Major<br />
..Massenet.. ....6<br />
(lstMovement) ..Viotti .....9<br />
Czârdâs .Monti ..16<br />
Sicilienne and Rigaudon . Kreisler . . 19<br />
Fugue from Sonata in C, Op. 1, No. 3 . . Tartini<br />
- . .22<br />
O 1997 Summy-Birchard Music<br />
a division of Summy-Birchard lnc.<br />
All Rights Reserved Printed in USA<br />
lsBN 0-87487-992-2<br />
Summy-Birchard lnc.<br />
exclusively distributed by<br />
Warner Bros. Publications<br />
15800 NW 48th Avenue<br />
Miami. Florida 33014<br />
fuy tplcattm, adaptath or arrangpmênl o{ th€ corflpGitirc<br />
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iao ff c, fÈ boof mây b€ phôæt*td s reo.Edrced n ry Ey rilhûil ænrcsrtta.aEiz€d<br />
|g æ rr i*ngÉæ.r cl f€ U,S C€ût€tr f.f J'd -€ trtis,rdE by b't<br />
c0]fsïAilItI CVRt L 8Ut0I<br />
RUE IIE iA STAT ItlII 5<br />
55EO IIOUYET BËLûI{IUE
INTRODUCTION<br />
Solos<br />
for Young Violinists is a six-volume series of music books with companion CDs featuring<br />
more than 50 pieces for violin and piano. Many of the works in this collection have long been<br />
recognized as stepping stones to the major violin repertoire, while others are newly published<br />
pieces that offer further choices for study; most are recorded in this series for the very first time.<br />
Compiled, edited, and recorded by violinist Barbara Barber, Solos for Young Violinists is a<br />
graded series of works ranging from elementary to advanced levels and represents an exciting<br />
variety of styles and techniques for violinists. The collection has become a valuable resource for<br />
teachers and students of all ages. The piano track recorded on the second half of each CD gives<br />
the violinist the opporfunity to practice with accompaniments.<br />
Abbreviations and Svmbols<br />
L.H. - Lower Half<br />
U.H. - Upper Half<br />
Fr. - Frog<br />
Tip - Tip<br />
Mid. - Middle<br />
.Â. - Half Step<br />
+ - Left Hand Pizzicato<br />
L - - Finger remains on string<br />
Finger covèrs 2 strings<br />
To facilitate page turns, the pieces 6 hls book do not appear in the same order as the recordings.
Tempo di Valzer à.= 56<br />
o;|"i": pizz n 0<br />
p<br />
Fl 4<br />
cresc. -<br />
cresc. -<br />
l r<br />
p quasi sognando (dreamily)<br />
---<br />
-t<br />
I<br />
2 3<br />
4 2<br />
Waltz<br />
3 F r n<br />
PIZZ arco nizz<br />
) r rw arco<br />
arco<br />
Pt?<br />
Pt! arco pizi.<br />
i)r.-' L:<br />
Piftarco piu.<br />
Carl Maria Von Weber<br />
Arranged by Willy Burmester<br />
5
6<br />
24 più .f<br />
L3J<br />
Meditation from Thais<br />
:<br />
ra'' EP alemPo<br />
p<br />
2<br />
sulG -<br />
,1f expressif<br />
--- -<br />
?u"-, t<br />
J. Massenet<br />
Transcribed by M.P. Marsick<br />
sulA-<br />
2 t 3<br />
A<br />
3 2<br />
D G<br />
2<br />
2 4 2
{<br />
3<br />
EP a tempo<br />
f<br />
1 3 o<br />
I<br />
Allegro J =120<br />
Tutti<br />
=deS -<br />
Concerto No. 23 in G major<br />
lst Movement<br />
0<br />
vl=<br />
-<br />
b ' t<br />
f<br />
Svi=<br />
B l93O C-F. PETERS. Used bv Permission of C.F. PETERS<br />
Cocçrorarion- Nee Yort<br />
I<br />
J.B. Viotti<br />
9
p<br />
B<br />
,or, "f<br />
Z=.3,<br />
.\ tT\<br />
n J<br />
-{e><br />
sul D<br />
1_ Er<br />
2 -_ --- p espressivo<br />
2<br />
---<br />
dim.<br />
0<br />
Ë +<br />
7<br />
1),,- ^^^-ta<br />
r ô<br />
cresc. -<br />
-dolce<br />
segue<br />
. r 1 .<br />
= z *7t7= zl3
6s.fl cresc. -<br />
___<br />
?p<br />
4 4<br />
sempre ---al .,<br />
) J I<br />
z r --^-,||V<br />
û'<br />
cresc. -<br />
ll
12<br />
2 412 o,<br />
24o ni/^or" rr"rr,<br />
-<br />
c\9<br />
2<br />
G-.-.-<br />
4<br />
0<br />
r1i<br />
c\9 {<br />
- i<br />
1"<br />
!- .ô<br />
crcJi, -<br />
--_<br />
V F I<br />
rh;<br />
/ o r \<br />
r 4<br />
x5a- îf<br />
--nv<br />
rF.<br />
,a<br />
.\-<br />
t
T<br />
-o.<br />
p<br />
æ7 "fp<br />
E 2 1 3 l<br />
t\<br />
cresc.<br />
4<br />
i  \ - a<br />
r3
ài5<br />
r<br />
sulDt<br />
4<br />
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z t<br />
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L ^ . * t t r * )<br />
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frt+la^j-\ -:-<br />
p<br />
5<br />
n<br />
g<br />
A<br />
Â- Ê){ 3<br />
o^<br />
\, \, \,<br />
-?<br />
- - - --r<br />
r3<br />
2 4 l 3<br />
\ 2 2 3 )
Cadença by Paul Klengel<br />
r T l ] v<br />
--^lt^<br />
| r<br />
molto tranquil<br />
2 0<br />
poco a poco più animato<br />
Ft<br />
1--\ i<br />
4<br />
z1-:.<br />
l l<br />
2,-> 3 - Æ<br />
+\--,,<br />
' l ( ' l è ; 1 + +<br />
/ sempre espr. e tranquillo | |f;<br />
lento<br />
rit -- I @uasi Adagio) a tempo tranquillo<br />
-7W 7<br />
2"4 | I ytfi Wo,^<br />
dim. e rit.<br />
, n<br />
v 0r- ;1 0 à. 7 -€-->,4^u-----'.-^,h:<br />
1 0 2<br />
b<br />
4<br />
tranquillo<br />
a tempo<br />
0 -<br />
^T<br />
1 \<br />
., I<br />
t.<br />
J<br />
opt. L.H. piu.<br />
3 2<br />
i3<br />
2 I<br />
sempre cresc.<br />
V nY<br />
--brmolto<br />
largamente tr<br />
llly 6y futti<br />
{-À-b ô"i =<br />
l5
l6<br />
14 ,?f<br />
Czârdâs V.Monti<br />
>J3 3 rY \-:<br />
I<br />
.D OY- 2:oz<br />
24<br />
AllegrovivoJ =154
FI<br />
3<br />
P<br />
r<br />
,?f<br />
restez<br />
Molto meno<br />
ùIeno, quasi lento<br />
sulG -<br />
3__ 1<br />
. 2.-;<br />
l ^ 1<br />
2<br />
3 F l
l8<br />
f6<br />
Allegro vivace<br />
stent^to (forced, loud)<br />
Molto più vivo<br />
crescendo poco rall.<br />
I<br />
>-.* 1 r V<br />
2 2a,<br />
rf<br />
I<br />
f a tempo (più presto)
Tempo di Allegretto<br />
Sicilienne and Rigaudon<br />
In the style of Francoeur<br />
Sicilienne<br />
1 f i<br />
l9
20<br />
Allegro<br />
V<br />
,r?f<br />
Rigaudon
p<br />
1.
22<br />
-C 2<br />
-?<br />
^t<br />
I<br />
J<br />
Fugue<br />
from Sonata Op. 1, No. 3<br />
4 1 n . \ . 8<br />
G O J L . J<br />
.\ i Ê,2 ,'ci<br />
Giuseppe Tartini<br />
, 2<br />
.+,-\<br />
1 \ mf
T<br />
r0 0<br />
a'ù,<br />
mf ç-f<br />
3_<br />
I<br />
J<br />
4-<br />
l\<br />
t l<br />
+'