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Two Rivers Printmaking Studio<br />

Jennifer Anderson<br />

Ian Baldwin<br />

Lois Masor Beatty<br />

Penelope Bennett<br />

Susan Airris Berry<br />

Amparo Carvajal-Hufschmid<br />

Javier Cintron<br />

Betsey Garand<br />

Daniel Gottsegen<br />

Rachel Gross<br />

Louise Hamlin<br />

Ann Audley Holloway<br />

Debra Jayne<br />

Jenevieve Alyssa Johnson<br />

Judy Lampe<br />

Carol Lippman<br />

Nori Lupfer<br />

Elizabeth Mayor<br />

Mary Mead<br />

Josh Melrod<br />

Sue Schiller<br />

Rebekah A. L. Tolley<br />

Sheri Hancock Tomek<br />

Sheryl Trainor<br />

Nancy Wightman<br />

Bert Yarborough<br />

<strong>Portfolio</strong> 2008


CONTENTS<br />

1 Introduction<br />

2 Jennifer Anderson<br />

Ian Baldwin<br />

3 Lois Masor Beatty<br />

Penelope Bennett<br />

4 Susan Airris Berry<br />

Amparo Carvajal-Hufschmid<br />

5 Javier Cintron<br />

Betsey Garand<br />

6 Daniel Gottsegen<br />

Rachel Gross<br />

7 Louise Hamlin<br />

Ann Audley Holloway<br />

8 Debra Jayne<br />

Jenevieve Alyssa Johnson<br />

9 Judy Lampe<br />

Carol Lippman<br />

10 Nori Lupfer<br />

Elizabeth Mayor<br />

11 Mary Mead<br />

Josh Melrod<br />

12 Sue Schiller<br />

Rebekah A. L. Tolley<br />

13 Sheri Hancock Tomek<br />

Sheryl Trainor<br />

14 Nancy Wightman<br />

Bert Yarborough<br />

15 – 20 Biographies


Two Rivers Printmaking Studio is pleased to present <strong>Portfolio</strong> 2008, our<br />

third limited-edition collection of prints. Since April of 2001, we have<br />

sought to build interest in the art and history of prints through classes,<br />

exhibitions, and lectures by artists, curators, and collectors. Our studio<br />

attracts outstanding faculty from all over New England to teach both<br />

innovative and traditional printmaking in workshops open to the public,<br />

as well as to our artist members. Every year, artists who join Two Rivers<br />

bring fresh insights and talent, keeping us energized and vibrant.<br />

<strong>Portfolio</strong> 2008 features work by twenty-six artist members and faculty-<br />

from Vermont and New Hampshire. Each artist has contributed an edition<br />

limited to thirty-seven prints and six artist’s proofs, done exclusively for<br />

this portfolio, and covering a wide range of old and new techniques. Each<br />

group of prints is protected in a custom-made archival box.<br />

Two Rivers Printmaking Studio is a teaching and learning workspace run<br />

cooperatively by a group of dedicated member artists. We are located in<br />

the former Tip Top Bakery building in White River Junction, Vermont, an<br />

historic river and rail industrial town which recently has attracted many<br />

arts-related organizations.


2<br />

Jennifer Anderson<br />

Passage<br />

8” x 6”<br />

Shaped plate,<br />

hard-ground etching<br />

with aquatint<br />

iAn BAldwin<br />

What is That?<br />

15” x 11”<br />

Woodcut


lois MAsor BeATTY<br />

Intersecting<br />

6” x 6”<br />

Monoprint, drypoint,<br />

multiple plates,<br />

surface rolls<br />

PeneloPe BenneTT<br />

Still Life With Scroll<br />

8” x 8”<br />

Drypoint<br />

3


sUsAn Airris BerrY<br />

Untitled<br />

5” x 5”<br />

Solar plate, chine collé<br />

AMPAro CArvAJAl-<br />

HUfsCHMid<br />

H. S. I.<br />

7” x 6”<br />

Four-block woodcut<br />

4


JAvier CinTron<br />

Downward Turn<br />

10” x 10.5”<br />

Linocut, chine collé<br />

BeTseY GArAnd<br />

Frond<br />

2” x 1”<br />

Drypoint<br />

5


6<br />

dAniel GoTTseGen<br />

Winter Wanderung<br />

5” x 6”<br />

Reduction block print<br />

rACHel Gross<br />

Tethered<br />

15” x 11”<br />

Etching with relief and<br />

polyester-plate lithography


loUise HAMlin<br />

Watermelon<br />

7” x 5.5”<br />

Soft-ground etching<br />

with surface roll<br />

Ann AUdleY HollowAY<br />

Aurora<br />

8.5”x 5.5”<br />

Monoprint<br />

7


deBrA JAYne<br />

Untitled<br />

6”x 4”<br />

Woodcut<br />

Jenevieve AlYssA<br />

JoHnson<br />

She Cut Her Hair for Freedom<br />

10” x 8”<br />

Paperplate litho, chine collé,<br />

woodcut<br />

8


JUdY lAMPe<br />

Introspection<br />

5” x 5”<br />

soft-ground etching,<br />

aquatint, drypoint,<br />

chine collé<br />

CArol liPPMAn<br />

Old Logging Road –<br />

W. Newbury, VT<br />

6 3/4” x 6 3/4”<br />

Two solar plates<br />

9


10<br />

nori lUPfer<br />

Valencia Archway<br />

12.25” x 8.25”<br />

Collagraph, solar plate,<br />

linocut, chine collé<br />

elizABeTH MAYor<br />

Utubes<br />

6” x 6”<br />

Woodcut, chine collé


MArY MeAd<br />

Untitled<br />

3” x 4”<br />

Relief print, chine collé<br />

JosH Melrod<br />

Tres Hombres<br />

7” x 9.5”<br />

Hard-ground etching<br />

11


12<br />

sUe sCHiller<br />

Untitled<br />

8” x 7”<br />

Etching, shaped plate<br />

reBekAH A. l. TolleY<br />

Inedible II<br />

9.5” x 3.5”<br />

Polyester-plate lithograph,<br />

chine collé


sHeri HAnCoCk<br />

ToMek<br />

Double Negative<br />

6.5” x 3”<br />

Monoprint, chine collé<br />

sHerYl TrAinor<br />

Mr. Morgan¹s Horse<br />

8” x 6”<br />

Woodcut<br />

13


14<br />

nAnCY wiGHTMAn<br />

The Tibetan Wheel<br />

of Becoming<br />

8” round<br />

Etching, woodcut<br />

BerT YArBoroUGH<br />

Landed<br />

7” x 11.5”<br />

Two block woodcut


Jennifer Anderson<br />

b. Ware, Massachusetts<br />

<strong>University</strong> of Connecticut, BFA, 1989<br />

Jennifer Anderson concentrates on stone lithography,<br />

etching, and relief printing. She has exhibited<br />

throughout New England, and her work is in<br />

collections nationwide. She has also worked as a<br />

graphic designer, illustrator and calligrapher. Anderson<br />

is spending this year in California, where<br />

she is a member of the Monterey Peninsula<br />

College Fine Art Print Club. She has exhibited<br />

with this club for the past eight months and serves<br />

as its secretary. She is also a member of the<br />

California Society of Printmakers.<br />

Since 2001 Anderson has been an Artist Member<br />

of Two Rivers Printmaking Studio, where she<br />

teaches printmaking and served on the Board<br />

of Directors. At Two Rivers she printed a set of<br />

lithographic editions for New Hampshire artist<br />

Clifford West, a project funded by the Vermont<br />

Arts Council. In 2007 she was a resident artist at<br />

the Vermont Studio Center. Anderson has a BFA<br />

in Printmaking from the <strong>University</strong> of Connecticut<br />

and did graduate work in printmaking and<br />

education at Eastern Connecticut <strong>State</strong> <strong>University</strong><br />

and the <strong>University</strong> of Connecticut.<br />

iAn BAldwin<br />

Ian Baldwin began making prints at the Taller de<br />

Rufino Tamayo in Oaxaca, Oaxaca during 1997 –<br />

98. He returned to the United <strong>State</strong>s and founded<br />

Two Rivers Printmaking Studio in 2000. After a<br />

five-year leave of absence he returned to making<br />

prints in 2006.<br />

lois MAsor BeATTY<br />

b. Chicago, Illinois<br />

Oberlin College, 1961 – 1963<br />

<strong>University</strong> of Massachusetts, Boston, BA in Politics,<br />

High Honors, 1972<br />

other: School of the Museum of Fine Arts, Boston;<br />

Massachusetts College of Art; Rugg Road Papers<br />

and Prints; Two Rivers Printmaking Studio<br />

Lois Beatty, an Artist Member of Two Rivers<br />

Printmaking Studio, is on its Board of Directors<br />

and served on its 2004, 2006, and 2008 <strong>Portfolio</strong><br />

Committees. She has exibited nationally, and her<br />

art has been purchased by public and private<br />

collections, including Fidelity Investments, The<br />

Washington Post, IBM, Eastman Pharmaceuticals,<br />

The New Republic, and Emily’s List. Juried shows<br />

include the Provincetown Art Association and<br />

Museum’s Second Annual Prize Competition<br />

(juror, Grace Glueck, the New York Times); the<br />

South Shore Art Center’s All-New England Juried<br />

Exhibition (First Prize, Graphics); the Two Rivers<br />

“Momenta II” competion (Juror’s Prize awarded<br />

by Sharon Matt Atkins, Assistant Curator,<br />

Currier Museum of Art). Her prints are in the<br />

2004 and 2006 TRPS portfolios purchased by<br />

the Currier Museum of Art, Dartmouth’s Hood<br />

Museum, the Dartmouth-Hitchcock Medical<br />

Center, the <strong>University</strong> of Vermont’s Bailey/Howe<br />

Library (Special Collections), and <strong>Plymouth</strong><br />

<strong>State</strong> <strong>University</strong>.<br />

PeneloPe BenneTT<br />

b. London, England<br />

Artist Member Penelope Bennett was born in<br />

London, England, and came to the United <strong>State</strong>s<br />

to attend college in New York. After graduating,<br />

she designed animated films, corporate logos,<br />

and textile designs. She returned to Europe to do<br />

fine art, working for thirteen years in Catalunya,<br />

Spain. Later, she returned to the United <strong>State</strong>s,<br />

and settled in Vermont. Her work is in many<br />

public collections, including Guild Hall, New<br />

York; Museo d Arte Contemporaneo, Spain;<br />

Muse De Bellas Artes, Mexico; Museum of<br />

Modern Art, Barcelona, Spain; and the Museum<br />

of the <strong>University</strong> of New Hampshire.<br />

sUsAn Airris BerrY<br />

b. Boston, Massachusetts<br />

Boston <strong>University</strong>, Boston, Massachusetts,<br />

BS, 1981<br />

Susan Airris Berry is a nationally-published<br />

illustrator and designer. Her long list of clients<br />

and assignments include editorial illustration<br />

and design for book, newspaper and magazine<br />

publishers, as well as businesses focusing on the<br />

environment, science and history. She studied<br />

traditional printmaking in college and nontraditional<br />

techniques most recently with TRPS.<br />

Berry has exhibited her work with Two Rivers<br />

Printmaking Studio, AVA Gallery, Shelburne<br />

Farm Museum, Sharon Arts Gallery, Isalos Fine<br />

Art, Spheris Gallery, and other venues in New<br />

England. She is a Board Member of Two Rivers<br />

Printmaking Studio.<br />

AMPAro CArvAJAl-HUfsCHMid<br />

Amparo Carvajal-Hufschmid’s prints exhibit a<br />

richly-layered complexity that is not typically<br />

associated with the technique of woodcut and<br />

achieve a surprising level of visual depth as a<br />

result. She has exhibited at the Hood Museum<br />

of Art, Dartmouth College; Museo de Arte<br />

Moderno in Bucaramanga, Colombia; Icon Contemporary<br />

Art in Brunswick, Maine and other<br />

venues in New England. She is represented by<br />

Spheris Gallery in Hanover, New Hampshire and<br />

Reeves Contemporary in New York City.


JAvier CinTron<br />

b. Puerto Rico,1967<br />

Puerto Rican/Nuyorican artist Javier Cintron,<br />

divides his time among Puerto Rico, New York<br />

City and Vermont. He frequently combines<br />

printing, collage and watercolor techniques to<br />

create eye-catching art reflecting cultural ties to<br />

his Puerto Rican homeland, as well as his island<br />

and mainland experiences as an individual struggling<br />

to define himself while traveling between<br />

the two and living in both. He sees the airplane,<br />

which frequently recurs in his work, as an icon<br />

representing his Nuyorican identity pulling him<br />

between two places. Another frequently recurring<br />

metaphor is the Goya brand food label, a<br />

symbol of his Puerto Rican/Latino roots.<br />

Cintron studied fine arts in the Dominican<br />

Republic; restoration of works on paper and<br />

mural techniques at La Escuela de Churrubusco<br />

in Mexico City; and printmaking at Escuela de<br />

Artes Plasticas, San Juan, Puerto Rico, and<br />

the Parsons School of Design. In New York he<br />

ran master printer Bob Blackburn’s renowned<br />

Printmaking Workshop. He also worked at<br />

Alvares Fine Art Restoration in paper conservation<br />

until recently, when he decided to spend<br />

more time in Vermont. He has taught at Two<br />

Rivers and was in its 2004 <strong>Portfolio</strong>.<br />

BeTseY GArAnd<br />

Betsey Garand recently completed a series of<br />

prints for a collaboration with the Mexican poet,<br />

Juan Armando Rojas, and published in the book<br />

of poetry: Ceremonial of Wind. Her work is<br />

in numerous public collections including the<br />

Santa Barbara Museum of Art, California <strong>State</strong><br />

<strong>University</strong> at Long Beach’s Museum of Art,<br />

Grunwald Center for the Graphic Arts at UCLA’s<br />

Hammer Museum, Arkansas Arts Center, Tokyo<br />

Geijutsu Daigaku, Japan and The Art Museum of<br />

Estonia Special Collections. Other portfolios she<br />

is included in are: Across the Grain: An American<br />

Woodcut <strong>Portfolio</strong> by California <strong>State</strong> <strong>University</strong>,<br />

Long Beach; Another New Zealand, Another<br />

United <strong>State</strong>s by the <strong>University</strong> of Colorado,<br />

Boulder and Mockery, published by Cannonball<br />

Press. Betsey has received a Pollock-Krasner<br />

Foundation Grant and fellowships at Dorland<br />

Mountain Arts Colony and the MacDowell<br />

Colony. She exhibits here and abroad. She has<br />

been on the faculty at Princeton <strong>University</strong> and<br />

Queens College CUNY. She is currently head of<br />

printmaking at Amherst College.<br />

dAniel GoTTseGen<br />

Painter Daniel Gottsegen lives and works in rural<br />

Vermont. His work explores our relationship<br />

with the natural environment – most recently the<br />

landscapes of New England. He sometimes uses<br />

technology to arrive at his images: juxtaposing<br />

scenes and abstracting through technological<br />

mediation. This process, often beginning on long<br />

solo treks in the wilderness, evokes a multi-layered<br />

sense of meaning and depth. His work has<br />

been exhibited nationally, including one-person<br />

shows at the Feick Gallery at Green Mountain<br />

College; the Karpeles Museum in Santa Barbara;<br />

Sylvia White Gallery in Santa Monica; Perkins<br />

Gallery in Stoughton, Massachusetts; the Prince<br />

Street Gallery in New York City; the Whistler<br />

House Museum in Lowell, Massachusetts; and<br />

Gallery Paule Anglim Gallery and Patricia<br />

Sweetow Gallery, both in San Francisco. His most<br />

recent group exhibit was “Thoreau Reconsidered”<br />

at Wave Hill in New York City. This year<br />

he received a Vermont Arts Council Individual<br />

Artist Creation Grant. He is a juried artist of<br />

the Vermont Arts Council; won the <strong>University</strong><br />

Teaching Excellence Award at <strong>University</strong> of<br />

Massachusetts, Lowell; was an Affiliate Artist at<br />

the Headlands Center for the Arts in Sausalito;<br />

and was a Nevada Artist-in-Residence, as well<br />

as Artist-in-Residence at the Ucross Foundation.<br />

Until recently Gottsegen was an Associate<br />

Professor of painting at the <strong>University</strong> of Massachusetts/Lowell.<br />

He taught for many years at<br />

California College of the Arts in San Francisco,<br />

achieving the rank of full professor. Gottsegen<br />

has a BA from Brown <strong>University</strong>, and an MFA in<br />

Painting from California College of the Arts.<br />

rACHel Gross<br />

Rachel Gross is an artist and printmaker living in<br />

White River Junction. She grew up in Swarthmore,<br />

Pennsylvania, then attended Oberlin College,<br />

where she majored in Religion and Studio<br />

Art. After living in Seattle for several years Rachel<br />

received an MFA in printmaking from Tyler<br />

School of Art in Philadelphia. She next taught<br />

printmaking, drawing, and design at the Savannah<br />

College of Art and Design in Savannah,<br />

Georgia. She is currently a faculty member of the<br />

Center for Cartoon Studies in White River Junction,<br />

where she teaches drawing. Rachel is an Artist<br />

Member and on the Board of Directors at<br />

Two Rivers Printmaking Studio. She has had solo<br />

shows at Norwich <strong>University</strong>, <strong>Plymouth</strong> <strong>State</strong><br />

<strong>University</strong>, and Two Rivers Printmaking Studio.<br />

Her work has been exhibited in many group and<br />

juried shows including the 2007 Mid-Atlantic<br />

Print Center juried show, “Wicked and Wise”.<br />

Her prints are in several major public collections<br />

including the Boston Public Library, The Currier<br />

Museum of Art and the Hood Museum. Rachel


ecently received an Artist Development Grant<br />

from the Vermont Arts Council.<br />

loUise HAMlin<br />

Louise Hamlin received her BFA degree from the<br />

<strong>University</strong> of Pennsylvania, then studied at The<br />

New York Studio School in Paris and New York,<br />

and the Skowhegan School for Sculpture and<br />

Painting in Maine. Her paintings, drawings, and<br />

prints are shown nationally in group and solo exhibitions;<br />

she is represented by the Gross McCleaf<br />

Gallery in Philadelphia. Hamlin has received<br />

awards or fellowships from the Ingram Merrill<br />

Foundation, the New York Foundation for the<br />

Arts, the Mellon Foundation, Vermont Council<br />

on the Arts, as well as Union and Dartmouth<br />

Colleges. She was also awarded residencies at<br />

the Djerassi Foundation in California and the<br />

International School of Art in Italy.<br />

She has published numerous art reviews, provided<br />

cover art for many books and literary magazines,<br />

and collaborated with Coffee House Press to produce<br />

a limited edition of hand-printed poems by<br />

15 poets, each accompanied by an etching of hers.<br />

Her work is included in many public and private<br />

collections, including the Walker Arts Center, the<br />

Metropolitan Transit Authority, the <strong>University</strong> of<br />

Iowa, Bryn Mawr College, Swarthmore College,<br />

Otterbein College, Dartmouth College, and the<br />

Wellington Management Co. She has taught at<br />

Union College; Vassar College; the <strong>State</strong> <strong>University</strong><br />

of New York at Purchase; Queens College<br />

of the City <strong>University</strong> of New York; American<br />

<strong>University</strong> in Corciano, Italy; The International<br />

School of Art in Montecastello di Vibio, Italy; and<br />

Provincetown’s Fine Arts Work Center. Hamlin<br />

came to Dartmouth in 1990 and was promoted<br />

with tenure in 1996 and to full professor in 2007.<br />

She has taught painting, drawing, printmaking,<br />

design, freshman and senior seminars, and<br />

figure drawing. A former Chair of the Studio Art<br />

Department, she is currently area head of<br />

Printmaking, and faculty advisor to the Book<br />

Arts Workshop.<br />

Ann AUdleY HollowAY<br />

Ann Audley Holloway is a painter and printmaker.<br />

She graduated from the Putney School and<br />

Antioch College and studied at the Art Students<br />

League in New York City with Robert Beverly<br />

Hale, Robert Philipp, David Leffel, and Leo<br />

Manso. She works in her studio in Hanover, New<br />

Hampshire and in New York City, and teaches<br />

at AVA Gallery and Art Center, Lebanon, New<br />

Hampshire. Holloway’s work is in private<br />

collections in the United <strong>State</strong>s, Portugal and England,<br />

and one of her monotypes, “Voices From the<br />

Sky, 9/11” is in the permanent collection of the<br />

Library of Congress. She is a founding member of<br />

Two Rivers Printmaking Studio.<br />

deBrA JAYne<br />

Debra Jayne is a printmaker and founding<br />

member of Two Rivers Printmaking Studio. She<br />

graduated from the <strong>University</strong> of Washington<br />

in Seattle in 1990 with a BA in art and arrived in<br />

New Hampshire soon afterward. After studying<br />

watercolor with Ann Semprebon and pottery<br />

at the League of New Hampshire Craftsmen in<br />

Hanover, she decided to work primarily as a<br />

printmaker. Jayne has expanded her work in this<br />

field under the tutelage of Matt Brown and Jose<br />

Clemente Orozco III, as well as Brian D. Cohen at<br />

TRPS and recently with Sabra Field in Italy. Jayne<br />

has exhibited at AVA Gallery; Two Rivers Printmaking<br />

Studio; the Franklin Pierce Law School in<br />

Concord, New Hampshire; McIninch Gallery at<br />

Southern New Hampshire <strong>University</strong>; Dartmouth<br />

College; Flynndog in Burlington, Vermont; and<br />

Pegasus Gallery in Quechee, Vermont. In 2004,<br />

her print was accepted for “Momenta I,” at TRPS,<br />

juried by Andrew Witkin, director of Boston’s<br />

Barbara Krakow Gallery. In 2006, her print was<br />

accepted for “Momenta II,” juried by Sharon Matt<br />

Atkins, Assistant Curator, Currier Museum of<br />

Art and another print was accepted into the AVA<br />

juried show. A recent issue of Here in Hanover<br />

magazine featured one of her prints on the front<br />

cover. Her first solo exhibit was at the Ledyard<br />

Gallery in the Howe Library, February of 2007.<br />

Jenevieve AlYssA JoHnson<br />

b. Philadelphia, PA, 1983<br />

When I was about seven or eight, and on a family<br />

vacation, I saw a girl sitting on the side of the<br />

road selling her paintings. It was in that defining<br />

moment I knew I wanted to be an artist. I went<br />

home and drew pictures on Post-It notes and<br />

tried to sell them on my front porch. Although<br />

unsuccessful, I didn’t lose my determination. I<br />

attended St. Lawrence <strong>University</strong> in 2002 with the<br />

plan of studying photography. It wasn’t until I was<br />

blocked out three semesters in a row that I decided<br />

to try printmaking. In 2006, after completing a<br />

solo show of over twenty prints, I graduated with<br />

honors. I currently do all my printmaking at Two<br />

Rivers Printmaking Studio. I have my first solo<br />

show scheduled for April 2009. I plan to attend<br />

graduate school in the next few years.


JUdY lAMPe<br />

b. Worcester, Massachusetts, 1939<br />

Mount Holyoke College, South Hadley, Massachusetts,<br />

1957 – ‘60<br />

The Art Students League, New York City, ‘65 – ‘68,<br />

<strong>University</strong> of Connecticut, Storrs; Worcester Museum<br />

School, Worcester, Massachusetts; Danforth<br />

Museum School, Framingham, Massachusetts,<br />

‘96 – ‘98<br />

Judy Lampe’s work has been shown in solo and<br />

juried group exhibitions throughout the region,<br />

including solo shows at AVA Gallery, Lebanon,<br />

New Hampshire and The Galletly Gallery at The<br />

New Hampton School, New Hampton, New<br />

Hampshire; two-person shows at The Society<br />

for New Hampshire Forests, Concord, New<br />

Hampshire and Two Rivers Printmaking Studio;<br />

juried shows at The Ellison Center for the Arts,<br />

Duxbury, Massachusetts; Sharon Arts Center,<br />

Peterborough, New Hampshire; AVA Gallery in<br />

Lebanon, New Hampshire; and The New Hampshire<br />

Art Institute, Manchester. She was awarded<br />

juror’s recognition prizes at Sharon Arts Center’s<br />

“Black and White Juried Show,” 2005; and at Two<br />

Rivers Printmaking Studio’s juried show, “Momenta<br />

I,” 2005, by Andrew Witkin, Director,<br />

Barbara Krakow Gallery, Boston. She has shown<br />

extensively with members of TRPS at venues such<br />

as The Taylor Gallery, Kimball Union Academy,<br />

Meriden, New Hampshire; Flynndog, Burlington,<br />

Vermont; The Fells, Newbury, New Hampshire;<br />

and McIninch Gallery at Southern New Hampshire<br />

<strong>University</strong>. She was a participating artist in<br />

the 2004 TRPS <strong>Portfolio</strong> of Prints. Lampe is a<br />

founding Artist Member of Two Rivers Printmaking<br />

Studio, a longtime Board Member and <strong>Portfolio</strong><br />

Committee member, 2004 – present. She lives<br />

and works in Enfield, New Hampshire.<br />

CArol liPPMAn<br />

b. New York, New York, 1943<br />

C.W. Post College (Long Island <strong>University</strong>),<br />

MFA, 1987<br />

Queens College (City <strong>University</strong> of New York),<br />

BA, 1965, MA, 1969<br />

A new member of Two Rivers Printmaking<br />

Studio, Carol Lippman divides her time between<br />

West Newbury, Vermont and Syosset, New<br />

York. In addition to being an avid printer, Carol<br />

enjoys making daily collages. Her prints and<br />

collages have been exhibited at group and solo<br />

exhibitions at various Long Island and New<br />

Hampshire venues.<br />

nori lUPfer<br />

Nori Lupfer was raised in West Lebanon, New<br />

Hampshire and graduated from Union College<br />

in 2003. Lupfer has a remarkable background,<br />

which includes freestyle aerial skiing on the U.S.<br />

Ski Team; performing for Ringling Brothers Barnum<br />

and Bailey Circus; and photographing for<br />

“Saturday Night Live,” “The Late Show with Conan<br />

O’Brian” and MSNBC. Lupfer was awarded a<br />

Watson Fellowship in 2003 for her project<br />

“Circuses and Stunts: Photography of Entertainment<br />

in Motion,” and she spent a year traveling in<br />

South America and Europe photographing<br />

circus performers in action.<br />

Currently her work is being displayed at the<br />

Pegasus Gallery in Quechee, Vermont, and the<br />

Waterwheel Gallery on Amelia Island, Florida.<br />

Lupfer recently had a solo exhibition, “Variations,”<br />

at Two Rivers Printmaking Studio. Her<br />

work has been included in several group shows<br />

throughout New Hampshire, Vermont, New York<br />

and Spain, including “L’art del risc: Circ contemporani<br />

catala” (“The Art of Risk: Contemporary<br />

Catalan Circuses”), at the Centre de Cultura<br />

Contemporania de Barcelona, Barcelona, Spain.<br />

Her photographs have been published in L’art<br />

Del Risc: Circ Contemporani Catala (Barcelona:<br />

CCCB, 2006), and El Mon Facinat del Circ (Barcelona:<br />

Viena Edicions, 2007).<br />

elizABeTH MAYor<br />

b. Baltimore, Maryland<br />

Smith College, BA, 1957<br />

Tufts <strong>University</strong>/Boston Museum School,<br />

MFA, 1990<br />

Elizabeth Mayor’s woodcuts are sometimes large<br />

in scale and cut with power tools. At other times<br />

they are small and hand-cut, with the addition<br />

of chine collé and thread. Her sculpture was<br />

included in the American Academy Invitational<br />

Exhibition of Painting and Sculpture in 1993 and<br />

her one-woman shows include Boston’s Alpha<br />

Gallery: St. Gauden’s Historical Site in Cornish,<br />

New Hampshire; and the Currier Museum in<br />

Manchester, New Hampshire, which recently<br />

purchased some of her work for its permanent<br />

collection. Mayor’s work can be seen at McGowan<br />

Fine Art, Concord, New Hampshire; AVA Gallery<br />

and Art Center, Lebanon, New Hampshire;<br />

Reeves Contemporary, New York City; and Two<br />

Rivers Printmaking Studio.<br />

MArY MeAd<br />

b. New York, New York<br />

<strong>University</strong> of Wisconsin, Madison, BS, Fine Arts<br />

with Honors, 1984<br />

Tufts <strong>University</strong>/Boston Museum School,<br />

MFA, 1989<br />

Mary Mead works in both sculpture and<br />

printmaking and since 1989 has exhibited her


work throughout the northeast in solo and group<br />

exhibitions in both public and private institutions,<br />

including the DeCordova Museum and Sculpture<br />

Park in Lincoln, Massachusetts; Dartmouth College,<br />

Hanover, New Hampshire; the Aideckman<br />

Art Center at Tufts <strong>University</strong>, Medford, Massachusetts;<br />

the Sharon Arts Center, Peterborough,<br />

New Hampshire; and the Silvermine Guild Arts<br />

Center, New Canaan, Connecticut. Her work<br />

will be in the Monotype Guild of New England’s<br />

National Show at the Attleboro Museum in<br />

Attleboro, Massachusetts in September. In 2009,<br />

she will have solo exhibitions of her work at the<br />

McCoy Gallery, Merrimack College in North<br />

Andover, Massachusetts, and at AVA Gallery and<br />

Art Center, Lebanon, New Hampshire.<br />

Mead received the Advisory Board Award for her<br />

piece in the Contemporary Sculpture Exhibition<br />

2008 at the Chesterwood Museum, Stockbridge,<br />

Massachusetts. In 2007, she received an Artist<br />

Residency at Caldera Arts in Portland, Oregon,<br />

funded in part by an artist’s opportunity grant<br />

awarded by the New Hampshire <strong>State</strong> Council on<br />

the Arts, and in 2005, a fellowship to attend the<br />

Carving Studio and Sculpture Center in Rutland,<br />

Vermont. Her work is in numerous public and<br />

private collections. Mead is an Adjunct Professor<br />

in the Department of Fine Arts at New Hampshire<br />

Technical Institute and a faculty member of<br />

the Kimball Jenkins School of Art both in Concord,<br />

New Hampshire. She teaches workshops<br />

focused on new non-toxic printmaking methods<br />

at the AVA Gallery and Art Center in Lebanon,<br />

New Hampshire. Mead was an artist member of<br />

TRPS from 2001 – 2006.<br />

JosH Melrod<br />

Josh Melrod attended the MFA program for<br />

creative writing at Washington <strong>University</strong> in St.<br />

Louis, and studied lithography at the Manhattan<br />

Graphics Center in New York City. He is editor<br />

and co-founder of the Land-Grant College Review,<br />

a literary magazine, and, in addition to actively<br />

printmaking, is finishing his first novel.<br />

sUe sCHiller<br />

Schiller graduated with a BA in Fine Arts from<br />

Michigan <strong>State</strong> <strong>University</strong> and subsequently<br />

received a Bachelor of Professional Arts degree in<br />

Advertising and Illustration from the Art Center<br />

School in Los Angeles. She worked for several<br />

years as an art director in New York City ad<br />

agencies, then decided to leave the commercial<br />

business and began working as a printmaker<br />

and painter. She won an award which resulted<br />

in a scholarship to the National Academy, where<br />

she studied the art of the woodcut and wood<br />

engraving. Recently she has been working with<br />

Vijay Kumar, master printer at the Manhattan<br />

Graphics Center. She has shown her paintings,<br />

prints and drawings in several open studio shows<br />

in New York at the Manhattan Graphics Center.<br />

In 2001 she had a one-woman show in Studio<br />

23, Bay City, Michigan. Since becoming a Two<br />

Rivers Printing Studio member she has exhibited<br />

in many of its shows as well as at the Flynndog<br />

Gallery in Burlington, the Pegasus Gallery in<br />

Quechee, Bridgewater Mills Gallery, Bridgewater,<br />

Vermont, and the AVA Gallery (juried exhibition)<br />

in Lebanon, New Hampshire. In October of 2006<br />

her work was accepted as an exhibiting artist in<br />

the Shelburne Art Center Gallery, Shelburne,<br />

Vermont. Sue also took part in the opera exhibit<br />

last month at the Lebanon Opera House. This<br />

past September, she had a one-woman show at<br />

Two Rivers Printmaking Studio. In April of 2008,<br />

Schiller had another solo show at the Manhattan<br />

Graphics Center in New York.<br />

reBekAH A. l. TolleY<br />

Rebekah Tolley is a printmaker and digital media<br />

artist. She received her BFA from Concordia <strong>University</strong><br />

in Montreal, and her MFA from Tyler<br />

School of Art in Philadelphia. She has taught at<br />

<strong>University</strong> of North Carolina, Chapel Hill and is<br />

currently Assistant Professor and Gallery Director<br />

at Colby-Sawyer College, teaching printmaking<br />

and digital media. Rebekah has been involved<br />

in creating digitally-based work for the past eight<br />

years. Her recent work uses digitally-generated<br />

imagery and animation in various forms of presentation.<br />

Out-sourcing for her imagery includes<br />

many of the currently available printing technologies<br />

used on a variety of substrates, liquid crystal<br />

displays or projection installations.<br />

Tolley was awarded the Laureat of the 2000 Prix<br />

Albert-Dumouchel, by the Quebec Print Council.<br />

Her work has appeared in Montreal-based magazines<br />

such as Matrix and the Gazette’s Trends. She<br />

is represented in collections such as the National<br />

Library of Quebec, the Conseil d’estampes de<br />

Quebec, Concordia <strong>University</strong>, The Southern<br />

Graphics Council, Amity Art Foundation,<br />

Georgetown <strong>University</strong>, <strong>University</strong> of Wisconsin,<br />

and the Kohler Library, as well as numerous<br />

private collections.<br />

In past years Tolley’s work has been exhibited in<br />

galleries in Canada, France, Japan, and across<br />

the United <strong>State</strong>s in New York City; Los Angeles;<br />

Washington, DC; Philadelphia; Pittsburgh;<br />

Baltimore; Delaware; North Carolina; Madison,<br />

Wisconsin; New Hampshire; Vermont; Provincetown;<br />

and New Haven.


sHeri HAnCoCk ToMek<br />

Sheri Hancock Tomek earned her Bachelor of<br />

Fine Arts, Associate Degree, and Bachelor of<br />

Design in Visual Communication from the Nova<br />

Scotia College of Art and Design in Halifax,<br />

Canada. She was awarded an Endowment<br />

Fund scholarship and a Centennial scholarship<br />

during this time. In 1991 she received an<br />

Elizabeth Greenshields Grant for her fine art<br />

work. After spending five years working for the<br />

Swiss visual communications firm, Gottschalk<br />

+ Ash International, in Montreal, Quebec, Sheri<br />

went on to complete her Master of Arts at the<br />

<strong>University</strong> of Iowa. She spent 2002 studying and<br />

monitoring at the Art Students League in New<br />

York City. Sheri is currently a Board Member<br />

and Studio Manager at Two Rivers Printmaking<br />

Studio. Sheri has exhibited her work at Acadia<br />

<strong>University</strong> Gallery, Wolfville, Nova Scotia; the Art<br />

Students League, New York City; the Confederate<br />

Center, Charlottetown, Prince Edward Island; the<br />

Duke of Argyle Gallery, Halifax, Nova Scotia; the<br />

Inn Gallery, Kentville, Nova Scotia; Kensington<br />

Paperworks in Calgary, Alberta; Two Rivers<br />

Printmaking Studio, and is currently represented<br />

by McGowan Fine Arts in Concord, NH. She<br />

has participated in numerous group shows in a<br />

variety of locations with members of Two Rivers<br />

Printmaking Studio including AVA Gallery, Lebanon,<br />

New Hampshire; Bridgewater Mill Gallery,<br />

Bridgewater, Vermont; The Flynn Dog Gallery,<br />

Burlington, Vermont; Franklin Pierce Law Center,<br />

Concord, New Hampshire; Ledyard Gallery in the<br />

Howe Library, Hanover, New Hampshire; and the<br />

Shelburne Art Gallery in Burlington, Vermont.<br />

sHerYl TrAinor<br />

b. Quincy, Massachusetts, 1955<br />

Massachusetts College of Art, 1973-1976<br />

<strong>University</strong> of Massachusetts, Boston, BA,<br />

English, 1985<br />

Sheryl Trainor returned to art-making after a long<br />

absence when she moved to Vermont in 1995. She<br />

has studied with many of the fine artists living in<br />

the Upper Valley and is a signature member and<br />

past secretary of the Vermont Watercolor Society.<br />

Her work has been exhibited at Gallery North<br />

Star and the Southern Vermont Art Center in<br />

Manchester, Vermont; the Reed Gallery, Chester,<br />

Vermont; AVA Gallery and Art Center, Lebanon,<br />

New Hampshire; Red Roof Gallery, Enfield, New<br />

Hampshire; Pegasus Gallery, Quechee, Vermont;<br />

and Two Rivers Printmaking Studio. She is a<br />

member of the Board of Two Rivers Printmaking<br />

Studio and served on the <strong>Portfolio</strong> 2008 Committee.<br />

nAnCY wiGHTMAn<br />

b. Framingham, Massachusetts, 1937<br />

New England College, Psychology and Sociology,<br />

BA, 1985<br />

Nancy Wightman is an oil painter and a printmaker.<br />

Though largely self-taught, Wightman has<br />

studied painting and printmaking at the AVA<br />

Gallery and Art Center in Lebanon, New Hampshire,<br />

and at Two Rivers Printmaking Studio, including<br />

printmaking courses with Jose Clemente<br />

Orozco III and Brian D. Cohen. Wightman is a<br />

founding member of Two Rivers Printmaking<br />

Studio. She has participated in <strong>Portfolio</strong> 2004,<br />

2006, 2008, and served on all three <strong>Portfolio</strong><br />

Committees.<br />

BerT YArBoroUGH<br />

b. Miami, Florida, 1946<br />

<strong>University</strong> of Iowa, MFA, 1973<br />

<strong>University</strong> of Iowa, BFA, 1971<br />

Clemson <strong>University</strong>, BFA, Architecture, 1969<br />

Bert Yarborough has received numerous fellowships<br />

and honors, including two Individual<br />

Artist’s Fellowships for painting from the New<br />

Hampshire <strong>State</strong> Council on the Arts; a Fulbright<br />

Fellowship in Scupture (in Nigeria); and a Fellowship<br />

for sculpture from the National Endowment<br />

for the Arts. He has taught at many institutions,<br />

including the Provincetown Fine Arts Work<br />

Center, Harvard <strong>University</strong> and <strong>Plymouth</strong> <strong>State</strong><br />

<strong>University</strong>. He is currently Associate Professor<br />

in the Department of Fine and Performing Arts<br />

at Colby-Sawyer College, New London, New<br />

Hampshire. His work is represented in public<br />

and private collections throughout the country,<br />

including the Hood Museum of Art; Currier Gallery<br />

of Art, Manchester, New Hampshire; Herbert<br />

F. Johnson Museum of Art; and the <strong>University</strong> of<br />

Iowa Art Museum. He is represented by McGowan<br />

Fine Art in Concord, New Hampshire, and<br />

at Artstrand in Provincetown. Yarborough has<br />

a long involvement with Two Rivers Printmaking<br />

Studio as a founding artist, Board Member,<br />

faculty member, and Studio Manager.


Copyright 2008 Two Rivers Printmaking Studio


Two Rivers Printmaking Studio<br />

85 North Main Street, Suite 160<br />

White River Junction, VT 05001<br />

802 295 5901<br />

trps@sover.net<br />

www.tworiversprintmaking.com

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