Portfolio catalogue F.indd - Plymouth State University
Portfolio catalogue F.indd - Plymouth State University
Portfolio catalogue F.indd - Plymouth State University
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Two Rivers Printmaking Studio<br />
Jennifer Anderson<br />
Ian Baldwin<br />
Lois Masor Beatty<br />
Penelope Bennett<br />
Susan Airris Berry<br />
Amparo Carvajal-Hufschmid<br />
Javier Cintron<br />
Betsey Garand<br />
Daniel Gottsegen<br />
Rachel Gross<br />
Louise Hamlin<br />
Ann Audley Holloway<br />
Debra Jayne<br />
Jenevieve Alyssa Johnson<br />
Judy Lampe<br />
Carol Lippman<br />
Nori Lupfer<br />
Elizabeth Mayor<br />
Mary Mead<br />
Josh Melrod<br />
Sue Schiller<br />
Rebekah A. L. Tolley<br />
Sheri Hancock Tomek<br />
Sheryl Trainor<br />
Nancy Wightman<br />
Bert Yarborough<br />
<strong>Portfolio</strong> 2008
CONTENTS<br />
1 Introduction<br />
2 Jennifer Anderson<br />
Ian Baldwin<br />
3 Lois Masor Beatty<br />
Penelope Bennett<br />
4 Susan Airris Berry<br />
Amparo Carvajal-Hufschmid<br />
5 Javier Cintron<br />
Betsey Garand<br />
6 Daniel Gottsegen<br />
Rachel Gross<br />
7 Louise Hamlin<br />
Ann Audley Holloway<br />
8 Debra Jayne<br />
Jenevieve Alyssa Johnson<br />
9 Judy Lampe<br />
Carol Lippman<br />
10 Nori Lupfer<br />
Elizabeth Mayor<br />
11 Mary Mead<br />
Josh Melrod<br />
12 Sue Schiller<br />
Rebekah A. L. Tolley<br />
13 Sheri Hancock Tomek<br />
Sheryl Trainor<br />
14 Nancy Wightman<br />
Bert Yarborough<br />
15 – 20 Biographies
Two Rivers Printmaking Studio is pleased to present <strong>Portfolio</strong> 2008, our<br />
third limited-edition collection of prints. Since April of 2001, we have<br />
sought to build interest in the art and history of prints through classes,<br />
exhibitions, and lectures by artists, curators, and collectors. Our studio<br />
attracts outstanding faculty from all over New England to teach both<br />
innovative and traditional printmaking in workshops open to the public,<br />
as well as to our artist members. Every year, artists who join Two Rivers<br />
bring fresh insights and talent, keeping us energized and vibrant.<br />
<strong>Portfolio</strong> 2008 features work by twenty-six artist members and faculty-<br />
from Vermont and New Hampshire. Each artist has contributed an edition<br />
limited to thirty-seven prints and six artist’s proofs, done exclusively for<br />
this portfolio, and covering a wide range of old and new techniques. Each<br />
group of prints is protected in a custom-made archival box.<br />
Two Rivers Printmaking Studio is a teaching and learning workspace run<br />
cooperatively by a group of dedicated member artists. We are located in<br />
the former Tip Top Bakery building in White River Junction, Vermont, an<br />
historic river and rail industrial town which recently has attracted many<br />
arts-related organizations.
2<br />
Jennifer Anderson<br />
Passage<br />
8” x 6”<br />
Shaped plate,<br />
hard-ground etching<br />
with aquatint<br />
iAn BAldwin<br />
What is That?<br />
15” x 11”<br />
Woodcut
lois MAsor BeATTY<br />
Intersecting<br />
6” x 6”<br />
Monoprint, drypoint,<br />
multiple plates,<br />
surface rolls<br />
PeneloPe BenneTT<br />
Still Life With Scroll<br />
8” x 8”<br />
Drypoint<br />
3
sUsAn Airris BerrY<br />
Untitled<br />
5” x 5”<br />
Solar plate, chine collé<br />
AMPAro CArvAJAl-<br />
HUfsCHMid<br />
H. S. I.<br />
7” x 6”<br />
Four-block woodcut<br />
4
JAvier CinTron<br />
Downward Turn<br />
10” x 10.5”<br />
Linocut, chine collé<br />
BeTseY GArAnd<br />
Frond<br />
2” x 1”<br />
Drypoint<br />
5
6<br />
dAniel GoTTseGen<br />
Winter Wanderung<br />
5” x 6”<br />
Reduction block print<br />
rACHel Gross<br />
Tethered<br />
15” x 11”<br />
Etching with relief and<br />
polyester-plate lithography
loUise HAMlin<br />
Watermelon<br />
7” x 5.5”<br />
Soft-ground etching<br />
with surface roll<br />
Ann AUdleY HollowAY<br />
Aurora<br />
8.5”x 5.5”<br />
Monoprint<br />
7
deBrA JAYne<br />
Untitled<br />
6”x 4”<br />
Woodcut<br />
Jenevieve AlYssA<br />
JoHnson<br />
She Cut Her Hair for Freedom<br />
10” x 8”<br />
Paperplate litho, chine collé,<br />
woodcut<br />
8
JUdY lAMPe<br />
Introspection<br />
5” x 5”<br />
soft-ground etching,<br />
aquatint, drypoint,<br />
chine collé<br />
CArol liPPMAn<br />
Old Logging Road –<br />
W. Newbury, VT<br />
6 3/4” x 6 3/4”<br />
Two solar plates<br />
9
10<br />
nori lUPfer<br />
Valencia Archway<br />
12.25” x 8.25”<br />
Collagraph, solar plate,<br />
linocut, chine collé<br />
elizABeTH MAYor<br />
Utubes<br />
6” x 6”<br />
Woodcut, chine collé
MArY MeAd<br />
Untitled<br />
3” x 4”<br />
Relief print, chine collé<br />
JosH Melrod<br />
Tres Hombres<br />
7” x 9.5”<br />
Hard-ground etching<br />
11
12<br />
sUe sCHiller<br />
Untitled<br />
8” x 7”<br />
Etching, shaped plate<br />
reBekAH A. l. TolleY<br />
Inedible II<br />
9.5” x 3.5”<br />
Polyester-plate lithograph,<br />
chine collé
sHeri HAnCoCk<br />
ToMek<br />
Double Negative<br />
6.5” x 3”<br />
Monoprint, chine collé<br />
sHerYl TrAinor<br />
Mr. Morgan¹s Horse<br />
8” x 6”<br />
Woodcut<br />
13
14<br />
nAnCY wiGHTMAn<br />
The Tibetan Wheel<br />
of Becoming<br />
8” round<br />
Etching, woodcut<br />
BerT YArBoroUGH<br />
Landed<br />
7” x 11.5”<br />
Two block woodcut
Jennifer Anderson<br />
b. Ware, Massachusetts<br />
<strong>University</strong> of Connecticut, BFA, 1989<br />
Jennifer Anderson concentrates on stone lithography,<br />
etching, and relief printing. She has exhibited<br />
throughout New England, and her work is in<br />
collections nationwide. She has also worked as a<br />
graphic designer, illustrator and calligrapher. Anderson<br />
is spending this year in California, where<br />
she is a member of the Monterey Peninsula<br />
College Fine Art Print Club. She has exhibited<br />
with this club for the past eight months and serves<br />
as its secretary. She is also a member of the<br />
California Society of Printmakers.<br />
Since 2001 Anderson has been an Artist Member<br />
of Two Rivers Printmaking Studio, where she<br />
teaches printmaking and served on the Board<br />
of Directors. At Two Rivers she printed a set of<br />
lithographic editions for New Hampshire artist<br />
Clifford West, a project funded by the Vermont<br />
Arts Council. In 2007 she was a resident artist at<br />
the Vermont Studio Center. Anderson has a BFA<br />
in Printmaking from the <strong>University</strong> of Connecticut<br />
and did graduate work in printmaking and<br />
education at Eastern Connecticut <strong>State</strong> <strong>University</strong><br />
and the <strong>University</strong> of Connecticut.<br />
iAn BAldwin<br />
Ian Baldwin began making prints at the Taller de<br />
Rufino Tamayo in Oaxaca, Oaxaca during 1997 –<br />
98. He returned to the United <strong>State</strong>s and founded<br />
Two Rivers Printmaking Studio in 2000. After a<br />
five-year leave of absence he returned to making<br />
prints in 2006.<br />
lois MAsor BeATTY<br />
b. Chicago, Illinois<br />
Oberlin College, 1961 – 1963<br />
<strong>University</strong> of Massachusetts, Boston, BA in Politics,<br />
High Honors, 1972<br />
other: School of the Museum of Fine Arts, Boston;<br />
Massachusetts College of Art; Rugg Road Papers<br />
and Prints; Two Rivers Printmaking Studio<br />
Lois Beatty, an Artist Member of Two Rivers<br />
Printmaking Studio, is on its Board of Directors<br />
and served on its 2004, 2006, and 2008 <strong>Portfolio</strong><br />
Committees. She has exibited nationally, and her<br />
art has been purchased by public and private<br />
collections, including Fidelity Investments, The<br />
Washington Post, IBM, Eastman Pharmaceuticals,<br />
The New Republic, and Emily’s List. Juried shows<br />
include the Provincetown Art Association and<br />
Museum’s Second Annual Prize Competition<br />
(juror, Grace Glueck, the New York Times); the<br />
South Shore Art Center’s All-New England Juried<br />
Exhibition (First Prize, Graphics); the Two Rivers<br />
“Momenta II” competion (Juror’s Prize awarded<br />
by Sharon Matt Atkins, Assistant Curator,<br />
Currier Museum of Art). Her prints are in the<br />
2004 and 2006 TRPS portfolios purchased by<br />
the Currier Museum of Art, Dartmouth’s Hood<br />
Museum, the Dartmouth-Hitchcock Medical<br />
Center, the <strong>University</strong> of Vermont’s Bailey/Howe<br />
Library (Special Collections), and <strong>Plymouth</strong><br />
<strong>State</strong> <strong>University</strong>.<br />
PeneloPe BenneTT<br />
b. London, England<br />
Artist Member Penelope Bennett was born in<br />
London, England, and came to the United <strong>State</strong>s<br />
to attend college in New York. After graduating,<br />
she designed animated films, corporate logos,<br />
and textile designs. She returned to Europe to do<br />
fine art, working for thirteen years in Catalunya,<br />
Spain. Later, she returned to the United <strong>State</strong>s,<br />
and settled in Vermont. Her work is in many<br />
public collections, including Guild Hall, New<br />
York; Museo d Arte Contemporaneo, Spain;<br />
Muse De Bellas Artes, Mexico; Museum of<br />
Modern Art, Barcelona, Spain; and the Museum<br />
of the <strong>University</strong> of New Hampshire.<br />
sUsAn Airris BerrY<br />
b. Boston, Massachusetts<br />
Boston <strong>University</strong>, Boston, Massachusetts,<br />
BS, 1981<br />
Susan Airris Berry is a nationally-published<br />
illustrator and designer. Her long list of clients<br />
and assignments include editorial illustration<br />
and design for book, newspaper and magazine<br />
publishers, as well as businesses focusing on the<br />
environment, science and history. She studied<br />
traditional printmaking in college and nontraditional<br />
techniques most recently with TRPS.<br />
Berry has exhibited her work with Two Rivers<br />
Printmaking Studio, AVA Gallery, Shelburne<br />
Farm Museum, Sharon Arts Gallery, Isalos Fine<br />
Art, Spheris Gallery, and other venues in New<br />
England. She is a Board Member of Two Rivers<br />
Printmaking Studio.<br />
AMPAro CArvAJAl-HUfsCHMid<br />
Amparo Carvajal-Hufschmid’s prints exhibit a<br />
richly-layered complexity that is not typically<br />
associated with the technique of woodcut and<br />
achieve a surprising level of visual depth as a<br />
result. She has exhibited at the Hood Museum<br />
of Art, Dartmouth College; Museo de Arte<br />
Moderno in Bucaramanga, Colombia; Icon Contemporary<br />
Art in Brunswick, Maine and other<br />
venues in New England. She is represented by<br />
Spheris Gallery in Hanover, New Hampshire and<br />
Reeves Contemporary in New York City.
JAvier CinTron<br />
b. Puerto Rico,1967<br />
Puerto Rican/Nuyorican artist Javier Cintron,<br />
divides his time among Puerto Rico, New York<br />
City and Vermont. He frequently combines<br />
printing, collage and watercolor techniques to<br />
create eye-catching art reflecting cultural ties to<br />
his Puerto Rican homeland, as well as his island<br />
and mainland experiences as an individual struggling<br />
to define himself while traveling between<br />
the two and living in both. He sees the airplane,<br />
which frequently recurs in his work, as an icon<br />
representing his Nuyorican identity pulling him<br />
between two places. Another frequently recurring<br />
metaphor is the Goya brand food label, a<br />
symbol of his Puerto Rican/Latino roots.<br />
Cintron studied fine arts in the Dominican<br />
Republic; restoration of works on paper and<br />
mural techniques at La Escuela de Churrubusco<br />
in Mexico City; and printmaking at Escuela de<br />
Artes Plasticas, San Juan, Puerto Rico, and<br />
the Parsons School of Design. In New York he<br />
ran master printer Bob Blackburn’s renowned<br />
Printmaking Workshop. He also worked at<br />
Alvares Fine Art Restoration in paper conservation<br />
until recently, when he decided to spend<br />
more time in Vermont. He has taught at Two<br />
Rivers and was in its 2004 <strong>Portfolio</strong>.<br />
BeTseY GArAnd<br />
Betsey Garand recently completed a series of<br />
prints for a collaboration with the Mexican poet,<br />
Juan Armando Rojas, and published in the book<br />
of poetry: Ceremonial of Wind. Her work is<br />
in numerous public collections including the<br />
Santa Barbara Museum of Art, California <strong>State</strong><br />
<strong>University</strong> at Long Beach’s Museum of Art,<br />
Grunwald Center for the Graphic Arts at UCLA’s<br />
Hammer Museum, Arkansas Arts Center, Tokyo<br />
Geijutsu Daigaku, Japan and The Art Museum of<br />
Estonia Special Collections. Other portfolios she<br />
is included in are: Across the Grain: An American<br />
Woodcut <strong>Portfolio</strong> by California <strong>State</strong> <strong>University</strong>,<br />
Long Beach; Another New Zealand, Another<br />
United <strong>State</strong>s by the <strong>University</strong> of Colorado,<br />
Boulder and Mockery, published by Cannonball<br />
Press. Betsey has received a Pollock-Krasner<br />
Foundation Grant and fellowships at Dorland<br />
Mountain Arts Colony and the MacDowell<br />
Colony. She exhibits here and abroad. She has<br />
been on the faculty at Princeton <strong>University</strong> and<br />
Queens College CUNY. She is currently head of<br />
printmaking at Amherst College.<br />
dAniel GoTTseGen<br />
Painter Daniel Gottsegen lives and works in rural<br />
Vermont. His work explores our relationship<br />
with the natural environment – most recently the<br />
landscapes of New England. He sometimes uses<br />
technology to arrive at his images: juxtaposing<br />
scenes and abstracting through technological<br />
mediation. This process, often beginning on long<br />
solo treks in the wilderness, evokes a multi-layered<br />
sense of meaning and depth. His work has<br />
been exhibited nationally, including one-person<br />
shows at the Feick Gallery at Green Mountain<br />
College; the Karpeles Museum in Santa Barbara;<br />
Sylvia White Gallery in Santa Monica; Perkins<br />
Gallery in Stoughton, Massachusetts; the Prince<br />
Street Gallery in New York City; the Whistler<br />
House Museum in Lowell, Massachusetts; and<br />
Gallery Paule Anglim Gallery and Patricia<br />
Sweetow Gallery, both in San Francisco. His most<br />
recent group exhibit was “Thoreau Reconsidered”<br />
at Wave Hill in New York City. This year<br />
he received a Vermont Arts Council Individual<br />
Artist Creation Grant. He is a juried artist of<br />
the Vermont Arts Council; won the <strong>University</strong><br />
Teaching Excellence Award at <strong>University</strong> of<br />
Massachusetts, Lowell; was an Affiliate Artist at<br />
the Headlands Center for the Arts in Sausalito;<br />
and was a Nevada Artist-in-Residence, as well<br />
as Artist-in-Residence at the Ucross Foundation.<br />
Until recently Gottsegen was an Associate<br />
Professor of painting at the <strong>University</strong> of Massachusetts/Lowell.<br />
He taught for many years at<br />
California College of the Arts in San Francisco,<br />
achieving the rank of full professor. Gottsegen<br />
has a BA from Brown <strong>University</strong>, and an MFA in<br />
Painting from California College of the Arts.<br />
rACHel Gross<br />
Rachel Gross is an artist and printmaker living in<br />
White River Junction. She grew up in Swarthmore,<br />
Pennsylvania, then attended Oberlin College,<br />
where she majored in Religion and Studio<br />
Art. After living in Seattle for several years Rachel<br />
received an MFA in printmaking from Tyler<br />
School of Art in Philadelphia. She next taught<br />
printmaking, drawing, and design at the Savannah<br />
College of Art and Design in Savannah,<br />
Georgia. She is currently a faculty member of the<br />
Center for Cartoon Studies in White River Junction,<br />
where she teaches drawing. Rachel is an Artist<br />
Member and on the Board of Directors at<br />
Two Rivers Printmaking Studio. She has had solo<br />
shows at Norwich <strong>University</strong>, <strong>Plymouth</strong> <strong>State</strong><br />
<strong>University</strong>, and Two Rivers Printmaking Studio.<br />
Her work has been exhibited in many group and<br />
juried shows including the 2007 Mid-Atlantic<br />
Print Center juried show, “Wicked and Wise”.<br />
Her prints are in several major public collections<br />
including the Boston Public Library, The Currier<br />
Museum of Art and the Hood Museum. Rachel
ecently received an Artist Development Grant<br />
from the Vermont Arts Council.<br />
loUise HAMlin<br />
Louise Hamlin received her BFA degree from the<br />
<strong>University</strong> of Pennsylvania, then studied at The<br />
New York Studio School in Paris and New York,<br />
and the Skowhegan School for Sculpture and<br />
Painting in Maine. Her paintings, drawings, and<br />
prints are shown nationally in group and solo exhibitions;<br />
she is represented by the Gross McCleaf<br />
Gallery in Philadelphia. Hamlin has received<br />
awards or fellowships from the Ingram Merrill<br />
Foundation, the New York Foundation for the<br />
Arts, the Mellon Foundation, Vermont Council<br />
on the Arts, as well as Union and Dartmouth<br />
Colleges. She was also awarded residencies at<br />
the Djerassi Foundation in California and the<br />
International School of Art in Italy.<br />
She has published numerous art reviews, provided<br />
cover art for many books and literary magazines,<br />
and collaborated with Coffee House Press to produce<br />
a limited edition of hand-printed poems by<br />
15 poets, each accompanied by an etching of hers.<br />
Her work is included in many public and private<br />
collections, including the Walker Arts Center, the<br />
Metropolitan Transit Authority, the <strong>University</strong> of<br />
Iowa, Bryn Mawr College, Swarthmore College,<br />
Otterbein College, Dartmouth College, and the<br />
Wellington Management Co. She has taught at<br />
Union College; Vassar College; the <strong>State</strong> <strong>University</strong><br />
of New York at Purchase; Queens College<br />
of the City <strong>University</strong> of New York; American<br />
<strong>University</strong> in Corciano, Italy; The International<br />
School of Art in Montecastello di Vibio, Italy; and<br />
Provincetown’s Fine Arts Work Center. Hamlin<br />
came to Dartmouth in 1990 and was promoted<br />
with tenure in 1996 and to full professor in 2007.<br />
She has taught painting, drawing, printmaking,<br />
design, freshman and senior seminars, and<br />
figure drawing. A former Chair of the Studio Art<br />
Department, she is currently area head of<br />
Printmaking, and faculty advisor to the Book<br />
Arts Workshop.<br />
Ann AUdleY HollowAY<br />
Ann Audley Holloway is a painter and printmaker.<br />
She graduated from the Putney School and<br />
Antioch College and studied at the Art Students<br />
League in New York City with Robert Beverly<br />
Hale, Robert Philipp, David Leffel, and Leo<br />
Manso. She works in her studio in Hanover, New<br />
Hampshire and in New York City, and teaches<br />
at AVA Gallery and Art Center, Lebanon, New<br />
Hampshire. Holloway’s work is in private<br />
collections in the United <strong>State</strong>s, Portugal and England,<br />
and one of her monotypes, “Voices From the<br />
Sky, 9/11” is in the permanent collection of the<br />
Library of Congress. She is a founding member of<br />
Two Rivers Printmaking Studio.<br />
deBrA JAYne<br />
Debra Jayne is a printmaker and founding<br />
member of Two Rivers Printmaking Studio. She<br />
graduated from the <strong>University</strong> of Washington<br />
in Seattle in 1990 with a BA in art and arrived in<br />
New Hampshire soon afterward. After studying<br />
watercolor with Ann Semprebon and pottery<br />
at the League of New Hampshire Craftsmen in<br />
Hanover, she decided to work primarily as a<br />
printmaker. Jayne has expanded her work in this<br />
field under the tutelage of Matt Brown and Jose<br />
Clemente Orozco III, as well as Brian D. Cohen at<br />
TRPS and recently with Sabra Field in Italy. Jayne<br />
has exhibited at AVA Gallery; Two Rivers Printmaking<br />
Studio; the Franklin Pierce Law School in<br />
Concord, New Hampshire; McIninch Gallery at<br />
Southern New Hampshire <strong>University</strong>; Dartmouth<br />
College; Flynndog in Burlington, Vermont; and<br />
Pegasus Gallery in Quechee, Vermont. In 2004,<br />
her print was accepted for “Momenta I,” at TRPS,<br />
juried by Andrew Witkin, director of Boston’s<br />
Barbara Krakow Gallery. In 2006, her print was<br />
accepted for “Momenta II,” juried by Sharon Matt<br />
Atkins, Assistant Curator, Currier Museum of<br />
Art and another print was accepted into the AVA<br />
juried show. A recent issue of Here in Hanover<br />
magazine featured one of her prints on the front<br />
cover. Her first solo exhibit was at the Ledyard<br />
Gallery in the Howe Library, February of 2007.<br />
Jenevieve AlYssA JoHnson<br />
b. Philadelphia, PA, 1983<br />
When I was about seven or eight, and on a family<br />
vacation, I saw a girl sitting on the side of the<br />
road selling her paintings. It was in that defining<br />
moment I knew I wanted to be an artist. I went<br />
home and drew pictures on Post-It notes and<br />
tried to sell them on my front porch. Although<br />
unsuccessful, I didn’t lose my determination. I<br />
attended St. Lawrence <strong>University</strong> in 2002 with the<br />
plan of studying photography. It wasn’t until I was<br />
blocked out three semesters in a row that I decided<br />
to try printmaking. In 2006, after completing a<br />
solo show of over twenty prints, I graduated with<br />
honors. I currently do all my printmaking at Two<br />
Rivers Printmaking Studio. I have my first solo<br />
show scheduled for April 2009. I plan to attend<br />
graduate school in the next few years.
JUdY lAMPe<br />
b. Worcester, Massachusetts, 1939<br />
Mount Holyoke College, South Hadley, Massachusetts,<br />
1957 – ‘60<br />
The Art Students League, New York City, ‘65 – ‘68,<br />
<strong>University</strong> of Connecticut, Storrs; Worcester Museum<br />
School, Worcester, Massachusetts; Danforth<br />
Museum School, Framingham, Massachusetts,<br />
‘96 – ‘98<br />
Judy Lampe’s work has been shown in solo and<br />
juried group exhibitions throughout the region,<br />
including solo shows at AVA Gallery, Lebanon,<br />
New Hampshire and The Galletly Gallery at The<br />
New Hampton School, New Hampton, New<br />
Hampshire; two-person shows at The Society<br />
for New Hampshire Forests, Concord, New<br />
Hampshire and Two Rivers Printmaking Studio;<br />
juried shows at The Ellison Center for the Arts,<br />
Duxbury, Massachusetts; Sharon Arts Center,<br />
Peterborough, New Hampshire; AVA Gallery in<br />
Lebanon, New Hampshire; and The New Hampshire<br />
Art Institute, Manchester. She was awarded<br />
juror’s recognition prizes at Sharon Arts Center’s<br />
“Black and White Juried Show,” 2005; and at Two<br />
Rivers Printmaking Studio’s juried show, “Momenta<br />
I,” 2005, by Andrew Witkin, Director,<br />
Barbara Krakow Gallery, Boston. She has shown<br />
extensively with members of TRPS at venues such<br />
as The Taylor Gallery, Kimball Union Academy,<br />
Meriden, New Hampshire; Flynndog, Burlington,<br />
Vermont; The Fells, Newbury, New Hampshire;<br />
and McIninch Gallery at Southern New Hampshire<br />
<strong>University</strong>. She was a participating artist in<br />
the 2004 TRPS <strong>Portfolio</strong> of Prints. Lampe is a<br />
founding Artist Member of Two Rivers Printmaking<br />
Studio, a longtime Board Member and <strong>Portfolio</strong><br />
Committee member, 2004 – present. She lives<br />
and works in Enfield, New Hampshire.<br />
CArol liPPMAn<br />
b. New York, New York, 1943<br />
C.W. Post College (Long Island <strong>University</strong>),<br />
MFA, 1987<br />
Queens College (City <strong>University</strong> of New York),<br />
BA, 1965, MA, 1969<br />
A new member of Two Rivers Printmaking<br />
Studio, Carol Lippman divides her time between<br />
West Newbury, Vermont and Syosset, New<br />
York. In addition to being an avid printer, Carol<br />
enjoys making daily collages. Her prints and<br />
collages have been exhibited at group and solo<br />
exhibitions at various Long Island and New<br />
Hampshire venues.<br />
nori lUPfer<br />
Nori Lupfer was raised in West Lebanon, New<br />
Hampshire and graduated from Union College<br />
in 2003. Lupfer has a remarkable background,<br />
which includes freestyle aerial skiing on the U.S.<br />
Ski Team; performing for Ringling Brothers Barnum<br />
and Bailey Circus; and photographing for<br />
“Saturday Night Live,” “The Late Show with Conan<br />
O’Brian” and MSNBC. Lupfer was awarded a<br />
Watson Fellowship in 2003 for her project<br />
“Circuses and Stunts: Photography of Entertainment<br />
in Motion,” and she spent a year traveling in<br />
South America and Europe photographing<br />
circus performers in action.<br />
Currently her work is being displayed at the<br />
Pegasus Gallery in Quechee, Vermont, and the<br />
Waterwheel Gallery on Amelia Island, Florida.<br />
Lupfer recently had a solo exhibition, “Variations,”<br />
at Two Rivers Printmaking Studio. Her<br />
work has been included in several group shows<br />
throughout New Hampshire, Vermont, New York<br />
and Spain, including “L’art del risc: Circ contemporani<br />
catala” (“The Art of Risk: Contemporary<br />
Catalan Circuses”), at the Centre de Cultura<br />
Contemporania de Barcelona, Barcelona, Spain.<br />
Her photographs have been published in L’art<br />
Del Risc: Circ Contemporani Catala (Barcelona:<br />
CCCB, 2006), and El Mon Facinat del Circ (Barcelona:<br />
Viena Edicions, 2007).<br />
elizABeTH MAYor<br />
b. Baltimore, Maryland<br />
Smith College, BA, 1957<br />
Tufts <strong>University</strong>/Boston Museum School,<br />
MFA, 1990<br />
Elizabeth Mayor’s woodcuts are sometimes large<br />
in scale and cut with power tools. At other times<br />
they are small and hand-cut, with the addition<br />
of chine collé and thread. Her sculpture was<br />
included in the American Academy Invitational<br />
Exhibition of Painting and Sculpture in 1993 and<br />
her one-woman shows include Boston’s Alpha<br />
Gallery: St. Gauden’s Historical Site in Cornish,<br />
New Hampshire; and the Currier Museum in<br />
Manchester, New Hampshire, which recently<br />
purchased some of her work for its permanent<br />
collection. Mayor’s work can be seen at McGowan<br />
Fine Art, Concord, New Hampshire; AVA Gallery<br />
and Art Center, Lebanon, New Hampshire;<br />
Reeves Contemporary, New York City; and Two<br />
Rivers Printmaking Studio.<br />
MArY MeAd<br />
b. New York, New York<br />
<strong>University</strong> of Wisconsin, Madison, BS, Fine Arts<br />
with Honors, 1984<br />
Tufts <strong>University</strong>/Boston Museum School,<br />
MFA, 1989<br />
Mary Mead works in both sculpture and<br />
printmaking and since 1989 has exhibited her
work throughout the northeast in solo and group<br />
exhibitions in both public and private institutions,<br />
including the DeCordova Museum and Sculpture<br />
Park in Lincoln, Massachusetts; Dartmouth College,<br />
Hanover, New Hampshire; the Aideckman<br />
Art Center at Tufts <strong>University</strong>, Medford, Massachusetts;<br />
the Sharon Arts Center, Peterborough,<br />
New Hampshire; and the Silvermine Guild Arts<br />
Center, New Canaan, Connecticut. Her work<br />
will be in the Monotype Guild of New England’s<br />
National Show at the Attleboro Museum in<br />
Attleboro, Massachusetts in September. In 2009,<br />
she will have solo exhibitions of her work at the<br />
McCoy Gallery, Merrimack College in North<br />
Andover, Massachusetts, and at AVA Gallery and<br />
Art Center, Lebanon, New Hampshire.<br />
Mead received the Advisory Board Award for her<br />
piece in the Contemporary Sculpture Exhibition<br />
2008 at the Chesterwood Museum, Stockbridge,<br />
Massachusetts. In 2007, she received an Artist<br />
Residency at Caldera Arts in Portland, Oregon,<br />
funded in part by an artist’s opportunity grant<br />
awarded by the New Hampshire <strong>State</strong> Council on<br />
the Arts, and in 2005, a fellowship to attend the<br />
Carving Studio and Sculpture Center in Rutland,<br />
Vermont. Her work is in numerous public and<br />
private collections. Mead is an Adjunct Professor<br />
in the Department of Fine Arts at New Hampshire<br />
Technical Institute and a faculty member of<br />
the Kimball Jenkins School of Art both in Concord,<br />
New Hampshire. She teaches workshops<br />
focused on new non-toxic printmaking methods<br />
at the AVA Gallery and Art Center in Lebanon,<br />
New Hampshire. Mead was an artist member of<br />
TRPS from 2001 – 2006.<br />
JosH Melrod<br />
Josh Melrod attended the MFA program for<br />
creative writing at Washington <strong>University</strong> in St.<br />
Louis, and studied lithography at the Manhattan<br />
Graphics Center in New York City. He is editor<br />
and co-founder of the Land-Grant College Review,<br />
a literary magazine, and, in addition to actively<br />
printmaking, is finishing his first novel.<br />
sUe sCHiller<br />
Schiller graduated with a BA in Fine Arts from<br />
Michigan <strong>State</strong> <strong>University</strong> and subsequently<br />
received a Bachelor of Professional Arts degree in<br />
Advertising and Illustration from the Art Center<br />
School in Los Angeles. She worked for several<br />
years as an art director in New York City ad<br />
agencies, then decided to leave the commercial<br />
business and began working as a printmaker<br />
and painter. She won an award which resulted<br />
in a scholarship to the National Academy, where<br />
she studied the art of the woodcut and wood<br />
engraving. Recently she has been working with<br />
Vijay Kumar, master printer at the Manhattan<br />
Graphics Center. She has shown her paintings,<br />
prints and drawings in several open studio shows<br />
in New York at the Manhattan Graphics Center.<br />
In 2001 she had a one-woman show in Studio<br />
23, Bay City, Michigan. Since becoming a Two<br />
Rivers Printing Studio member she has exhibited<br />
in many of its shows as well as at the Flynndog<br />
Gallery in Burlington, the Pegasus Gallery in<br />
Quechee, Bridgewater Mills Gallery, Bridgewater,<br />
Vermont, and the AVA Gallery (juried exhibition)<br />
in Lebanon, New Hampshire. In October of 2006<br />
her work was accepted as an exhibiting artist in<br />
the Shelburne Art Center Gallery, Shelburne,<br />
Vermont. Sue also took part in the opera exhibit<br />
last month at the Lebanon Opera House. This<br />
past September, she had a one-woman show at<br />
Two Rivers Printmaking Studio. In April of 2008,<br />
Schiller had another solo show at the Manhattan<br />
Graphics Center in New York.<br />
reBekAH A. l. TolleY<br />
Rebekah Tolley is a printmaker and digital media<br />
artist. She received her BFA from Concordia <strong>University</strong><br />
in Montreal, and her MFA from Tyler<br />
School of Art in Philadelphia. She has taught at<br />
<strong>University</strong> of North Carolina, Chapel Hill and is<br />
currently Assistant Professor and Gallery Director<br />
at Colby-Sawyer College, teaching printmaking<br />
and digital media. Rebekah has been involved<br />
in creating digitally-based work for the past eight<br />
years. Her recent work uses digitally-generated<br />
imagery and animation in various forms of presentation.<br />
Out-sourcing for her imagery includes<br />
many of the currently available printing technologies<br />
used on a variety of substrates, liquid crystal<br />
displays or projection installations.<br />
Tolley was awarded the Laureat of the 2000 Prix<br />
Albert-Dumouchel, by the Quebec Print Council.<br />
Her work has appeared in Montreal-based magazines<br />
such as Matrix and the Gazette’s Trends. She<br />
is represented in collections such as the National<br />
Library of Quebec, the Conseil d’estampes de<br />
Quebec, Concordia <strong>University</strong>, The Southern<br />
Graphics Council, Amity Art Foundation,<br />
Georgetown <strong>University</strong>, <strong>University</strong> of Wisconsin,<br />
and the Kohler Library, as well as numerous<br />
private collections.<br />
In past years Tolley’s work has been exhibited in<br />
galleries in Canada, France, Japan, and across<br />
the United <strong>State</strong>s in New York City; Los Angeles;<br />
Washington, DC; Philadelphia; Pittsburgh;<br />
Baltimore; Delaware; North Carolina; Madison,<br />
Wisconsin; New Hampshire; Vermont; Provincetown;<br />
and New Haven.
sHeri HAnCoCk ToMek<br />
Sheri Hancock Tomek earned her Bachelor of<br />
Fine Arts, Associate Degree, and Bachelor of<br />
Design in Visual Communication from the Nova<br />
Scotia College of Art and Design in Halifax,<br />
Canada. She was awarded an Endowment<br />
Fund scholarship and a Centennial scholarship<br />
during this time. In 1991 she received an<br />
Elizabeth Greenshields Grant for her fine art<br />
work. After spending five years working for the<br />
Swiss visual communications firm, Gottschalk<br />
+ Ash International, in Montreal, Quebec, Sheri<br />
went on to complete her Master of Arts at the<br />
<strong>University</strong> of Iowa. She spent 2002 studying and<br />
monitoring at the Art Students League in New<br />
York City. Sheri is currently a Board Member<br />
and Studio Manager at Two Rivers Printmaking<br />
Studio. Sheri has exhibited her work at Acadia<br />
<strong>University</strong> Gallery, Wolfville, Nova Scotia; the Art<br />
Students League, New York City; the Confederate<br />
Center, Charlottetown, Prince Edward Island; the<br />
Duke of Argyle Gallery, Halifax, Nova Scotia; the<br />
Inn Gallery, Kentville, Nova Scotia; Kensington<br />
Paperworks in Calgary, Alberta; Two Rivers<br />
Printmaking Studio, and is currently represented<br />
by McGowan Fine Arts in Concord, NH. She<br />
has participated in numerous group shows in a<br />
variety of locations with members of Two Rivers<br />
Printmaking Studio including AVA Gallery, Lebanon,<br />
New Hampshire; Bridgewater Mill Gallery,<br />
Bridgewater, Vermont; The Flynn Dog Gallery,<br />
Burlington, Vermont; Franklin Pierce Law Center,<br />
Concord, New Hampshire; Ledyard Gallery in the<br />
Howe Library, Hanover, New Hampshire; and the<br />
Shelburne Art Gallery in Burlington, Vermont.<br />
sHerYl TrAinor<br />
b. Quincy, Massachusetts, 1955<br />
Massachusetts College of Art, 1973-1976<br />
<strong>University</strong> of Massachusetts, Boston, BA,<br />
English, 1985<br />
Sheryl Trainor returned to art-making after a long<br />
absence when she moved to Vermont in 1995. She<br />
has studied with many of the fine artists living in<br />
the Upper Valley and is a signature member and<br />
past secretary of the Vermont Watercolor Society.<br />
Her work has been exhibited at Gallery North<br />
Star and the Southern Vermont Art Center in<br />
Manchester, Vermont; the Reed Gallery, Chester,<br />
Vermont; AVA Gallery and Art Center, Lebanon,<br />
New Hampshire; Red Roof Gallery, Enfield, New<br />
Hampshire; Pegasus Gallery, Quechee, Vermont;<br />
and Two Rivers Printmaking Studio. She is a<br />
member of the Board of Two Rivers Printmaking<br />
Studio and served on the <strong>Portfolio</strong> 2008 Committee.<br />
nAnCY wiGHTMAn<br />
b. Framingham, Massachusetts, 1937<br />
New England College, Psychology and Sociology,<br />
BA, 1985<br />
Nancy Wightman is an oil painter and a printmaker.<br />
Though largely self-taught, Wightman has<br />
studied painting and printmaking at the AVA<br />
Gallery and Art Center in Lebanon, New Hampshire,<br />
and at Two Rivers Printmaking Studio, including<br />
printmaking courses with Jose Clemente<br />
Orozco III and Brian D. Cohen. Wightman is a<br />
founding member of Two Rivers Printmaking<br />
Studio. She has participated in <strong>Portfolio</strong> 2004,<br />
2006, 2008, and served on all three <strong>Portfolio</strong><br />
Committees.<br />
BerT YArBoroUGH<br />
b. Miami, Florida, 1946<br />
<strong>University</strong> of Iowa, MFA, 1973<br />
<strong>University</strong> of Iowa, BFA, 1971<br />
Clemson <strong>University</strong>, BFA, Architecture, 1969<br />
Bert Yarborough has received numerous fellowships<br />
and honors, including two Individual<br />
Artist’s Fellowships for painting from the New<br />
Hampshire <strong>State</strong> Council on the Arts; a Fulbright<br />
Fellowship in Scupture (in Nigeria); and a Fellowship<br />
for sculpture from the National Endowment<br />
for the Arts. He has taught at many institutions,<br />
including the Provincetown Fine Arts Work<br />
Center, Harvard <strong>University</strong> and <strong>Plymouth</strong> <strong>State</strong><br />
<strong>University</strong>. He is currently Associate Professor<br />
in the Department of Fine and Performing Arts<br />
at Colby-Sawyer College, New London, New<br />
Hampshire. His work is represented in public<br />
and private collections throughout the country,<br />
including the Hood Museum of Art; Currier Gallery<br />
of Art, Manchester, New Hampshire; Herbert<br />
F. Johnson Museum of Art; and the <strong>University</strong> of<br />
Iowa Art Museum. He is represented by McGowan<br />
Fine Art in Concord, New Hampshire, and<br />
at Artstrand in Provincetown. Yarborough has<br />
a long involvement with Two Rivers Printmaking<br />
Studio as a founding artist, Board Member,<br />
faculty member, and Studio Manager.
Copyright 2008 Two Rivers Printmaking Studio
Two Rivers Printmaking Studio<br />
85 North Main Street, Suite 160<br />
White River Junction, VT 05001<br />
802 295 5901<br />
trps@sover.net<br />
www.tworiversprintmaking.com