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Marimba and wind ensemble by david gillingham, xl

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Education degree in 1977. He immediately pursued a Ph.D. in Composition from Michigan State<br />

University, which he completed in 1980.<br />

Gillingham studied composition with Roger Dennis, Jere Hutcheson, James Niblock, <strong>and</strong><br />

H. Owen Reed. 7 Gillingham writes that he “grew up in a Methodist tradition, but was an active<br />

church organist in several Pres<strong>by</strong>terian <strong>and</strong> Methodist churches.” 8 Liturgical music <strong>and</strong> strong<br />

ties to the church have been fixtures in his life <strong>and</strong> are reflected in his music. In addition to the<br />

marimba, he has written concerti for clarinet, alto saxophone, trumpet, bass trombone,<br />

euphonium, brass quintet, wood<strong>wind</strong> quintet, <strong>and</strong> piano. 9<br />

Theoretical Analysis<br />

The following is a theoretical analysis of Gillingham’s Concerto for <strong>Marimba</strong> <strong>and</strong> Wind<br />

Ensemble, which was commissioned <strong>by</strong> a consortium of schools <strong>and</strong> performers headed <strong>by</strong><br />

Professor Marc Wooldridge of Northwestern College in Orange City, Iowa. 10 The work was<br />

completed in 2006, <strong>and</strong> underwent minor revisions prior to publication on January 1, 2008. The<br />

premiere performance of Concerto for <strong>Marimba</strong> <strong>and</strong> Wind Ensemble occurred on November 10<br />

2006. 11<br />

Sound<br />

In Concerto for <strong>Marimba</strong> <strong>and</strong> Wind Ensemble, Gillingham employs heavy use of layering<br />

in the <strong>ensemble</strong>. Gillingham has identified this as a typical characteristic of his approach to<br />

scoring for <strong>wind</strong> b<strong>and</strong>, analogous to an organist who pulls stops at the keyboard. 12 His organ-like<br />

7<br />

Salzman, Timothy, ed., David Gillingham, vol 1, A Composer’s Insight: Thoughts, Analysis <strong>and</strong><br />

Commentary on Contemporary Masterpieces for Wind B<strong>and</strong>, <strong>by</strong> Raydell Bradley <strong>and</strong> J. Bradley McDasvid<br />

(Galesville, MD: Meredith Music Publications, 2003), 47.<br />

8<br />

David Gillingham, RE: Wisconsin/<strong>Marimba</strong> Concerto, 22 February 2008.<br />

9<br />

David Gillingham, “Composer Spotlight: David Gillingham pt. 2,” Podcast <strong>by</strong> C-Alan<br />

Publications.,Interview <strong>by</strong> Nathan Daughtry, <br />

(accessed February 2, 2008).<br />

10<br />

David Gillingham, Concerto for <strong>Marimba</strong> <strong>and</strong> Wind Ensemble, (Greensboro, NC: C. Alan Publications,<br />

2008), i.<br />

11<br />

Marc Wooldridge, “IWU Music Faculty,” (accessed April 4, 2008).<br />

12<br />

David Gillingham, “Composer Spotlight: David Gillingham pt. 1.”<br />

2

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