Marimba and wind ensemble by david gillingham, xl

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Table of Contents List of Figures ................................................................................................................................ vi List of Tables ............................................................................................................................... viii Dedication ...................................................................................................................................... ix Preface ............................................................................................................................................. x CHAPTER 1 - Concerto for <strong>Marimba</strong> <strong>and</strong> Wind Ensemble........................................................... 1 Biographical Information on the Composer ............................................................................... 1 Theoretical Analysis ................................................................................................................... 2 Sound ...................................................................................................................................... 2 Harmony ................................................................................................................................. 5 Melody .................................................................................................................................... 8 Rhythm .................................................................................................................................... 9 Growth .................................................................................................................................. 12 Performance .......................................................................................................................... 13 CHAPTER 2 - XL Plus One ......................................................................................................... 15 Biographical Information on the Composer ............................................................................. 15 Theoretical Analysis ................................................................................................................. 16 Sound .................................................................................................................................... 16 Harmony ............................................................................................................................... 17 Melody .................................................................................................................................. 18 Rhythm .................................................................................................................................. 19 Growth .................................................................................................................................. 20 Performance .......................................................................................................................... 21 CHAPTER 3 - March from Eight Pieces for Four Timpani ......................................................... 22 Biographical Information on the Composer ............................................................................. 22 Theoretical Analysis ................................................................................................................. 23 Sound .................................................................................................................................... 24 Timbre ............................................................................................................................... 24 Texture .............................................................................................................................. 25 iv
Dynamics .......................................................................................................................... 26 Harmony ............................................................................................................................... 27 Melody .................................................................................................................................. 28 Rhythm .................................................................................................................................. 28 Growth .................................................................................................................................. 30 Performance .......................................................................................................................... 31 CHAPTER 4 - 42 nd Street Rondo ................................................................................................. 32 Biographical Information on the Composer ............................................................................. 32 Theoretical Analysis ................................................................................................................. 33 Sound .................................................................................................................................... 33 Melody .................................................................................................................................. 33 Rhythm .................................................................................................................................. 35 Growth .................................................................................................................................. 36 Performance .......................................................................................................................... 37 CHAPTER 5 - Oceanus ................................................................................................................ 38 Biographical Information on the Composers ............................................................................ 38 Steve Houghton ..................................................................................................................... 38 Wendell Yuponce .................................................................................................................. 39 Theoretical Analysis ................................................................................................................. 40 Sound .................................................................................................................................... 41 Timbre ............................................................................................................................... 41 Texture .............................................................................................................................. 42 Harmony ............................................................................................................................... 43 Melody .................................................................................................................................. 44 Rhythm .................................................................................................................................. 45 Performance .......................................................................................................................... 48 Sources Consulted ......................................................................................................................... 49 v
Page 1 and 2: AN EXAMINATION OF SELECTED WORKS FO
Page 3: Abstract This is a report intended
Page 7 and 8: Figure 3.10 - mm. 39-45: 3/8 Meter
Page 9 and 10: Dedication This report is dedicated
Page 11 and 12: CHAPTER 1 - Concerto for Marimba an
Page 13 and 14: treatment of the ensemble results f
Page 15 and 16: Gillingham utilizes idiomatic devic
Page 17 and 18: Movement two is a chaconne; therefo
Page 19 and 20: Figure 1.7 - Mvt. II, mm. 29-32: Ne
Page 21 and 22: Figure 1.10 - Mvt. I, mm. 212-215:
Page 23 and 24: Table 1.2 - Formal Diagram of Mvt.
Page 25 and 26: CHAPTER 2 - XL Plus One Biographica
Page 27 and 28: Etler creates textural contrast by
Page 29 and 30: Figure 2.5 - Ascending Melodic Cont
Page 31 and 32: Performance XL Plus One is a massiv
Page 33 and 34: Carter’s oeuvre consists of nearl
Page 35 and 36: Figure 3.2 - mm. 1-2: Notation of R
Page 37 and 38: In the opening section, frequent cr
Page 39 and 40: Figure 3.10 - mm. 39-45: 3/8 Meter
Page 41 and 42: ecapitulation with a dynamic markin
Page 43 and 44: Theoretical Analysis The following
Page 45 and 46: Figure 4.3 - m. 21: Tom Melody One
Page 47 and 48: eturn to eighth notes is marked pia
Page 49 and 50: premiere professional organization
Page 51 and 52: for younger percussionists. The end
Page 53 and 54: continuously adds punctuation to th
Page 55 and 56:
Figure 5.4 - mm. 148-157: Typical M
Page 57 and 58:
Figure 5.8 - mm. 158-186: Snare Dru
Page 59 and 60:
Sources Consulted Adams, Daniel.
Page 61 and 62:
________. “Composer Profile: Davi
Page 63 and 64:
Marshal, Ingram D. “Siegel, Wayne
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Marimba and wind ensemble by david gillingham, xl

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