EVERWOOD by Greg Berlanti

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CONTINUED: (2) DOCTOR BROWN Certain cultures refer to this motion as dancing. JULIA But there's no music. DOCTOR BROWN Shhh. Yes there is. There's Gershwin. And there's Sinatra. I think there's even a little Dionne Warwick thrown in, but I can't be sure. They dance for a moment. Lost in the romance. Andy, I... JULIA DOCTOR BROWN I know. Me too. A NEW ANGLE ON THE DOORWAY Reveals Delia watching her father. She's in her pajamas, her bedtime book dangles from her hand. DELIA'S POV Andy's dancing with no one. BACK ON DELIA Sad and frightened, she slinks unnoticed back to her room. FADE OUT. END OF ACT TWO. (CONTINUED) 36.
CONTINUED: (3) ACT THREE FADE UP ON: EXT. MAIN STREET. MORNING. A WIDE SHOT of the whole town in the sleepy sunlight. Framing either side of the image are THE TWO DOCTOR'S OFFICES. NARRATOR (V.O.) October the first, 2002. As of this day, the township of Everwood, Colorado, was officially in possession, of not just one, but two family doctors. CLOSE ON Andy's SUV as it pulls up to the curb. Abbott's car is only seconds behind. Both men park and get out. NARRATOR (V.O.) To see the men together was like getting at the sun and the moon at the same time. The men pace side-<strong>by</strong>-side up the walk. DOCTOR BROWN Good morning, Doctor. It was. DOCTOR ABBOTT DOCTOR BROWN Is that a real bow-tie? DOCTOR ABBOTT It's not a clip-on, if that's what you mean. DOCTOR BROWN I've seen some well tied bow ties in time. But that has such shape, such buoyancy. It's remarkable. DOCTOR ABBOTT Are you done blathering? Because one of us has patients to attend to. DOCTOR BROWN Y'know, I was thinking last night you look vaguely familiar to me. DOCTOR ABBOTT Perhaps I remind you of one of the inmates you knew at whatever asylum you escaped from. (CONTINUED) 37.
Page 1 and 2: PROLOGUE. OVER BLACK WE HEAR. EVERW
Page 3 and 4: CONTINUED: (2) DELIA They should be
Page 5 and 6: DISSOLVE TO: LATER. The clock now r
Page 7 and 8: CONTINUED: Saddlebrook smiles as th
Page 9 and 10: ACT ONE FADE UP ON: A MONTAGE OF EV
Page 11 and 12: CONTINUED: Outside, a HORN. DELIA I
Page 13 and 14: CONTINUED: Andy turns. Next-door st
Page 15 and 16: CONTINUED: PRETTY GIRL Wow. You hav
Page 17 and 18: CONTINUED: DOCTOR BROWN (cont'd) Is
Page 19 and 20: CONTINUED: BRENDA BAXWORTH Did I me
Page 21 and 22: ACT TWO FADE UP ON: The stylistic a
Page 23 and 24: CONTINUED: DOCTOR BROWN I'm making
Page 25 and 26: CONTINUED: DOCTOR ABBOTT I'll be da
Page 27 and 28: CONTINUED: (2) DOCTOR ABBOTT The ot
Page 29 and 30: CONTINUED: EPHRAM This? It's called
Page 31 and 32: CONTINUED: DICKHEAD TEENAGER #1 Dud
Page 33 and 34: CONTINUED: EPHRAM What're you doing
Page 35: CONTINUED: DOCTOR BROWN I think I'd
Page 39 and 40: CONTINUED: Doc Brown looks around f
Page 41 and 42: CONTINUED: BRENDA BAXWORTH Edna Wal
Page 43 and 44: CONTINUED: DELIA I think my Dad's s
Page 45 and 46: CONTINUED: (2) EDNA You realize by
Page 47 and 48: CONTINUED: (2) She yanks Bright off
Page 49 and 50: CONTINUED: DOCTOR BROWN I though yo
Page 51 and 52: CONTINUED: Just then, Samuel traips
Page 53 and 54: ACT FOUR FADE UP ON: EXT. MAIN STRE
Page 55 and 56: CONTINUED: You quit. DOCTOR ABBOTT
Page 57 and 58: CONTINUED: MAYOR'S ASSISTANT Yes, b
Page 59 and 60: CONTINUED: (2) DOCTOR ABBOTT I've g
Page 61 and 62: CONTINUED: (2) EDNA (cont'd) That's
Page 63 and 64: CONTINUED: JULIA Call me an optimis
Page 65 and 66: CONTINUED: EPHRAM I felt like it. T

EVERWOOD by Greg Berlanti

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