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Product Placement in Movies - Academy of Marketing

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Introduction<br />

<strong>Product</strong> placement, as an important component <strong>of</strong> market<strong>in</strong>g communication, frequently<br />

targets global audiences <strong>in</strong> the vehicles <strong>of</strong> movies, exported television programmes, music videos,<br />

onl<strong>in</strong>e games and etc. Every year billions and billions dollars are spent on plac<strong>in</strong>g brands <strong>in</strong> movies to<br />

reach the global audience. Accord<strong>in</strong>g to PQ Media (2007), global product placement market<br />

(<strong>in</strong>clud<strong>in</strong>g non-paid) grew by 24.2% and reached US$7.76 billion <strong>in</strong> 2006. In 2009, global branded<br />

enterta<strong>in</strong>ment spend<strong>in</strong>g totalled US$54.58 billion and paid product placement is forecasted to grow at<br />

accelerat<strong>in</strong>g rates (PQ Media 2010). Despite the fact that <strong>in</strong>creas<strong>in</strong>g budget is allocated to plac<strong>in</strong>g<br />

brands <strong>in</strong> movies to reach global consumers, no studies attempt to exam<strong>in</strong>e the effectiveness <strong>of</strong><br />

product placement across national and cultural boundaries. It is believed that the practice has changed<br />

from “relatively local and unsophisticated to one that is <strong>of</strong>ten global <strong>in</strong> scope and purpose” (Karrh,<br />

Frith and Callison 2001, p.3). The current research explores to what extent culture impacts placement<br />

effectiveness and also exam<strong>in</strong>es how placement strategy (prom<strong>in</strong>ence), product characteristics (brand<br />

awareness) and regulation (prior notification) together determ<strong>in</strong>e the level <strong>of</strong> process<strong>in</strong>g <strong>of</strong> product<br />

placement which <strong>in</strong> turn affects brand persuasiveness. The <strong>in</strong>clusion <strong>of</strong> cultural dimensions here is<br />

more <strong>of</strong> exploratory nature and has no <strong>in</strong>tention to draw any rigorous cultural conclusions (Cadogan<br />

2010). It is hoped to lay a foundation for future empirical work on the perception <strong>of</strong> product<br />

placement across cultures which is currently absent <strong>in</strong> this field. In spite <strong>of</strong> a few exceptions, there is a<br />

lack <strong>of</strong> theoretical framework to guide discussion on product placement effectiveness (Gregorio and<br />

Sung 2010). This research <strong>in</strong>tends to generate a comprehensive portrait <strong>of</strong> product placement <strong>in</strong><br />

movies and answer the follow<strong>in</strong>g broad research question which has not been addressed before:<br />

How do consumers across cultures process and evaluate product placement <strong>in</strong>formation<br />

and how does it affect the persuasive effectiveness?<br />

Research Aim and Objectives<br />

This research aims to understand how consumers <strong>in</strong> the Eastern (HK) and Western (UK)<br />

cultures are likely to perceive and evaluate product placement. It then explores what guides the<br />

persuasive effect <strong>of</strong> the practice across cultures and the <strong>in</strong>teraction between culture and different<br />

placement variables. The current study moves a step further to <strong>in</strong>vestigate placement effect from<br />

perception to persuasion by simultaneously consider<strong>in</strong>g two diverse cultures. It not only enriches<br />

literature <strong>in</strong> the field but will also provide practical feedbacks to global marketers. The study aims to<br />

answer the follow<strong>in</strong>g broad research questions (and sub-questions):<br />

RQ1: Do consumers <strong>in</strong> the two cultures exhibit different views towards the market<strong>in</strong>g practice<br />

product placement?<br />

a). How do they <strong>in</strong>terpret product placement and how do they perceive the different<br />

execution styles?<br />

b). What are their regulatory concerns regard<strong>in</strong>g product placement?<br />

RQ2: Do consumers <strong>in</strong> the two cultures have different exposure to product placement <strong>in</strong><br />

movies?<br />

a). How prevalent are brands appeared <strong>in</strong> the UK and HK movies?<br />

2

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