20.07.2013 Views

Product Placement in Movies - Academy of Marketing

Product Placement in Movies - Academy of Marketing

Product Placement in Movies - Academy of Marketing

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

that ads are “exaggerat<strong>in</strong>g” and are particularly annoyed by ads/promotion about loans and slimm<strong>in</strong>g<br />

care products. Few <strong>of</strong> them do not like advertis<strong>in</strong>g at all and express strong negative feel<strong>in</strong>gs.<br />

Compare to traditional advertis<strong>in</strong>g, young consumers found the covert market<strong>in</strong>g<br />

communication--product placement more acceptable. None <strong>of</strong> the UK respondents felt negative about<br />

this practice and only two HK respondents are aga<strong>in</strong>st it. Respondents regard it as a w<strong>in</strong>-w<strong>in</strong> practice<br />

for movie producers and brand owners. It is a good/clever way for promot<strong>in</strong>g products while at the<br />

same time br<strong>in</strong>gs movie producers extra fund<strong>in</strong>g.<br />

<strong>Product</strong> placement and brand familiarity. Obvious differences emerged between the UK and HK<br />

consumers with respect to the type <strong>of</strong> brands that are suitable for plac<strong>in</strong>g <strong>in</strong> movies. The UK<br />

respondents found that both unknown and well-known brands are suitable for product placement.<br />

They believe that small brands can benefit even more because <strong>of</strong> extra publicity. However, HK<br />

respondents found that well-known brands are more suitable for placement. They tend to associate the<br />

placement <strong>of</strong> unknown brands with promotional <strong>in</strong>tention.<br />

Regulatory and ethical concerns regard<strong>in</strong>g product placement. Both the UK and HK respondents<br />

understood that film production needs f<strong>in</strong>ancial support and do not f<strong>in</strong>d it ethically wrong that film<br />

producers receiv<strong>in</strong>g money from brand owners. Divergence is found <strong>in</strong> the two samples regard<strong>in</strong>g<br />

prior notify<strong>in</strong>g audience about product placement. UK audience generally are supportive towards prior<br />

notification. It <strong>in</strong>dicates that the film has permission to <strong>in</strong>tegrate the brands which are not used<br />

randomly. It also reduces compla<strong>in</strong>ts from audience. HK respondents are aga<strong>in</strong>st the practice and<br />

regard it as another round <strong>of</strong> promotion. The prior notification looks like rem<strong>in</strong>d<strong>in</strong>g them that the film<br />

is promot<strong>in</strong>g someth<strong>in</strong>g. The sell<strong>in</strong>g <strong>in</strong>tention becomes so obvious. Few <strong>of</strong> them reported that they<br />

may even consciously locate the brands <strong>in</strong> the movie. They believe prior notification would not<br />

change anyth<strong>in</strong>g because audience will be exposed to the brands regardless <strong>of</strong> be<strong>in</strong>g notified or not.<br />

Prevalence <strong>of</strong> brands <strong>in</strong> UK and HK movies. The table below details the characteristics <strong>of</strong> brand<br />

appearance <strong>in</strong> movies released <strong>in</strong> the UK and HK with highest box-<strong>of</strong>fice-hit each week <strong>in</strong> 2010.<br />

Surpris<strong>in</strong>gly, more brand appearances were recorded <strong>in</strong> movies released <strong>in</strong> the UK than <strong>in</strong> HK (277 vs.<br />

180 brands). The HK sample conta<strong>in</strong>s slightly more well-known brands and a much higher percentage<br />

<strong>of</strong> positively portrayed brands. A higher proportion <strong>of</strong> brands appeared <strong>in</strong> the UK sample is connected<br />

to the plot and has character <strong>in</strong>teraction.<br />

Table 1. The prevalence <strong>of</strong> brands <strong>in</strong> movies released <strong>in</strong> the UK and HK <strong>in</strong> 2010.<br />

Brand appearance characteristics UK HK<br />

No. <strong>of</strong> movies analyzed 18+11* 18+11*<br />

No. <strong>of</strong> brand appearance 242+35^ 145+35^<br />

No. <strong>of</strong> brand appearance per movie 3~34 2~31<br />

Most frequently appeared product category Durables Servic<strong>in</strong>g/ retail<strong>in</strong>g<br />

% <strong>of</strong> well-known brands appeared 74.37% 78.33%<br />

% <strong>of</strong> brands with character <strong>in</strong>teraction 62.82% 46.11%<br />

% <strong>of</strong> brands connect with the plot 37.55% 25.56%<br />

% <strong>of</strong> positively portrayed brands 10.47% 21.11%<br />

Note: *^ These figures belong to movies released <strong>in</strong> both countries.<br />

6

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!