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December, 1981 $2.00 - Desert Magazine of the Southwest

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FEAST FOR THE SOUL<br />

Continued<br />

we follow a dirt road through <strong>the</strong><br />

creosote and mesquite terrain leading<br />

to <strong>the</strong> mountain.<br />

At <strong>the</strong> base, mounds <strong>of</strong> tires and<br />

combustibles mark <strong>the</strong> three paths to<br />

<strong>the</strong> summit. The oldest and youngest<br />

<strong>of</strong> <strong>the</strong> group climb <strong>the</strong> most gradual<br />

trail, <strong>the</strong> young men take <strong>the</strong> steepest.<br />

I follow <strong>the</strong> middle and am soon out <strong>of</strong><br />

breath and need to rest.<br />

The bonfires can be seen for<br />

miles and <strong>the</strong>y announce <strong>the</strong><br />

Christmas season to<br />

Sou<strong>the</strong>rn New Mexico.<br />

From my vantage point half-way up<br />

<strong>the</strong> mountain, <strong>the</strong> Mesilla Valley<br />

stretches North and South with bright<br />

pools <strong>of</strong> water in <strong>the</strong> Rio Grande mirroring<br />

<strong>the</strong> feeble sunshine. Tortugas is<br />

an insignificant, raised cluster <strong>of</strong> adobe<br />

houses now, but <strong>the</strong> intense red <strong>of</strong> <strong>the</strong><br />

Casa del Pueblo, Casa de Comida, and<br />

tiny Capilla stand out from <strong>the</strong> rest <strong>of</strong><br />

<strong>the</strong> mud-colored structures. Many<br />

people pass me carrying tires to prearranged<br />

spots along <strong>the</strong> paths all <strong>the</strong><br />

way to <strong>the</strong> top <strong>of</strong> Tortugas Mountain;<br />

<strong>the</strong>y urge me on.<br />

The climb proves to be a workout<br />

for legs accustomed to walking on level<br />

ground. At <strong>the</strong> top <strong>of</strong> <strong>the</strong> mountain, I<br />

fall to a flat rock and rub <strong>the</strong> tight<br />

muscles in my calves, noticing how <strong>the</strong><br />

shrine <strong>of</strong> La Virgen competes with <strong>the</strong><br />

university's white observatory for <strong>the</strong><br />

small crest. We have been walking for<br />

nearly three hours.<br />

A priest, robed in white and gold,<br />

conducts an outdoor mass after all <strong>of</strong><br />

<strong>the</strong> pilgrims have congregated on <strong>the</strong><br />

summit. One woman remarks that she<br />

is closer to God here, and I can understand<br />

how she feels. The jagged peaks<br />

<strong>of</strong> <strong>the</strong> Organ Mountains rise sharply<br />

from <strong>the</strong> desert floor to <strong>the</strong> East, and<br />

<strong>the</strong> rocky Dona Ana Mountains lay<br />

directly to <strong>the</strong> North. A red-tailed<br />

hawk circles high overhead—it does<br />

seem peaceful and holy.<br />

The afternoon passes quickly, while<br />

<strong>the</strong> faithful fashion quiotes (walking<br />

staffs) from yuccas and creosote<br />

branches for <strong>the</strong> descent. Following<br />

tradition, <strong>the</strong> elders dot <strong>the</strong> faces <strong>of</strong><br />

those who made <strong>the</strong> pilgrimage with<br />

red paint. As <strong>the</strong> sun sets on <strong>the</strong> second<br />

36 D'ecember, <strong>1981</strong><br />

day <strong>of</strong> <strong>the</strong> festival, women and children<br />

carefully pick <strong>the</strong>ir way down <strong>the</strong><br />

trails to <strong>the</strong> base. Back at Tortugas, a<br />

huge bonfire is lit to guide <strong>the</strong> hikers to<br />

<strong>the</strong> village.<br />

It is dark when <strong>the</strong> men descend <strong>the</strong><br />

slopes. They light <strong>the</strong> mounds <strong>of</strong> tires<br />

along <strong>the</strong> three paths on <strong>the</strong>ir journey<br />

down, creating a bright pyramidal outline<br />

against <strong>the</strong> black sky. The bonfires<br />

can be seen from miles away and to<br />

many residents <strong>of</strong> Sou<strong>the</strong>rn New<br />

Mexico, <strong>the</strong>y announce <strong>the</strong> Christmas<br />

season. Tortugans greet <strong>the</strong> pilgrims at<br />

<strong>the</strong> village with a thanksgiving ritual<br />

for <strong>the</strong>ir safe return. We huddle near<br />

<strong>the</strong> flames <strong>of</strong> <strong>the</strong> bonfire until glowing<br />

embers replace <strong>the</strong> thick wood used in<br />

building <strong>the</strong> fire.<br />

High mass held at <strong>the</strong> single-spired<br />

adobe church, <strong>the</strong> Sanctuary <strong>of</strong> Our<br />

Lady <strong>of</strong> Guadalupe, starts <strong>the</strong> activities<br />

on <strong>December</strong> 12th—<strong>the</strong> Virgin's<br />

Day. Following <strong>the</strong> service, pueblo<br />

women, who have spent days preparing<br />

<strong>the</strong> feast, invite everyone to <strong>the</strong><br />

huge lunch at <strong>the</strong> Casa de Comida.<br />

There, <strong>the</strong>y serve chile con carne and<br />

albondigas (meatballs) from 11 a.m.<br />

until <strong>the</strong>y run out <strong>of</strong> food. Their warm<br />

faces welcome <strong>the</strong> appetites <strong>of</strong> both <strong>the</strong><br />

congregation and visitors to <strong>the</strong> fiesta.<br />

Soon after <strong>the</strong> meal, <strong>the</strong> dances<br />

begin. Three o<strong>the</strong>r groups take turns<br />

with Los Danzantes performing on<br />

squares around <strong>the</strong> church. Los Indios<br />

del Pueblo are <strong>the</strong> oldest group to pay<br />

homage to La Virgen. The men wear<br />

tan, fringed costumes while <strong>the</strong> women<br />

wear black, ribboned dresses called<br />

mantas. Members <strong>of</strong> <strong>the</strong> Aztecas de<br />

Carrizo and Los Guadalupanos Azteca<br />

adorn <strong>the</strong>mselves in scarlet and yellow<br />

with fea<strong>the</strong>red headdresses. They<br />

dance, shaking colorful gourds or raising<br />

red bows and arrows to <strong>the</strong> sky.<br />

Shadows leng<strong>the</strong>n and we hear <strong>the</strong><br />

clamor <strong>of</strong> church bells proclaiming <strong>the</strong><br />

emergence <strong>of</strong> <strong>the</strong> blue-robed image <strong>of</strong><br />

<strong>the</strong> Virgin from <strong>the</strong> church. Tribal<br />

<strong>of</strong>ficers ga<strong>the</strong>r around <strong>the</strong> decorated<br />

likeness, violins play, and are accompanied<br />

by <strong>the</strong> steady drum beats. The<br />

villagers join <strong>the</strong>ir leaders to sing songs<br />

<strong>of</strong> joy to <strong>the</strong> Virgin <strong>of</strong> Guadalupe.<br />

The procession follows <strong>the</strong> dusty<br />

streets around <strong>the</strong> ceremonial buildings,<br />

and I find myself squeezed between<br />

dozens <strong>of</strong> o<strong>the</strong>r observers along<br />

<strong>the</strong> edges. The rich colors <strong>of</strong> <strong>the</strong><br />

dancers' costumes swirl past as <strong>the</strong>y<br />

dance up to <strong>the</strong> patron saint, bow, turn<br />

and run ahead. Children in <strong>the</strong> crowd<br />

imitate <strong>the</strong> steps, <strong>the</strong>n cover <strong>the</strong>ir ears<br />

when <strong>the</strong> blasts from a 12-gauge shotgun<br />

shatter <strong>the</strong> air to dispel evil spirits.<br />

The multitude stops in front <strong>of</strong> <strong>the</strong><br />

Casa del Pueblo where <strong>the</strong> priest gives<br />

a short benediction. We continue <strong>the</strong><br />

slow pace back to <strong>the</strong> church. The<br />

Feast <strong>of</strong> Our Lady <strong>of</strong> Guadalupe ends<br />

as <strong>the</strong> Virgin is carried inside and <strong>the</strong><br />

luminarios on top <strong>of</strong> <strong>the</strong> Sanctuario are<br />

lit.<br />

Once again, <strong>the</strong> sun slips behind <strong>the</strong><br />

western bank <strong>of</strong> clouds, shooting<br />

amber rays behind <strong>the</strong> dark church<br />

before its final retreat. As <strong>the</strong> masses<br />

disperse in <strong>the</strong> quiet twilight, I know<br />

that I am among <strong>the</strong> growing number<br />

<strong>of</strong> people who will return each year in<br />

mid-<strong>December</strong> to <strong>the</strong> desert village <strong>of</strong><br />

Tortugas. It is a time for celebration,<br />

renewal and promises kept to <strong>the</strong> Dark<br />

Lady who appeared so long ago, so<br />

many miles away. @<br />

UNITED STATES<br />

MEXICO<br />

Las Cruees, New Mexico, home <strong>of</strong> <strong>the</strong> Tortugas<br />

and <strong>the</strong> Feast for <strong>the</strong> Soul.<br />

Pamela and Russell Bamert are full-time<br />

freelancers based in Las Cruees, New Mexico.<br />

They work regularly for New Mexico<br />

magazine, and have had articles and<br />

photography published in Chevron USA,<br />

AAA World, Colorado magazine and<br />

Lapidary Journal. After attending and<br />

photographing <strong>the</strong> Feast <strong>of</strong> Our Lady <strong>of</strong><br />

Guadalupe for five years, <strong>the</strong>y : ve come to<br />

know and love <strong>the</strong> people <strong>of</strong> Tortugas.

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