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Wairua and the relationship it has with learning te reo ... - Clear Net

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Māori practices in <strong>the</strong> past, whereby Tohunga chan<strong>te</strong>d through a musical<br />

instrument called a Pūmotomoto over <strong>the</strong> fontanel of a child to implant<br />

“information of tribal her<strong>it</strong>age directly into <strong>the</strong> child’s subconscious” (Flintoff<br />

2004:71)(Nunns 2005)(Robinson 2005:243). The pūmotomoto also used<br />

as <strong>the</strong> name for “<strong>the</strong> entrance to <strong>the</strong> twelfth heaven” (Mataira 2000:107)<br />

(Harrison 1999:24), <strong>and</strong> residence of Io Matua Kore <strong>the</strong> original parent of<br />

all that is (Te Ataarangi 2003a:23), reveals again <strong>the</strong> spir<strong>it</strong>ual essence of<br />

sound (Robinson 2005:244).<br />

Transportation of information <strong>and</strong> stimulus as discussed above, <strong>has</strong><br />

been identified w<strong>it</strong>hin <strong>the</strong> l<strong>it</strong>erature on implic<strong>it</strong> <strong>learning</strong> as belonging to <strong>the</strong><br />

“vehicle <strong>the</strong>ories” of “subjective experience” (French & Cleeremans<br />

2002:10) that arise through a “specific medium” (French & Cleeremans<br />

2002:11). It is argued here that sound as a specific medium can stimula<strong>te</strong><br />

<strong>the</strong> subjective experience of wairua, laying a foundation for implic<strong>it</strong><br />

<strong>learning</strong> w<strong>it</strong>hin <strong>the</strong> unconscious that will la<strong>te</strong>r infuse through to ones<br />

consciousness. Sound through voice, song <strong>and</strong> prayer is a vehicle that<br />

can be used to open a connection to <strong>the</strong> personal or collective<br />

unconscious (McClure 1998:14), <strong>the</strong> la<strong>te</strong>r being <strong>the</strong> primal pool from which<br />

<strong>the</strong> gods of Māori myth flood in, <strong>the</strong> archetypal links that provide one w<strong>it</strong>h<br />

<strong>the</strong> symbolism or form necessary to underst<strong>and</strong> “sense perception” (Royal<br />

2003:62)(Jung 1959:5)(S<strong>te</strong>vens 1982:46)(Andrews 1992:127,128). Lucid<br />

<strong>and</strong> po<strong>te</strong>nt dreams <strong>and</strong> visions can support <strong>the</strong> in<strong>te</strong>gration of unconscious<br />

information, stimula<strong>te</strong>d by sound <strong>and</strong> prayer to come through into<br />

consciousness, performing a psychological balancing function (Bulkeley<br />

1994:43)(Sca<strong>te</strong>gni 2002:1)(Tart 2000:273)(Dossey 1993:60). Sound as<br />

sta<strong>te</strong>d, transports wairua, <strong>the</strong> quin<strong>te</strong>ssential energy allowing for an<br />

engagement w<strong>it</strong>h <strong>the</strong> quar<strong>te</strong>rn<strong>it</strong>ies of mat<strong>te</strong>r as described by Jung (S<strong>te</strong>in<br />

1998:162,168), po<strong>te</strong>ntially bringing about a sense of wholeness into body<br />

consciousness. From inner to ou<strong>te</strong>r world as far down as <strong>the</strong> sub atomic<br />

level, as evidenced in <strong>the</strong> “realm of micro-physics” (Gray 1996:15) <strong>the</strong><br />

in<strong>te</strong>gration of spir<strong>it</strong>ual <strong>and</strong> physical is our connection to <strong>the</strong> primal source,<br />

Io Matua Kore.<br />

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