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CLASSICAL new release harmonia mundi UK available 11th ...

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C785092i<br />

Barcode: 4011790 785226<br />

2 MID PRICE CDS<br />

Bedrich SMETANA<br />

Die Verkaufte Braut<br />

Hans Braun (Krušina); Hilde Konetzni (Ludmila); Irmgard Seefried (Marie);<br />

Ludwig Welter (Micha); Rosette Anday (Háta); Murray Dickie (Wenzel);<br />

Waldemar Kmentt (Hans); Oskar Czerwenka (Kecal); László Szemere<br />

(Zirkusdirektor); Liselotte Maikl (Esmeralda); Hans Schweiger (Muff);<br />

Chor und Orchester der Wiener Staatsoper / Berislav Klobucar (conductor)<br />

Live Recording 11. November 1960<br />

Smetana's The Bartered Bride, performed in German, it has long been a regular part of Vienna's mainstream<br />

operatic repertory. In 1960 this production was captured by Austrian Radio in a performance that<br />

immortalised the interpretations of the original principals from 1959. The cast was headed by Irmgard<br />

Seefried, a great favourite with Viennese audiences. At the time of this recording she could already look back<br />

on a stage career lasting 20 years, and yet she had retained the youthful freshness necessary for Marie/<br />

Marenka. The other half of this dream couple was Waldemar Kmentt as Jeník, or Hans, one of the roles with<br />

which the Austrian tenor was rightly most closely associated. The tragicomedy of his stuttering stepbrother is<br />

well caught by Murray Dickie avoiding buffo excess. The self-infatuated and vainglorious marriage broker Kecal<br />

is entirely plausible when the role is played by another Viennese operatic institution, the distinguished<br />

Upper Austrian bass Oskar Czerwenka. The smaller roles are also cast from strength by singers of<br />

the calibre of Hilde Konetzni, Rosette Anday and László Szemere, all of whom milk their brief scenes for all<br />

that they are worth. A lively and yet always well-disciplined performance is further guaranteed by the Chorus<br />

and Orchestra of the Vienna State Opera under the direction of Berislav Klobucar, who, often criminally<br />

undervalued, presided genially over countless repertory performances in Vienna.<br />

C598081B<br />

Barcode: 4011790 598123<br />

MID PRICE CD<br />

IRMGARD SEEFRIED<br />

CORNELIUS Brautlieder; BRAHMS Die Trauernde,<br />

Immer leiser wird mein Schlummer, Nachtigall;<br />

WOLF Das verlassene Mägdlein, Der Gärtner, Im Frühling;<br />

KIENZL Maria auf dem Berge, Mai; MOZART Sehnsucht nach dem Frühling;<br />

SCHUBERT Die Forelle; BRAHMS Wiegenlied; MARX Marienlied, Erinnerung,<br />

Lied eines Mädchens, Zigeuner, Sankta Maria; STRAUSS Morgen,<br />

Die Nacht, Meinem Kinde, Du meines Herzens Krönelein, Ruhe, meine Seele,<br />

Allerseelen, Schlagende Herzen<br />

Irmgard Seefried (soprano);<br />

Leopold Ludwig,Viktor Graef, Erik Werba (piano) Vienna 1943-1952<br />

Irmgard Seefried’s interpretation of the Composer in Strauss's Ariadne auf Naxos is said to have inspired<br />

Strauss himself to exclaim that until then he had not known how good his Composer was. She was also one<br />

of the most sought-after concert singers and lieder recitalists of her age. Not <strong>release</strong>d until now, the many<br />

recordings included in the present CD attest to the richness and variety of that palette even during the early<br />

years of her career.<br />

The earliest of these recordings are Peter Cornelius's Brautlieder from the heyday of the Romantic art song,<br />

settings in which the soprano's exemplary treatment of the words and the vocal line are fully in evidence. The<br />

affinities between this cycle of six songs and the traditional German folksong offer the singer - a native of<br />

Swabia - a welcome opportunity to colour her tone even further, an approach that is also found in her<br />

recordings of songs by Mozart, Brahms, Wolf and two lesser-known composers, Wilhelm Kienzl and Joseph<br />

Marx. This compilation of Irmgard Seefried's recordings from the first ten years of her career in Vienna<br />

additionally includes some of Strauss's most popular songs, songs such as Morgen and Allerseelen that make it<br />

clear why, as we noted above, their composer held the soprano in such high regard.<br />

<strong>harmonia</strong> <strong>mundi</strong> <strong>UK</strong>- <strong>release</strong>d <strong>11th</strong> January 2010

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