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Russian suprematism and conservatism - Graphic Design History

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RUSSIAN SUPREMATISM & CONSTRUCTIVISM<br />

AND HOW IT CONNECTS TO THE DESIGNS OF TODAY<br />

A presentation by: Kaitlyn Adams, Jessica Buie & Heather White


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: CONTEXT<br />

Context


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: CONTEXT


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: CONTEXT<br />

Piccasso, Still Life with Chair Caning, 1912


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: CONTEXT<br />

Duchamp, Nude Descending a Staircase, 1912<br />

Boccioni, Unique Forms of Continuity in<br />

Space, 1913


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: CONTEXT<br />

Suprematism<br />

Years of influence: 1915 - late 1930s<br />

Earliest <strong>and</strong> most radical development in abstract art<br />

Name came from Malevich's belief that "Suprematist art would be superior to all the art of the past".<br />

Malevich believed "there were only delicate links between words or signs <strong>and</strong> the objects they denote,<br />

<strong>and</strong> from this he saw the possibilities for a totally abstract art".<br />

Intrigued by the search for art's barest essentials<br />

Important in shaping Constructivism, influences abstract art today<br />

Interest in abstraction "fired by a search for the 'zero degree' of painting, the point beyond which the<br />

medium could not go without ceasing to be art<br />

Strong tone of absurdism running through the movement


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: CONTEXT


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: CONTEXT<br />

Constructivism<br />

Years of influence: 1915 - late 1930s<br />

Last <strong>and</strong> most influential modern art movement to flourish in Russia in 20th century<br />

Borrowed ideas from Cubism, Suprematism, <strong>and</strong> Futurism<br />

Sought to "abolish the traditional artistic concern with composition <strong>and</strong> replace it with 'construction'".<br />

Hoped that its investigation would eventually yield ideas that could be put into mass production,<br />

"serving the ends of a modern, Communist society."<br />

The form an artwork would take "would be dictated by its materials"<br />

Desire to "express the experience of modern life," which included it's "new <strong>and</strong> disorienting qualities of<br />

space <strong>and</strong> time"


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: CONTEXT


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: PEOPLE<br />

People


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: PEOPLE<br />

Suprematism<br />

Influential artists include:<br />

Kazimir Malevich<br />

Ilya Chashnik<br />

El Lissitzky<br />

Alex<strong>and</strong>er Rodchenko<br />

Olga Rozanova<br />

Nikolai Suetin<br />

Vera Yermolayeva<br />

Olga Rozenova<br />

Ilya Chashnik<br />

Vera Yermolayeva<br />

Kazimir Malevich<br />

Alex<strong>and</strong>er Rodchenko<br />

El Lissitzky<br />

Nikolai Suetin


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: PEOPLE<br />

Constructivism<br />

Influential artists include:<br />

Vladimir Tatlin<br />

El Lissitzky<br />

Laszlo Moholy-Nagy<br />

Alex<strong>and</strong>er Rodchenko<br />

Naum Gabo<br />

Lyubov Popova<br />

Varvara Stepanova<br />

Vladimir Tatlin<br />

Laszlo Moholy-Nagy<br />

Varvara Stepanova<br />

El Lissitzky<br />

Alex<strong>and</strong>er Rodchenko<br />

Naum Gabo<br />

Lyubov Popova


RUSSIAN SUPREMATISM & CONSTRUCTIVISM<br />

Technology


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: TECHNOLOGY<br />

Suprematism<br />

Main medium was paint on canvas. The Suprematists' interest in abstraction was fired by a search for the 'zero<br />

degree' of painting, the point beyond which the medium could not go without ceasing to be art. This encouraged<br />

the use of very simple motifs, since they best articulated the shape <strong>and</strong> flat surface of the canvases on which they<br />

were painted. Ultimately, the square, circle, <strong>and</strong> cross became the group's favorite motifs. It also encouraged many<br />

Suprematists to emphasize the surface texture of the paint on canvas. this texture being another essential quality<br />

of the medium of painting.


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: TECHNOLOGY<br />

Constructivism<br />

Constructivist art often aimed to demonstrate how materials behaved - to ask, for instance, what different<br />

properties had materials such as wood, glass, <strong>and</strong> metal. The form an artwork would take would be dictated by its<br />

materials (not the other way around, as is the case in traditional art forms, in which the artist 'transforms' base<br />

materials into something very different <strong>and</strong> beautiful). For some, these inquiries were a means to an end, the goal<br />

being the translation of ideas <strong>and</strong> designs into mass production; for others it was an end in itself, a new <strong>and</strong><br />

archetypal modern style expressing the dynamism of modern life.


RUSSIAN SUPREMATISM & CONSTRUCTIVISM<br />

Contemporary <strong>Design</strong>


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: TECHNOLOGY<br />

Suprematism<br />

Suprematism is highly influential to modern day abstract art. This is clear if you look at K<strong>and</strong>insky's paintings <strong>and</strong><br />

his concept behind them. K<strong>and</strong>insky has a series of paintings that are each a reaction to a particular classical<br />

song. He takes sound <strong>and</strong> transforms it into color <strong>and</strong> shape <strong>and</strong> gives it a physical look that it was lacking<br />

previously.<br />

K<strong>and</strong>insky - abstract art<br />

Suprematism


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: TECHNOLOGY<br />

Constructivism<br />

Constructivism has had a very large impact on Bauhaus <strong>and</strong> De Stijl "The Style" (also known as neoplasticism)<br />

movements. Bauhaus, like Constructivism, was a movement that grew beyond the canvas into architecture. De Stijl<br />

is best recognized by the "tetris" paintings of the primary squares. All three are very minimalistic movements that<br />

focus more on functionality <strong>and</strong> simplicity than extravagance.<br />

Bauhaus<br />

Bauhaus<br />

De Stijl


RUSSIAN SUPREMATISM & CONSTRUCTIVISM: TECHNOLOGY<br />

BIBLIOGRAPHY<br />

Ng, Tracee. "Constructivism."Constructivism Movement, Artists <strong>and</strong> Major Works. The Art Story Foundation, 2012.<br />

Web. 04 Oct. 2012. .<br />

Ng, Tracee. "Suprematism."Suprematism Movement, Artists <strong>and</strong> Major Works. The Art Story Foundation, 2012.<br />

Web. 04 Oct. 2012. .

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