A place for history... - Sheffield Cathedral
A place for history... - Sheffield Cathedral
A place for history... - Sheffield Cathedral
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A <strong>place</strong> <strong>for</strong><br />
<strong>history</strong>...<br />
Shrewsbury and Lady Chapels<br />
Tudor Monuments & Green Men<br />
The Tudor Monuments<br />
In the 16 th century the Lords of the Manor of <strong>Sheffield</strong> were the Earls<br />
of Shrewsbury. About the year 1520, George, 4 th Earl of Shrewsbury had<br />
a chantry chapel, the Shrewsbury Chapel, built on the south side of the<br />
Sanctuary of the parish church. The chapel had a crypt beneath <strong>for</strong> family<br />
burials. Its building extended the area of the earlier Lady Chapel.<br />
The monuments in this chapel have been described by the 19th century<br />
historian Joseph Hunter as being among the finest in the land.<br />
The monument on the north side of the chapel supports three effigies: that of<br />
the 4th Earl (died 1538) and those of his two Countesses: Ann, who died in the<br />
early 16th century, and Elizabeth (died 1567). In accordance with the Earl’s<br />
specific wishes, Elizabeth had this table tomb erected in her lifetime.<br />
The alabaster figures, intended to be portraits, are beautifully<br />
carved, and were originally coloured (as was the effigy of<br />
the 6th Earl by the south wall of the chapel). They may have<br />
been made by Italian sculptors or by Nottingham<br />
alabaster workers in the Italian style.
The Earl is robed as a Knight of the Garter. His feet rest on a Talbot (a<br />
medieval hunting dog). Since the surname of the Shrewsbury family<br />
was Talbot, this dog featured in the heraldic devices <strong>for</strong> the family. A<br />
Talbot may be seen carved on one of the Earl’s rings. Talbots are also<br />
in attendance around both the monuments in this chapel.<br />
The two Countesses, their feet on angels, are richly dressed with their<br />
coronets and robes decorated with armorial bearings. The Purbeck<br />
marble tomb chest on which the effigies rest is also impressively<br />
carved, originally having brasses engraved with the Talbot heraldic<br />
quarterings.<br />
Against the south wall of the chapel is the massive alabaster monument to George,<br />
6th Earl of Shrewsbury (died 1590). He was the husband of the <strong>for</strong>midable Bess of<br />
Hardwick, and custodian of Mary, Queen of Scots, during her 14 years of imprisonment<br />
in <strong>Sheffield</strong> (1570-1584). The Earl showed concern <strong>for</strong> the administration of his<br />
<strong>Sheffield</strong> estates, and <strong>for</strong> the protection of the growing cutlery industry. He signed the<br />
first recorded ordinances <strong>for</strong> the regulation of the cutlery trade.<br />
On the monument the Earl is represented lying<br />
on a rush mat, on a lofty sarcophagus, wearing<br />
elaborately engraved armour with his feet on a<br />
Talbot. The inscription, written in accordance<br />
with the Earl’s wishes, records his faithful military<br />
and diplomatic service during the reigns of Mary I<br />
and Elizabeth I and his integrity as the custodian<br />
of Mary, Queen of Scots.<br />
The Talbot heraldic quarterings, with the crest<br />
and Garter belt, are seen on this monument and<br />
are also displayed on the heraldic achievements<br />
in the light well of the 1554 Gallery of the<br />
<strong>Cathedral</strong> Community Resource Centre.<br />
To the right of the monument hang three helmets<br />
which may be the ones which rested on the<br />
Earl’s coffin at his funeral. There are also<br />
some ornamental symbols of war, representing<br />
the Earl’s military career. Note the Talbot<br />
family motto: ‘Prest d’accomplir’ - ‘Ready to<br />
accomplish’.
The Earl’s death is recorded in the parish church register and his funeral here was<br />
described as a most splendid and impressive occasion <strong>for</strong> the town of <strong>Sheffield</strong>.<br />
In the Shrewsbury Chapel is an outstanding example of a pre-Re<strong>for</strong>mation mensa<br />
(altar). Behind this is an alabaster reredos erected in 1935 at the time of the restoration<br />
of the Chapel. The figures represent the Crucifixion of Christ and the saints of the<br />
chapels whose altars stood in the medieval church.<br />
The Shrewsbury Chapel remained the private property of the Dukes of Norfolk, Roman<br />
Catholics, who had gained the <strong>Sheffield</strong> inheritance through marriage with the last<br />
Shrewsbury heiress. Thus there was an anomaly: a Roman Catholic chapel in an<br />
Anglican church, albeit unused <strong>for</strong> 300 years. In 1933, the Duke of Norfolk presented<br />
the Shrewsbury Chapel to the <strong>Cathedral</strong> ‘<strong>for</strong> the use of the parishioners’.<br />
Originally an oak Tudor screen (now situated near the Window of the Six <strong>Sheffield</strong><br />
Worthies) separated the Shrewsbury Chapel from the Lady Chapel.<br />
Green Man Imagery<br />
The ceiling bosses of the Shrewsbury Chapel and the adjoining Lady Chapel include<br />
both Christian and pre-Christian carvings. It has been suggested that the roof carvings<br />
of the Lady Chapel probably date from the mid 15th century<br />
and were the work of local craftsmen, influenced by the<br />
ancient sacred <strong>for</strong>ests of Sherwood, Rivelin and Barnsdale<br />
which surrounded <strong>Sheffield</strong>.<br />
There is the Tree of Life above the altar. The Lamb and Flag,<br />
a symbol of the Crucifixion and Resurrection of Jesus, is the<br />
only obvious Christian carving among those on the roof of the<br />
Lady Chapel. This symbol also has associations with John the<br />
Baptist, whose festival on 24th June falls near Midsummer-day,<br />
“the pagan festival on whose morning sunrise the Lady Chapel<br />
itself was orientated”.
The Green Man is a face surrounded by or made from<br />
leaves. The Sheela-na-gig is a carving of a female figure,<br />
usually grotesque and sometimes comical, representing the<br />
goddess of fertility. Such imagery has featured in English<br />
church architecture since Norman times, with pagan themes,<br />
celebrating the creativity and fertility of nature.<br />
On the south wall of the Lady Chapel is a 13th century stone<br />
which must have been the ‘Scratch Dial’ or ‘Mass clock’ of the<br />
old parish church. It was originally on the outside of the south<br />
wall, and is a primitive sundial. It was used by people to tell<br />
the time of the next service. It was probably brought in from<br />
the south facing wall during the rebuilding of this part of the<br />
15th century church.<br />
In this area are many fascinating memorials to <strong>Sheffield</strong><br />
people. For many, life was hard and short lived.<br />
We hope you have enjoyed your visit to <strong>Sheffield</strong> <strong>Cathedral</strong>. There are many more interpretative<br />
leaflets available, detailing specific aspects of our building and its heritage. There is also a<br />
detailed and beautifully illustrated guidebook, available to buy at the west end or from reception.<br />
Please come back again soon.<br />
If you would like to arrange a guided tour of the <strong>Cathedral</strong> please contact staff at the<br />
<strong>Cathedral</strong> reception on 0114 2753434 or enquiries@sheffield-cathedral.org.uk<br />
www.sheffieldcathedral.org<br />
Text: Margaret Garner & Gill MacGregor, Volunteer Guide Welcomers<br />
Design: HERITAGE INSPIRED: south yorkshire’s faith tourism initiative<br />
© The Friends of <strong>Sheffield</strong> <strong>Cathedral</strong>