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<strong>Jazz</strong> <strong>Index</strong> <strong>–</strong> <strong>erstellt</strong> <strong>am</strong> <strong>16.</strong> <strong>Oktober</strong> <strong>2012</strong><br />

<strong>The</strong> <strong>following</strong> bibliographical information relates to periodicals and books present in the archive of the<br />

<strong>Jazz</strong>institut Darmstadt. Our extensive periodical collection comprises almost 1050 periodicals, more than<br />

55.000 single issues. About 60% of the collection have been indexed.<br />

Following the more recent entries you'll find abbreviations which will give you a clue about the nature in<br />

the respective articles. <strong>The</strong> abbreviations are:<br />

[A] = analytical remarks<br />

[B] = extensive book review<br />

[BT] = blindfold test<br />

[C] = concert review<br />

[D] = discography<br />

[F] = feature article<br />

[I] = interview<br />

["I"] = article written by the respective musician himself<br />

[O] = obituary<br />

[R] = extensive record review<br />

[T] = transcription<br />

<strong>The</strong> <strong>Jazz</strong> <strong>Index</strong> is a service of the...<br />

<strong>Jazz</strong>institut Darmstadt, Bessunger Strasse 88d, D-64285 Darmstadt, Germany<br />

phone ++49 (6151) 963740, fax ++49 (6151) 963744<br />

This bibliography has been compiled and mailed by ... <strong>Jazz</strong>institut Darmstadt,<br />

e-mail: jazz@jazzinstitut.de, Internet: http://www.jazzinstitut.de<br />

Shepp, Archie (ts * real n<strong>am</strong>e: Vernon Shepp; b: 24.May 1937, Fort Lauterdale/FL; Lexikon:<br />

Companion [1987]; New Grove [1988]; rororo [1988]; Recl<strong>am</strong> [1989]; Dictionnaire [1988,1995];<br />

MusicHound [1999]; Rough Guide [1999]; vertical file: Archie SHEPP [1999,2001,2005-2006])<br />

***<br />

A.B. Spellman: Introducing Archie Shepp, in: Metronome, 78/11 (Nov.1961), p. 26 (F/I) [digi.copy]<br />

Bill Mathieu: "Archie Shepp/Bill Dixon Quartet" (Savoy), in: Down Beat, 30/26 (26.Sep.1963), p. 35 (R)<br />

Milan M. Simich: Chords & Discords. Correction, in: Down Beat, 31/30 (19.Nov.1964), p. 6, 8 (letter,<br />

response to review by Pete Welding from 8.Oct.1964)<br />

LeRoi Jones: Apple Cores. "Archie Shepp and the Contemporary 5" (Savoy), in: Down Beat, 31/32<br />

(17.Dec.1964), p. 40 (R)<br />

Bill Mathieu: Archie Shepp - Four for Trane, in: Down Beat, 32/8 (1965), p. 3132 (R)<br />

Francois Postif & G. Kopelowicz: Archie Shepp ou la marée qui monte, in: <strong>Jazz</strong> Hot, 31/208 (1965), p. 22-<br />

26; part 2, in: <strong>Jazz</strong> Hot, 31/211 (1965), p. 38-41<br />

I.W. Stone: Archie Shepp - Fire Music, in: Sounds & Fury, 1/3 (1965),p. 49-50 (R)


J. Sinclair: Archie Shepp - Fire Music, in: Sounds & Fury, 1/3 (1965), p. 50-51 (R)<br />

LeRoi Jones: Archie Shepp Live, in: <strong>Jazz</strong>, 4/1 (1965), p. 8-9<br />

Philippe Carles: Archie méconnu, in: <strong>Jazz</strong> Magazine, #119 (1965), p. 50-55<br />

LeRoi Jones: Voice from the Avantgarde. Archie Shepp, in: Down Beat, 32/1 (14.Jan.1965), p. 18-20, 36<br />

(F/I) [digi.copy]; Reprint, in: LeRoi Jones: Black Music, New York 1967 [book], p. 145-155 (F/I); responses,<br />

by Joyce Derksen, Arturo Martinez Rodriguez, David Lahm, Jerry Guild, in: Down Beat, 32/5<br />

(25.Feb.1965), p. 8, 10 (letters) [digi.copy]<br />

Bill Mathieu: Archie Shepp - "Four for Trane" (Impulse), in: Down Beat, 32/8 (8.Apr.1965), p. 31-32 (R)<br />

Eric T. Vogel: Up and Down. Richards, <strong>Jazz</strong> Spots and New Thing, in: <strong>Jazz</strong> Podium, 14/6 (Jun.1965), p.<br />

146-149<br />

François Postif & Guy Kopelowicz: Archie Shepp ou la marée qui monte, in: <strong>Jazz</strong> Hot, #210 (Jun.1965), p.<br />

22-26 (F/D); part 2, in: <strong>Jazz</strong> Hot, #211 (Jul/Aug.1965), p. 38-41 (F)<br />

J. Hutton & B. Houston: Archie Shepp. We Can't Let the Audience Escape, in: Melody Maker, 7.Aug.1965,<br />

p. 6 (F/I) [digi.copy]<br />

W. Dressen: Archie Shepp - Fire Music / Four for Trane, in: <strong>Jazz</strong> Podium, 14/11 (Nov.1965), p. 306 (R)<br />

Archie Shepp: An Artist Speaks Bluntly, in: Down Beat, 32/26 (<strong>16.</strong>Dec.1965), p. 11, 42 ("I") [digi.copy];<br />

Reprint, in: Lewis Porter: <strong>Jazz</strong>. A Century of Change. Readings and New Essays, New York 1997 [book:<br />

Schirmer], p. 212-215 ("I"); responses, by Ed Mulford, Craig Rideout, J.C. Gordon, Hugh Walthall, Martin<br />

Rodman, S<strong>am</strong> Whitaker Jr.: Chords and Discords. That Shepp Article, in: Down Beat, 33/1 (13.Jan.1966),<br />

p. 8 (letters) [digi.copy]; responses, by Christopher Lawrence, Bertrand Duchesne, Thurston Briggs,<br />

Matthew Silverman, Mustafa Daoud: Chords and Discords. That Shepp Article, Cont., in: Down Beat, 33/2<br />

(27.Jan.1966), p. 6, 8 (letters) [digi.copy]; responses, by B.L. Weinstein, Mike Brandriss: Chords and<br />

Discords. Compass Blues / Truthsayer Shepp Thrills, in: Down Beat, 33/4 (24.Feb.1966), p. 10, 12<br />

(letters) [digi.copy]; responses, by Terry Dawkins, Charles Radcliffe: Chords and Discords. In Praise of<br />

Shepp, in: Down Beat, 33/6 (24.Mar.1966), p. 10 (letters) [digi.copy]<br />

Jean-Louis No<strong>am</strong>es: Shepp le rebelle, in: <strong>Jazz</strong> Magazine, #125 (Dec.1965), p. 78-81 (I) [digi.copy]<br />

Richard B. Hadlock: Archie Shepp - "Fire Music" (Impulse), in: Down Beat, 32/25 (2.Dec.1965), p. 28 (R)<br />

C. Fero: Sounds Recalled. Archie Shepp/Bill Dixon Quartet, in: Sounds & Fury, 2/2 (1966), p. 64 (R)<br />

D. Long: Archie Shepp - <strong>Jazz</strong> Playwright, in: <strong>Jazz</strong>, 5/1 (1966), p. 26<br />

NN: A View from Inside. Archie Shepp, in: Down Beat Music '66 (1966), p. 39-44<br />

B. Houston: Shepp Stands Out in Any Company..., in: Melody Maker, 30.Apr.1966,p. 11 (R: Four for<br />

Trane)<br />

Leonard Feather: Archie Shepp. Some of My Best Friends are White, in: Melody Maker, 30.Apr.1966,p. 6<br />

Marian McPartland: John Coltrane / Archie Shepp - "New Thing at Newport" (Impulse), in: Down Beat,<br />

33/8 (21.Apr.1966), p. 32 (R)<br />

John Willi<strong>am</strong> Henry: Caught in the Act. Archie Shepp, Shelly's Manne-Hole, Los Angeles, in: Down Beat,<br />

33/9 (5.May 1966), p. 36 (C) [digi.copy]


Leonard Feather: Blindfold Test. Archie Shepp, in: Down Beat, 33/9 (5.May 1966), p. 35 (BT: Gerald<br />

Wilson: "When I'm Feeling Kinda Blue"; Bill Evans: "Time Remembered"; John Coltrane: "After the Rain")<br />

[digi.copy]; part 2, in: Down Beat, 33/10 (19.May 1966), p. 40-41 (BT: Ben Webster: "Lullaby of <strong>Jazz</strong>land";<br />

Zoot Sims: "Cano Canoe"; Sextet of Orchestra USA: "Alab<strong>am</strong>a Song"; Giuseppe Logan: "Dance of<br />

Satan"; Art Blakey: "Between Races") [digi.copy]<br />

Jack Cooke: <strong>The</strong> Avant-Garde. New York Nouvelle Vague - Archie Shepp, in: <strong>Jazz</strong> Monthly, 12/4<br />

(Jun.1966), p. 2-9 (F) [digi.copy]<br />

Malcolm Walker: Discography. Archie Shepp, in: <strong>Jazz</strong> Monthly, 12/4 (Jun.1966), p. 30-31 (D)<br />

Bill Matthieu: Caught in the Act. Archie Shepp, Mother Blues, Chicago, in: Down Beat, 33/14<br />

(14.Jul.1966), p. 30 (C)<br />

Harvey Pekar: Archie Shepp - "On This Night" (Impulse), in: Down Beat, 33/17 (25.Aug.1966), p. 32-33<br />

(R)<br />

J. Hopkins: Shepp (in Stockholm), in: Melody Maker, 24.Sep.1966, p. 16 (C)<br />

B. Houston: <strong>The</strong> Most Complete Shepp to Date, in: Melody Maker, 29.Oct.1966, p. 14 (R: On This Night)<br />

Archie Shepp: Statement, in: Sounds, 2/1967, p. 11<br />

Bertil Sundin: Archie, in: Rytmi, 1/1967, p. 26-28 (F/I)<br />

Ira Gitler: Archie Shepp - M<strong>am</strong>a Too Tight, in: Down Beat, 34/24 (1967), p. 30 (R)<br />

M. Brown: Report aus New York, in: Sounds, 2/1967, p. 9<br />

P. Willard: Über Archie Shepp, in: Sounds, 2/1967, p. 12-16 (liner notes "Archie Shepp Live in San<br />

Francisco")<br />

Pekka Pöyry: Archie levyllä, in: Rytmi, 1/1967, p. 29-30 (F/R)<br />

W. Breuker: Archie Shepp - Live in San Francisco, in: Sounds, 3/1967, p. 50-51 (R)<br />

B. Houston: Archie Shepp & Contemporary Five, in: Melody Maker, 29.Jul.1967,p. 10 (R)<br />

Archie Shepp: Black Power and Black <strong>Jazz</strong>, in: New York Times, 26.Nov.1967, p. J1, J5 ("I") [digi.copy]<br />

Michel Evers: C'est Shepp, que j'aime, in: <strong>Jazz</strong> Hot, 33/236 (Nov.1967), p. 19; part 2, in: <strong>Jazz</strong> Hot, 33/238<br />

(Jan.1968), p. 13-15 (F/D) [digi.copy]<br />

A. Heineman: Archie Shepp - <strong>The</strong> Magic of Ju-Ju, in: Down Beat, 35/17 (1968), p. 29-30 (R)<br />

B. Quinn: Archie Shepp - In Europe, in: Down Beat, 35/12 (1968), p. 28-29 (R)<br />

Jack Cooke: Archie Shepp, Milano 1968 [booklet: Fratelli Fabbri Editori] (F)<br />

Philippe Carles: Shepp sans prévision, in: <strong>Jazz</strong> Magazine, #150 (1968), p. 14-15<br />

Barry McRae: Archie Shepp, in: <strong>Jazz</strong> Journal, 21/1 (Jan.1968), p. 34-35 (F)<br />

Cecil Winstone: Archie Shepp, in: Crescendo, 6/6 (Jan.1968), p. 6 (F)<br />

Grah<strong>am</strong> Collier: A Plea for Tolerance, in: Crescendo, 6/6 (Jan.1968), p. 8 (letter)


Michael Cuscuna: Caught in the Act. Archie Shepp Sextet, Carnegie Recital Hall, New York City, in: Down<br />

Beat, 35/12 (13.Jun.1968), p. 40-41 (C)<br />

Nat Hentoff: Archie Shepp. <strong>The</strong> Way Ahead, in: <strong>Jazz</strong> & Pop, 7/6 (Jun.1968), p. 16-17 (F/I) [digi.copy];<br />

reprint, in: Pauline Rivelli & Robert Levin (eds.): Giants of Black Music, New York 1979 [book; Reprint, O:<br />

New York 1970 (<strong>The</strong> Black Giants)], p. 118-121 (F/I)<br />

Alan Heineman: Archie Shepp <strong>–</strong> "<strong>The</strong> Magic of Ju-Ju" (Impulse 9154), in: Down Beat, 35/17<br />

(22.Aug.1968), p. 29-30 (R: 3 stars) [digi.copy]<br />

B. Houston: Another Wh<strong>am</strong>-B<strong>am</strong>-Thank-You-M<strong>am</strong> Shepp, in: Melody Maker, 14.Sep.1968, p. 16 (R:<br />

M<strong>am</strong>a Too Tight)<br />

Claude Delcloo: Archie Shepp. Magic of Juju, in: Actuel, #1 (Oct.1968), p. 14-18 (F) [digi.copy]<br />

David C. Hunt: Coleman, Coltrane and Shepp. <strong>The</strong> Need for an Educated Audience, in: <strong>Jazz</strong> & Pop, 7/10<br />

(Oct.1968), p. 18-21 (F/I) [digi.copy]; reprint, in: Pauline Rivelli & Robert Levin (eds.): Giants of Black<br />

Music, New York 1979 [book; Reprint, O: New York 1970 (<strong>The</strong> Black Giants)], p. 89-94 (F/I)<br />

David Rosenthal: Archie Shepp, Slug's, New York City, in: Down Beat, 35/24 (28.Nov.1968), p. 33-34 (C)<br />

B. Houston: Archie Shepp - <strong>The</strong> Magic of Ju-Ju, in: Melody Maker, 21.Dec.1968, p. 30 (R)<br />

A. Heineman: Archie Shepp - Three for a Quarter, One for a Dime, in: Down Beat, 36/19 (1969), p. 25-26<br />

(R)<br />

Alain Gerber: et Don Carlos (Paris, American Center), in: <strong>Jazz</strong> Magazine, #173 (1969), p. 14-15 (C)<br />

G. Merceron: Archie Shepp et Don Byas à l'American Center, in: <strong>Jazz</strong> Hot, 35/256 (1969), p. 15<br />

Harvey Pekar: Archie Shepp - <strong>The</strong> Way Ahead, in: Down Beat, 36/6 (1969), p. 26 (R)<br />

NN: Shepp Gets Staff Post at New York State U., in: Down Beat, 36/3 (1969), p. 12<br />

P. Alessandrini: Shepp & les siens, in: <strong>Jazz</strong> Magazine, #171 (1969), p. 36-41<br />

NN: <strong>Jazz</strong> News (Musical Coordinator, lecturer and Black Studies Director at the New York State University<br />

in Buffalo), in: Melody Maker, 25.Jan.1969, p. 4 (N)<br />

NN: Shepp Gets Staff Post at New York State U., in: Down Beat, 36/3 (6.Feb.1969), p. 10 (short F)<br />

Harvey Pekar: Archie Shepp - "<strong>The</strong> Way Ahead" (Impulse), in: Down Beat, 36/6 (20.Mar.1969), p. 26 (R)<br />

B. Houston: Archie Shepp - One for Trane / <strong>The</strong> Way Ahead, in: Melody Maker, 31.May 1969, p. 19 (R)<br />

Alan Heineman: Archie Shepp - "Three for a Quarter; One for a Dime" (Impulse), in: Down Beat, 36/19<br />

(18.Sep.1969), p. 25-26 (R)<br />

Chris Albertson: Archie Shepp interview, in: , recorded 31.Dec.1969 (I)<br />

[sound file / mp3]<br />

R. Willi<strong>am</strong>s: Archie Shepp - Three for a Quarter, One for a Dime, in: Melody Maker, 13.Dec.1969, p. 26<br />

(R)<br />

Archie Shepp: <strong>The</strong> Magic of Ju-Ju, in: <strong>Jazz</strong> Forum, #1 (7) (1970), p. 85-86


Mwanafunzi Katibu: Archie Shepp <strong>–</strong> "Three for a Quarter, One for a Dime" (Impulse AS-9162), in: <strong>The</strong><br />

Cricket, #4 (ca.1970), p. 26 (R) [digi.copy]<br />

Ron Watson: Archie Shepp <strong>–</strong> "Three for a Quarter / One for a Dime" (Impulse SIPL 520), in: Pieces of<br />

<strong>Jazz</strong>, 1970, p. 16 (R)<br />

Yves Buin, D. Caux, Jean-Louis Chautemps, André Hodeir & Lucien Malson: Sur quelques oeuvres<br />

contemporaines. III - D'Archie Shepp, in: <strong>Jazz</strong> Magazine, #176 (1970), Beilage Les Cahiers du <strong>Jazz</strong>, #18,<br />

p. 23-24<br />

NN: Potpourri. Archie Shepp in Paris, in: Down Beat, 37/3 (5.Feb.1970), p. 8 (N)<br />

Valerie Wilmer: Great Black Music, in: Melody Maker, 18.Jul.1970, p. 12<br />

NN: Shepp Big Band Stars in Coltrane Tribute, in: Down Beat, 37/16 (20.Aug.1970), p. 12 (C)<br />

NN: Potpourri. Archie Shepp returns to US from France, in: Down Beat, 37/19 (1.Oct.1970), p. 11 (N)<br />

Robert Levin: <strong>The</strong> Third World. Archie Shepp - A Period of Reflection, in: <strong>Jazz</strong> & Pop, 9/11 (Nov.1970), p.<br />

12 (F/I) [digi.copy]; part 2, in: <strong>Jazz</strong> & Pop, 9/12 (Dec.1970), p. 12 (F/I) [digi.copy]; part 3, in: <strong>Jazz</strong> & Pop,<br />

10/1 (Jan.1971), p. 12 (F/I) [digi.copy]<br />

Archie Shepp: Albert Ayler, 1934-70, in: New York Times, 20.Dec.1970, p. 101 ("I": obituary of Albert<br />

Ayler) [digi.copy]<br />

Archie Shepp: Foreword, in: Ben Sidran: Black Talk, New York 1981 [book; Reprint, O: New York 1971],<br />

p. xiii-xviii ("I")<br />

Daniel Walden: Black Music and Cultural Nationalism. <strong>The</strong> Maturation of Archie Shepp, in: Negro<br />

American Literature Forum, 5/4 (Winter 1971), p. 150-154 (F) [digi.copy]<br />

Bill Cole; Archie Shepp - "For Losers" (Impulse), in: Down Beat, 38/8 (15.Apr.1971), p. 22-23 (R)<br />

[digi.copy]<br />

R. Willi<strong>am</strong>s: Shake Archie Shepp, in: Melody Maker, 24.Apr.1971, p. 22 (R: Archie Shepp and the Full<br />

Moon Ensemble live in Antibes, Vol. 1&2 / Coral Rock / & Philly Joe Jones)<br />

Robert Levin: <strong>The</strong> Third World. Archie Shepp - Black Artists for Community Action, in: <strong>Jazz</strong> & Pop, 10/6<br />

(Jun.1971), p. 10-11 (F/I) [digi.copy]<br />

Valerie Wilmer: Shepp the Teacher, in: Melody Maker, <strong>16.</strong>Oct.1971, p. 14<br />

R. Riggins: Archie Shepp - Attica Blues, in: Down Beat, 39/19 (1972), p. 19-20 (R)<br />

Valerie Wilmer: Le sens d'Attica (disque "Attica Blues"), in: <strong>Jazz</strong> Magazine, #205 (1972), p. 28-29<br />

Robert D. Rusch: Rusch on Rhythm. Shepp - Ellington, in: <strong>Jazz</strong> Journal, 25/7 (Jul.1972), p. 16 (F)<br />

Bob Rusch: Archie Shepp <strong>–</strong> "Attica Blues" (Impulse! AS-9222), in: <strong>Jazz</strong> Digest, 1/9-10 (Sep/Oct.1972), p.<br />

45-46 (R) [digi.copy]<br />

NN: Newport <strong>Jazz</strong> Festival New York, in: <strong>Jazz</strong> Hot, #278 (Dec.1971), p. 4-12 (C: Sonny Rollins Quintet;<br />

Budd Johnson; Cecil Taylor; Byard Lancaster; Lee Konitz; Woody Herman; Freddie Hubbard; Ornette<br />

Coleman, Dewey Redman, Charlie Haden, Ed Blackwell; Milford Graves & Frank Lowe; Earl Cross<br />

Ninetet; Frank Foster Big Band; S<strong>am</strong> Rivers; Gunter H<strong>am</strong>pel & Jeanne Lee & Anthony Braxton; Noah<br />

Howard; Weather Report; Archie Shepp; Ken McIntyre; Dewey Redman Quartet; Leon Thomas; Thad<br />

Jones / Mel Lewis Big Band) [digi.copy]


NN: Potpourri. "Lady Day. A Musical Tragedy" with music by Archie Shepp premiered in Brooklyn, in:<br />

Down Beat, 39/20 (7.Dec.1972), p. 10 (N)<br />

H.J. Klee: Archie Shepp - <strong>The</strong> Cry of My People, in: Down Beat, 40/11 (1973), p. 23 (R)<br />

Joe H. Klee: Archie Shepp - "<strong>The</strong> Cry of My People" (ABC Impulse), in: Down Beat, 40/11 (7.Jun.1973), p.<br />

23 (R)<br />

J<strong>am</strong>es P. Schaffer: Archie Shepp - "Coral Rock" (Prestige), in: Down Beat, 40/16 (11.Oct.1973), p. 34 (R)<br />

[digi.copy]<br />

L. Gruchlich: Archie Shepp im Paradi(e)s(o), in: Sounds, 2/1974, p. 11<br />

Barry McRae: Avant Courier, No. 21. Things Have Got to Change, in: <strong>Jazz</strong> Journal, 27/2 (Feb.1974), p.<br />

26, 47 (F)<br />

Lorenz Gruchlik: Archie Shepp im Paradi(e)s(o), in: Sounds, 6/2 (Feb.1974), p. 11 (C)<br />

Gordon Kopulos: Archie Shepp - "Kwanza" (Impulse), in: Down Beat, 41/12 (20.Jun.1974), p. 26 (R)<br />

J. Runcie: "American Negro music is very political... whites don't want to accept this", in: Melody Maker,<br />

21.Sep.1974, p. 30<br />

John B. Litweiler: Shepp. An Old Schoolmaster in Brown Suit, in: Down Beat, 41/18 (7.Nov.1974), p. 15-<br />

17, 44 (F/I); response, by Jay Bregman, in: Down Beat, 42/1 (<strong>16.</strong>Jan.1975), p. 8 (letter); response, by Eric<br />

Sagaard, in: Down Beat, 42/2 (30.Jan.1975), p. 8 (letter)<br />

Ekkehard Jost: Archie Shepp, in: Ekkehard Jost: Free <strong>Jazz</strong>. Stilkritische Untersuchungen zum <strong>Jazz</strong> der<br />

60er Jahre, Mainz 1975 [book], p. 121-139 (A/T); 2nd edition, Hofheim 2002 [book: Wolke], p. 127-146<br />

(A/T); French translation as "Free <strong>Jazz</strong>. Une étude critique et stylistique du jazz des années 1960", Paris<br />

2002 [book: Outre Mesure], p. 119-134 (A/T)<br />

NN: Archie Shepp. Wir müssen die Musik des Volkes spielen, in: Stereo, #17 (1975), p. 10-12<br />

Gordon Kopulos: Caught. Archie Shepp, New <strong>Jazz</strong> Showcase, Chicago, in: Down Beat, 42/1<br />

(<strong>16.</strong>Jan.1975), p. 35 (C)<br />

Michael Naura: Archie Shepp. Unsere Musik war für die Schwarzen immer relevant, in: <strong>Jazz</strong> Podium, 24/2<br />

(Feb.1975), p. 4-6 (I); part 2: Der Schrei meines Volkes, in: <strong>Jazz</strong> Podium, 24/3 (Mar.1975), p. 4-6, 17 (I)<br />

Lehman Black: Heard and Seen. S<strong>am</strong> Rivers, Archie Shepp, Buckley Recital Hall, Amherst College,<br />

Massachusetts, in: Coda, #138 (May 1975), p. 35-37 (C)<br />

Renato Jacchetti: Discografia. Archie Shepp, in: Musica <strong>Jazz</strong>, 31/6 (Jun.1975), p. 46-47 (D: 1969-1973)<br />

Barry McRae: Avant Courier. <strong>The</strong> Traditionalism of Archie Shepp, in: <strong>Jazz</strong> Journal, 28/9 (Sep.1975) , p.<br />

14-16 (F)<br />

Giuseppe Pino: Shepp a l'italienne, in: <strong>Jazz</strong> Magazine, #236 (Sep.1975), p. 18-19 (Foto-F)<br />

Chuck Berg: Archie Shepp - Doodlin', in: Down Beat, 43/19 (1976), p. 21-22 (R)<br />

Howard Mandel: Archie Shepp - <strong>The</strong>re's a Trumpet in my Soul, in: Down Beat, 43/12 (1976), p. 27-28 (R)<br />

Ted Joans: <strong>Jazz</strong> en direct. Archie Shepp, in: <strong>Jazz</strong> Magazine, #242 (Mar.1976), p. 6-7 (C)


Robert Urmann: Zwei Giganten des Tenorsaxophons in Linz, in: Blues Notes, 9/31 (1977), p. 56-58 (C)<br />

Valerie Wilmer: Archie Shepp. <strong>The</strong> Fire This Time, in: Valerie Wilmer: <strong>Jazz</strong> People, London 1977 [book],<br />

p. 153-162 (F/I)<br />

Alain Leygnier: En direct. Archie Shepp, in: <strong>Jazz</strong> Magazine, #252 (Feb/Mar.1977), p. 12 (C)<br />

B.H. Klauber: Archie Shepp Quartet, Grendel's Lair, Philadelphia, in: Down Beat, 45/12 (1978), p. 44-45<br />

(C)<br />

David N. Baker & Lida M. Belt & Herman C. Hudson (eds.): <strong>The</strong> Black Composer Speaks, Metuchen/NJ<br />

1978 [book: Scarecrow Press], p. 290-312 (F/I; work list; bibliography) [digi.copy]<br />

Mark Gridley. Free <strong>Jazz</strong>. Archie Shepp, in: Mark Gridley: <strong>Jazz</strong> Styles, Englewood Cliffs 1978 [book], p.<br />

202-203 (F)<br />

NN: Shepp in Rome, in: Swinging Newsletter, 8/35 (Feb.1978), p. 3 (N) [digi.copy]<br />

Bruce H. Klauber: Caught. Archie Shepp Quartet, Grendel's Lair, Philadelphia, in: Down Beat, 45/12<br />

(15.Jun.1978), p. 44-45 (C)<br />

Alex Dutilh: Concerts. Shepp au Circque, in: <strong>Jazz</strong> Hot, #355 (Nov.1978), p. 48 (C)<br />

B. Primack: Archie Shepp. Back to Schooldays, in: Down Beat, 45/21 (21.Dec.1978), p. 27-28, 59-61 (F/I)<br />

John Mitchell: Archie Shepp, in: <strong>Jazz</strong> (Magazine) [USA], 3/3 (Summer 1979), p. 33-35 (F) [digi.copy]<br />

Kitty Grime: <strong>Jazz</strong> at Ronnie Scott's, London 1979 [book], p. 33, 38-39, 65, 73-76, 79, 89, 92, 123-124,<br />

142, 174, 177-179, 182-187 (short I)<br />

Pierre-Henri Ardonceau: <strong>Jazz</strong> en direct. Archie Shepp, in: <strong>Jazz</strong> Magazine, #271 (Jan.1979), p. 16 (C)<br />

Bob Rusch: Archie Shepp. Interview, in: Cadence, 5/3 (Mar.1979), p. 3-6 (I)<br />

Denis Constant: <strong>Jazz</strong> en direct. Archie Shepp, in: <strong>Jazz</strong> Magazine, #273 (Mar.1979), p. 16, 18 (C)<br />

Laurent Goddet: Autor d'un disque, in: <strong>Jazz</strong> Hot, #361 (May 1979), p. 38-39 (F/R)<br />

Jacques Laret: <strong>Jazz</strong> en direct. Archie Shepp, in: <strong>Jazz</strong> Magazine, #378 (Sep.1979), p. 10 (C)<br />

Michel Boujut: Shepp en six questions, in: <strong>Jazz</strong> Magazine, #279 (Oct.1979), p. 34-35, 64 (I)<br />

Claude Baro: Concerts. Nancy, Envers et contre tout, in: <strong>Jazz</strong> Hot, #367 (Nov.1979), p. 43 (C)<br />

Jacques Laret: <strong>Jazz</strong> en direct. Archie Shepp, in: <strong>Jazz</strong> Magazine, #281 (Dec.1979), p. 26 (C)<br />

B. Stepien & N. Richmond: Archie Shepp Interviews, in: Coda, #171 (1980), p. 4-11 (I)<br />

Z. Pecka: Archie Shepp. Znovu do skolní lavice, in: <strong>Jazz</strong>/CSSR, #27-28 (1980), p. 22-23 (F/I)<br />

Alex Dutilh: Concerts. Archie Shepp Big Band, in: <strong>Jazz</strong> Hot, #368/369 (Jan.1980), p. 50 (C)<br />

Gérard Terronès: Archie Shepp. Souvenirs de voyage, in: <strong>Jazz</strong> Magazine, #282 (Jan.1980), p. 26-28<br />

(Foto-Essay)<br />

Bernard Stepien: Archie Shepp Interview, in: Coda, #171 (Feb.1980), p. 4-6 (F/I)


Norman Richmond: Archie Shepp Interview, in: Coda, #171 (Feb.1980), p. 7-11 (I)<br />

D.J. Pourquery: Archie Shepp Big Band, in: <strong>Jazz</strong>, Blues and Co., #38 (Mar.1980), p. 4 (C)<br />

Francis Hofstein: <strong>Jazz</strong> en direct. Archie Shepp, in: <strong>Jazz</strong> Magazine, #284 (Mar.1980), p. 9-10 (C)<br />

Larry Birnbaum: Archie Shepp and Horace Parlan - Goin' Home, in: Down Beat, 47/5 (May 1980), p. 35-36<br />

(R)<br />

Trevor Tolley: Archie Shepp, CW's, Ottawa, in: Coda, #173 (Jun.1980), p. 32 (C)<br />

Christian Béthune: <strong>Jazz</strong> en direct. Ad<strong>am</strong>s/Murray/Shepp, in: <strong>Jazz</strong> Magazine, #289 (Sep.1980), p. 18-19<br />

(C)<br />

Didier Francfort: <strong>Jazz</strong> en direct. Shepp/Lincoln, in: <strong>Jazz</strong> Magazine, #292 (Dec.1980), p. 19 (C)<br />

Gilles Suze: <strong>Jazz</strong> en direct. Rive de Gier, in: <strong>Jazz</strong> Magazine, #295 (Mar.1981), p. 16 (C)<br />

Robert Latxague: <strong>Jazz</strong> en direct. <strong>Jazz</strong> Cartoons - Chris McGregor, Archie Shepp, Mal Waldron, in: <strong>Jazz</strong><br />

Magazine, #295 (Mar.1981), p. 15 (C)<br />

Alain Leygnier: <strong>Jazz</strong> en direct. Shepp/Edja Kungali, in: <strong>Jazz</strong> Magazine, #296 (Apr.1981), p. 14 (C)<br />

Yves Thébault: <strong>Jazz</strong> en direct. Archie Shepp, in: <strong>Jazz</strong> Magazine, #296 (Apr.1981), p. 17 (C)<br />

S. Freedman: Archie Shepp/Horace Parlan - Trouble in Mind, Max Roach/Archie Shepp - <strong>The</strong> Long<br />

March, in: Down Beat, 48/7 (Jul.1981), p. 32-33 (R)<br />

Jérome Reese: Archie Shepp ou la mémoire du peuple noir, in: <strong>Jazz</strong> Hot, #390 (Dec.1981), p. 10-13 (I)<br />

André Francis: <strong>Jazz</strong> (nouvelle édition), Malesherbes 1982 [book: Microcosme / Seuil], p. 212-213 (F)<br />

Francis Davis: Archie Shepp/Niels-Henning Orsted Pedersen - Looking at Bird, in: Down Beat, 49/4<br />

(Apr.1982), p. 36 (R)<br />

S. Freedman: Archie Shepp - Embracing the <strong>Jazz</strong> Ritual, in: Down Beat, 49/4 (Apr.1982), p. 22-25<br />

D. Wild: Pro Session. Archie Shepp/N.H. Orsted Pedersen Duo on "Confirmation". A Tenor Sax/Bass<br />

Transcription, in: Down Beat, 49/7 (Jul.1982), p. 62-63 (A/T)<br />

Barry McRae: Archie Shepp, in: <strong>The</strong> Wire, #3 (spring 1983), p. 18-19 (F/R)<br />

Rita Sanderson: Archie Shepp, in: <strong>The</strong> Wire, #3 (spring 1983), p. 16-17 (I)<br />

S. Boija & L. Collin: Vi har hört... Sen Shepp spelade mest på rutin, in: Orkester Journalen, 51/1<br />

(Jan.1983), p. 17 (C)<br />

John Diliberto: Archie Shepp & Jasper van't Hof - "M<strong>am</strong>a Rose" (SteepleChase), in: Down Beat, 50/4<br />

(Apr.1983), p. 27 (R)<br />

Fred Bouchard: Blindfold Test. Archie Shepp, in: Down Beat, 50/9 (Sep.1983), p. 49 (BT: Sonny Rollins -<br />

"Strode Rode"; Bennie Wallace: "Monroe County Moon"; Count Basie: "Whirly Bird"; Ricky Ford: "Chelsea<br />

Bridge"; Giuseppe Logan: "Dance of Satan")<br />

Sjaak Willemse: <strong>The</strong> changes of Archive Shepp, in: <strong>Jazz</strong> Nu, 5/59 (Sep.1983), p. 472-473 (F/I)


Peter Niklas Wilson: John Tchicai und Archie Shepp. Verschiedene Wege, in: <strong>Jazz</strong> Podium, 32/11<br />

(Nov.1983), p. 32<br />

Denis Constant: <strong>Jazz</strong> en direct. Archie Shepp (Villepreux, <strong>The</strong>atre du Val de Gally), in: <strong>Jazz</strong> Magazine,<br />

#325 (1984), p. 14 (C)<br />

Gert Filtgen & Michael Außerbauer: Wichtige Musiker um John Coltrane. Pharoah Sanders und Archie<br />

Shepp, in: Gert Filtgen & Michael Außerbauer: John Coltrane. Sein Leben, seine Musik, seine<br />

Schallplatten, Schaftlach 1984 [book], p. 45-48 (F)<br />

Mario Luzzi: Archie Shepp. Hommes et avant-gardes du jazz. Conversation en Italie, in: <strong>Jazz</strong> Ensuite, #5<br />

(Summer 1984), p. 44-54 (F/I)<br />

Sim Simons: Een sheppje van dit, en een sheppje van dat, een klein scheppje en vooral opschepperij, in:<br />

<strong>Jazz</strong> Freak, 11/5 (15.May 1984), p. 165 (C)<br />

Lothar Jänichen: Archie Shepp Quartett. Wehmütige Reminiszenzen, in: <strong>Jazz</strong> Podium, 33/7 (Jul.1984), p.<br />

23<br />

Charles J. Gans: Archie Shepp. In the Tradition, in: <strong>Jazz</strong> Forum, #93 (1985), p. 36-42<br />

Christian Béthune: L'ABC de Shepp, in: <strong>Jazz</strong> Magazine, #341 (1985), p. 34-37 (D: ABC/Impulse 1964-72)<br />

Jean-Louis Ginibre: Archie Shepp. Down Home new York, in: <strong>Jazz</strong> Magazine, #341 (1985), p. 48 (R)<br />

Barry McRae: Archie Shepp, <strong>The</strong> Forum, Highgate, London, in: <strong>Jazz</strong> Journal, 38/4 (Apr.1985), p. 12 (C)<br />

Jo Clayton: Archie Shepp Quartet, <strong>The</strong> Forum, Kentish Town, in: <strong>Jazz</strong> Express, #62 (Apr.1985), p. 14-15<br />

(C)<br />

Bill Smith: Archie Shepp - Four for Trane, in: Coda, #204 (Oct.1985), p. 20 (I)<br />

Bill Smith: Archie Shepp. Four for Trane, in: Coda, #204 (Oct/Nov.1985), p. 20-22 (I)<br />

Gerhard Putschögl: Zur Schlüsselfunktion der Musik in der afro-<strong>am</strong>erikanischen Kultur. Archie Shepp über<br />

die Musiktradition der schwarzen Amerikaner, in: <strong>Jazz</strong>forschung/jazz research, #18 (1986), p. 67-86 (F)<br />

Vernon Frazier: Archie Shepp, Henry Threadgill, David Murray, Malcolm Goldstein, in: Coda, #207<br />

(Apr.1986), p. 28 (C)<br />

Amiri Baraka: Masters in Collaboration, in: LeRoi Jones & Amina Baraka: <strong>The</strong> Music. Reflections on <strong>Jazz</strong><br />

and Blues, New York 1987 [book], p. 207-213 (F)<br />

Sjoerd van Aelst: Gehoord & Gezien. Archie Shepp Quartet, in: <strong>Jazz</strong> Nu, #108 (Oct.1987), p. 33-34 (C)<br />

Baldur Bockhoff: Das Archie Shepp Quartet im domicile, in: <strong>Jazz</strong>-Zeitung, 13/2 (Feb.1988), p. 23-25 (C)<br />

Curt Lundberg: Shepp strävar vidare. Archie Shepp Quartet, Fasching, Stockholm, in: Orkester Journalen,<br />

56/2 (Feb.1988), p. 20 (C)<br />

Jan Mulder: Archie Shepp: s<strong>am</strong>engebalde jazzhistorie, in: <strong>Jazz</strong> Freak, 15/6 (Jul/Aug.1988), p. 15 (C)<br />

Hans-Bernd Kittlaus: Professor Shepp in Karlsruhe. Hemmungslose Spielwut, in: <strong>Jazz</strong> Podium, 37/10<br />

(Oct.1988), p. 49 (C)<br />

Michael J. Budds: <strong>Jazz</strong> in the Sixties. <strong>The</strong> Expansion of Musical Resources and Techniques, Iowa City<br />

1990 [book: Iowa Press], passim (F)


Nol Handspiegel: Gehoord & Gezien. Archie Shepp, in: <strong>Jazz</strong> Nu, #144 (Nov.1990), p. 80-81 (C)<br />

Harald Schüren: Archie Shepp. Avantgarde - das ist das, was ich tue, in: <strong>Jazz</strong>thetik, 5/4 (Apr.1991), p. 30-<br />

32 (I)<br />

Farah C.: Roots et rites de l'afro-<strong>am</strong>érique. La black ballad de Cassenti, Shepp et Dee Dee, in: <strong>Jazz</strong><br />

Magazine, #405 (Jun.1991), p. 62-63 (I)<br />

Guy Masy: Archie Shepp. Ouvrez grandes vos oreilles!, in: <strong>Jazz</strong> in Time, #27 (Oct.1991), p. 7 (I)<br />

NN: Archie Shepp Discography, in: Swing Journal, Oct.1991, p. 228-233 (D)<br />

Claude Fortin: Archie Shepp. Continuité et ruptures, in: Label <strong>Jazz</strong>, #7 (1992), p. ** (F)<br />

Lucien Giraudo: Archie Shepp, in: <strong>Jazz</strong> Magazine, #412 (Feb.1992), p. 15-16 (C)<br />

Horst Weber: Archie Shepp, in: <strong>Jazz</strong> Podium, 41/11 (Nov.1992), p. 14-16, 18-19 (BT)<br />

Sandrine Mariette: En direct. Archie Shepp, in: <strong>Jazz</strong> Magazine, #421 (Dec.1992), p. 23 (C)<br />

Ulfert Goemann: Archie Shepp Quartet. <strong>Jazz</strong>standards dund die Bewahrung der oralen <strong>Jazz</strong>tradition, in:<br />

<strong>Jazz</strong> Podium, 41/12 (Dec.1992), p. 35 (C)<br />

Dan Morgenstern: <strong>The</strong> Singers, in: Dan Morgenstern & Ole Brask: <strong>Jazz</strong> People, New York 1976 [book:<br />

Harry N. Abr<strong>am</strong>s], p. 285, 287 (F)<br />

Lewis Porter & Michael Ullman: Albert Ayler, Don Cherry, and Archie Shepp, in: Lewis Porter & Michael<br />

Ullman: <strong>Jazz</strong>. From Its Origins to the Present, Englewood Cliffs/NJ 1993 [book], p. 403-409 (F)<br />

NN: CD del mese. Archie Shepp Quartet, in: Blu <strong>Jazz</strong>, #29 (Feb.1993), p. 4 (F)<br />

Philippe Richard & Yves Sportis: Archie Shepp. Fire Music. 1ere partie - de 1962 à 1975, in: <strong>Jazz</strong> Hot,<br />

#498 (Mar.1993), p. 31-34 (D); part 2, in: <strong>Jazz</strong> Hot, #499 (Apr.1993), p. 41-44 (D)<br />

Thierry Peremarti: Archie Shepp, in: <strong>Jazz</strong> Hot, #498 (Mar.1993), p. 22-26 (F/I)<br />

Thierry Peremarti: Vu par..., in: <strong>Jazz</strong> Hot, #498 (Mar.1993), p. 27-30 (F/I mit John Stubblefield, Yusef<br />

Lateef, Ted Curson, Paul Bley, Sonny Fortune, Barry Harris, Avery Sharpe, Horace Parlan); part 2, in:<br />

<strong>Jazz</strong> Hot, #499 (Apr.1993), p. 38-40 (F/I mit David Murray, Tim Berne, Joe Lovano, Kenny Werner, Santi<br />

Debriano, John Purcell)<br />

"l<strong>am</strong>": Philosoph und <strong>Jazz</strong>musiker. Tenorsaxophonist Archie Shepp und sein Quartett erstmals in<br />

Mülheim, in: Welt <strong>am</strong> Sonntag Extra. Sonderdruck zum 14. "<strong>Jazz</strong> im Zentrum", 30.Apr./1.May 1993, p. 5<br />

(F) [digi.copy] {filed under "Deutschland/Muelheim"}<br />

Lino Volpe: Archie Shepp. Un musicistafuori dagli schemi, in: Blu <strong>Jazz</strong>, 31/32 (Apr/May 1993), p. 12-14<br />

(F/I)<br />

Thierry Peremarti: Archie Shepp. Ju-Ju-Man, in: <strong>Jazz</strong> Hot, #499 (Apr.1993), p. 29-33 (I)<br />

Tony Cross: <strong>The</strong> New Thing Now. Archie Shepp, in: <strong>Jazz</strong> Express, #153 (May 1993), p. 12 (F/I)<br />

Joe Giardullo: Archie Shepp. Florida-born, Philadelphia-bred, saxophonist Archie Shepp has always had a<br />

post-industrial sound on the horn, and a post-modern tone in his voice, in: Coda, #254 (Mar/Apr.1994), p.<br />

24-25 (F/I)


Kodwo Eshun: Righteous Brother. Archie Shepp was never just another saxophone player. He has<br />

performed free jazz with John Coltrane, recorded radical R&B on the classic Attica Blues, convened with<br />

the Black Arts Movement, and been a poet, playwright, activist and academic, in: <strong>The</strong> Wire, #122<br />

(Apr.1994), p. 12-14 (F/I)<br />

Christian Broecking: Archie Shepp. Wir kennen bestenfalls Community-Mitglieder, in: Christian Broecking:<br />

Der Marsalis-Faktor. Gespräche über afro<strong>am</strong>erikanische Kultur in den neunziger Jahren, Waakirchen<br />

1995 [book], p. 30-39 (I)<br />

François & Yves Billard: Histoires du Saxophone: Castelnau-le-Lez/France 1995 [book: Climats], p. 382-<br />

383 (short F)<br />

Hans-Jürgen Schaal: Archie Shepp Quartet, special guest Earl Turbinton, in: <strong>Jazz</strong>fest Berlin '95, Berlin<br />

1995 [progr<strong>am</strong>], p. 14-15 (F)<br />

John Corbett: Shepps in the Night, in: Down Beat, 62/2 (Feb.1995), p. 44-45 (R)<br />

Linda Kube: Archie Shepp & Pee Wee Ellis. Let's Talk About Sax, in: <strong>Jazz</strong> Thing, #8 (Apr/May 1995), p.<br />

20-21 (I)<br />

Pino Maffei: Scandaloso Archie Shepp! Ma perche' non ascoltarlo?, in: Musica <strong>Jazz</strong>, 51/4 (Apr.1995), p.<br />

52-53 (F: über Berichterstattung in den 70er Jahren)<br />

Rain Chacón: Archie Shepp, in: OffBeat, May 1995, p. 90 (F/I)<br />

Stefano Arcangeli: Archie Shepp, in: Musica <strong>Jazz</strong>, 52/5 (May 1996), p. 35-50 (F)<br />

NN: <strong>The</strong>re's No Stoppin' the Professor Boppin'. Max Roach with Archie Shepp at the QEH Workshop Last<br />

Month, in: BOZ, #25 (May 1996), p. 26 (F/C)<br />

Gérard Rouy: Archie Shepp - "Je suis un rapper", in: <strong>Jazz</strong> Actuel, #4 (Jul.1996), p. 4-5 (I)<br />

Franck Médioni & Alexandre Pierrepont & Gérard Rouy: Albert Ayler. Message reçu, in: <strong>Jazz</strong> Magazine,<br />

#462 (Sep.1996), p. 36 (short I über Albert Ayler)<br />

Philippe Adler & Pierre de Chocqueuse: Passeport pour le jazz. Les grands CD du jazz moderne 1944-<br />

1997, Paris 1997 [book: Balland], p. 340-342 (F/R: "Four for Trane"; "Goin' Home")<br />

Vincent Bessières & Matthieu Jouan: Archie Shepp, in: So What, #16 (Apr/May 1997), p. 2-8 (F/I)<br />

Christian Broecking: Soulfood. Schwarze Kultur in den 90ern. Archie Shepp, in: <strong>Jazz</strong>thetik, 11/5 (May<br />

1997), p. 30-33 (I)<br />

Reinhard Köchl: Archie Shepp. Der ewige Underdog, in: <strong>Jazz</strong> Thing, #19 (Jun/Aug.1997), p. 16-18 (F/I)<br />

Pepsch Muska: Archie Shepp. Black Talk, in: <strong>Jazz</strong> Live, #116 (1997), p. 44 (I)<br />

Jacques Denis: Fire Music. Archie Shepp, "mes années Impulse!", in: <strong>Jazz</strong>man, #34 (Mar.1998), p. 10-11<br />

(I)<br />

Craig Morrison: Archie Shepp and Horace Parlan Duet, in: Planet <strong>Jazz</strong>, 3 (Fall/Winter 1999), p. 23 (C)<br />

Konrad Heidk<strong>am</strong>p: Archie Shepp & Cecil Taylor. Mit den richtigen Schuhen im falschen Kopfhörer, in:<br />

Konrad Heidk<strong>am</strong>p: It's All Over Now. Musik einer Generation - 40 Jahre Rock und <strong>Jazz</strong>, Berlin 1999<br />

[book: Alexander Fest Verlag; 2nd edition: Reinbek bei H<strong>am</strong>burg 2007: ro-ro-ro], p. 202-216 (F)


Philippe Fréchet & Thierry Trombert & Bernard Froidefond & Gustave Cerutti: <strong>Jazz</strong>poetry. Voix noires.<br />

Archie Shepp, in: Impro<strong>Jazz</strong>, #53 (Mar.1999), p. 27-28 (F)<br />

Christian Gauffre: Archie Shepp - "Ellington était un héros", in: <strong>Jazz</strong> Magazine, #492 (May 1999), p. 32-33<br />

(I with Archie Shepp about Ellington)<br />

Christian Broecking: Archie Shepp, in: <strong>Jazz</strong>thetik, 13/7-8 (Jul/Aug.1999), p. 24-29 (I)<br />

Richard Cook: Archie Shepp & Kahil El'Zabar's Ritual Trio, in: <strong>Jazz</strong>iz, 16/9 (Sep.1999), p. 68-69 (R)<br />

Enzo Boddi: <strong>Jazz</strong> Live. Scandicci - Archie Shepp Trio, in: Musica <strong>Jazz</strong>, 56/4 (Apr.2000), p. 9, 78 (C)<br />

Sjef Hoefsmit et al: Even Archie Shepp an Ellingtonian, in: DEMS Bulletin, 22/2 (Jun/Aug.2000), p. 6<br />

(letters) [digi.copy]<br />

Christopher G. Bakriges: African American Musical Avant-Gardism, North York/Ontario 2001 [PhD thesis:<br />

York University], passim (F) [digi.copy]<br />

Christian Gauffre: Archie Shepp. Les disques de ma vie, in: <strong>Jazz</strong> Magazine, #512 (Feb.2001), p. 18-20 (I)<br />

Mark Holston: Refrain. Mellowed Man, in: <strong>Jazz</strong>iz, 18/3 (Mar.2001), p. 82 (F/I)<br />

Steve Smith: Archie Shepp. <strong>The</strong> Sound and the Fury, in: <strong>Jazz</strong> Times, 31/5 (Jun.2001), p. 46-50, 52, 54,<br />

164-165 (F/I)<br />

Enno Blanke: Monk/Shepp. Scupule with Nellie... Jenseits des Verschrobenen - eine verlorene<br />

Möglichkeit, in: <strong>Jazz</strong> Podium, 50/7-8 (Jul/Aug.2001), p. 8-9 (F)<br />

Bruce Carnevale: Archie Shepp - "St. Louis Blues" (<strong>Jazz</strong> Magnet), in: <strong>Jazz</strong>iz, 18/9 (Sep.2001), p. 63, 65<br />

(R)<br />

John Corbett (& John McDonough & Jim Mcnie & John Ephland): Archie Shepp & Roswell Rudd - "Live in<br />

New York" (Verve), in: Down Beat, 68/9 (Sep.2001), p. 56-58 (R)<br />

Phil Freeman: Archie Shepp & Roswell Rudd - "Live in New York" (Verve), in: <strong>Jazz</strong>iz, 18/11 (Nov.2001), p.<br />

68 (R)<br />

Ashley Kahn: A Love Supreme. <strong>The</strong> Story of John Coltrane's Signature Album, New York 2002 [book:<br />

Viking]; German translation, as "A Love Supreme. John Coltranes legendäres Album [book: Rogner &<br />

Bernhard], passim (F)<br />

Eric Porter: What Is This Thing Called <strong>Jazz</strong>? African American Musicians as Artists, Critics, and Activists,<br />

Berkeley 2002 [book: University of California Press], p. 191-239 (F: chapter "Practiving 'Creative Music'.<br />

<strong>The</strong> Black Arts Imperative in the <strong>Jazz</strong> Community")<br />

Martin Pfleiderer: Goin' Home - On Archie Shepp's Sound Shaping, in: <strong>Jazz</strong>forschung / jazz research, #34<br />

(2002), p. 133-147 (F/A/T: "Goin' Home")<br />

Paolo Vitolo: Guida al jazz. Gli autori e le musiche dal bebop alla creative music, Milano 2002 [book:<br />

Bruno Mondadori], p. 212-216 (F)<br />

Perry Robinson & Florence Wetzel: <strong>The</strong> Traveler, San Jose 2002 [book: Writers Club Press/iUniverse],<br />

passim (F)<br />

Jacques Denis: Shepp. L'Archie obligatoire, in: <strong>Jazz</strong>man, #76 (Jan.2002), p. 24-25 (F/R: selected records)<br />

Christian Broecking: Archie Shepp. Der Blues ist die Basis, in: <strong>Jazz</strong> Zeit, #30 (Jul/Aug.2002), p. 9 (F/I)


Valerie Wilmer: Le Sens d'Attica. Lors de la parution du "Attica Blues" d'Archie Shepp, Valerie Wilmer<br />

avait réuni, pour <strong>Jazz</strong> Magazine, Shepp, le batteur Beaver Harris et l'avocat Willi<strong>am</strong> Kunstler. Pour<br />

mémoire, et saluer la nouvelle édition cd de l'enregistrement historique, revoici cette "table ronde" à son<br />

rééditée, in: <strong>Jazz</strong> Magazine, #538 (Jun.2003), p. 36-37 (F/I)<br />

Christian Broecking: Wie wichtig ist der Image-Faktor beim <strong>Jazz</strong>?, in: <strong>Jazz</strong> Thing, #51<br />

(Nov.2003/Jan.2004), p. 14 (F/short I with Jason Moran, Richard Bona, Archie Shepp, Ornette Coleman,<br />

Sonny Rollins, Bill Dixon, Albert Murray)<br />

Christian Broecking: Respekt!, Berlin 2004 [book: Verbrecher Verlag], p. 75-91 (F/I: chapter "Interview mit<br />

Archie Shepp"); reprint, in: Christian Broecking: Respekt! Die Geschichte der Fire Music, Berlin 2011<br />

[book: Verbrecher Verlag], p. 89-107 (I: chapter "Interview mit Archie Shepp")<br />

Desdemone Bardin: <strong>Jazz</strong> Zoom. Carryin' It On, New York 2004 [book: DVC Press], p. 54-56 (I about his<br />

influences, school, his current style, funny <strong>The</strong>lonious Monk story)<br />

Jeff Schwartz: New Black Music. Amiri Baraka (LeRoi Jones) and <strong>Jazz</strong>, 1959-1965, Bowling Green/OH<br />

2004 [PhD thesis: Bowling Green State University], passim; especially p. 382-415 (F: chapter "Archie<br />

Shepp on Impulse") [digi.copy]<br />

Richard Lyons: Sitting at a Desk, Listening to Cherry and Shepp, in: Brilliant Corners, 8/2 (Summer 2004),<br />

p. 24-25 (poem)<br />

Geraldine Wyckoff: Back Talk with Archie Shepp, in: Off Beat, Mar.2004, p. 84-86 (F/I)<br />

Christian Broecking: Community Talk, 13. Wie passen F<strong>am</strong>ilienleben und <strong>Jazz</strong> zus<strong>am</strong>men?, in: <strong>Jazz</strong><br />

Thing, #54 (Jun/Aug.2004), p. 28 (F/short I with Michael Brecker, Roswell Rudd, Archie Shepp, Enrico<br />

Rava, Shirley Horn, Cassandra Wilson, Javon Jackson, Ronnie Matthews, Jan Garbarek)<br />

Val Wilmer: Roswekk Rudd and the Chartreuse Phantasm. As a monumental box set of rare Albert Ayler<br />

recordings is released by the revenant label, trombonist Roswell Rudd recalls his encounters with the<br />

charismatic saxophonist, as well as with Archie Shepp, film maker Michael Snow, bassist Lewis Worrell<br />

and others who constituted the New York milieu in which Ayler's free and spiritual music took shape, in:<br />

<strong>The</strong> Wire, #249 (Nov.2004), p. 28-31 (F/I)<br />

Jean-Jacques Birgé & Jean Rochard: Archie Shepp, ténor du barreau, in: Les Allumés du <strong>Jazz</strong>, #13<br />

(2005), p. 24-31 (F/I)<br />

Ralf Dombrowski: Basis-Diskothek <strong>Jazz</strong>, Stuttgart 2005 [book: Recl<strong>am</strong>], p. 186-187 (R: "M<strong>am</strong>a Rose",<br />

SteepleChase); reprint, in: Ralf Dombrowski: Basis-Diskothek <strong>Jazz</strong>, Stuttgart 4/2011 [book: Recl<strong>am</strong>], p.<br />

218-220 (R)<br />

Stephan Richter: Archie Shepp, in: Peter Niklas Wilson (ed.): <strong>Jazz</strong> Klassiker, Stuttgart 2005 [book:<br />

Recl<strong>am</strong>], p. 608-613 (F)<br />

Michel Calone: Un producteur nommé Shepp. Après avoir longtemps enregistré pour diverses<br />

compagnies, "major" ou indépendantes, Archie Shepp vient de créer son propre label: Archieball, in: <strong>Jazz</strong><br />

Magazine, #555 (Jan.2005), p. 4 (F/I)<br />

Christian Gauffre: Steve Coleman, Archie Shepp. Document. Le dialogue qu'on attendait, in: <strong>Jazz</strong><br />

Magazine, #556 (Feb.2005), p. 10-17, 47-50 (F/I)<br />

Thierry Lepin: Génealogie. Archie Shepp, in: <strong>Jazz</strong>man, #115 (Jul/Aug.2005), p. 13 (F)<br />

Barry Davis: Players. Archie Shepp. Jerusalem Journey, in: Down Beat, 72/10 (Oct.2005), p. 30-31 (F/I)<br />

[digi.copy]


Sholto Byrnes: Archie Shepp, Queen Elizabeth Hall, London, in: <strong>The</strong> Independent, 23.Nov.2005 (C)<br />

[vert.file] [digi.copy]<br />

Ashley Kahn: <strong>The</strong> House That Trane Built. <strong>The</strong> Story of Impulse Records, New York 2006 [book: Norton;<br />

German translation as "Impulse! Das Label, das Coltrane erschuf", Berlin 2007: Rogner & Bernhard],<br />

passim (F); especially p. 120-121 (F/I: chapter "Four for Trane"); p. 240-241 (F/I: chapter "Attica Blues")<br />

John Gennari: Blowin' Hot and Cool. <strong>Jazz</strong> and Its Critics, Chicago 2006 [book: University of Chicago<br />

Press], passim (F: and the critics)<br />

Pannonica de Koenigswarter: Les Musiciens de jazz et leurs trois voeux, Paris 2006 [book:<br />

Buchet/Chastel; German translation as: "Die <strong>Jazz</strong>musiker und ihre drei Wünsche", Stuttgart 2007:<br />

Recl<strong>am</strong>; English translation (original language) as: "Three Wishes. An Intimate Look at <strong>Jazz</strong> Greats", New<br />

York 2008: Abr<strong>am</strong>s Image], p. 285 (short I)<br />

Roberto Pollillo & Arrigo Polillo: Swing, Bop & Free. Il jazz degli anni '60, Milano 2006 [book: Polillo<br />

Editore], p. 28-30 (short F/photos)<br />

Wolfr<strong>am</strong> Knauer: Healing Force of the Universe? Warum der Free <strong>Jazz</strong> zahm wurde, in: Wolfr<strong>am</strong> Knauer<br />

(ed.): <strong>Jazz</strong> goes Pop goes <strong>Jazz</strong>. Der <strong>Jazz</strong> und sein gespaltenes Verhältnis zur Popularmusik, Hofheim<br />

2006 [book: Wolke Verlag], p. 76-99 (F)<br />

Kevin Le Gendre: Fire in the Soul. Archie Shepp stands now as a totemic figure from a time in jazz history<br />

notable for its spirit of rebellion, its allegiances with the black power of the 1960s and a belief that music is<br />

part of a bigger social and political struggle. <strong>The</strong> saxophonist, in his first major interview for <strong>Jazz</strong>wise, talks<br />

to Kevin Le Gendre about the era in which he grew up, the issues he cares most for, and how he feels<br />

"the more that we're oppressed, the more we feel the need to assert ourselves", in: <strong>Jazz</strong>wise, #94<br />

(Feb.2006), p. 24-28 (F/I)<br />

Sandra Costantini: Archie Shepp, Il sax che fece scendere la pioggia, in: Pan, 16/3 (Sep.2006), p. 1-3 (F/I)<br />

"GD": Vision einer schwarzen Musik. <strong>Jazz</strong>: Archie Shepp beeindruckt bei "Enjoy <strong>Jazz</strong>" in der Mannheimer<br />

Universität, in: Mannheimer Morgen, 10.Oct.2006 (C) [vert.file] [digi.copy]<br />

Georg Spindler: Brückenbauer zwischen den Kulturen. Enjoy <strong>Jazz</strong>. Saxofon-Legende Archie Shepp leitet<br />

einen etwas anderen Workshop, in: mannheimer Morgen, 11.Oct.2006 (C) [vert.file] [digi.copy]<br />

Peter Kemper: Aus afrikanischem Holz geschnitzt. Wurzelsuche: Archie Shepps Deutschland-Debüt mit<br />

"Dar Gnawa" in Mannheim, in: Frankfurter Allgemeine Zeitung, 10.Oct.2006, p. 33 (C) [vert.file] [digi.copy]<br />

Christian Broecking: Klassiker widmet Archie Shepp seiner Oma, in: Berliner Zeitung, 8.Dec.2006 (DVD-<br />

R) [vert.file] [digi.copy]<br />

Bradley Farberman: Retired Prof. Archie Shepp discusses legendary career, in: <strong>The</strong> Daily Collegian<br />

(University of Massachusetts), 29.Jan.2007 (F/I) [digi.copy]<br />

Franck Médioni: Peut-on enseigner le jazz?, in: <strong>Jazz</strong> Magazine, #577 (Jan.2007), p. 28-34 (F/I with Bojan<br />

Zulfikarpasik, Archie Shepp, François Jeanneau, Riccardo Del Frau)<br />

Ken Weiss: Interview. Archie Shepp, in: <strong>Jazz</strong> Improv, 2/7 (Jan.2007), p. 86-88 (I: about John Coltrane)<br />

[digi.copy]<br />

Reinhard Köchl: Archie Shepp. Der Saxofonkrieger, in: <strong>Jazz</strong> Thing, #67 (Feb/Mar.2007), p. 8 (F/I)<br />

John Corbett: Vinyl Freak. Archie Shepp - "Plays the Music of J<strong>am</strong>es Brown" (Impulse, never issued), in:<br />

Down Beat, 74/3 (Mar.2007), p. 20 (R: never record LP project) [digi.copy]


Reinhard Köchl: Archie Shepp. Saxofonkrigeren, in: <strong>Jazz</strong> Special, #95 (Mar/Apr.2007), p. 74-75 (F/I)<br />

Christian Broecking: Der Erfinder der Fire Music. Dem großen Saxofonisten Archie Shepp zum 70.<br />

Geburtstag, in: Berliner Zeitung, 24.May 2007 (F) [digi.copy]<br />

Christian Broecking: Der Erfinder der Fire Music. Dem großen Saxofonisten Archie Shepp zum, 70.<br />

Geburtstag, in: Berliner Zeitung, 24.May 2007 (F) [digi.copy]<br />

Christian Broecking: Rebell <strong>am</strong> Horn. Am 24. Mai 2007 wird Archie Shepp 70 - der <strong>am</strong>erikanische<br />

Saxofonist, der seine Musik stets als schwarz und politisch verstand. Ein Porträt mit Audio-Interview, in:<br />

Die Zeit, 24.May 2007 (F/I) [digi.copy]<br />

Francisco Cruz: Archie Shepp. Séances de nuit, in: <strong>Jazz</strong>man, #135 (May 2007), p. 14 (F)<br />

Wolfgang Sandner: Erst die Seele, dann der Geist, zuletzt die Technik. Ruppiger Universalist und großer<br />

Liebender. Archie Shepp, dem Saxophon-Koloss, zum siebzigsten Geburtstag, in: Frankfurter Allgemeine<br />

Zeitung, 24.May 2007, p. 35 (F) [digi.copy]<br />

Clifford Allen: Interview. Archie Shepp, in: All About <strong>Jazz</strong>, #64 (Aug.2007), p. 6, 31 (F/I) [digi.copy]<br />

Bert Noglik: Fire Music. Archie Shepp, M<strong>am</strong>a Rose und die Revolution, in: <strong>Jazz</strong> Zeitung, 32/4<br />

(Sep/Oct.2007), p. 3 (F)<br />

Rolf Thomas: Archie Shepp. Original Thinker, in: <strong>Jazz</strong>thetik, 21/11 (Nov.2007), p. 24-25 (F/I)<br />

George E. Lewis: A Power Stronger Than Itself. <strong>The</strong> AACM and American Experimental Music, Chicago<br />

2008 [book: University of Chicago Press], passim (F)<br />

Anne-Laure Bucelle & Vincent Bessières & Alex Dutilh & Johnathan Duclos-Arkilovitch: 2008. Les<br />

musiciens de jazz et leurs trois voeux, in: <strong>Jazz</strong>man, #142 (Jan.2008), p. 30 (shirt I)<br />

Guerino Mazzola & Paul B. Cherlin: Flow, Gesture, and Spaces in Free <strong>Jazz</strong>. Towards a <strong>The</strong>ory of<br />

Collaboration, Berlin 2009 [book: Springer], p. 9-10 (A: chapter "Archie Shepp's Outside Performance at<br />

the Donaueschingen Musiktage 1967"); p. 59-60 (A: chapter "Trane Spaces. Archie Shepp's '<strong>The</strong> Magic of<br />

Ju-Ju'"); p. 119-120 (A: chapter "Archie Shepp's 'Coral Rock'")<br />

Christian Broecking: Community Talk. Virtuosität und Haltung. Dass die <strong>Jazz</strong>universitäten keine Giganten<br />

hervorbringen, darüber mag man sich schnell einig sein. Doch was braucht es, um zu den Großen des<br />

Fachs zu gehören? Wie wird man unterscheidbar, wie wichtig sind dabei Handwerk, Virtuosität, Haltung?,<br />

in: <strong>Jazz</strong> Thing, #86 (Nov/Jan.2010/2011), p. 24 (F/short I with McCoy Tyner, Wynton Marsalis, Paquito<br />

D'Rivera, S<strong>am</strong> Rivers, Enrico Rava, Archie Shepp, Herbie Hancock)<br />

Johan Hauknes: Archie Shepp & <strong>The</strong> Political Blues. Fra vred ung mand til ældre vred mand, in: <strong>Jazz</strong><br />

Special, #118 (Dec/Jan.2010/2011), p. 26-31 (F/I)<br />

Christian Broecking: Der Marsalis-Komplex. Studien zur gesellschaftlichen Relevanz des<br />

afro<strong>am</strong>erikanischen <strong>Jazz</strong> zwischen 1992 und 2007, Berlin 2011 [book: Broecking Verlag], passim (F/I)<br />

[digi.copy]<br />

Christian Broecking: Der Marsalis-Komplex. Studien zur gesellschaftlichen Relevanz des<br />

afro<strong>am</strong>erikanischen <strong>Jazz</strong> zwischen 1992 und 2007, Berlin 2011 [PhD thesis: Technische Universität<br />

Berlin], passim (F/I) [digi.copy]<br />

Horace Parlan (& Hans Barfod): My Little Brown Book. A Biography, Næstved/DK 2011 [book: Saxart],<br />

passim (F)


Wolfr<strong>am</strong> Knauer: Über die politische Aufgabe des <strong>Jazz</strong>, in: Helga de la Motte-Haber & Lydia Rilling & Julia<br />

H. Schröder (Eds.): Dokumente zur Musik des 20. Jahrhunderts, Teil 2, Laaber 2011 [book: Laaber], p.<br />

116-117 (F: about Archie Shepp's essay "An Artist Speaks Bluntly")<br />

Christian Broecking: Community Talk. Sternstunden..., in: <strong>Jazz</strong> Thing, #87 (Feb/Mar.2011), p. 30 (F/short I<br />

about lessons he learned from Cecil Taylor)<br />

Ole Rømer: Musik der gjorde en forksel. Something to Live For. For en del år siden hørte og så jeg for<br />

sørste gang Abbey Lincoln live, og det var på mange madder en livsbekræftende oplevelse. Her var en<br />

kunstner, so mi den grad var i stand til at bemægtige sig rummet og drage os alle ind i musikkens magiske<br />

univers, in: <strong>Jazz</strong> Special, #119 (Feb/Mar.2011), p. 48-49 (F)<br />

Chris Albertson: Hendrix/Shepp. <strong>The</strong> night a decade hit the dust, in: ,<br />

28.May 2011 (F) [digi.copy]<br />

Kevin Le Gendre: Darker Than Blue. Archie Shepp, a pivotal figure from the 1960s avant garde,<br />

perennially associated with what once was called the "New Thing", has just produced one of the most<br />

tender and haunting albums of the year in duo with German pianist Joachim Kühn. A tribute to women<br />

who have inspired him over the years, the album is a potent reminder of the poetic side of Shepp, a million<br />

miles away from the angry young man he once was known as. Kevin Genre recalls Shepp's career and<br />

talks to the saxophonist, in: <strong>Jazz</strong>wise, #154 (Jul.2011), p. 18-21 (F/I)<br />

Wolfgang Sandner: Blaue Blumen im Stahltrust. Zwei Giganten und ziemlich große Künstler harmonieren<br />

beim Deutschen <strong>Jazz</strong>festival in Frankfurt wie eineiige Zwillinge: Joachim Kühn und Archie Shepp, in:<br />

Frankfurter Allgemeine Zeitung, 31.Oct.2011 (C: Joachim Kühn & Archie Shepp) [digi.copy] {filed under<br />

"Deutschland/Frankfurt"}<br />

Pirmin Bossart: Archie Shepp <strong>–</strong> mit zwei Alben, in: <strong>Jazz</strong> 'n' More, Nov/Dec.2011, p. 4 (short F)<br />

Pat Thomas: Listen, Whitey! <strong>The</strong> Sights and Sounds of Black Power, 1965-1975, Seattle <strong>2012</strong> [book:<br />

Fantagraphics Books], p. 152-153 (F: chapter "<strong>Jazz</strong> Artist Collectives and Black Consciousness. Archie<br />

Shepp")<br />

Roger Bergner: NYCF. New York Contemporary Five, in: Orkester Journalen, 80/2 (Apr/May <strong>2012</strong>), p. 34-<br />

39 (F)<br />

Tilman Urbach: Die Wut der Straße. <strong>Jazz</strong> ist für Archie Shepp nicht nur musikalische Ausdrucksform,<br />

sondern auch politisches Statement. Immerhin war der Saxophonist eine der Galionsfiguren des<br />

Freeplaying, einer Spielweise, die sich seit den frühen sechziger Jahren als Aufstand gegen das<br />

musikalische Establishment verstand. Jetzt wird der Veteran des Tenorsaxophons 75. Ein Portrait von<br />

Tilman Urbach, in: Fono Forum, Jun.<strong>2012</strong>, p. 48-50 (F)<br />

Philippe Meziat: 22 disques de rêve. Duke Ellington / Archie Shepp <strong>–</strong> "C J<strong>am</strong> Blues" (Impulse, 1972), in:<br />

<strong>Jazz</strong> Magazine, #640 (Aug.<strong>2012</strong>), p. 42 (F: fictional record) [digi.copy]<br />

Richard Scheinin: <strong>Jazz</strong> icon Archie Shepp talks roots and collaborations, in: San José Mercury News,<br />

3.Oct.<strong>2012</strong> (F/I) [digi.copy]<br />

Richard Scheinin: Archie Shepp. <strong>The</strong> Complete Interview, in: San José Mercury News, 10.Oct.<strong>2012</strong> (F/I)<br />

[digi.copy]

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