Cantatas · Masses · Oratorios Passions · Motets
Cantatas · Masses · Oratorios Passions · Motets
Cantatas · Masses · Oratorios Passions · Motets
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Instrumental music<br />
Aria with 30 variations (Goldberg variations)<br />
BWV 988 / for 2 pianos arranged by<br />
Josef G. Rheinberger, ed. U. Wolf<br />
Carus 31.988<br />
The purpose of Rheinberger’s arrangement was to<br />
make Bach’s work accessible once again to the performers<br />
of his day. He was not satisfied simply<br />
with an arrangement for two pianos, rather he<br />
thoroughly reworked the entire composition.<br />
Selected chorale preludes<br />
by J. S. Bach, arranged for piano by<br />
Max Reger (1900), ed. S. Shigihara<br />
Carus 50.998<br />
Also hat Gott die Welt geliebt<br />
from: Also hat Gott die Welt geliebt BWV 68<br />
arrangement for saxophone quartet or string quartet,<br />
Org by H. Bornefeld / 6 min<br />
Carus 29.198<br />
Chaconne BWV 1004<br />
Arrangement for organ by M. Keller<br />
Carus 18.004<br />
42 Choruses and chorales for brass instruments<br />
from Bach’s cantatas, ed. G. Seidlitz<br />
Carus 26.801<br />
52 Chorales in the style of J. S. Bach<br />
for brass instruments, arr. T. Riegler<br />
Carus 2.098/59<br />
8 Chorale preludes<br />
arrangement for melody instruments<br />
and organ by H. Bornefeld<br />
Carus 29.188<br />
3 Chorale preludes<br />
arrangement for Englisch Horn (horn, Viola)<br />
and organ by H. Bornefeld<br />
Carus 29.186<br />
3 Chorale preludes<br />
arrangement for violoncello and organ<br />
by H. Bornefeld<br />
Carus 29.193<br />
Bach vocal<br />
Instrumental music 29<br />
Concerto in D major after BWV 249, No. 1<br />
arranged by D. Hellmann<br />
2 Ob, Fg, 3 Tr, Timp, 2 Vl, Va, Vc, Cb / 13 min /�<br />
Carus 35.201<br />
Concerto à tre in C major after BWV 1032<br />
arrangement for Blfl f 1 , Vl, Bc / 15 min<br />
ed. G. Braun<br />
Carus 11.227<br />
Contrapunctus 14<br />
from Die Kunst der Fuge BWV 1080<br />
organ or other keyboard instrument<br />
completed by Z. Göncz<br />
Carus 18.018<br />
Das Musikalische Opfer BWV 1079<br />
arrangement for Fl, Vl, Org<br />
by H. Bornefeld / 62 min<br />
Carus 29.185<br />
Die Kunst der Fuge BWV 1080<br />
arranged for 2 pianos by S. Petrenz<br />
Carus 18.523<br />
The four-part notation of the score from the first edition<br />
has been distributed over two pianos, and each<br />
piano part is allotted its own score. Thus each player<br />
has two voices to play – somewhat on the level of difficulty<br />
of the two-part inventions – and these parts<br />
present no extraordinary technical demands. The<br />
goal of this edition is to give pianists and music lovers,<br />
but above all music students the possibility to get to<br />
know this work, one of the greatest works of music<br />
literature, by playing it and reaping the rewards of<br />
“incredible” musical experiences and knowledge.<br />
Die Kunst der Fuge BWV 1080<br />
arrangement for chamber orchestra<br />
(Blfl f 1 , Fl, Ob, Eh, Fg, 4 Str), Cemb, Org<br />
by H. Bornefeld / 90 min<br />
Carus 29.184<br />
Fantasia e Fuga BWV 562<br />
completion of the organ fragment by M. Siedel<br />
Carus 40.594/10<br />
Little Chorale preludes for organ<br />
arranged by M. Schlenker<br />
Carus 18.111
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