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Writing child study - Employment

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General Observed <strong>Writing</strong> Behaviors: Consider Turbill and Bean Chapters 3-4, how would you describe the<br />

<strong>child</strong>’s knowledge and engagement with writing? What does the <strong>child</strong> think writing is (e.g.: as production? As a<br />

process? A combination?).<br />

Observations/examples<br />

Interpretations<br />

From observing Nadjib and the answers I got from<br />

his writing interview, I would have to say his<br />

revisiting approaches to writing instruction are a<br />

combination of all three: writing as a production,<br />

writing as creativity, and writing as a process. I can<br />

see different parts of his writing that match each<br />

revisiting approach. The coding of his interview also<br />

strengthens my argument by him scoring a 7 on both<br />

mechanical and process focuses.<br />

Recommendations<br />

I can see that Nadjib engages with writing as a combination of<br />

all three revisiting approaches of writing as a production,<br />

writing as creativity, and writing as a process. Turbill & Bean<br />

state, “Another characteristic of writing as production is that<br />

students need to be given a topic and ideas for writing” (2006,<br />

p. 23). Whenever I try to get him to write he never knows<br />

what to write about. He will sit there and sit there until I give<br />

him some sort of idea or topic. I can tell that he is used to<br />

having teachers give him a simple topic or writing prompt<br />

when he writes.<br />

My reasoning to think he writes as a creativity is because as<br />

Turbill & Bean explain, “Creative writing approaches focus<br />

mostly on imaginative or fictional writing to the exclusion of<br />

nonfiction, expository, and other kinds of writing” (2006, p.<br />

27). I can try my hardest to get him to write something other<br />

than fiction but it simply will not happen. He gets really<br />

fidgety and can’t concentrate which ends up in both of us<br />

frustrated. He also fails at understanding how to incorporate<br />

spelling, grammar, and punctuation into his writing. This is<br />

another aspect of writing as creativity, as Turbill & Bean state<br />

in Chapter 3.<br />

The results in coding his writing interview also indicate that<br />

he is split between a mechanical focus and a process focus. He<br />

scored a 7 on mechanical focus meaning he sees the” ability to<br />

spell the most frequently used words in English” (Turbill &<br />

Bean, p. 23) because he says his dad writes down words he<br />

doesn’t know how to spell or he looks at the word wall. This<br />

points some of his revisiting approach as writing as<br />

production. He also scored a 7 on process focus indicating he<br />

is focused on meaning. Turbill & Bean also propose that<br />

writing as a process means “Their ideas come from their many<br />

experiences of life around them” (2006, p. 27). This is<br />

strongly related to how he only wants to write stories about his<br />

family and it’s very difficult for me to get him to write about<br />

anything else.<br />

I think to get Nadjib to start thinking about writing more on the terms of the writing process I need to help him<br />

become more familiar with it. I printed off a copy of the writing process for him so he can physically see it as we went<br />

through the process checking off each step as we go. Chapter 4 of Turbill & Bean confirm my reasoning behind this<br />

by saying “Effective writers need to have an understanding of the process of writing, including an understanding of<br />

why it is important to learn to spell, punctuate, and understand appropriate use of grammatical features” (2006, p. 39).<br />

If he sees an end or a purpose for writing instead of always just writing something to make the teacher happy, I think<br />

it will really help him put more thoughtfulness into his writing.

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