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Abraham Fleming: - Early Music Online - Royal Holloway, University ...

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John Knox (d. 1574). He also contributed to groundbreaking books like Reginald Scot’s<br />

Discoverie of Witchcraft (1584), which in effect denied the existence of witchcraft. When<br />

<strong>Fleming</strong> did write about current affairs, such as the earthquake of 1580, he was not<br />

committing these events to paper in order to preserve them for future generations as an<br />

antiquary might; rather <strong>Fleming</strong> exploited events as vehicles for spiritual or moral lessons.<br />

Antiquaries were concerned with collecting, studying and preserving old or antique objects,<br />

often in private collections, and not readily sharing the items in their own collections. This<br />

thesis argues that <strong>Fleming</strong> was not an antiquary and his main concern was wholly different,<br />

namely to take Latin material and, rather than preserve it, transform the text into something<br />

new that enabled large numbers of people to buy it and access the information therein. He<br />

did this time and time again during his career as a writer. It must be remembered that he was<br />

involved with over 50 printed books of which Holinshed’s Chronicles was just one: one<br />

collaborative project (no matter how large or well-known the project may have become) does<br />

not an antiquary make. It must also be remembered that <strong>Fleming</strong> became involved in<br />

producing Holinshed’s Chronicles primarily because he was an excellent and diligent<br />

corrector, editor and indexer, not because the Holinshed syndicate was in need of another<br />

contributing antiquary.<br />

The first modern study of <strong>Fleming</strong> was made by Dodson in 1955. 11 While Dodson gave an<br />

overview of <strong>Fleming</strong>’s career, she drew the conclusion like Cooper that <strong>Fleming</strong>’s written<br />

work was somewhat lacking, particularly in humour. Dodson did not, however, consider two<br />

aspects of his writing. Firstly, whether, given his earnest beliefs and the nature of his subject<br />

matter, was humour was an appropriate device? Secondly, as this thesis argues, <strong>Fleming</strong> did<br />

in fact produce humorous and satirical books when appropriate. His Bushie Haire (1576), the<br />

proverbs in his dictionaries and his willingness to work on Beehiue of the Romish Church<br />

(1579) clearly demonstrate that <strong>Fleming</strong> used humour as a device. The value of Dodson’s<br />

synopsis is that it was the first to place <strong>Fleming</strong> in some context and although the majority of<br />

11 See fn 7, p. 11.<br />

13

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