- Page 1 and 2: 1. The Inverted City London and the
- Page 3: 3. Contents List of figures 4 Ackno
- Page 7 and 8: 7. Introduction This thesis examine
- Page 9 and 10: 9. was passed partly in response to
- Page 11 and 12: 11. 1895, shows the importance of t
- Page 16: about dictates the ways in which it
- Page 21 and 22: 21. The diary and scrapbooks are si
- Page 23 and 24: 23. Chapter 1 The Disorderly City:
- Page 25 and 26: ._ - .1 25. Figure ii. Ordinance su
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- Page 29 and 30: 29. best equipped city in the world
- Page 34 and 35: 34. Sexually and morally East Ender
- Page 36 and 37: the Unfit". A year later the Eugeni
- Page 38 and 39: 38. between classes. Oxford House i
- Page 40 and 41: 40. been converted from a circus an
- Page 42 and 43: 42. restaurant in the West End, had
- Page 44 and 45: 44. became a continuation of the no
- Page 46 and 47: 46. the vision sweeps past you [...
- Page 48 and 49: 48. Academy in London'. 113 He coul
- Page 50 and 51: 50. private houses with underground
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to cosmopolitan actor in Piccadilly
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58. which seemed to fall between th
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cases, and newspapers to the genesi
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62. of city life. If these men coul
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64. urban fashion as a means of art
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66. others carrying offal, vegetabl
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68. around Seven Dials was apparent
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70. between the defendants, was a c
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72. THE LIVES op BOELTON AND PARKI
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clearly saw a connection between th
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gain substance through a dominant a
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78. women. Their urban identificati
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80. was meticulous in his record-ke
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82. were both named in the Wilde tr
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84. Bachelors living in city centre
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eighteenth century mimicked the aff
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proprietor, and his 'handsome' assi
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90. Chapter 3 The 'Grossly Indecent
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92. were mentioned the territory in
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94. life. 14 Ives referred to the 1
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96. nevertheless indicates a gradua
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98. result it became an increasingl
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100. murders. 35 Newspaper reportin
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102. the Goodchild story of April 1
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104. continue [...] every constable
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106. The places mentioned in the co
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108. The descriptions recall the ho
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110. artist Archibald Wakley, whose
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112. remarked on his effeminacy and
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114. the fact that Deck was on the
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116. This policing was supplemented
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118. comings and goings suspicious.
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120. orchestrated by the 'old boys'
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122. As Cohen suggests, the personi
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124. The event removed only two sex
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126. Chapter 4 The Inverted City: K
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128. Whilst a wide-ranging debate a
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130. founded the Scientific-Humanit
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132. that homosexuals had no instin
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134. in many of Ellis and Kram-Ebin
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136. scene. Whilst other sexual pat
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138. Subsequently he moved to the c
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140. In Kraffi-Ebing's account desi
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142. to be an intrinsic fact about
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144. indicated the deleterious effe
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146. By night the area became inacc
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148. (degenerate) city difficult to
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150. emergence of aestheticism was
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152. curtains', the world outside b
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154. The interest in these places w
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156. debauchery' and further that '
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158. Alongside the Orient, then, Pa
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160. her just as a chiorotic girl w
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162. for decadence or aestheticism.
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164. problem, Gagnier suggests, was
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166. conclusion moreover suggests a
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168. I went out and wandered eastwa
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170. cupboard where he hides Basil'
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172. murdering him. Perhaps more si
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174. Teleny elaborates this potenti
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176. which bodies are, as Neil Bart
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178. varying degrees) on the margin
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180. Within the texts themselves th
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182. who cares for the manhood of l
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184. and fell back upon suburbia [.
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186. embrace of nature on release;
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188. life were sidelined in these i
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190. tendency needed balancing with
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192. though it asserted that the lo
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194. impulses behind this writing m
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196. 2. English homosocial institut
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198. consequently not surprising th
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200. set forth a commercial warrior
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202. out of the urban mêlée and t
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And I stepped out in flesh and bone
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206. notable that several of these
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208. Ives was nevertheless drawn to
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210. forms which Carpenter saw stra
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212. From Nowhere), Carpenter used
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214. This power of comradeship to p
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216. had largely been placed, and i
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218. possibilities of the city had
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220. Ives (for example) saw himself
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222. This homosexual history and ge
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224. Note 1. There are some anomali
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226. ,, voL42. London, 1894. _, voL
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228. 'Other Cases: Horrible Conditi
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230. Beerbohm, Max. '1880'. The Yel
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232. Studies in the Psychology of S
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234. -. 'Sonnet on a Picture by Tuk
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236. Noble, James Ashcroft. The Fic
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238. Stableford, Brian, ed. The Ded
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240. Yokels Preceptor, or More Spre
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242. Bradbury, Malcolm and James Mc
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244. Columina, Beatrix, ed. Sexuali
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246. Figlio, KarL 'Historical Imagi
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248. Hall, Lesley. '"Disinterested
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250. -. 'The Imaginary Discontents
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252. Massey, Doreen. Places and the
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254. Pennybacker, Susan. A Vision f
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256. Ryan, Deborah. Staging the Imp
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258. Summers, Anne. Edwardian Milit
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260. Wood, Anthony. Nineteenth Cent