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MEDIA KIT 2009 - Artinfo

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<strong>MEDIA</strong> <strong>KIT</strong> <strong>2009</strong><br />

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artinfo.com


miSSion StatEmEnt<br />

modern painters is the definitive international source for analysis of contemporary art<br />

and culture—from painting and sculpture to photography, film, architecture, design, and<br />

performance. our oversized pages are visually dynamic, full of artwork by some of the most<br />

exciting talents working today, much of it previously unseen. the writing—by some of the best<br />

known voices inside and outside of the art world—is fresh, incisive, and above all accessible.<br />

“not only does modern painters offer intimate, intriguing glimpses into the lives and minds of<br />

today’s most eminent creators, but it also has a unique and proven flair for discovering the art<br />

stars of the future.”<br />

christopher turner, executive editor<br />

fo r m o r e i n fo r m at i o n , p l e as e g o to w w w. a r t i n fo.co m


in EVErY iSSUE<br />

introducing<br />

we profile two international artists who are on the rise.<br />

features<br />

modern painters takes you into the studio of a major artist to reveal his or her working method<br />

and preview some works in progress. artists themselves write about their current projects,<br />

influences, and aspirations. the world’s most profound thinkers, scholars, and essayists offer<br />

insightful perspectives on today’s culture.<br />

field Guide<br />

Brief, lively informative previews of forthcoming international exhibitions, books, films,<br />

biennials, and festivals. Q & as with the curators and artists behind these events.<br />

Diary<br />

our longtime contributing editor, the broadcaster and best-selling art writer matthew collings,<br />

writes an opinionated diary about the art world.<br />

artist’s collection<br />

each month an artist talks to modern painters about their collection, and how it feeds into<br />

their work.<br />

report<br />

provocative commentary by outspoken international contributors, from places as varied as<br />

Kabul and cannes.<br />

Working Practice<br />

modern painters documents an artist’s method as they create a work.<br />

on Location<br />

a monthly focus on an art world hotspot, tied into an upcoming citywide event.<br />

architecture/Design<br />

a look at the most compelling projects that we think our reader’s should know about.<br />

reviews<br />

modern painters’s leading critics write five lead reviews and twelve capsules reporting on the<br />

best shows around the world.<br />

Book reviews<br />

authoritative assessment of the most anticipated volumes, along with a round-up of the most<br />

important releases of the month.<br />

Backpage<br />

an artist puts 5 questions to their artistic hero.<br />

fo r m o r e i n fo r m at i o n , p l e as e g o to w w w. a r t i n fo.co m


contriBUtorS<br />

Vince aletti<br />

arthur c Danto<br />

matthew collings<br />

Brian Dillon<br />

norman foster<br />

martin Herbert<br />

matthew Higgs<br />

a.m Homes<br />

EDitoriaL aDViSorY BoarD<br />

siri Husvedt<br />

wayne Koestenbaum<br />

rachel Kushner<br />

alan licht<br />

Jeremy millar<br />

ed park<br />

francine prose<br />

Jonathan romney<br />

Karen rosenberg<br />

fo r m o r e i n fo r m at i o n , p l e as e g o to w w w. a r t i n fo.co m<br />

ralph rugoff<br />

Jerry saltz<br />

adrian searle<br />

paul schimmel<br />

Barry schwabsky<br />

Katy siegel<br />

alec soth<br />

tom Vanderbilt<br />

tiqui atencio<br />

ross Bleckner<br />

francesco clemente<br />

paola cussi<br />

alexis gregory<br />

H. r. H. prince Jean de luxembourg<br />

H. e. Jaime de marichalar, Duke of lugo<br />

peter marino<br />

sydney picasso<br />

norman rosenthal<br />

David salle<br />

susan weber soros<br />

robert wilson


<strong>2009</strong> EDitoriaL caLEnDar<br />

SEPtEmBEr octoBEr<br />

noVEmBEr<br />

DEc/Jan<br />

china Photography mixed feature Well Special issue:<br />

• photographer christopher • a.m. Homes talks to<br />

• an interview with Jenny Holzer<br />

Emerging artists<br />

makos on his historic 1982 catherine opie on the eve ahead of her mca exhibition modern painters presents the<br />

visit to china with<br />

of the photographer’s • martin Herbert on Japanese artists who will be making<br />

andy warhol<br />

guggenheim retrospective. sound artist ryoji ikeda headlines in the coming year.<br />

• leng lin, curator and the opie will provide an exclusive • modern painters commissions Also:<br />

president of pacewilden- original photo for our cover. sculptor Brian Dettmer to • legendary singer-songwriter<br />

stein Beijing, interviews<br />

artists who’ve been notably<br />

• portfolio: alec soth showcases carve up an issue of ruskin’s<br />

a new series of photographs book modern painters<br />

neil Young’s influence on the<br />

current generation of artists<br />

influenced by warhol<br />

• Barbara pollack talks to<br />

exclusively in modern painters<br />

• magnum photographer martin<br />

• portrait tag: a special<br />

portfolio featuring an<br />

• mp’s critics pick the best<br />

of 2008<br />

Beijing’s art stars on the<br />

demise of censorship in<br />

china<br />

parr on his photo collection<br />

• aperture reissues paul<br />

fusco’s classic photo book<br />

artist who’s done a portrait<br />

of another artist, who’s<br />

done a portrait of another<br />

• the House of the future<br />

• Viktor & rolf design<br />

celebratory spectacles to<br />

Also:<br />

rfK train<br />

artist, etc. (francis Bacon by ring in the last year of the<br />

• “culture & the cold war” Plus, a Special Election lucian freud, freud by frank aughts, exclusively for<br />

at the Victoria & albert Package:<br />

auerbach, auerbach by r.B. modern painters<br />

museum<br />

• shepard fairey, who designed Kitaj, and so on)<br />

• steve mcQueen’s<br />

prize-winning cannes debut<br />

• an interview with video artist<br />

tony oursler<br />

• mark wallinger discusses his<br />

plans to build the world’s<br />

the obama “change” posters,<br />

on his iconic election art<br />

• the aesthetics of the election:<br />

branding the presidential<br />

candidates<br />

• white House: redux at<br />

• floating cities, from the<br />

netherlands to Dubai and<br />

new orleans<br />

• artists’ pranks: when a court<br />

of law fails to find an artistic<br />

statement funny<br />

BonUs DistriBUtion<br />

• art Basel miami<br />

Advertising close: 10/14<br />

Materials due: 10/16<br />

On sale: 12/1<br />

largest public sculpture storefront for architecture Also:<br />

• the first-ever afghanistan • Barack obama and John • the new orleans Biennial<br />

contemporary art prize mccain tell modern painters • architect David chipperfield<br />

• nina Katchadourian poses 5 what their favorite artwork on designing a new museum<br />

questions to her artistic hero is and why (and a psychologist island in Berlin<br />

mierle Ukeles<br />

analyzes the results)<br />

• matthews collings on nick<br />

serota’s cy twombly exhibition<br />

• Quinn latimer talks to the<br />

Kabakovs about working<br />

with russian oligarch roman<br />

ambramovich<br />

• Haegue Yang documents<br />

her new work exclusively for<br />

Also:<br />

• sol lewitt’s permanent<br />

installation at mass moca<br />

• glenn ligon on the<br />

anniversary of the civil rights<br />

movement<br />

• sao paulo Biennial<br />

BonUs DistriBUtion<br />

• paris photo<br />

• shanghai art fair<br />

Advertising close: 9/16<br />

Materials due: 9/18<br />

On sale: 11/3<br />

modern painters<br />

BonUs DistriBUtion<br />

• Z00 art fair<br />

BonUs DistriBUtion<br />

• red Dot london<br />

• sH contemporary<br />

• scope london<br />

• 20/21 British art fair<br />

• fiac<br />

• art Beijing<br />

• Bridge art fair<br />

• art singapore<br />

• art forum Berlin<br />

• Kiaf<br />

Advertising close: 8/12<br />

Advertising close: 7/15 Materials due: 8/14<br />

Materials due: 7/17<br />

On sale: 9/1<br />

On sale: 10/1<br />

fo r m o r e i n fo r m at i o n , p l e as e g o to w w w. a r t i n fo.co m<br />

editorial content subject to change.


aUDiEncE<br />

from collectors to art professionals, artists to educators, our audience has a personal<br />

relationship to art making and analysis. modern painters is their voice; it provides them with<br />

essential information on what is relevant and how or why to pay it close attention. it is worth<br />

noting that, although we don’t cater to a specific economic class, our readers are undeniably<br />

those whose expertise has provided them with more than modest means.<br />

a must read for collectors, modern painters brings the freshest new talent to their attention,<br />

and offers the freshest takes on established talent. the art world can be overwhelming,<br />

and modern painters navigates the collector through it, without authority, accessibility, and<br />

panache.<br />

rEaDEr ProfiLE<br />

average age 40<br />

Buy and collect art 83%<br />

average household income $181,000<br />

average net worth $1.5 million<br />

marital status 55% married<br />

education 85% attended college<br />

fo r m o r e i n fo r m at i o n , p l e as e g o to w w w. a r t i n fo.co m


EaDErSHiP<br />

total readership 100,000<br />

readers per copy 2.5<br />

subscription 33%<br />

newsstand 46%<br />

Bonus Distribution 21%<br />

(art fairs, events, galleries, etc.)<br />

Us/canada 46%<br />

europe 48%<br />

asia & rest of the world 6%<br />

newsstand and Bonus Distribution<br />

louise Blouin media has an unmatched presence and distribution at major international fine<br />

art and antiques fairs, including: tefaf, the armory show, art chicago, sH contemporary,<br />

Korean international art fair, art Basel miami, art Basel, fiac, art forum Berlin, naDa,<br />

pulse, and many others; plus museums, galleries, auction events, and the special events of<br />

louise Blouin media. newsstand distribution includes: Barnes & noble, Borders, Hudson news,<br />

wHsmith, and a vast network of museum bookshops.<br />

fo r m o r e i n fo r m at i o n , p l e as e g o to w w w. a r t i n fo.co m


tEStimoniaLS<br />

“no other magazine [modern painters] has played such an influential role and none since the war<br />

has stimulated such debate.”<br />

-nicholas serota, Director, tate modern<br />

“we have advertised in various international publications over the years, but we were stunned at<br />

our first experience working with modern painters . we decided to experiment with a half-page<br />

color ad, to see how it looked and to gauge the response. the issue had not yet hit the stands<br />

when a call came in to us from minneapolis, from an unfamiliar collector. He asked about the piece<br />

he’d just seen in the ad, and immediately bought it, and he’s been back repeatedly. and so we’ve<br />

been back repeatedly to modern painters, enjoying the fruitful working relationship.”<br />

-John corbett & Jim Dempsey, corbett vs. Dempsey gallery, chicago, www.corbettvsdempsey.com<br />

we advertise in modern painters magazine because of the exposure it brought us with<br />

international collectors. we get more inquiries by advertising in modern painters on installations,<br />

moving image, and new media from a broader sector than any of the other fine art publications.<br />

-eileen Braziel, eileen Braziel fine art<br />

“modern painters gives me a warm feeling in an unlikely place.”<br />

-steve martin, actor and collector<br />

“possibly the most infuriating art publication [modern painters] to come out of Britain. it’s a<br />

pleasure to write for it, whatever the hell it is.”<br />

-David Bowie, musician, writer, actor and collector<br />

louise Blouin media has a unique portfolio of magazines that reach and engage the most<br />

important, yet elusive, of audiences, namely the taste makers and style arbiters who are the most<br />

powerful and discerning of “socio-cultural influencers.” the magazines are a direct conduit to the<br />

mpi (those of money, power and influence) and represent the epitome of non-traditional alternative<br />

media, which break through the market clutter of “traditional media.”<br />

-matthew evins, president of evins communication<br />

fo r m o r e i n fo r m at i o n , p l e as e g o to w w w. a r t i n fo.co m


<strong>2009</strong> aDVErtiSinG cLoSinG DatES<br />

issUe aD sales close materials DUe on sale<br />

feb <strong>2009</strong> Dec 10 Dec 12 Jan 25<br />

mar <strong>2009</strong> Jan 14 Jan 16 feb 22<br />

apr <strong>2009</strong> feb 11 feb 13 mar 24<br />

may <strong>2009</strong> mar 11 mar 13 apr 25<br />

June <strong>2009</strong> apr 15 apr 17 may 26<br />

July/aug <strong>2009</strong> may 13 may 15 June 23<br />

sept <strong>2009</strong> Jul 15 Jul 17 sep 1<br />

oct <strong>2009</strong> aug 12 aug 14 oct 1<br />

nov <strong>2009</strong> sep 16 sep 18 nov 3<br />

Dec <strong>2009</strong>/Jan <strong>2009</strong> oct 14 oct 16 Dec 1<br />

* Ad materials received a week after ad sales close will incur a late fee.<br />

contact<br />

loUise BloUin meDia proDUction Department<br />

601 w 26tH street sUite 410 new YorK, nY 10001<br />

pHone +1 646 348 6306 faX +1 212 627 4139<br />

senD aDs to: proDUction@artinfo.com<br />

fo r m o r e i n fo r m at i o n , p l e as e g o to w w w. a r t i n fo.co m


mEcHanicaL SPEcificationS<br />

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c D E<br />

BLEED aDS LiVE arEa trim BLEED<br />

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479 x 279mm 508 x 311mm 515 x 318mm<br />

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218 x 279mm 254 x 311mm 261 x 318mm<br />

non BLEED aDS<br />

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please note: Bleed pages require an additional 0.125” or 3.5mm bleed on all sides.<br />

trim size on all ad formats must be 0.375” or 9.5mm inside trim edge.<br />

ProDUction cHarGES<br />

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advertisements must meet modernpainters size<br />

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c. page non Bleed €225 f. Quarter page €150<br />

contact: production@artinfo.com or phone 646.348.6306 or<br />

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please send proofs and mac-formatted cD-roms to:<br />

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the Hi-res pDf files mUSt have:<br />

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3. matchprint ® Digital H/t proof<br />

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publication not responsible for variance between digital file, and<br />

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BacKUP WorK foLDErS<br />

in addition to the pDf, all supporting fonts, illustrations,<br />

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fo r m o r e i n fo r m at i o n , p l e as e g o to W W W. a r t i n fo.com<br />

m p 100908 e U

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