Square Root - Department of Art & Art History - Stanford University
Square Root - Department of Art & Art History - Stanford University
Square Root - Department of Art & Art History - Stanford University
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<strong>Department</strong> <strong>of</strong> <strong>Art</strong> & <strong>Art</strong> <strong>History</strong> <strong>Stanford</strong> <strong>University</strong> <strong>Stanford</strong> California 94305-2018<br />
FOR IMMEDIATE RELEASE April 19, 2010<br />
Rachel R. Isip, Events and PR Manager, (650) 725-3107, risip@stanford.edu<br />
Digital images available upon request<br />
SQUARE ROOT<br />
<strong>Stanford</strong>, CA – The <strong>Department</strong> <strong>of</strong> <strong>Art</strong> & <strong>Art</strong> <strong>History</strong> at <strong>Stanford</strong> <strong>University</strong> is<br />
pleased to present <strong>Square</strong> <strong>Root</strong> on view on May 11-June 13, with a reception on May 21,<br />
6-8 PM, at the Thomas Welton <strong>Stanford</strong> <strong>Art</strong> Gallery. <strong>Square</strong> <strong>Root</strong> is an exhibition <strong>of</strong> artwork<br />
created by <strong>Stanford</strong> <strong>University</strong>’s four graduating artists for their final MFA Thesis. The<br />
artists include Jeremiah Barber, Jamil Hellu, Juan Luna-Avin and Armando Miguélez.<br />
An artist with a background in performance, Jeremiah Barber creates sculptural<br />
projects by mapping his own body. The body maps unfold into abstract forms, and appear as<br />
garden plots, dissected animals, or body armor. While time allows the viewers to reconstruct<br />
these images into a three-dimensional shape, it is the discoveries in the subtle curves and odd<br />
territories <strong>of</strong> the body that give these works their visual depth. While the majority <strong>of</strong> works<br />
reflect a direct relationship to the artist’s body, one new project is an inflation <strong>of</strong> scale. This<br />
sculpture is a sleepy, translucent head built ten times to the scale <strong>of</strong> the artist’s head that rests<br />
in silent thought, a mirror <strong>of</strong> the ego. Barber received his BFA from Columbia College, and<br />
has exhibited his work at the Museum <strong>of</strong> Contemporary <strong>Art</strong> in Chicago and the Chicago<br />
Cultural Center.<br />
Jamil Hellu is a photographer whose work concentrates on the possibilities <strong>of</strong><br />
photography as a form <strong>of</strong> visual representation that explores autobiographic narratives and<br />
invites viewers to project fictions. Exploring depictions <strong>of</strong> body language as a personal way<br />
<strong>of</strong> seeing and the intimacy between subject and photographer, he is experimenting with the<br />
ways in which a photograph is able to convey emotional responses not only by its content but<br />
also by its physical aesthetic and painterly qualities. Hellu received his BFA in photography<br />
from the San Francisco <strong>Art</strong> Institute. In 2007, he was awarded a six-month residency at the<br />
Cité Internationale des <strong>Art</strong>s in Paris, and granted a Markowski-Leach scholarship in 2008<br />
and 2009.<br />
TEL 650 723-3404 FAX 650 725-0140 www.stanford.edu/dept/art
<strong>Department</strong> <strong>of</strong> <strong>Art</strong> & <strong>Art</strong> <strong>History</strong> <strong>Stanford</strong> <strong>University</strong> <strong>Stanford</strong> California 94305-2018<br />
Juan Luna-Avin is a multi-disciplinary artist whose work examines individual and<br />
collective identities through the lens <strong>of</strong> youth cultures and rock n roll music, placing a strong<br />
emphasis on researching the history <strong>of</strong> Latin American music, especially Mexican punk. In<br />
his timeline/genealogy drawing called “CGDLCMPEMDMNSOADD/VE (DF2009),” he<br />
includes over 100 punk bands from various cities in Mexico. In his papier mache and wood<br />
sculpture entitled “Endless Love,” that includes 47 handcrafted miniature effect pedals and a<br />
miniature rock stage as a platform to display the objects, he explores the myth <strong>of</strong> the<br />
performer. In “Expendio Aqui Esta La Musica,” he displays a vendor stand with toys,<br />
posters, and other “Mexican-looking” goods that serve as catalysts for bringing Mexican rock<br />
music to the mainstream to engage viewers in broader discussions about its socio-historical<br />
context. Luna-Avin holds a BFA in painting from the San Francisco <strong>Art</strong> Institute, and was<br />
the 2009 recipient <strong>of</strong> the McNamara Family Creative <strong>Art</strong>s Grant from the Hispanic<br />
Scholarship Fund.<br />
Armando Miguélez’s work addresses issues <strong>of</strong> displacement in the global era and<br />
concentrates on the ways physical environments are organized with a specific focus on<br />
cartography and systems <strong>of</strong> world measurements. His work is interdisciplinary, combining at<br />
times photography, drawing, installation and sound sculpture. At the exhibition, he takes on<br />
different media, mainly appropriated images and elaborately traced maps. Miguélez attained<br />
his BFA from the <strong>University</strong> <strong>of</strong> the Americas in Puebla, Mexico, and has participated in<br />
many individual and collective shows since 1998 in Mexico, Cuba, Spain, Argentina, Austin,<br />
TX, and the Greater Bay Area.<br />
VISITOR INFORMATION: Thomas Welton <strong>Stanford</strong> <strong>Art</strong> Gallery is open Tuesday<br />
through Friday, 10 AM–5 PM, and Saturday and Sunday, 1-5 PM. Admission is free. The<br />
Gallery is located in the <strong>Stanford</strong> campus, <strong>of</strong>f Palm Drive at 419 Lasuen Mall. Parking is free<br />
after 4 PM and all day on weekends. Information: (650) 723-2842, http://art.stanford.edu.<br />
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TEL 650 723-3404 FAX 650 725-0140 www.stanford.edu/dept/art