Disquiet - Imagine Australia
Disquiet - Imagine Australia
Disquiet - Imagine Australia
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feels his body grow light, disappear, so now there is no skin between himself and the plateau. He<br />
expands. The huge deep ground he is sitting on is holding him up, but soon there is no such thing<br />
as up: he is nowhere, everywhere. When he breathes he can sense the air cool as it flows over the<br />
moisture in his nostrils, his belly swells, then the same air, now a little warmer, flows out again.<br />
This is what he focuses on: the air in and the air out, and in time he is nothing but something<br />
through which air passes, just as it passes through the shivering treetops below him, over stones,<br />
slips through blades of grass. The black night grows cold, and still he sits.<br />
In the morning he hes in his sleeping bag and listens to the rain patter against his tent. The<br />
comfort has changed, yes, but has not left him. He dresses and eats, breaks camp. Throughout<br />
the day he checks his runs and sets new snares. The rain thins, stops, the clouds dissipate and<br />
drift. He cuts carcasses from his traps and drags them up and down the pad, marking their scent.<br />
Again, the sky colours pink and mauve, and again he prepares to sit.<br />
On the morning of the twelfth day, just as he is headed back toward the escarpment, he finds a<br />
wallaby corpse with its throat ripped red-raw. On closer inspection he sees the heart, lungs,<br />
kidneys and liver have been consumed, along with some meat from the inside of the ham. Nothing<br />
else has been touched. There are none of the usual telltale signs of a struggle. And when the<br />
Naturalist gently lays his wet hand on the animal he feels the faintest warmth. A fresh kill,<br />
displaying all the characteristics of a tiger kill. He refuses to be excited, thinking only: This rain win<br />
have washed away any prints. The first thing he does is mark his position clearly on his<br />
photograph. Then he searches his surrounds. He follows a nearby pad, stopping when it fractures<br />
into a creek. Nothing. He returns to the site of the kill and picks another path to follow; this one<br />
climbs a small snow gum studded rise, immediately dropping down the other side to linger along<br />
the edge of a marshy stretch of cord rush. M has been following this route for an hour, checking for<br />
possible rest spots along the way, when he finds a dry patch of flattened tussock grass below two<br />
interlocking slabs of dolerite. He presses his hand onto the grass to feel for heat and thinks he<br />
feels some. Any animal could have stopped here for some respite from the beating rain, it's true,<br />
but M takes out his photograph and marks it with a tiny circle.<br />
Now I have you.<br />
Looking at his watch he sees he will have to hurry if he wants to be back before dark: the alarm<br />
must not be raised. So, turning from the dolerite, he takes a bearing and strides off into the new<br />
world, electrified and blood aflame.