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stud io reference - Ceramic Arts Daily

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<strong>stud</strong><strong>io</strong> <strong>reference</strong> | texture<br />

Designing WitH texture<br />

by Daniel gegen<br />

One of the greatest challenges for a potter who<br />

decorates their work is finding an image or texture<br />

that fits the form of the pot. For the past thirteen<br />

years, I’ve taught my <strong>stud</strong>ents to use texture as a<br />

design tool. Recently, I started using textured plaster slabs as a<br />

way to apply decorative surfaces directly to the clay before the<br />

construct<strong>io</strong>n process begins. Interesting things happen when<br />

the textured surface is manipulated into a vessel form. Textures<br />

can overlap one another to create contrast or add visual<br />

tens<strong>io</strong>n. The result is similar to the way patterned fabric looks<br />

when it is made into clothing, except that I am more interested<br />

in how the patterns don’t line up on the seams. Often I push<br />

the slabs out from the inside of the vessel to create volume,<br />

which softens and distorts the surface texture as well.<br />

Textured vase, 10 in. (25<br />

cm) in height, fired to<br />

cone 10 and glazed with<br />

Weiser Blue on a white<br />

stoneware clay body.<br />

Amber hat jar, 7 in. (18 cm) in height. Rutile<br />

glaze fired to cone 10. In this form, Daniel used<br />

three different textures, illustrating the range of<br />

variat<strong>io</strong>n possible with this technique.<br />

Envelope Vase, 9 in. (23 cm) in length, glazed with Reitz Green<br />

and fired to cone 10. The textured slabs used in all the pieces<br />

shown here were created collaboratively by Creative Paradise<br />

and Daniel Gegen Designs.<br />

www.ceramicartsdaily.org | Copyright © 2010, <strong>Ceramic</strong> Publicat<strong>io</strong>ns Company | 2010 Buyers Guide to <strong>Ceramic</strong> Supplies | 26

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