Recercada Segunda. (sobre La Spagna) - Serpent Publications

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Contents Contents ii Acknowledgements . . . . . . . . . . . . . . . . . . . . . . iv Copying . . . . . . . . . . . . . . . . . . . . . . . . . . . . iv Printing history . . . . . . . . . . . . . . . . . . . . . . . . iv Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . iv El Primo Libro 1 Julius P P. III. . . . . . . . . . . . . . . . . . . . . . . . . . 1 Dedication . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 To the Readers . . . . . . . . . . . . . . . . . . . . . . . . . 2 Cadence on G. . . . . . . . . . . . . . . . . . . . . . . . . . 5 Another cadence on G an octave higher. . . . . . . . . . . 5 More divisions on the same cadence on G. . . . . . . . . 6 Cadence on A. . . . . . . . . . . . . . . . . . . . . . . . . . 9 Cadence on B♭. . . . . . . . . . . . . . . . . . . . . . . . . 10 Cadence on C. . . . . . . . . . . . . . . . . . . . . . . . . . 12 Cadence on D. . . . . . . . . . . . . . . . . . . . . . . . . . 12 Cadence on F . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Cadence on D. . . . . . . . . . . . . . . . . . . . . . . . . . 15 Cadence on G. . . . . . . . . . . . . . . . . . . . . . . . . . 16 Cadence on A. . . . . . . . . . . . . . . . . . . . . . . . . . 16 ii Cadence on B♭. . . . . . . . . . . . . . . . . . . . . . . . . 16 Cadence on C. . . . . . . . . . . . . . . . . . . . . . . . . . 18 Cadence on D. . . . . . . . . . . . . . . . . . . . . . . . . . 18 Cadence on F . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Cadence on F . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Cadence on G. . . . . . . . . . . . . . . . . . . . . . . . . . 20 Cadence on A. . . . . . . . . . . . . . . . . . . . . . . . . . 20 Cadence on C. . . . . . . . . . . . . . . . . . . . . . . . . . 21 Cadence on D. . . . . . . . . . . . . . . . . . . . . . . . . . 21 Cadence without B♭ on F . . . . . . . . . . . . . . . . . . . 22 Cadence on G. . . . . . . . . . . . . . . . . . . . . . . . . . 23 Cadence on A. . . . . . . . . . . . . . . . . . . . . . . . . . 24 Cadence on C. . . . . . . . . . . . . . . . . . . . . . . . . . 24 Cadence on D. . . . . . . . . . . . . . . . . . . . . . . . . . 25 Cadence on E. . . . . . . . . . . . . . . . . . . . . . . . . . 26 Cadence on G. . . . . . . . . . . . . . . . . . . . . . . . . . 28 Cadence on G. . . . . . . . . . . . . . . . . . . . . . . . . . 28 Cadence on F . . . . . . . . . . . . . . . . . . . . . . . . . . 29 Cadence on F . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Up and Down a step. . . . . . . . . . . . . . . . . . . . . . 30 Cadences of the Tenor. . . . . . . . . . . . . . . . . . . . . 31 Another kind of cadence. . . . . . . . . . . . . . . . . . . 31
CONTENTS iii Three descending steps. . . . . . . . . . . . . . . . . . . . 32 Other long cadences. . . . . . . . . . . . . . . . . . . . . . 33 Ascending and descending seconds on a breve. . . . . . 34 Ascending and descending seconds on a semibreve. . . . 35 Ascending and descending seconds on a minim. . . . . . 36 Ascending and descending thirds on a breve. . . . . . . . 36 Ascending and descending thirds on a semibreve. . . . . 37 Ascending and descending thirds on a minim. . . . . . . 38 To diminish a fourth on a breve. . . . . . . . . . . . . . . 39 Ascending and descending fourths on a semibreve. . . . 40 Ascending and descending fourths on a minim. . . . . . 40 Ascending and descending fifths on a breve. . . . . . . . 40 To diminish a fifth on a semibreve. . . . . . . . . . . . . . 41 To diminish a scale passage of semiminims. . . . . . . . . 42 Libro Secondo 43 Explanation of the ways of playing the viol with the harpsichord . . . . . . . . . . . . . . . . . . . . . . . 43 Recercata Prima. . . . . . . . . . . . . . . . . . . . . . . . 44 Recercada Seconda. . . . . . . . . . . . . . . . . . . . . . . 45 Recercada Terza. . . . . . . . . . . . . . . . . . . . . . . . 46 Recercada Quarta. . . . . . . . . . . . . . . . . . . . . . . 47 Concerning the second way of playing the viol with the harpsichord, which is on plain song . . . . . . . . . 49 Recercada Primera. (over La Spagna) . . . . . . . . . . . 49 Recercada Segunda. (over La Spagna) . . . . . . . . . . . 50 Recercada Tercera. (over La Spagna) . . . . . . . . . . . . 51 Recercada Quarta. (over La Spagna) . . . . . . . . . . . . 53 Recercada Quinta. (over La Spagna) . . . . . . . . . . . . 55 Recercada Sesta. (over La Spagna) . . . . . . . . . . . . . 58 The third way of playing the viol with the harpsichord, which is on composed pieces . . . . . . . . . . . . . 59 O Felici Occhi miei . . . . . . . . . . . . . . . . . . . . . . 59 Recercada Primera over O felici Occhi Miei. . . . . . . . . 67 Recercada Segunda over the same madrigal. . . . . . . . 69 Recercada Tercera over the same madrigal. . . . . . . . . 71 Recercada Quarta which is a fifth part over the same madrigal. . . . . . . . . . . . . . . . . . . . . . . . . . 74 Doulce Memoire. . . . . . . . . . . . . . . . . . . . . . . . 75 Recercada Primera over Doulce Memoire. . . . . . . . . . 83 Recercada Segonda over the same song. . . . . . . . . . . 87 Recercada Tercera over the same song. . . . . . . . . . . . 90 Recercada Quarta which is a fifth part over the same song. 94 (Passamezzo Antico.) . . . . . . . . . . . . . . . . . . . . . 96 Recercada Primera (over Passamezzo Antico). . . . . . . 96 (Passamezzo Moderno.) . . . . . . . . . . . . . . . . . . . 98 Recercada Segunda (over Passamezzo Moderno). . . . . 100 (Passamezzo Moderno.) . . . . . . . . . . . . . . . . . . . 102 Recercada Tercera over (Passamezzo Moderno). . . . . . 104 (La Gamba/Cara cosa.) . . . . . . . . . . . . . . . . . . . 106 Recercada Quarta (over La Gamba/Cara cosa). . . . . . . 108 (Passamezzo Antico). . . . . . . . . . . . . . . . . . . . . . 110 Recercada Quinta (over Passamezzo Antico). . . . . . . . 110 (Bergamasca/Romanesca). . . . . . . . . . . . . . . . . . 113 Recercada Sesta (over Bergamasca/Romanesca). . . . . . 114 (La Romanesca). . . . . . . . . . . . . . . . . . . . . . . . 116 Recercada Settima (over La Romanesca). . . . . . . . . . 118 (La Gamba/Cara cosa). . . . . . . . . . . . . . . . . . . . 119 Recercada Ottava (over La Gamba/Cara cosa). . . . . . . 120 (Ruggiero.) . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Quinta Pars (over Ruggiero). . . . . . . . . . . . . . . . . 122
Page 1: .
Page 5: CONTENTS v Preface Diego Ortiz (c.1
Page 8 and 9: TO THE MOST ILLUSTRIOUS SENOR DON P
Page 10 and 11: without any certainty of what one i
Page 12 and 13: 16 Sometimes for vari
Page 14 and 15: c○2012 Serpent Publications 8 Tra
Page 16 and 17: c○2012 Serpent Publications 10 Tr
Page 22 and 23: 5 6
Page 26 and 27: The same type of cadences without B
Page 34 and 35: Although most of the cadences are o
Page 36 and 37: 14 16 15
Page 40 and 41: In the examples I have given so far
Page 50 and 51: Explanation of the ways of playing
Page 52 and 53:
9 16 23 31 38 45 Recercada Seconda
Page 54 and 55:
Recercada Quarta
Page 56 and 57:
17 33 49 63 Recercada Primera. (sob
Page 58 and 59:
Recercada Tercera. (sobre La Spagna
Page 60 and 61:
8 Recercada Quarta. (sobre
Page 62 and 63:
Recercada Quinta. (sobre La Spagna)
Page 64 and 65:
Recercada Sesta. (sobre La Spagna)
Page 66 and 67:
17 34 50 65 O Felici Occhi Miei Sup
Page 68 and 69:
17 33 O Felici Occhi Miei Tenor
Page 70 and 71:
O Felici Occhi Miei Jaques Arcadelt
Page 72 and 73:
mi po mi go po go C o,
Page 74 and 75:
Ricercada Primera sobre O felici oc
Page 76 and 77:
Recercada segunda sobre el mismo ma
Page 78 and 79:
9 16 23 Recercada Tercera sobre el
Page 80 and 81:
58 65 73 vo
Page 82 and 83:
19 36 53 70 85 100 François Ier, K
Page 84 and 85:
19 39 58 77 98 François Ier, King
Page 86 and 87:
Douce Memoire Pierre Sandrin Franç
Page 88 and 89:
nir nir a a a a nir bien
Page 90 and 91:
François Ier, King of France
Page 92 and 93:
D voir D mal le l
Page 94 and 95:
C e qui a maulx a seun
Page 96 and 97:
10 19 26 François Ier, King of Fra
Page 98 and 99:
66 75 92 es per an c
Page 100 and 101:
c○2012 Serpent Publications 94 Tr
Page 102 and 103:
8
Page 104:
(Passamezzo Moderno.)
Page 107 and 108:
Tratado de Glosas 101 c○2012 Serp
Page 110 and 111:
Recercada Tercera (sobre el passame
Page 112:
(La Gamba/Cara cosa) 8
Page 115 and 116:
42 50 60 67
Page 117 and 118:
37 46 58 67 76
Page 119 and 120:
8 8 (Bergamasca/Roma
Page 121 and 122:
61 70
Page 124 and 125:
C3 C3 Recercada Settima sobre l
Page 126 and 127:
C3 C3 Recercada Ottava
Page 128 and 129:
16 33 8
Page 130:
Several centuries before Miles Davi
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Recercada Segunda. (sobre La Spagna) - Serpent Publications

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