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Micah Williams Portrait Artist - Icompendium

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cAtAlogue no. 68<br />

100 <strong>Micah</strong> <strong>Williams</strong>: <strong>Portrait</strong> <strong>Artist</strong> <strong>Micah</strong> <strong>Williams</strong>: <strong>Portrait</strong> <strong>Artist</strong> 101<br />

Unknown <strong>Artist</strong><br />

<strong>Micah</strong> <strong>Williams</strong><br />

(1782 -1837)<br />

Oil on wood panel<br />

New York, New York, circa 1832<br />

18 ½ x 16 ½ inches<br />

Monmouth County Historical Association:<br />

Marshall P. Blankarn Purchasing Fund<br />

and Museum Purchase, 1980<br />

1980.3.3<br />

Sometime prior to his return to<br />

New Brunswick, <strong>Micah</strong> <strong>Williams</strong> posed<br />

for his own portrait by an unknown artist.<br />

The small oval image, only ten inches<br />

high, was painted on a thin wood panel.<br />

The currently unidentified artist was<br />

exceptionally talented. The composition,<br />

shading, and balance of light and dark<br />

tones indicate that the artist had received<br />

formal academic training in portraiture.<br />

<strong>Micah</strong> <strong>Williams</strong>, who had helped<br />

hundreds of his patrons decide upon<br />

their portrait details, now made the<br />

same decisions for his own likeness. He<br />

chose to prominently display his artist’s<br />

palette complete with daubs of paint<br />

and two thin paint brushes. <strong>Williams</strong><br />

was a slightly built man, with thinning<br />

sandy-colored hair above a narrow face.<br />

He dressed simply for his portrait and<br />

wore a plain white shirt without ruffle<br />

or bow under a somber black coat and<br />

waistcoat. <strong>Williams</strong> positioned himself<br />

on a red upholstered chair or sofa, which<br />

can be seen behind his right shoulder.<br />

While it is known that <strong>Williams</strong><br />

moved to New York sometime in 1828<br />

or early 1829 to continue his efforts in<br />

oil painting, it remains a mystery with<br />

whom he studied. The existence of this<br />

small oval portrait suggests that he<br />

studied with or befriended at least one<br />

academically trained artist during his<br />

three years in New York.<br />

It is more than likely that the unknown<br />

artist presented this image to <strong>Micah</strong><br />

<strong>Williams</strong> as a farewell gift. <strong>Williams</strong><br />

took the portrait with him when he<br />

returned to New Brunswick sometime<br />

in 1831 or 1832. The likeness descended<br />

within the <strong>Williams</strong> family. His great<br />

granddaughter Anna I. Morgan was<br />

the last direct descendant to own the<br />

portrait. Monmouth County Historical<br />

Association purchased the image in<br />

1980 after her death.

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