Micah Williams Portrait Artist - Icompendium
Micah Williams Portrait Artist - Icompendium
Micah Williams Portrait Artist - Icompendium
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
cAtAlogue no. 68<br />
100 <strong>Micah</strong> <strong>Williams</strong>: <strong>Portrait</strong> <strong>Artist</strong> <strong>Micah</strong> <strong>Williams</strong>: <strong>Portrait</strong> <strong>Artist</strong> 101<br />
Unknown <strong>Artist</strong><br />
<strong>Micah</strong> <strong>Williams</strong><br />
(1782 -1837)<br />
Oil on wood panel<br />
New York, New York, circa 1832<br />
18 ½ x 16 ½ inches<br />
Monmouth County Historical Association:<br />
Marshall P. Blankarn Purchasing Fund<br />
and Museum Purchase, 1980<br />
1980.3.3<br />
Sometime prior to his return to<br />
New Brunswick, <strong>Micah</strong> <strong>Williams</strong> posed<br />
for his own portrait by an unknown artist.<br />
The small oval image, only ten inches<br />
high, was painted on a thin wood panel.<br />
The currently unidentified artist was<br />
exceptionally talented. The composition,<br />
shading, and balance of light and dark<br />
tones indicate that the artist had received<br />
formal academic training in portraiture.<br />
<strong>Micah</strong> <strong>Williams</strong>, who had helped<br />
hundreds of his patrons decide upon<br />
their portrait details, now made the<br />
same decisions for his own likeness. He<br />
chose to prominently display his artist’s<br />
palette complete with daubs of paint<br />
and two thin paint brushes. <strong>Williams</strong><br />
was a slightly built man, with thinning<br />
sandy-colored hair above a narrow face.<br />
He dressed simply for his portrait and<br />
wore a plain white shirt without ruffle<br />
or bow under a somber black coat and<br />
waistcoat. <strong>Williams</strong> positioned himself<br />
on a red upholstered chair or sofa, which<br />
can be seen behind his right shoulder.<br />
While it is known that <strong>Williams</strong><br />
moved to New York sometime in 1828<br />
or early 1829 to continue his efforts in<br />
oil painting, it remains a mystery with<br />
whom he studied. The existence of this<br />
small oval portrait suggests that he<br />
studied with or befriended at least one<br />
academically trained artist during his<br />
three years in New York.<br />
It is more than likely that the unknown<br />
artist presented this image to <strong>Micah</strong><br />
<strong>Williams</strong> as a farewell gift. <strong>Williams</strong><br />
took the portrait with him when he<br />
returned to New Brunswick sometime<br />
in 1831 or 1832. The likeness descended<br />
within the <strong>Williams</strong> family. His great<br />
granddaughter Anna I. Morgan was<br />
the last direct descendant to own the<br />
portrait. Monmouth County Historical<br />
Association purchased the image in<br />
1980 after her death.