Micah Williams Portrait Artist - Icompendium
Micah Williams Portrait Artist - Icompendium
Micah Williams Portrait Artist - Icompendium
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These portraits are excellent<br />
examples of <strong>Micah</strong> <strong>Williams</strong> at the peak<br />
of his artistic career. The images appear<br />
to have been completed sometime<br />
between 1823 and 1825, before <strong>Williams</strong><br />
relocated to New York in 1828 or early<br />
1829. <strong>Williams</strong> included numerous details,<br />
all rendered carefully but confidently,<br />
without detracting from the main<br />
composition of color, form, and line.<br />
Many Richmond family members lived<br />
in and around New Brunswick. At the<br />
time the portraits were donated, the<br />
sitters were identified as Ann and<br />
Edward Richmond. Subsequent research<br />
has not yet uncovered information<br />
about them. Both appear to be in their<br />
late thirties.<br />
Ann was bare headed, her dark brown<br />
hair braided and coiled atop her head<br />
and held with a large tortoiseshell comb.<br />
Two small severe curls perched on either<br />
side of her temples. Her black dress, with<br />
style elements indicating a circa date<br />
between 1823 and 1825, was enlivened by<br />
a black belt with two narrow edging<br />
bands of vivid blue. Ann’s jewelry<br />
included a pair of heavily beaded black<br />
pendant earrings.<br />
Dark haired Edward sported a decided<br />
cleft in his chin and a visible five<br />
o’clock shadow along his upper lip and<br />
cAtAlogue no. 47<br />
Ann Richmond<br />
Pastel on paper<br />
Middlesex County, New Jersey,<br />
circa 1823-1825<br />
25 7 ⁄16 x 29 1 ⁄2 inches<br />
Courtesy of Jersey Blue Chapter, NJ<br />
Daughters of the American Revolution,<br />
Hatfield Smith Collection at Buccleuch<br />
Mansion Museum<br />
cAtAlogue no. 48<br />
Edward Richmond<br />
Pastel on paper<br />
Middlesex County, New Jersey,<br />
circa 1823-1825<br />
29 1 ⁄2 x 25 5 ⁄8 inches<br />
Courtesy of Jersey Blue Chapter, NJ<br />
Daughters of the American Revolution,<br />
Hatfield Smith Collection at Buccleuch<br />
Mansion Museum<br />
chin. There is a good deal of pigment<br />
loss in Edward’s portrait, particularly<br />
in the areas of the sitter’s collar and<br />
shirtfront as well as in the background.<br />
The pigment loss allows a glimpse of the<br />
artist’s initial sketch lines for Edward’s<br />
shirt. The swirls in the background were<br />
meant to be covered by additional layers<br />
of pigment. <strong>Williams</strong> used this technique<br />
to give a subtle liveliness to his single<br />
color backgrounds.<br />
82 <strong>Micah</strong> <strong>Williams</strong>: <strong>Portrait</strong> <strong>Artist</strong> <strong>Micah</strong> <strong>Williams</strong>: <strong>Portrait</strong> <strong>Artist</strong> 83