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Agnes Martin biog - Timothy Taylor Gallery

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Going the Distance: A Generational Survey of Women Artists, Lawrence<br />

<strong>Gallery</strong>, Rosemont College, Rosemont, Pennsylvania, April 24–May 26, 1997.<br />

More Than One: Twentieth-Century Print Portfolios, The Museum of Modern<br />

Art, New York, May 16– September 2, 1997.<br />

The Hirshhorn Collects: Recent Acquisitions 1992–1996, Hirshhorn Museum<br />

and Sculpture Garden, Smithsonian Institution, Washington, D.C., June 4–<br />

September 7, 1997. (Catalogue)<br />

Future, Present, Past, 47th International Arts Exhibition, Venice, June 15–<br />

November 9, 1997. (Catalogue)<br />

Affinities with the East, Robert Miller <strong>Gallery</strong>, New York, June 24–August 1,<br />

1997.<br />

Summer 1997, PaceWildenstein, New York, June 30–August 22, 1997.<br />

Inaugural Exhibition, Ace <strong>Gallery</strong>, Mexico, September 9–November 15, 1997.<br />

Project Painting, Basilico Fine Arts, New York, September 11–October 11,<br />

1997.<br />

Thresholds—Limits of Perception, Eighth Floor <strong>Gallery</strong>, New York, October<br />

14–25, 1997.<br />

Contemporary Art in Transition—From the Collection of the Ho-Am Art<br />

Museum, Ho-Am Art <strong>Gallery</strong>, Seoul, Korea, October 17–December 28, 1997.<br />

Modern Art and the Religious Imagination, National <strong>Gallery</strong> of Victoria,<br />

Melbourne, April 23, 1998.<br />

Crossing the Threshold, Steinbaum Krauss, New York, December 6, 1997 –<br />

January 3, 1998. (Catalogue)<br />

Drawing Is Another Kind of Language: Recent American Drawings from a<br />

New York Private Collection, Arthur M. Sackler Museum, Harvard University,<br />

Cambridge, December 12, 1997–February 22, 1998. Traveled to: Graphische<br />

Sammlung Albertina, Vienna, March 18–May 17, 1998; Kunstmuseum,<br />

Winterthur, Switzerland, September 4–November 15, 1998; Kunst–Museum,<br />

Ahlen, Germany, November 28, 1998– January 24, 1999; Akademie der<br />

Kunste, Berlin, February 19–May 2, 1999; Parrish Art Museum, Southampton,<br />

New York, September–November 1999. (Catalogue)<br />

1996 Inside the Visible: An Elliptical Traverse of 20th Century Art, Institute of<br />

Contemporary Art, Boston, January 30–May 12, 1996. (Catalogue)<br />

Abstraction in the 20th Century: Total Risk, Freedom, Discipline, Solomon R.<br />

Guggenheim Museum, New York, February 9–May 12, 1996. (Catalogue)<br />

The Innocence of Trees: <strong>Agnes</strong> <strong>Martin</strong> and Emily Carr, Morris and Helen<br />

Belkin Art <strong>Gallery</strong>, The University of British Columbia, Vancouver, Canada,<br />

March 14–May 27, 1996.<br />

In Quest of the Absolute, Peter Blum <strong>Gallery</strong>, New York, April 6–June 8,<br />

1996.<br />

<strong>Agnes</strong> <strong>Martin</strong>, Alice Trumbell Mason and Ann Ryan: Paintings and Collages<br />

from the 50s, Joan Washburn <strong>Gallery</strong>, New York, May 29–July 12, 1996.<br />

Negotiating Rapture: The Power of Art to Transform Lives, Museum of<br />

Contemporary Art, Chicago, June 21–October 20, 1996. (Catalogue)<br />

Coenties Slip Artists: Now and Then, Elise Goodheart Fine Arts, Sag Harbor,<br />

New York, June 22–July 14, 1996.<br />

Art at the End of the 20th Century, organized by the Whitney Museum of<br />

15 Carlos Place London W1K 2EX Telephone: 020 7409 3344<br />

Facsimile: 020 7409 1316 Email: mail@timothytaylorgallery.com

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