Full biography (pdf) - Timothy Taylor Gallery

Biography 

1954 Born in Nuremberg, Germany 

KIKI SMITH 

Selected Awards, Honours and Lectures 

2009 Awarded the 50th Edward MacDowell Medal, New Hampshire 

2006 Recipient Medal Award, School of the Museum of Fine Arts, Boston 

2005 Elected a member of the American Academy of Arts and Letters, New York 

Recipient of the Athena Award for Excellence in Printmaking, Rhode Island School of 

Design (RISD) 

2004 “Retelling Little Red et al: Fairy Tales in Art and Literature.” The Gramercy Theatre 

The Museum of Modern Art. New York. February 24, 2004 

2003 “A Conversation Between Kiki Smith and Lynne Tillman.” Public Programs Winter 

The Museum of Modern Art. New York. January 28, 2003 

2000 Recipient of Skowhegan Medal for Sculpture, Skowhegan School of Painting and 

Sculpture, Maine 

Solo Exhibitions 

2010-12 I Myself Have Seen It: Photography & Kiki Smith, Henry Art Gallery, Seattle, March 

6–August 15, 2010.Traveled to: Mary and Leigh Block Museum of Art, Northwestern 

University, Evanston, Illinois, April 8–August 15, 2011; Tang Museum, Skidmore 

College, Saratoga Springs, New York, September 17–December 30, 2011; 

Scottsdale Museum of Contemporary Art, Arizona, February–April 2012. (Catalogue) 

2010-11 Kiki Smith: Color Still, Under Museum of Contemporary Art, Colle di Val dʼElsa, Italy, 

September 24, 2010 – January 20, 2011, (Curated by Cai Guo-Qiang) 

2010 Kiki Smith: Sojourn, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, 

New York, USA February 12 - September 12 

Kiki Smith: Lodestar, The Pace Gallery, New York, USA, 30 April - 16 July 2010 

2009-10 Kiki Smith, Galleria Lorcan OʼNeill Roma, Italy, November 2009–January 2010 

2009 Kiki Smith: The New York Connection, Galerie Fortlaan, Gent, Belgium, February– 

April 19, 2009 

Kiki Smith, Galerie Lelong, Zurich, June 6–August, 29, 2009 

2008-10 Kiki Smith: Her Home, Museum Haus Esters, Kunstmuseen Krefeld, Germany, 

March 16–August 24, 2008. Traveled to: Kunsthalle Nürnberg, Germany, September 

18–November 16, 2008; as Kiki Smith: Her Memory, Fundació Joan Miró, Barcelona, 

February 19–May 24, 2009; Elizabeth A. Sackler Center for Feminist Art, Brooklyn 

Museum, New York, February 4–September 10, 2010. (Catalogue) 

2008 Kiki Smith, Russell Bowman Art Advisory, Chicago, January 11–March 15, 2008 

Kiki Smith: Sculptures, Photographs, and Papers, Galería Estiarte, Madrid, March 

2008 

2007 Kiki Smith: Touch—Recent Color Etchings, Greg Kucera Gallery, Seattle, May 3– 

June 2, 2007 

Kiki Smith: Constellation, Nelson-Atkins Museum of Art, Kansas City, Missouri, June 

9–October 28, 2007 

Kiki Smith: Wellspring, Galerie Lelong, Paris, October 26–December 8, 2007 

(Catalogue; texts by Jean Frémon and Siri Hustvedt) 

2006-07 Kiki Smith, Galleria Raffaella Cortese, Milan, November 30, 2006–January 27, 2007 

Kiki Smith, Galerie Mirchandani + Steinruecke, Mumbai, India, December 14, 2006– 

January 13, 2007 (Catalogue; texts by Robert Storr and Susanna Moore) 

15 Carlos Place London W1K 2EX Telephone 020 7409 3344 Facsimile 020 7409 1316 

Open Mon-Fri 10-6pm Sat 10-2pm

2006 Kiki Smith: New Works, Timothy Taylor Gallery, London October 11 October – 18 

November 2006 

Kiki Smith: Moment, Larissa Goldston Gallery, New York, September 9–30, 2006 

Kiki Smith: Porcelain Figurines, Pace Prints, New York, November 1–28, 2006 

2005-07 Kiki Smith: A Gathering, 1980–2005, San Francisco Museum of Modern Art, 19 

November 2005 – 29 January 2006. Travelled to: Walker Art Center, Minneapolis, 26 

February – 14 May 2006; Contemporary Arts Museum, Houston, 22 July – 24 

September 2006; Whitney Museum of American Art, New York, 16 November 2006 – 

11 February 2007. (Exhibition catalogue) 

2005 Kiki Smith: Print and Things á la Librairie, Galerie Lelong, Paris, March 9–31, 2005. 

Kiki Smith: Bronze Reliefs and Drawings, Barbara Gross Galerie, Munich, March 18– 

May 7, 2005. 

Kiki Smith: Homespun Tales. Storie di occupazione domestica, Fondazione Querini 

Stampalia, 51 st Biennale di Venezia, Venice, June 9–September 11, 2005. 

(Exhibition catalogue) 

Kiki Smith: On and About Sculpture and Drawing, Galleria Lorcan OʼNiell, Rome, 

October 28–December 15, 2005. 

Kiki Smith: A Cautionary Tale, John Berggruen Gallery, San Francisco, November 3– 

December 31, 2005. 

2004 Kiki Smith: Near, Barbara Krakow Gallery, Boston, May 8–June 16, 2004. 

Fermament: Lebbeus Woods and Kiki Smith, Henry Urbach Architecture, New York, 

September 14–October 23, 2004. 

2003-04 Kiki Smith: Prints, Books and Things, The Museum of Modern Art, Queens, New 

York, December 5, 2003–March 8, 2004. (Exhibition catalogue) 

Otherworlds: The Art of Nancy Spero and Kiki Smith, BALTIC Centre for 

Contemporary Art, Gateshead, England, December 12, 2003–March 8, 2004. 


2003 Kiki Smith: Near, Galerie Lelong, Paris, May 21–July 23, 2003. Traveled to: Galerie 

Lelong, Zürich, August 1–September 30, 2003. (Exhibition catalogue) 

Echigo-Tsumari Art Triennial 2003, Tsunan, Japan, July 20–September 7, 2003. 

2002-03 Kiki Smith: Homework, The Fabric Workshop and Museum, Philadelphia, December 

6, 2002–January 18, 2003. 

2002 Kiki Smith: Realms, PaceWildenstein, 524 West 25 th Street, New York, March 14– 

April 27, 2002. (Artistʼs book) 

Kiki Smith: Realms, Triple Candie, New York, March 16–April 16, 2002. (extended 

through April 26, 2002). 

Kiki Smith, Galerie Fortlaan 17, Gent, Belgium, March 22–May 22, 2002. (Brochure) 

2001-02 Kiki Smith, René Blouin Gallery, Montreal, Quebec, December 8, 2001–January 26, 

2002. 

Kiki Smith: Photographs. A Looking at Native American Beadwork and Baskets from 

the Collection of Charles and Valerie Diker, Fishier Landau Center for Art, Long 

Island City, New York, December 9, 2001–January 26, 2002. (Exhibition catalogue) 

2001 Kiki Smith: Recent Editions, Pace/Prints, New York, February 10–March 10, 2001. 

Kiki Smith: Prints and Multiples, Greg Kucera Gallery, Seattle, March 1–March 31, 

2001. 

Kiki Smith: Telling Tales, International Center of Photography, New York, March 29– 

June 10, 2001. (Exhibition catalogue) 

Kiki Smith, Galleria Raffaella Cortese, Milan, April 2–July 14, 2001. 

Kiki Smith: Portraits, Pace/MacGill Gallery, New York, April 5–May 5, 2001. 

Kiki Smith: Small Sculptures and Large Drawings, Ulmer Museum, Ulm, Germany, 

April 7–June 4, 2001. (Exhibition catalogue) 



Kiki Smith: Women-Nature-Birds-Death, Barbara Gross Galerie, Munich, June 21– 

July 25, 2001. 

Kiki Smith, Galerie M + R Fricke, Dusseldorf, August 25–October 12, 2001. 

Kiki Smith, University of Wyoming Art Museum, Laramie, September 8–November 

25, 2001. 

2000-01 Kiki Smith, Nassau County Museum of Art, Roslyn Harbor, New York, November 11, 

2000–January 14, 2001. 

2000 Kiki Smith: Geneviève and the Wolves, Shoshana Wayne Gallery, Santa Monica, 


Kiki Smith: Realm, John Berggruen Gallery, San Francisco, September 14–October 

28, 2000. 

Kiki Smith, Kukje Gallery, Seoul, South Korea, November 17–December 16, 2000. 

1999- 

2000 


My Nature: Works with Paper by Kiki Smith, Saint Louis Art Museum, October 19, 

1999–January 23, 2000. (Exhibition catalogue) 

Kiki Smith: Zetwenden—Rubblick und Ausblick, Kunstmuseum, Bonn, December 4, 

1999–June 4, 2000. Traveled to Museum Moderner Kunst Stiftung Ludwig, Vienna, 

July 5–October 1, 2000. 

1999 Kiki Smith: New Editions, Pace Prints, New York, January 14–February 13, 1999. 

Kiki Smith: Recent Photographic Work, MIT List Visual Arts Center, Cambridge, 

Massachusetts, January 15–March 28, 1999. 

Kiki Smith, Barbara Krakow Gallery, Boston, January 16–February 13, 1999. 

Forefront 31: Kiki Smith, Indianapolis Museum of Art, Indiana, February 12–May 16, 

1999. (Brochure) 

Kiki Smith, Galerie Fortlaan 17, Ghent, Belgium, May 6–June 26, 1999. 

Kiki Smith: Creation, Diözesanmuseum, Freising, Germany, May 9–October 10, 1999 

(extended to October 17). 

Kiki Smith/Martin Schwenk, Galerie M + R Fricke, Düsseldorf, June 19–July 31, 

1999. 

Kiki Smith: You Art the Sunshine of My Life..., The Fruitmarket Gallery, Edinburgh, 

Scotland, July 31–September 11, 1999 

Familiars, Center for Curatorial Studies Museum, Bard College, Annandale-on- 

Hudson, New York, September 26–December 17, 1999. A collaborative exhibition by 

Kiki Smith with sound pieces by composer Margaret DeWys. 

Kiki Smith: Of Her Nature, PaceWildenstein, 142 Greene Street, New York, October 

29–November 27, 1999. 

1998 Kiki Smith/Joey Kötting, PaceWildensteinMacGill, New York, January 22–March 7, 

1998. 

Kiki Smith: Constellation, Barbara Gross Galerie, Munich, January 22–March 11, 

1998. 

Kiki Smith, Mattress Factory, Pittsburgh, Pennsylvania, February 8–July 31, 1998. 

Kiki Smith, Metta Galería, Madrid, February–March 1998. (Exhibition catalogue) 

Directions—Kiki Smith: Night, Hirshhorn Museum and Sculpture Garden, 

Smithsonian Institution, Washington, D.C., March 19–June 21, 1998. (Brochure) 

Invention/Intervention: Kiki Smith and the Museums, Carnegie Museum of Art, 

Pittsburgh, May 1–July 12, 1998. (Brochure) 

Kiki Smith: All Creatures Great and Small, Kestner Gesellschaft, Hannover, 

September 26–December 17, 1998. (Exhibition catalogue) 

Kiki Smith: Photographs 1997–1998, Galerie Gricke, Berlin, October 3–November 

14, 1998. 

Kiki Smith, Räume für neue Kunst, Wuppertal, Germany, October 12–November 20, 



1998 

Kiki Smith: Nocturne, The LeRoy Neiman Center for Print Studies, Columbia 

University, New York, October 15–November 15, 1998. 

Kiki Smith: Work, Fosdick-Nelson Gallery, School of Art and Design, New York State 

College of Ceramics, Alfred University, Alfred, New York, November 7–December 19, 

1998. 

Kiki Smith, Galerie René Blouin, Montreal, November 7–December 19, 1998 

1997-98 Kiki Smith: Convergence––Sculpture, Drawings, and Mixed Media Works from 1988 

to 1997, Irish Museum of Modern Art, Dublin, October 24, 1997–February 15, 1998. 


1997 Kiki Smith: Once I Saw a Bird, Anthony dʼOffay Gallery, London, February 27–April 

12, 1997. (Artistʼs book titled Kiki Smithʼs Dowry Book) 

Kiki Smith, Shoshana Wayne Gallery, Santa Monica, March 8–April 19, 1997. 

Kiki Smith: Paper Sculpture, Prints, and Multiples, Greg Kucera Gallery, Seattle, April 

3–April 27, 1997. 

Kiki Smith: Prints and Multiples 1994–1997, Pace Prints, New York, September 19– 

October 18, 1997. 

Kiki Smith: Reconstructing the Moon, PaceWildenstein, 142 Greene Street, New 

York, September 25–October 25, 1997. (Artistʼs book The Fourth Day: Destruction of 

Birds) 

1996-97 Kiki Smith, Montreal Museum of Fine Arts, June 13–September 22, 1996. Traveled 

to: Modern Art Museum, Fort Worth, Texas, April 6–September 7, 1997. (Exhibition 

catalogue) 

Kiki Smith: Photographs, Susanne Hilberry Gallery, Birmingham, Michigan, 

November 13, 1996–January 4, 1997. 

Paradise Cage: Kiki Smith and Coop Himmmelb(l)au, Museum of Contemporary Art, 

Los Angeles, November 24, 1996–February 2, 1997. (Exhibition catalogue) 

Kiki Smith, A/D Gallery, NewYork, December 5, 1996–January 22, 1997 

1996 Kiki Smith: Werke/Works 1988–1996, St. Petri-Kuratorium, Lübeck, Germany, 

January 15–February 29, 1996. (Exhibition catalogue, published 1998) 

The Visiting Artists Exhibition, College of Fine Arts and Communications, Towson 

State University, Maryland, March 29–April 27, 1996. 

Kiki Smith: Landscapes, Huntington Gallery, Massachusetts College of Art, Boston. 

Two-part exhibition: June 6–July 24, 1996 and September 9–October 9, 1996. 

Kiki Smith: Field Operation, PaceWildenstein, Los Angeles, August 8–September 28, 

1996. 

1995-96 Kiki Smith: Photography, PaceWildensteinMacGill, Los Angeles, November 9– 

December 29, 1995. Traveled to PaceWildensteinMacGill, New York, January 11– 

February 24, 1996. 

1995 Kiki Smith: Sculpture & Drawings, Anthony dʼOffay Gallery, London, February 22– 

March 31, 1995. 

Kiki Smith, Whitechapel Art Gallery, London, February 24–April 23, 1995. Traveled to 

Galerie Rudolfinum, Prague, June 22–August 27, 1995. (Exhibition catalogue) 

Kiki Smith/Nan Goldin, Galerie M + Fricke, Düsseldorf, July 8–September 2, 1995. 

Kiki Smith: New Work, PaceWildenstein, 142 Greene Street, New York, September 

15–October 21, 1995. (Artistʼs book) 

Kiki Smith, Fosdick-Nelson Gallery, School of Art and Design, New York State 

College of Ceramics, Alfred University, Alfred, New York, October 11–November 5, 

1995. 

1994-96 Kiki Smith: Prints and Multiples 1985–1993, Barbara Krakow Gallery, Boston, 

January 8–February 9, 1994. Traveled to: New Orleans Contemporary art Center, 



New Orleans, Louisiana, May 7–June 27, 1994; Olin Arts Center, Bates College 

Museum of Art, Lewiston, Maine, September 2-October 9, 1994; David Winton Bell 

Gallery, Brown University, Providence, Rhode Island, October 22-November27, 

1994; University of North Texas Art Gallery, Denton, February 8-March 11, 1995; 

Gallery of Art, University of Missouri, Kansas City, March 30–April 28, 1995; 

Milwaukee Art Museum, Wisconsin, May 12–August 20, 1995; Wilkes Art Museum, 

Wilkes University, Wilkes-Barre, Pennsylvania, September 2–October 15, 1995; 

North Dakota Museum of Art, Grand Forks, November 12, 1995–January 2, 1996; 

Davidson College Art Gallery, Davidson, North Carolina, January 14–February 24, 

1996; University Gallery, Memphis State University, Tennessee, April 20–June 14, 

1996; University of New Hampshire, Durham, September 9–October 13, 1996; 

Kresge Art Museum, Michigan State University, East Lansing, Michigan, November 

2–December 20, 1996. (Catalogue raisonné) 

1994-95 Kiki Smith, The Power Plant––Contemporary Art Gallery at Harbourfront Centre, 

Toronto, November 25, 1994–January 8, 1995. (Exhibition catalogue) 

1994 Kiki Smith, University Art Museum, University of California, Santa Barbara, February 

25–April 17, 1994. (Exhibition catalogue, published 1995) 

Kiki Smith, Louisiana Museum for moderne Kunst, Humlebæk, Denmark, March 18– 

May 23. Traveled to: Kunstnernes Hus, Oslo, October 15–November 13, 1994. 


Kiki Smith, Galerie René Blouin, Montreal, April 9–May 14, 1994. 

Kiki Smith, The Israel Museum, Jerusalem, Spring/Summer 1994. (Brochure) 

Kiki Smith, Barbara Gross Galerie, Munich, May 27–July 30, 1994. 

Kiki Smith, Laura Carpenter Fine Art, Santa Fe, New Mexico, September 3–October 

15, 1994. 

Kiki Smith: Drawings, PaceWildenstein, New York, October 21–November 26, 1994. 

1993 Kiki Smith, Anthony dʼOffay Gallery, London, May 12–June 18, 1993. 

Kiki Smith, Fawbush Gallery, New York, November 20–December 23, 1993. 

1992-93 Kiki Smith, Williams College Museum of Art, Williamstown, Massachusetts, July 18– 

November 15, 1992. Traveled to: Wexner Center for the arts, The Ohio State 

University, Columbus, Ohio, January 23–March 21, 1993. (Exhibition catalogue) 

Kiki Smith: Unfolding the Body––An Exhigiion of the Work in Paper, Rose Art 

Museum, Brandeis University, Waltham, Massachusetts, October 3–November 15, 

1992. Traveled to: Phoenix Art Museum, Arizona, June 12–August 1, 1993. 


Kiki Smith, Galerie M & R Fricke, Dűsseldorf, November 17, 1992–January 5, 1993. 

Kiki Smith, Shoshana Wayne Gallery, Santa Monica, December 4, 1992–January 25, 

1993. 

1992 Kiki Smith: Sculpture and works on Paper, Greg Kucera Gallery, Seattle, January 2– 

February 2, 1992 

Kiki Smith, Moderna Museet, Stockholm, April 11–June 7, 1992. 

Kiki Smith, Bonner Kunstverein, Bonn, April 27–June 7, 1992 (Brochure) 

Kiki Smith, Fawbush Gallery, New York, May 9–June 3, 1992. 

Kiki Smith: Silent Work, Ősterreichisches Museum fűr angewandte Kunst, Vienna, 

May 27–July 12, 1992. (Exhibition catalogue) 

Byron Kim/Kiki Smith, A/C Project Room, New York. 

1991-92 Kiki Smith, Galerie René Blouin, Montreal, November 30, 1991–January 11, 1992. 

The Body Electric: Zizi Raymond and Kiki Smith, Corcoran Gallery of Art, 

Washington, D.C., December 14, 1991–February 16, 1992. (Brochure) 

1991 Matrix 142: Kiki Smith, University Art Museum, University of Calfifornia, Berkeley, 

California, February 7–April 15, 1992. (Brochure) 



Kiki Smith, Shoshana Wayne Gallery, Santa Monica, May 31–July 17, 1991 

Kiki Smith, MAK Galerie, Vienna, May 27–July 12, 1992. 

Kiki Smith, Art Awareness, Inc., Lexington, New York, 1992. 

Kiki Smith, Greg Kucera Gallery, Seattle, 1992. 

1990-91 Projects 24: Kiki Smith, The Museum of Modern Art, New York, November 9, 1990– 

January 1, 1991. (Brochure) 

1990 Kiki Smith, Tyler Gallery, Tyler School of Art, Temple University, Philadelphia, 

January 26–February 25, 1990. 

The Periphery: Part 4, Institute for Art and Urban Resources at the Clocktower, Long 

Island City, New York, March 15–April 22, 1990. With Eleanor Bond. 

Cara Perlman and Kiki Smith, Fawbush Gallery, New York, May 12–June 14, 1990. 

Kiki Smith, Centre dʼart contemporain, Geneva, September 21–November 17,1 990. 

Traveled to: Institute of Contemporary Art, Amsterdam, October 26–December 1, 

1990. (Exhibition catalogue) 

1989 Concentrations 20, Dallas Museum of Art, January 14–April 16, 1989. 

Kiki Smith, Ezra and Cecile Zilkha Gallery, Center for the Arts, Wesleyan University, 

Middletown, Connecticut, May 4–June 25, 1989. (Brochure) 

Kiki Smith, Galerie René Blouin, Montreal, June 3–30, 1989. 

1988 Kiki Smith, Fawbush Gallery, New York, May 21–June 22, 1982. 

1982 Life Wants to Live, The Kitchen, New York, December 3–24, 1982. 

Selected Group Exhibitions 

2012-13 Fairy Tales, Monsters, and the Genetic Imagination, Frist Center for the Visual Arts, 

Nashville, February 24–May 28, 2010. Traveled to: Winnipeg Art Gallery, Manitoba, 

Canada, June 15–September 9, 2010; Glenbow Art Museum, Calgary, Alberta, 

Canada, September 28, 2010–January 2, 2013. 

2011 Heroines, Museo Thyssen-Bornemisza, Madrid, March 8–June 5, 2011. 

Arcadia Now, Christine Price Gallery, Castleton State College, Vermont, April 11– 

May 15, 2011. (Curated byTom McGlynn) 

The Luminous Interval, Guggenheim Museum, Bilbao, opened May 2011. 

2010-11 Keeping it Real: An exhibition in four acts from the D. Daskalipoulos Collection, 

Whitechapel Gallery, 

London, June 9, 2010–May 22, 2011. (Catalogue) 

2010 Mortal, Galerie Lelong, Paris, October 14–November 20, 2010 

50 Years at Pace, The Pace Gallery, 545 West 22nd Street, New York, September 

17–October 23, 2010(Catalogue) 

In Dreams, Timothy Taylor Gallery, September 8–October 2, 2010 

Signs of Life: Ancient Knowledge in Contemporary Art, Kunstmuseum Luzern, 

Switzerland, August 14–November 21, 2010. (Catalogue) 

Thanks for Being With Us: Contemporary Art from the Douglas Nielsen Collection, 

Tucson Museum of Art, July 17–October 10, 2010. (Catalogue) 

Philagrafika 2010: The Graphic Unconscious, Pennsylvania Academy of Fine Arts, 

Philadelphia, January 27–April 11, 2010 

The Visible Vagina, David Nolan Gallery, New York, January 28–March 20, 2010 

Visceral Bodies, Vancouver Art Gallery, February 6–May 16, 2010. (Catalogue; text 

by Daina Augaitis) 

Disembodied, Aspen Art Museum, Colorado, February 12–April 11, 2010 

Skin Fruit: Selections from the Dakis Joannou Collection, New Museum, New York, 

March 3–June 6, 2010.(Catalogue) 

2009-10 Brodsky Center for Innovative Editions Annual Exhibition 2009–2010, Mason Gross 

Art Galleries, The Judith K. and David J. Brodsky Center for Innovative Editions at 



Rutgers, The State University of New Jersey, New Brunswick, January 11, 2009– 

January 22, 2010. 

Elles@centrepompidou: Artistes femmes dans les collections du Centre Pompidou, 

Centré national d’art et de culture Georges Pompidou, Paris, May 27, 2009–May 24, 

2010. (Catalogue) 

Something About Mary, Gallery Met, Metropolitan Opera, Lincoln Center, New York, 

September 17, 2009–January 31, 2010. 

Les Femmes, McClain Gallery, Houston, October 15, 2009–January 2, 2010. 

2009 Animalkind, University Art Gallery, San Diego State University, California, February 

16–May 6, 2009.(Catalogue) 

Mythologies, Haunch of Venison, Burlington Gardens, London, March 12–April 25, 

2009. 

Womenʼs Work: Contemporary Women Printmakers from the Collections of Jordan 

D. Schnitzer and His Family Foundation, San Jose Museum of Art, California, April 

4–August 16, 2009. 

Space–Time, National Glass Centre, Sunderland, England, April 6–September 6, 

2009. 

Reflections/Refractions: Self-Portraiture in the Twentieth Century, National Portrait 

Gallery, Smithsonian Institution, Washington, D.C., April 10–August 16, 2009. 

(Catalogue; texts by Wendy Wick Reaves and Anne Collins Goodyear) 

6 Eyes, Galerie du Jour Agnès B., Paris, April 12–May 6, 2009. 

Glasstress, Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, 

53rd International Art Exhibition, La Biennale di Venezia, June 6–November 22, 

2009. (Catalogue) 

A Walk in the Park: Outdoor Sculpture at PaceWildenstein, PaceWildenstein, 545 

West 22nd Street, New York, June 19–July 24, 2009. 

The Heritage of the Holy Land: Treasures from The Israel Museum, Jerusalem, 

Museum of Fine Arts,Budapest, June 23–September 6, 2009. (Catalogue) 

Family Traces, The Israel Museum, Jerusalem, July 24–November 28, 2009. 

Kiki Smith, Nancy Spero and Nalini Malani, Galería Estiarte, Madrid, September 15– 

October 2009. 

Locus Solus, Galerie Yvon Lambert, Paris, October 20–December 23, 2009. 

2008-9 The Puppet Show, Institute of Contemporary Art, University of Pennsylvania, 

Philadelphia, January 17–March, 30, 2008. Traveled to: Santa Monica Museum of 

Art, California, May 16–August 9, 2008; The Contemporary Museum, Hawaii, 

September 5–November 23, 2008; Contemporary Arts Museum, Houston, January 

17–April 2, 2009; and The Frye Art Museum, Seattle, May 16–September 13, 2009. 

Le reveil des oiseaux, homage a Olivier Messiaen, Galerie du Conseil Général, Aixen-Provence, 

April 11–June 29, 2008. Travels to: Collection Lambert, Avignon, 

October 25, 2008–January 2, 2009. 

2008 Corpus Exquis: The Human Form ca. 1605–2005, Cornell Fine Arts Museum Rollins 

College, Winter Park, Florida, January 19–May 20, 2008. 

Collecting Collections: Highlights of the Permanent Collection, Museum of 

Contemporary Art, Los Angeles, February 10–May 19, 2008. (Catalogue) 

Ornithology: Looking at Birds, The Contemporary Art Galleries, University of 

Connecticut, Storrs, February 11–April 11, 2008. (Brochure) 

Everything is Museum, Solomon R. Guggenheim Museum, New York, February 22– 

May 28, 2008. 

Paintings, Drawings and Sculpture, Part II, John Berggruen Gallery, San Francisco, 

March 4–April 5, 2008. 

Drawings, Barbara Gross Galerie, Munich, March 13–April 24, 2008. 



Worlds of Glass, Museum Kunst Palast, Düsseldorf, April 18–August 31, 2008. 

The Hague Sculpture 2008: Freedom–American Sculpture, The Koninklijke 

Schouwburg, The Hague, The Netherlands, June 6–August 31, 2008 

Á la croisée de lʼart et de la mediciné, La Galerie dʼart du Centre culturel de 

lʼUniversité de Sherbrooke, Canada, September 10–December 13, 2008. 

2007 Fairy Tale, The New Art Gallery Walsall, UK 

2006-07 Into Me/Out of Me, P.S. 1 Contemporary Art Center, Long Island City, USA, June 25– 

September 25, 2006. Traveled to: KW Institute of Contemporary Art, Berlin, October 

1, 2006–February 18, 2007. 

Corbeaux and Corneilles: Oiseaux de Malheur?, Natural History Museum, Fribourg, 

Switzerland, December 1, 2006–April 15, 2007. 

2006 Selections from the Leroy Neiman Center for Print Studies, Columbia University, 

Marianne Boesky Gallery, New York, USA, January 10–February 4, 2006. 

The Compulsive Line: Etching 1900 to Now, The Museum of Modern Art, New York, 

January 25–April 17, 2006. 

Out of the Blue, Abington Art Center, Jenkintown, Pennsylvania, March 3–May 6, 

2006. 

Under The Skin, Barbara Gross Galerie, Munich, March 3–April 13, 2006. 

Zoo Story: An Exhibition of Animals in Art-For the Young and the Young at Heart, 

Emily Fisher Landau Center for Art, Long Island City, New York, January 6–June 12, 

2006. 

The 181 st Annual: An Invitational Exhibition of Contemporary American Art, National 

Academy of Design, Museum and School of Fine Arts, New York, May 11–June 18, 

2006. (Exhibition catalogue; edited by Nancy Malloy) 

Exhibition and Benefit: The Film Anthology Archives (sponsored by Jonas Mekas and 

Cheim & Read), New York, May 6, 2006. 

Modern and Contemporary Master Drawings, Connaught Brown, London, June 15– 

July 31, 2006. 

Tevereterno: Ombre dal Lupercale, LʼAssociazione Tevereterno, Piazza Tevere, 

Rome, June 21, 2006. 

Break the Mold: Honoring Walt Zucker, Ernest Rubenstein Gallery, New York, July 

12–August 9, 2006. 

Works on Paper from the Collection of Art Enterprises, Ltd., McCormick Gallery, 

Chicago, July 14–August 19, 2006. 

The Skowhegan School of Painting and Sculpture: 60 Years, Colby College Museum 

of Art, Waterville, Maine, July 22–October 29, 2006. (Exhibition catalogue; essay by 

David Driskell) 

Defining the Contemporary: Exhibitions at the Whitechapel Gallery 1986–2006, 

Whitechapel Gallery, London, September 25–October 5, 2006. 

2005-06 Contemporary Voices: Works from the UBS Art Collection, The Museum of Modern 

Art, New York, February 4–April 25, 2005. Traveled to: The Fondation Beyeler, 

Basel, November 27, 2005–February 26, 2006. 

The Forest: Politics, Poetics, and Practice, Nasher Museum of Art, Duke University, 

Durham, North Carolina, October 2, 2005–January 6, 2006. 

Frontiers: Collecting the Art of Our Time, Worcester Art Museum, Massachusetts, 

November 13, 2005–February 12, 2006. 

2005 Contemporary Women Artists: New York, University Art Gallery, Indiana State 

University, Terre Haute, January 19–February 11, 2005. 

Inside Out Loud: Visualizing Womenʼs Health in Contemporary Art, Washington 

University Gallery of Art, St. Louis, January 21–April 24, 2005. 

National Association of Women Artists Sculpture Exhibition, Mason Murer Fine Art, 



Atlanta, February 15–March 29, 2005. 

Portraits on Paper, Larissa Goldston Gallery, New York, March 19–April 16, 2006. 

The Giving Person, Palazzo delle Arti Napoli, Palazzo Roccella, March 26–August 

28, 2005. 

DRAW, Dwight Hackett Projects, Santa Fe, April 2–May 14, 2005. 

Glass, seriously, Dorsky Gallery Curatorial Programs, Long Island City, New York, 

April 24–June 27, 2005. 

20 x 20 Art Sale, exhibition and benefit auction for Bill T. Jones/Arnie Zane Dance 

Company, organized by Bill T. Jones and Diane von Furstenberg, Diane von 

Furstenberg the Theater, New York, May 10–14, 2005. 

Exhibition of Work by Newly Elected Members and Recipients of Honors and 

Awards, The American Academy of Arts and Letters, New York, May 18–June 19, 

2005. 

Drawing 1945 to Now, Russell Bowman Art Advisory, Chicago, April 29–June 18, 

2005. 

Summer Group Show, PaceWildenstein, 534 West 25 th Street, New York, July 14– 

August 25, 2005. 

From the Berkus Collection, Atkinson Gallery, Santa Barbara City College, California, 

September 2–28, 2005. 

2D From 3D, Elizabeth Leach Gallery, Portland, Oregon, October 6–November 23, 

2005. 

Two by Two for AIDS and Art, Dallas Museum of Art, Texas, October 8, 2005. 

2004-05 *BIRDSPACE: A Post-Audubon Artists Aviary, Contemporary Arts Center, New 

Orleans, January 10–March 23, 2004. Travels to: Norton Museum of Art, West Palm 

Beach, Florida, May 29, 2004–August 15, 2004; the Hudson River Museum, 

Yonkers, October 9, 2004–January 2, 2005; McDonough Museum of Art, 

Youngstown State University, Ohio, September–October 2005. 

*East Village USA, New Museum of Contemporary Art, New York, December 9, 

2004–March 19, 2005. 

2004 Sculpture 2004, Gow-Langsford Gallery, Sydney, January 13–February 6, 2004. 

Making the Body in Contemporary Sculpture, Allen Memorial Art Museum, Oberlin 

College, Ohio, February 10–December 12, 2004. 

Animals & Us, Galerie St. Etienne, New York, March 20–May 22, 2004. 

Bodily Space: New Obsessions in Figurative Sculpture, Albright Knox Gallery, 

Buffalo, New York, April 17–September 7, 2004. 

Sculpture and Form, John Berggruen Gallery, San Francisco, June 3-September 4, 

2004. 

Bodily Space: Works from the Permanent Collection, Albright Knox Gallery, Buffalo, 

New York, July 17–September 7, 2004. 

Art in Embassies Program 40 th Anniversary Sculpture Exhibition, Department of 

State, South Courtyard, Washington D.C., May 6–July 6, 2004. 

Carpe Diem Press, Oaxaca: James Brown, Dan McCleary, George Moore, Kiki 

Smith and Rob Wynne, Texas Gallery, Houston, June 1–July 10, 2004. 

Sculpture and Form, John Berggruen Gallery, San Francisco, June 3–July 10, 2004. 

Noahʼs Ark, National Gallery of Canada at La Cité de lʼénergie, Shawinigan, Ontario, 

June 12–October 3, 2004. 

Animals, Haunch of Venison, London, June 24–September 11, 2004. 

Summer 2004, PaceWildenstein, New York, July 8–September 10, 2004. 

Lebbeus Woods & Kiki Smith: Firmament, Henry Urbach Gallery, New York, 


2003-04 Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Art, 



December 13, 2003–May 23, 2004. 

Otherworlds: The Art of Nancy Spero and Kiki Smith, Baltic The Centre for 

Contemporary Art, Gateshead, England, December 12, 2003–March 8, 2004. 

2003 American Art Today: Faces and Figures, The Art Museum at Florida International 

University, Miami, January 17–March 9, 2003. 

From Modernism To Contemporary, 1958-1999, Allen Memorial Art Museum, Oberlin 

College, Ohio, January 21–June 6, 2003. 

Heart of Glass, National Glass Centre, Sunderland, England, February–April 2003. 

(Recreation of the 2001 Queens Museum of Art exhibition by the same title). 

In the Eye of the Beholder, George Adams Gallery, February 13–March 29, 2003. 

Why! The World of Man and Beyond, Martin-Gropius-Bau, Berlin, June 6–August 24, 

2003. 

The Great Drawing Show 1550–2003, Michael Kohn Gallery, Los Angeles, April 12– 

May 31, 2003. 

The Body Transformed, National Gallery of Canada at La Cité de lʼénergie, 

Shawinigan, Ontario, June 15–October 5, 2003. (Exhibition catalogue) 

Warum! Why! Image Refelection Self–Image! Martin Gropius Bau, Berlin, May 28– 

August 3, 2003. 

A Way With Words, John Berggruen Gallery, San Francisco, June 5–July 12, 2003. 

According to Nadelman: Contemporary Affinities, June Kelly Gallery, New York, July 

1–August 3, 2003. 

Private Öffentlichkeit, organized by Galerie im Museum Folkwang, Hesse, June 17– 

July 6, 2003. 

Summer Travels, PaceWildenstein, New York, July1–August 28, 2003. 

Me and More, Kunstmuseum Luzern, August 9–November 11, 2003. 

Immersion, Interfaith Center of New York, New York, September 17–November 7, 

2003. 

Drawing, The Elizabeth Leach Gallery, Portland, October 2–November 1, 2003. 

2002-03 Metamorphing: Transformation in Science, Art and Mythology, The Science Museum, 

London, October 4, 2002–February 16, 2003. 

H2O, Western Washington University, Bellingham Washington, October 7, 2002– 

January 17, 2003. Travels to: Wayne State University, Detroit, Michigan, February 7– 

March 22, 2003, and Hobart and William Smith Colleges, Houghton House Gallery, 

Geneva, New York, April 5–30, 2003; Danese Gallery, New York, July 9–August 29, 

2003. 

The Nude in 20 th Century Art, Kunsthalle in Emden, Germany, October 26, 2002– 

January 26 , 2003 

The Smiths: Tony, Kiki, Seton, Palm Beach Institute of Contemporary Art, December 

3, 2002–March 23, 2003. 

Maria Magdalena, Museum voor Schone Kunsten, Gent, December 6, 2002–April 6, 

2003. 

Disturbance, Raffaela Cortese, Milan, December 2002–February 2003. 

2000 Winter Group Show, PaceWildenstein, New York, January 19–February 9, 2002. 

Arrested Development, Castle Gallery, The College of New Rochelle, New York, 

February 3–March 31, 2002. 

Aquaria. Über die außöhnliche Beziehung zwischen Wasser & Mensch, 

Landesgalerie am Oberösterreichischen Landesmuseum, Linz, Austria, February 7– 

April 7, 2002. 

Whitney Biennial 2002 in Central Park, Whitney Museum of American Art, New York, 

February 25–June 1, 2002. 

Group Show, Mitchell-Innes & Nash, New York, April–May 2002. 



177 th Annual: An Invitational Exhibition, National Academy of Design Museum, New 

York, May 1–June 9, 2002. 

Art Downtown: New York Painting and Sculpture, Wall Street Rising, New York, June 

13–September 15, 2002. 

Visions from America: Photographs from the Whitney Museum of American Art, New 

York, June 27–September 22, 2002. 

Alter Ego, Ville de Luxembourg et Musée dʼHistorie, Paris, July 11–October 5, 2002. 

Hautnah: die Sammlung Goetz, Museum Villa Stuck, Munich, May 30–August 18, 

2002. 

3 rd Biennale de Montréal at Cité Multimedia, Centre international dʼart contemporain 

de Montréal (CIAC), September 26–November 3, 2002. 

2001 Wonderland, Huntington Gallery, Massachusetts College of Art, Boston, January 17– 


1989: A Portfolio Honoring Artists Lost to AIDS, Baldwin Gallery, Aspen, January 23– 


Poetry Plastique, Marianne Boesky Gallery, New York, February 9–March 10, 2001. 

Conversations from the Heart, Educational Alliance Gallery, New York, February 14– 

March 30, 2001. 

Heart of Glass, Queens Museum of Art, Flushing Meadows, New York, February 22– 

May 27, 2001. 

Columbia University LeRoy Neiman Center for Print Studies. Projects by Ellen 

Gallagher, Elliott Green, Alexis Rockman, and Kiki Smith, Susan Inglett, New York, 

April 12–May 19, 2001. 

Works on Paper Invitational, Nina Nielsen Gallery, Boston, May 12–June 9, 2001. 

Ohne Zögern –Without Hesitation Views of the Olbricht Collection, Neues Museum 

Weserburg, Bremen, June 3–September 16, 2001. 

Digital: Printmaking Now, Brooklyn Museum of Art, Brooklyn, New York, June 22– 

September 2, 2001. 

Bugs, Bugs, Bugs ..., Pace Prints, New York, July 30–September 7, 2001. 

God is in the Details, Centre dʼArt Contemporain, Geneva, September 12–November 

2, 2001. 

Elie Nadelman: Classical Folk, The Frick Art & Historical Center, Pittsburgh, 

September 21–December 30, 2001. 

2000-02 Unatural Science, Massachusetts Museum of Contemporary Art, North Adams, June 

3, 2000–April 15, 2002. 

2000-01 Silver + Gold, Baldwin Gallery, Aspen, July 28–September 7, 2000. Traveled to 

Elayne Baker Gallery, Boca Raton, November 9–December 2, 2000; Imago 

Galleries, Palm Desert, December 2, 2000–January 9, 2001; Galerie Simonne Stern, 

New Orleans, March 3–April 12, 2001; Nohra Haime, New York, March 21–April 28, 

2001. 

Voici Cent ans dʼart contemporain, Société des Expositions du Palais des Beau-Arts, 

Bruxelles, November 23, 2000–January 28, 2001. 

2000 Das Funfte Element–Geld oder Kunst, Stadtische Kunsthalle Dusseldorf, Dusseldorf, 

Germany, January 28–May 28, 2000 

End Papers: Drawings from 1890–1900 and 1990–2000, Neuberger Museum of Art, 

Purchase, New York, January 30–April 23, 2000. 

Touch, University of Southern Maine, Orono, February 3–March 25, 2000. 

Over The Edges, Stedelijk Museum voor Actuele Kunst, Gent, April 1–June 30, 2000. 

Between Grains of Sand and Microchips, Silverstein Gallery, New York, June 9–July 

8, 2000. 

Summer 2000, PaceWildenstein, New York, June 19–August 31, 2000 



00, Barbara Gladstone Gallery, New York, July 6–August 31, 2000. 

Legacy III, Brevard Museum of Art and Science, Melbourne, Florida, July 15– 


Postmodern Heretics? The Catholic Imagination in Contemporary Art, Klemm 

Gallery, Siena Heights University, Adrian, Michigan, September 19–October 26, 

2000. 

Through the looking glass, Galerie M + R Fricke, Berlin, September 22–November 

18, 2000. 

Symbols of Survival: Images of Animals in Recent Sculpture, Dorsky Gallery, New 

York, November 7–December 23, 2000. 

1999-01 Botanica: Contemporary Art and the World of Plants, Tweed Museum of Art, Duluth, 

Minnesota, July 10–October 12, 1999. Traveled to: Plains Art Museum, Fargo, North 

Dakota, November 4–December 12, 1999; University Galleries, Illinois State 

University, Normal, Illinois, January 10 –February 20, 2000; Carlton College, 

Northfield, Minnesota, March 15–May 15, 2000; Alexandria Museum of Art, 

Alexandria, Louisiana, June–July, 2000; Tarble Arts Center, Eastern Illinois 

University, Charleston, Illinois, August 19–October 8, 2000; Chicago Cultural Center, 

Chicago, Illinois, October 28–December 30, 2000; University Gallery, University of 

Delaware, Newark, DE, January 22–March 26, 2001 

1999-00 Cosmos: From Romanticism to Avant-garde, Montréal Museum of Fine Arts, June 

17–October 17, 1999. Traveled to: Centre de Cultura Contemporània, Barcelona, 

November 23, 1999–February 20, 2000, Palazzo Grassi, Venice, March 26–July 23, 

2000. 

The American Century: Art & Culture 1950–2000, Whitney Museum of American Art, 

New York, September 26, 1999–February 13, 2000. 

Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and 

Sculpture Garden, Smithsonian Institution, Washington, D.C., October 7, 1999– 

January 17, 2000. Traveled to: Haus der Kunst, Munich, February 11–April 30, 2000. 

1999 Skulptur—Figur—Weiblich, Kunstsammlungen Chemnitz, Chemnitz, Germany, 

February 7–April 5, 1999 

As Above, So Below: The Body at Work, The Fabric Workshop and Museum, 

Philadelphia, Pennsylvania, February 18–April 3, 1999 

The Virginia and Bagley Wright Collection of Modern Art, Seattle Art Museum, March 

4–May 9, 1999 

Collectors Collect Contemporary: 1990–99, The Institute of Contemporary Art, 

Boston, March 31–May 28, 1999 

Schöpfung (Creation), Zeitgenössische Kunst an historischen Orten: München, 

Karmelitenkirche, Promenadeplatz, May 9–July 4, 1999 and Diözesanmuseum, 

Freising, May 9–October 10, 1999 (extended to October 17); Heilig-Geist-Kirche, 

May 9–July 4, 1999 

House of Sculpture, Modern Art Museum of Fort Worth, Texas, May 23– August 8, 

1999. 

Twenty Years of the Grenfell Press, Paul Morris Gallery, New York, July 8–August 

15, 1999. 

Cosmos, The Montreal Museum of Fine Arts, Canada, June 17–October 17, 1999 

Kant Park, Wilhelm Lehmbruk Museum, Duisburg, Germany August 15–October 17, 

1999 

Summer ʻ99, PaceWildenstein, New York, July 9–August 13, 1999 

Calendar 2000, Center for Curatorial Studies Museum, Bard College, Annandale-on- 

Hudson, New York, September 26–December 17, 1999 

1998-00 Double Trouble: The Patchett Collection, Museum of Contemporary Art, San Diego, 



June 27–September 5, 1998. Traveled to: Museo de las Artes and Instituto Cultural 

Guadalajara, Mexico, September 10–November 22, 1998; Museo de Monterrey, 

Mexico, February–April 1999; Museo Universitario de Arte, Mexico City, April–June 

1999; Auditorio de Galicia and Iglesia San Domingos de Bonaval, Santiago de 

Compostela, Spain, July 10–September 5, 1999; Sala Amos Salvador, Logroño, 

Spain, November 1999–February 2000 

1998-99 Mirror Images: Women, Surrealism and Self–Representation, MIT List Visual Arts 

Center, Cambridge. Traveled to: Miami Art Museum, September 9–November 29, 

1998; San Francisco Museum of Modern Art, January 8–April 20, 1999 

1998 VisAlchemical: New Directions in Contemporary Glass Sculpture, University of 

California, San Diego, University Art Gallery, January 10–March 21, 1998. 

Kiki Smith/Joey Kötting, PaceWildenstein MacGill, New York, January 22–March 7, 

1998. 

Kiki Smith, Byron Kim, Anne Chu, AC Project Room, New York, January 24– 


Four Artists the Body/the Figure: Eric Fischl, Susan Rothenberg, Joel Shapiro, Kiki 

Smith, Harvard University at the Carpenter Center, Cambridge, January 28–February 

26, 1998. 

Inner Self, Mitchell-Innes & Nash, New York, February 3–March 13, 1998. 

Then and Now: Art Since 1945 at Yale, Yale University Art Gallery, New Haven, 

February 10–July 31, 1998. 

Theater of Self–Invention: Self Portraiture in Contemporary Art, Speed Art Museum, 

Louisville, Kentucky, March 23–June 8, 1998. 

Paper Thin, Stephen Wirtz Gallery, San Francisco, April 1–25, 1998. 

House of Wax, The Contemporary Arts Center, Cincinnati, Ohio, April 4–June 7, 

1998. 

PAPER + works on Dieu Donné paper, The Gallery at Dieu Donné Papermill, New 

York, April 18–May 29, 1998. 

Beyond Belief: Modern Art and the Religious Imagination, National Gallery of 

Victoria, Melbourne, Australia, April 23–July 26, 1998. 

Animal as Muse, The Norton Museum of Art, West Palm Beach, Florida, May 16– 

August 23, 1998. 

Giacometti to Judd: Prints by Sculptors, The Museum of Modern Art, New York, June 

9–October 13, 1998. 

Art and the American Experience, Kalamazoo Institute of Arts, Kalamazoo, Michigan, 

September 13–December 6, 1998. 

1997-98 Proof Positive: Forty Years of Contemporary American Printmaking at ULAE, 1957– 

1997, The Corcoran Gallery of Art, Washington, D.C., February 15–June 30, 1997. 

Traveled to: UCLA at the Armand Hammer Museum of Art and Cultural Center, Los 

Angeles; Sezon Museum of Art, Tokyo, February 27–April 6, 1998; and Kitakysyu 

Municipal Museum of Art, Kitakysyu City, Japan. 

Objects of Desire: The Modern Still Life, The Museum of Modern Art, New York, May 

25–August 26, 1997. Traveled to: Hayward Gallery, London, October 9, 1997– 

January 4, 1998. 

Contemporary Sculpture: The Figurative Tradition, Margaret Woodson Fisher 

Sculpture Gallery, Leigh Yawkey Woodson Art Museum, Wasau, Wisconsin, June 

1997–May 1998. 

The Quick and the Dead: Artists and Anatomy, Royal College of Art, London, 

October 28–November 24, 1997. Traveled to: Mead Gallery, Warwick Arts Center , 

Coventry, January 10–March 14, 1998; Leeds City Art Gallery, March 28 – May 24. 

The exhibition was organized by the Hayward Gallery for the Arts Council. 



Winter Group Show, PaceWildenstein, New York, December 19, 1997–January 24, 

1998. 

1997 Terra Firma, The Art Gallery, University of Maryland, College Park. Traveled to: 

Salisbury State University Galleries, Salisbury, Maryland. 

art & science, The Mariboe Gallery at The Peddie School, Hightstown, New Jersey. 

American Academy Invitational Exhibition of Painting and Sculpture, American 

Academy of Arts and Letters, New York, 1997. 

Mirror Enough: Self–Portraits, Nolan/Eckman Gallery, New York, 1997. 

Art Foundry Editions Santa Fe at Knoedler New York, Knoedler & Co., New York, 

1997. 

Summer Show 97, PaceWildenstein, 142 Greene Street, New York, 1997. 

Summer 1997, PaceWildenstein, 32 East 57th Street, New York, 1997. 

Recent Acquisitions: Process on Paper––Prints, Drawings, and Photographs, 

Brooklyn Museum of Art, Brooklyn, New York, June7–September 8, 1997. 

Inaugural Exhibition Ace Gallery Mexico, Ace Gallery, Mexico, 1997. 

Text and Touch, Hunter College Galleries, Hunter College of the City of New York, 

October 7–November 22, 1997. 

Material Girls: Gender, Process and Abstract Art Since 1970, Gallery One Twenty– 

Eight, New York, 1997. 

Spiders and Webs, Barbara Krakow Gallery, Boston, 1997. 

Strong Spirits, Dorothy Uber Bryan Gallery, Fine Arts Center, Bowling Green State 

University, Ohio, October 17–November 12, 1997. 

Surrogacy: Silhouettes, Negatives, and Substitutions, Greg Kucera Gallery, Seattle, 

May 1–June 1, 1997. 

1996-97 Everything thatʼs interesting is new: The Dakis Joannou Collection, DESTE 

Foundation, Athens, Greece. Traveled to: Museum for Modern Art, Copenhagen; and 

Guggenheim Museum SoHo, New York 

Biennale di Firenze: New Persons/New Universe, Florence, Italy 

Passionate Pursuits: Hidden Treasures of the Garden State, The Montclair Art 

Museum, Montclair, New Jersey. 

1996 The Human Body in Contemporary American Sculpture, Gagosian Gallery, New 

York, 1996. 

A Portrait of The Artist, Anthony dʼOffay, London, 1996. 

Kingdom of Flora, Shoshana Wayne Gallery, Santa Monica, February 3-March 30, 

1996 

Young Americans: New American Art in the Saatchi Collection, Part 2, Saatchi 

Gallery, London, 1996. 

Selections from the Collection of Livia and Marc Straus, Everson Museum of Art, 

Syracuse, New York, 1996. 

Bodyscape, Barbara Gross Galerie, Munich, 1996. 

Conceal—Reveal, Site Santa Fe, Santa Fe, 1996. 

ʻLa Toilette de Venusʼ: Women and Mirrors, CRG, New York, 1996. 

Womenʼs Work, Greene Naftali, New York, 1996. 

1995-97 Art Works: the Paine Webber Collection of Contemporary Masters, Museum of Fine 

Arts, Houston, Texas. Travelled to: Detroit Institute of Arts, Detroit, Michigan; 

Museum of Fine Arts, Boston, Massachusetts; Minneapolis Institute of Arts, 

Minneapolis, Minnesota; San Diego Museum of Art, San Diego, California and Center 

for the Arts, Miami, Florida. 

1995-96 In The Flesh, Freedman Gallery, Albright College Center for the Arts, Reading, 

Pennsylvania, November 2 - December 15, 1995. Traveled to: Aldrich Museum of 

Contemporary Art, Ridgefield, Connecticut, January 21 - May 5, 1996. 



Exit Art/The First World, 548 Broadway, New York. 

The Material Imagination, Guggenheim Museum SoHo, New York. 

Time Machine, Museo Egizio, Turin. 

Being Human, Museum of Fine Arts, Boston. 

Feminin–Masculin: le sexe de lʼart, Musee National dʼArt Moderne Centre Georges 

Pompidou, Paris, France. 

1995 Division of Labor: “Womenʼs Work” in Contemporary Art, The Bronx Museum of the 

Arts, Bronx, New York, February 17–June 11, 1995. (Exhibitiion catalogue) 

Altered States: American Art in the 90s, Forum for Contemporary Art, St. Louis, 

1995. 

Body as Metaphor, Procter Art Center, Bard College, New York, 1995. 

Summer 1995, PaceWildenstein, New York, 1995. 

Summer Academy 2, PaceWildenstein, New York, June 28–September 23, 1995. 

Body, Mind and Spirit: Eight Sculptors, Ruth Chandler Williamson Gallery, Scripps 

College, Claremont, California, 1995. 

Laboratories pour une expérience du corps: Damien Hirst, Fabrice Hybert, Kiki 

Smith, Patrick van Caeckenbergh, Galerie Art et Essai, Université Rennes, Rennes, 

France, 1995. 

1994-95 Sculpture, Anthony dʼOffay Gallery, London. 

The Music Box Project, Equitable Gallery, Equitable Center, New York. 

Cocido y Crudo, Museo Nacional Centro de Arte Reina Sofia, Barcelona, Spain, 

December 14, 1994–March 6, 1995. 

1994 Metamorphosis: Surrealism to Organic Abstraction 1925–1993, Marlborough 

Graphics, New York, 1994. 

In The Lineage of Eva Hesse, The Aldrich Museum of Contemporary Art, Ridgefield, 

Connecticut, 1994. 

The Figure in Sculpture, Transamerica Pyramid Lobby, San Francisco, 1994. 

The Ossuary, Luhring Augustine Gallery, New York, 1994. 

24, Anthony d'Offay Gallery, London, 1994. 

Wunderkammer, Rena Bransten Gallery, San Francisco, 1994. 

World Mortality, Kunsthalle Basel, 1994. 

Some Went Mad ... Some Ran Away, Serpentine Gallery, London. Traveled to: 

Kunstverein, Hannover, 1994. 

Selected Works and Projects (Part One), Irish Museum of Modern Art, Dublin, 1994. 

The Essential Gesture, Newport Harbor Art Museum, Newport Beach, California, 

1994. 

Miriam Cahn, Marlene Dumas, Kiki Smith, Sue Williams: Dessins, Centre dʼArt 

Contemporain, Geneva, 1994. 

This is My Body, Greg Kucera Gallery, Seattle, Washington, 1994. 

1993-95 Skulptur staat Denkmal Ausstellungsprojekt, Galerie Marion und Roswitha Fricke, 

Dusseldorf. 

1993 Regarding Masculinity, Arthur Roger Gallery, New Orleans, 1993. 

Signs of Life: Rebecca Howland, Cara Perlman, Christy Rupp and Kiki Smith, 

University Gallery, Illinois State University, Normal, Illinois, 1993. 

Aperto 1993, Venice Biennale, Venice, Italy, 1993. 

Human Factor: Figurative Sculpture Reconsidered, Albuquerque Museum of Art, 

Albuquerque, New Mexico, 1993. 

1993 Whitney Biennial, Whitney Museum of American Art, New York, 1993. 

PROSPECT 93, Frankfurt Kunstverein, Frankfurt, Germany, 1993. 

Drawings, Paula Cooper Gallery, New York, 1993. 

I Am The Enunciator, Thread Waxing Space, New York (curated by Christian Leigh), 



1993. 

Women Artists, Richard Anderson Gallery, New York, 1993. 

Art on Paper, Weatherspoon Art Gallery, Greensboro, North Carolina, 1993. 

Editioned Objects, Greg Kucera Galller, Seattle, Washington, 1993. 

1992 Strange Behavior, Anthony d'Offay Gallery, London, 1992. 

Post-Human, FAE Musée d' Art Contemporaine, Pully/Lausanne, Switzerland. 

Traveled to: Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli, Italy; Deste 

Foundation for Contemporary Art, Athens, Greece; Deichtorhallen Hamburg, 

Hamburg, Germany. 

Désordes, Galerie National du Jeu de Paume, Paris, France, 1992. 

Corporal Politics, MIT, List Visual Art Center, Cambridge, Massachusetts, 1992. 

This is My Body, This is My Blood, University of Massachusetts, Amherst, 1992. 

Excess in the Techno Mediacratic Society, Musée de Dole, Dole, France, 1992. 

The Abortion Project, Hallwalls Gallery, Buffalo, New York. Traveled. 

Erotiques, A.B. Galeries, Paris, 1992. 

The Body Electric, The Corcoran Gallery of Art, Washington, D.C., 1992. 

Greg Kucera Gallery, Seattle, 1992. 

Byron Kim/Kiki Smith, AC Project Room, New York, 1992. 

In Your Face, AC Project Room, New York and Cortland Jessup Gallery, 

Provincetown, Massachusetts, 1992. 

The Body, Nathalie Karg Gallery, New York, 1992. 

Milwaukee Art Museum, Milwaukee, Wisconsin, 1992. 

Recent Acquisitions, San Diego Museum of Art, La Jolla, California, 1992. 

Signs of Life: Rebecca Howland, Cara Perlman, Christy Rupp, and Kiki Smith, 

University Gallery, Illinois State University, Normal, Illinois, 1992. 

Acquisitions of the 90s, Whitney Museum of American Art, New York, 1992. 

Prints, Whitney Museum of American Art, New York, 1992. 

Recent Acquisitions, The Museum of Modern Art, New York, 1992. 

1991 Body, Legs, Heads...and Special Parts, Westfälischer Kunstverein, Munster, 1991. 

Drawings, Brooke Alexander Gallery, New York, 1991. 

Physical Relief, Hunter College Art Gallery, New York, 1991. 

Burning in Hell, Franklin Furnace, New York (organized by Nancy Spero), 1991. 

The Interrupted Life, New Museum of Contemporary Art, New York, 1991. 

Suzanne Hilberry Gallery, Birmingham, Michigan, 1991. 

Body Language, Lannan Foundation, Los Angeles, 1991. 

When Objects Dream and Talk in Their Sleep, Jack Tilton Gallery, New York, 1991. 

Shoshana Wayne Gallery, Santa Monica, California, 1991. 

Whitney Biennial, Whitney Museum of American Art, New York, 1991. 

Drawings, Susanne Hilberry Gallery, Birmingham, Michigan, 1991. 

Drawing Conclusions, Guid Arte Gallery, New York, 1991. 

Kiki Smith/Tom Dean, Galerie René Blouin, Montreal, 1991. 

Lick of the Eye, Shoshana Wayne Gallery, Santa Monica, California, 1991. 

1990 Myers/Bloom Gallery, Santa Monica, California, 1990. 

Portraits, Institute for Art and Urban Resources at Long Island City, New York, 1990. 

The Renaissance Society, University of Chicago, 1990. 

Simon Watson Gallery, New York, 1990. 

The Abortion Project, Simon Watson Gallery, New York. Traveled to: Holly Solomon 

Gallery, New York, 1990. 

Recent Acquisitions, Corcoran Gallery of Art, Washington, D.C., 1990. 

Jack Tilton Gallery, New York, 1990. 

Figuring the Body, Museum of Fine Arts, Boston, 1990. 



Group Material: AIDS Timeline, Wadsworth Atheneum, Hartford, 1990. 

The Unique Print: 70's into 90's, Museum of Fine Arts, Boston, 1990. 

11th British International Print Biennale, Bradford Museum, West Yorkshire, England, 

1990. 

Fragments, Parts and Wholes, White Columns, New York, 1990. 

Diagnosis, The Art Gallery of York University, Toronto, 1990. 

Selections from Fawbush Editions, Fawbush Gallery, New York, 1990. 

Witness Against Our Vanishing, Artists Space, New York, 1990. 

Stained Sheets/Holy Shrouds, Krieger Landeau Gallery, Los Angles, 1990. 

Watercolor, U.L.A.E. Gallery, New York 

1989 Projects and Portfolios, The Brooklyn Museum, Brooklyn, New York, 1989. 

Tom Cugliani Gallery, New York, 1989. 

Cara Perlman and Kiki Smith, Fawbush Gallery, New York, 1989. 

New York Experimental Glass, The Society for Art in Craft, Pittsburgh, 1989. 

1988 Desire Path, Schulman Sculpture Garden, White Plains, New York, 1988. 

Committed to Print, The Museum of Modern Art, New York, 1988. 

A Choice, Kuntsrai, Amsterdam (curated by Fred Wagemans), 1988. 

In Bloom, IBM Gallery, New York, 1988. 

Recent Acquisitions: 1986–1988, The Museum of Modern Art, New York, 1988. 

Arch Gallery, Amsterdam, The Netherlands, 1988. 

1987 Fawbush Gallery, New York, 1987. 

Emotope, organized by Buro-Berlin, Berlin, 1987. 

Kiki Smith: Drawings, Piezo Electric Gallery, New York, 1987. 

1986 Hanno Ahrens, Maureen Conner, David Nelson, and Kiki Smith, Art Salon, DeFacto, 

New York, 1986. 

Donald Lipski, Matt Mullican, and Kiki Smith, Institute for Art and Urban Resources at 

The Clocktower, New York, 1986. 

Possession is 9/10th of the Law, Fawbush Editions, New York, 1986. 

Public and Private: American Prints Today, The Brooklyn Museum, Brooklyn, New 

York, 1986. 

Momento Mori, Centro Cultural Arte, Polanco, Mexico, 1986. 

Group Invitational, Curt Marcus Gallery, New York, 1986. 

1985 Synaethics, Institute for Art and Urban Resources, Long Island City, New York, 1985. 

Male Sexuality, Art City, New York, 1985. 

Moderna Museet, Stockholm, 1985. 

Recent Acquisitions, Cincinnati Art Museum, Cincinnati, Ohio, 1985. 

1984 Kiki Smith, Bill Taggert, and Tod Wizon, Jack Tilton Gallery, New York, 1984. 

Works on Paper, Cable Gallery, New York, 1984. 

Call and Response: Art on Central America, Colby College, Waterville, Maine, 1984. 

1984: Women in New York, Galerie Engstrom, Stockholm, 1984. 

Jack Tilton Gallery, New York, 1984. 

Inside/Out, Piezo Electric Gallery, New York, 1984. 

Modern Masks, Whitney Museum of American Art, New York, 1984. 

360 Kunst-Speil, Wuppertal, West Germany, 1984. 

CAYA, Buenos Aires, Argentina, 1984. 

Museo Castagnino, Rosario, Argentina, 1984. 

1983 Hallwalls, Buffalo, New York, 1983. 

Science and Prophesy, White Columns, New York, 1983. 

Emergence: New Work from the Lower East Side, Susan Caldwell Gallery, New 

York, 1983. 

IV Theatre, Buro-Berlin, Berlin, 1983. 



Island of Negative Utopia, The Kitchen, New York, 1983. 

1982 Natural History, Grace Borgenicht Gallery, New York, 1981. 

COLAB in Chicago, Chicago, 1982. 

A More Store, Barbara Gladstone Gallery, New York, 1982. 

1981 Cave Created Chaos, White Columns, New York, 1981. 

TEUGUM COLAB, Geneva, Switzerland, 1981. 

Lightning, Institute for Art and Urban Resources at P.S.1, Long Island City, New 

York, 1981. 

New York, New Wave, Institute for Art and Urban Resources at P.S.1, Long Island 

City, New York, 1981. 

White Columns, New York, 1981. 

Artists Space, New York, 1981. 

1980 A More Store, COLAB, New York, 1980. 

COLAB Benefit, Brooke Alexander Gallery, New York, 1980. 

Manifesto Show, 5 Bleecker Street, New York, 1980. 

Times Square Show, New York, 1980. 

1979 Doctor and Dentist Show, 591 Broadway, New York, 1979. 

Salute to Creative Youth, 75 Warren Street, New York, 1979. 

Selected Exhibition Catalogues, books and monographs 

2008 Art is for the Spirit: Works from The UBS Art Collection (exhibition catalogue). Tokyo: 

Mori Art Museum, 2008: 27, 129–130, illustrated. 

Barrett, Terry. Why Is That Art? Aesthetics and Criticism of Contemporary Art. New 

York: Oxford University Press, 2008: 57, 64, 87–97, 108, 209, 210; nos. 12 and 13, 

illustrated. 

Haase, Donald. ed. The Greenwood Encyclopedia of Folktales & Fairy Tales. Vol. 1 

and 3. Westport, Connecticut and London: Greenwood Press, 2008: 71, 74, 883– 

884, illustrated. 

Heartney, Eleanor. Art & Today. London: Phaidon Press Limited, 2008: 206, 207, 

210, 270, illustrated. 

Ornithology: Looking at Birds (exhibition brochure). Storrs, Connecticut: 

Contemporary Art Galleries, University of Connecticut, 2008: illustrated. 

Panzanelli, Roberta, ed. Ephemeral Bodies: Wax Sculpture and the Human Figure. 

Los Angeles: Getty Research Institute, Los Angeles, 2008: 8–9, illustrated. 

Schall, Jan and Robert Storr. Sparks! The William T. Kemper Collecting Initiative at the 

Nelson-Atkins Museum of Art (exhibition catalogue). Kansas City, Missouri: Trustees of 

the Nelson-Atkins Museum of Art, 2008: 114–115, illustrated. 

This Is Not To Be Looked At: Highlights from the Permanent Collection of The 

Museum of Contemporary Art, Los Angeles (exhibition catalogue). Essays by Ann 

Goldstein, Rebecca Morse, and Paul Schimmel. Los Angeles: The Museum of 

Contemporary Art, 2008. 

Weidemann, Christiane, Petra Larass and Melanie Klier. 50 Women Artists You 

Should Know. Munich, Berlin, London and New York: Prestel Publishing, 2008: 144– 


2007 Heartney, Eleanor, Helaine Posner, Nancy Princenthal and Sue Scott. After the 

Revolution: Women Who Transformed Contemporary Art. Munich: Presel Verlag, 

2007: cover illustration, 188–207, illustrated. 

Kiki Smith (exhibition catalogue). Texts by Robert Storr and Susanna Moore. 

Interview by Atul Dodiya and Gieve Patel. Mumbai: Galerie Mirchandani + 

Steinruecke, 2007. 

Kiki Smith: Wellspring (exhibition catalogue). Texts by Jean Frémon and Siri 



Hustvedt. Paris: Galerie Lelong, 2007. 

Mining Glass (exhibition catalogue). Text by Juli Cho Bailer. Tscoma, Washington: 

Museum of Glass, 2007: 26–27. 

Neff, Terry Ann R. The Fisher Collection: L–Z. Text by Mark Rosenthal. San 

Francisco: Doris and Donald Fisher, 2007: 282–283, 381, illustrated. 

Pleasures of Collecting, Part III: Contemporary and Cutting Edge (exhibition 

catalogue). Connecticut: Bruce Museum, 2007:50–51. 

The Price of Everything… Perspectives on the Art Market. Text by martin Braathen, 

Minnie Scott, Mike Sperlinger and Stephanie Fabre. New York: Whitney Museum of 

American Art, 2007: 42–43, illustrated. 

Princeton University Art Museum Handbook of the Collections. Princeton, New 

Jersey: Princeton University Art Museum, 2007: 261, 308, 309, illustrated. 

Ravenal, John B. Modern & Contemporary Art at the Virginia Museum of Fine Arts. 

Richmond: Virginia Museum of Fine Arts, 2007: 166, illustrated. 

Running Around the Pool (exhibition catalogue). Text by Craig Adcock. Tallahassee, 

Florida: Museum of Fine Arts, Florida State University, 2007: 45, 61, illustrated. 

Skin of/in Contemporary Art (exhibition catalogue). Osaka, Japan: The National 

Museum of Art, 2007: 29–36, illustrated. 

The Speed Art Museum: Highlights from the Collection. London and New York: 

Merrell Publishers Limited, 2007: 217, illustrated. 

Tatehata, Akira. The 30 th Anniversary: Selected Works from the Collection of the 

National Museum of Art, Osaka (exhibition catalogue). Osaka: National Museum of 

Art, 2007: 176–177, illustrated. 

Van Kerrebroeck, Philip E. V. 2 The Loo, Toiletting, A Historical, Cultural and Medical 

Anthology. Lier, Belgium: Ismar Healthcare Publishing, 2007: 79, illustrated. 

After the Revolution: Women Who Transformed Contemporary Art (exhibition 

brochure). Long Island City, New York Dorsky Gallery, 2007: illustrated. 

All for Art! (exhibition catalogue). Montreal, Quebec, Canada: The Montreal Museum 

of Fine Arts, 2007: 231, illustrated. 

An Incomplete World: Works from the UBS Art Collection. Text by Wayne Tunnicliffe 

and Jason Smith. Sydney and Melbourne: Art Gallery of New South Wales; National 

Gallery of Victoria, 2007: 157, 159, illustrated. 

Anzaï: Personal Photo Archives, 1970–2006 (exhibition catalogue). Tokyo: The 

National Art Center, 2006; 164, illustrated. 

Bernardelli, F. Cinquanta contemporaneamente–anni 90. Italy: Mondadori Electa, 

2007. 

Cawley, Jennifer. Donʼt Look! (exhibition catalogue). Wellesley, Massachusetts: 

Davis Museum and Cultural Center, Wellesley College, 2007: 109, illustrated. 

Chadwick, Whitney. Women, Art, and Society. Thames and Hudson World of Art. 

London: Thames & Hudson, 2007: 408–09, 350; no. 266, illustrated. 

Collins, Judith. Sculpture Today. London: Phaidon Press Limited, 2007: 14, 24, 27, 

58, 60–1, 69, 93, 193, 260, 445, illustrated. 

Don't Look: Contemporary Drawings from an Alumna's Collection (Martina Yamin, 

Class of 1958) (exhibition catalogue). Texts by Elizabeth Wyckoff, Jordan Kantor and 

Jennifer Cawley. Wellesley, Massachusetts: Davis Museum and Cultural Center, 

Wellesley College, 2007: 108–109, illustrated. 

Frémon, Jean. Kiki Smith: Wellspring (exhibition catalogue). Paris: Galerie Lelong, 


Galleries on the Street: Jemiranʼs Journey to the Feminists Artistʼs Works. Seoul, 

Korea: Future Culture Publishing Company, 2007: 21–36. 

2006 The 181 st Annual: An Invitational Exhibition of Contemporary American Art (exhibition 



catalogue). Edited by Nancy Malloy. New York: National Academy Museum, 2006: 


Atelier Incurve (exhibition catalogue). Interview with Kiki Smith. N.p.: Atelier Incurve, 

2006. 

Art in Embassies Program: 21 st Century American Women. Washington, D.C.: Art in 

Embassies Program, 2006: 10, illustrated. 

Bittencourt, Vivien and Vincent Katz. Kiki Smith: The Venice Story. Milan: Edizioni 

Charta, 2006. 

Celant, Germano and Lisa Dennison. New York New York: Fifty Years of Art, 

Architecture, Cinema, Performance, Photography and Video (exhibition catalogue). 

Milan: Skira Editore S.p.A., 2006: 506–507, illustrated. 

Glass: Material Matters (exhibition catalogue). Text by Howard N. Fox: Los Angeles: 

Los Angeles County Museum of Art, 2006: 118, 120, illustrated. 

Kelley, Karen. Mysterious Peripheries. San Diego, California: Singing Horse Press, 

2006: cover illustration (Ribs, 1987). 

Kiki Smith: Squatting the Palace. DVD. Directed by Vivien Bittencourt and Vincent 

Katz. Checkerboard Foundation, Inc., 2006. 

Plate, S Brent. Blasphemy: Art that Offends. London: Black Dog Publishing Limited, 

2006: 154–155, illustrated. 

Richer, Francesca and Matthew Rosenzweig, eds. No. 1: First Works by 362 Artists. 

New York: D.A.P./Distributed Arts Publishers, Inc., 2006: 353, illustrated. 

The Skowhegan School of Painting and Sculpture: 60 Years (exhibition catalogue). 

Texts by David C. Driskell and Willard W. Cummings. Waterville, Maine: Colby 

College Museum of Art, 2006: 65, illustrated. 

2005 Bits and Pieces Put Together to Present a Semblance of a Whole: Walker Art Center 

Collections. Minneapolis, Minnesota: Walker Art Center, 2005: 521, illustrated. 

Contemporary Voices: Works from the UBS Art Collection (exhibition catalogue). 

New York: The Museum of Modern Art, 2005: 240–241, illustrated. 

Goncharov, Kathleen. The Forest: Politics, Poetics, and Practice (exhibition 

catalogue). Durham, N.C.: Nasher Museum of Art at Duke University, 2005: 44, cat. 

no. 11, illustrated. 

Engberg, Siri. Kiki Smith: A Gathering, 1980–2005. Essays by Linda Nochlin, Lynne 

Tillman, and Marina Warner. Minneapolis: Walker Art Center, 2005. 

Follow Your Shadow: Giovani artisti italiani/Young Italian Artists (exhibition 

catalogue). Milan: Edizioni Charta, 2005: cover, 48, illustrated. 

High Museum of Art: Selected Works from the Collection. Atlanta: High Museum of 

Art, 2005: 143, illustrated. 

Kiki Smith: Homespun Tales. Storie di occupazione domestica (exhibition catalogue). 

Texts by Chiara Bertola, Vincent Katz and Bianca Tarozzi. Venice: Fondazione 

Querini Stampalia, 2005. 

Mileaf, Janine. Inside Out Loud: Visualizing Womenʼs Health in Contemporary Art. 

St. Louis: Mildred Lane Kemper Art Museum, Washington University, 2005: 44–45, 

illustrated. 

Nuss, Philippe, Marie Sellier, Jean-Paul Bath. Journey into the Heart of Bipolarity: An 

Artistic Point of View. Montague, France: Éditions John Libbey Eurotext, 2005: 24– 


Posner, Helaine. Kiki Smith. Interview by Christopher Lyon. New York: The Monacelli 

Press, Inc., 2005. 

Robertson, Jean and Craig McDaniel. Themes of Contemporary Art: Visual Art After 

1980. Oxford and New York: Oxford University Press, 2005: 207, no. 7–1, illustrated. 

2004 Anker, Suzanne and Dorothy Nelkin. The Molecular Gaze: Art In The Genetic Age. 



Philip R. Reilly, series editor. Cold Spring Harbor, New York: Cold Spring Harbor 

Laboratory Press, 2004: 119, illustrated; 139, illustrated. 

Animals. London: Haunch of Venison, 2004. 

Birdspace: A Post-Audubon Artists Aviary. New Orleans: Contemporary Arts Center, 

2004. 

Blocker, Jane. What the Body Cost: Desire, History, and Performance. Minneapolis, 

Minnesota: University of Minnesota Press, 2004: illus. p. 110, no. 30 (Blood Pool, 

1992). 

Cameron, Dan, et al. East Village USA (exhibition catalogue). New York: New 

Museum of Contemporary Art, 2004, illus. p. 92 (Speak to Yourself, 1985). 

Crown, Carol ed. Coming Home! Self-Taught Artists, the Bible and the American 

South. Memphis, Tenn.: Art Museum of the University of Memphis, 2004, illus. p. 45 

(Virgin Mary, 1992). 

Ebony, David, Jane Harris, Frances Richard et al. Curve: The Female Nude Now. 

New York: Universe Publishing, 2004, pp. 178–179. 

Foster, Alicia. Tate Women Artists. London: Tate Publishing, 2004: 244, illustrated. 

Freedman, Susan K., Tom Eccles, Dan Cameron et al. PLOP: Recent Projects of the 

Public Art Fund. London: Merrell, 2004, illus. pp. 220–221. 

Heartney, Eleanor. Postmodern Heretics: The Catholic Imagination In Contemporary 

Art. New York: Midmarch Art Press, 2004. 

Théberge, Pierre. Noahʼs Ark. Ottawa: National Gallery of Canada, 2004, illus., pp. 

102–105. 

2003 Bird, Jon, ed. Otherworlds: The Art of Nancy Spero and Kiki Smith (exhibition 

catalogue). London: Reaktion Books Ltd., 2003. 

Goetz, Ingvild. Hautnah: die Sammlung Goetz. Munich: Museum Villa Studk, 2002. 

Kiki Smith: Near. Paris: Galerie LeLong, 2003. 

Melby, Julie. Splendid Pages: The Molly and Walter Bareiss Collection of Modern 

Illustrated Books. New York: Hudson Hills Press, 2003. 

Théberge, Pierre and Mayo Graham. The Body Transformed. Ottawa: National 

Gallery of Canada, 2003: 76–81, illustrated. (Exhibition catalogue) 

Wally, Barbara. “Kiki Smith.” Interview by Barbara Wally. Kunstler: Kritisches Lexikon 

der Gegenwartskunst (Munich), no. 22 (2003). 

Warum! Ostfildern: Hatje Cantz, 2003. 

Weitman, Wendy. Kiki Smith: Prints, Books, & Things. New York: The Museum of 

Modern Art, 2003. 

2002 Alter Ego: 35 Artistes Contmporaines à Luxembourg. Luxembourg: Ville de 

Luxembourg, 2002. 

Beebe, Mary Livingston and Robert Storr. Landmarks: Sculpture Commissions for 

the Stuart Collection at the University of California, San Diego. San Diego: University 

of California; New York: Rizzoli International, 2002. 

Color & Ecstasy: The Art of Hyman Bloom. New York: National Academy, 2002. 

Doss, Erika. Twentieth-Century American Art. Oxford History of Art Series. Oxford: 

Oxford University Press, 2002: 10, illustrated, 230, 231. 

Kiki Smith. Gent, Belgium: Galerie Fortlaan 17, 2002. (Exhibition pamphlet) 

Kiki Smith: Realms 2002. New York: PaceWildenstein, 2002 

Maria Magdalena. Gent: Museum voor Schone Kunsten, 2002. 

Metamorphing: Transformation in Science, Art and Mythology. London: Science 

Museum, 2002. 

The 177 th Annual: An Invitational Exhibition. New York: National Academy of Design, 

2002. 

Private Öffentlichkeit. Dusseldorf: Richter, 2002. (Exhibition catalogue) 



Rinder, Lawrence et al. 2002 Biennial Exhibition. New York: Whitney Museum of 

American Art, 2002. 

The Smiths. Essays by Adrian Dannatt et al. Lake Worth, Fla.: The Palm Beach 

Institute of Contemporary Art, 2002. 

Visions from America: Photographs from the Whitney Museum of American Art 1940- 

2001. New York: Whitney Museum of American Art, 2002. 

2001 Beebe, Mary Livingstone et al. Landmarks: Sculpture commissions for the Stuart 

Collection at the University of California, San Diego. New York: Rizzoli, 2001. 

Gift To The Nation. Washington, D.C.: Friends of Art and Preservation in Embassies 

in Embassies, 2001. 

Posner, Helaine. Kiki Smith: Telling Tales. New York: International Center of 

Photography, 2001. 

Reinhardt, Brigitte. Kiki Smith. Small Sculptures and Large Drawings. Osfildern-Ruit, 

Germany: Ulmer Museum, 2001. 

Tung, Lisa. Wonderland. Boston, Ma.: Massachusetts College of Art, 2001. 

2000 Collischan, Judy. Endpapers: Drawings 1890–1900 and 1990–2000. Purchase, 

N.Y.: Neuberger Museum of Art, Purchase College, State University of New York, 

2000. 

Ethereal and Material. Essay by Dede Young. Wilmington: Delaware Center for the 

Contemporary Arts, 2000. 

Duve, Thierry de. Voici, 100 ans dʼart contemporain (exhibition catalogue). Bruxelles: 

Ludion, 2000: 64, illustrated. 

Jae-ryung, Roe and Kim Misung, eds. Kiki Smith. Seoul: Kukje Gallery, 2000. 

Silver + Gold. N.p. 2000. 

Smith, Kiki. Postcard Book. New York: Artpost, 2000. 

Smith, Kiki. What Girls Know About Grids: For Leslie Gore, Mo tucker, Laura Nyro 

and Ma CassI. New York: Pace Editions, 2000. (Artist book). 

Symbols of Survival: Images Of Animals In Recent Sculpture. Essay by Michael 

Klein and Margaret Mathews-Bereson. New York: Dorsky Gallery, 2000. (Pamphlet) 

00: Drawings 2000 at Barbara Gladstone Gallery. Text by Klaus Kertess. New York: 

Barbara Gladstone Gallery, 2000. 

1999 The American Century: Art & Culture 1950–2000. Text by Lisa Phillips. New York: 

Whitney Museum of American Art, 1999. 

Elie Nadelman: The Late Work. Essays by Brandt Junceau, Klaus Kertess, Arlene 

Shechet and Kiki Smith. New York: Salander-OʼReilly Galleries, 1999. 

Clair, Jean. Cosmos: From Romanticism to Avant-garde. Texts by Stéphane 

Deligeorges et al. Montreal: Montréal Museum of Fine Art, 1999. 

Collectors Collect Contemporary: 1990-99. Text by Jessica Morgan. Boston: 

Institute of Contemporary Art, 1999. 

Kant Park. Texts by Martin Bochynek et al. Duisburg, Germany: Wilhelm Lehmbruck 

Museum, 1999. 

My Nature: Works With Paper by Kiki Smith. Text by Lahs-Gonzales. Saint Louis: 

Saint Louis Art Museum, 1999. 

Regarding Beauty: A View of the Late Twentieth Century. Text by Neal Benezra and 

Olga M. Viso; with essay by Arthur C. Danto. Washington, D.C.: Hirshhorn Museum 

and Sculpture Garden, Smithsonian Institution, 1999. 

The Virginia and Bagley Wright Collection of Modern Art. Text by Trevor Fairbrother 

and Bagley Wright. Seattle: Seattle Art Museum, 1999. 

Women and Art: Contested Territory. Text by Edward Lucie-Smith and Judy 

Chicago. London: Weidenfeld & Nicolson, 1999. 

1998 Art and the American Experience. Text by Jan van der Marck. Kalamazoo, Mich.: 



Kalamazoo Institute of Arts, 1998. 

Baltrock, Thomas. Kiki Smith: Werke/Works, 1988–1996. Cologne: Salon Verlag, 

1998. 

Double Trouble: The Patchett Collection. San Diego, California: Museum of 

Contemporary Art, 1998: 234–235. 

Kiki Smith: All Creatures Great and Small. Text by Carsten Ahrens. Hannover, 

Germany: Kestner Gesellschaft, 1998. 

Kiki Smith: Night. Text by Phyllis D. Rosenzweig. Washington, D.C.: Hirshhorn 

Museum and Sculpture garden, Smithsonian Institution, 1998. (1 folded sheet). 

Kimmelman, Michael. Portraits: Talking with Artists at the Met, The Modern, The 

Louvre and Elsewhere. New York: Random House, 1998. 

A Passion for Glass: The Aviva and Jack A. Robinson Studio Glass Collection. Text 

by Bonita Fike. Detroit: Detroit Institute of Arts, 1998. 

Posner, Helaine. Kiki Smith. Interview with the artist by David Frankel. New York: 

Bulfinch Press, 1998. 

Sculpture Since 1945. Text by Andrew Causey. Oxford: Oxford Universtiy Press, 

1998. 

Temps Composé La Donation Maurice Forget. Essays by Stéphane Aquin et al. 

Joliette, Quebec: Musée DʼArt De Joliette, 1998. 

1997 Berssenbrugge, Mei-mei and Kiki Smith. Endocrinology. West Islip, N.Y.: Universal 

Limted Art Editions, 1997. (Artist book). 

Contemporary Sculpture: The Figurative Tradition. Wasau, Wis.: Marget Woodson 

Fisher Sculpture Gallery, Leigh Yakey Woodson Art Museum, 1997. 

Kiki Smith: Convergence. Dublin: Irish Museum of Modern Art, 1997. 

Smith, Kiki. The Fourth Day, Destruction of Birds. New York: PaceWildenstein, 1997. 

(Artist book). 

Proof Positive: Forty Years of Contemporary American Printmaking at ULAE, 1957- 

1997. Texts by Tony Towle and Sue Scott. Washington, D.C.: Corcoran Gallery of 

Art, 1997. 

Smith, Kiki. Kiki Smithʼs Dowry Book. London: Anthony dʼOffay Gallery, 1997. (Artist 

book). 

Terra Firma. Text by Mary Jo Aagerstoun. College Park, Md.: Art Gallery, University 

of Maryland, 1997. 

1996 Everything Thatʼs Interesting is New: The Dakis Joannou Collection. Text by Jeffrey 

Deitch. Ostfildern, Germany: DESTE Foundation for Contemporary Art and Cantz 

Verlag, 1996. 

Isaak, Jo Anna. Feminism & Contemporary Art: Revolutionary Power of womenʼs 

Laughter. New York: Routledge, 1996. 

Jasper Johns Retrospective. Text by Kirk Varnedoe. New York: Museum of Modern 

Art, 1996 

Kiki Smith. Texts by Christine Ross and Mayo Graham. Montreal: Montreal Museum 

of Fine Arts, 1996. 

Paradise Cage: Kiki Smith and Coop Himmelblau. Interview by Elizabeth A.T. Smith 

of Wolf D. Prix with text by Kiki Smith. Los Angeles: Museum of Contemporary Art, 

1996. 

1995 Body, Mind and Spirit: Eight Sculptors. Text by Mary Davis MacNaughton. 

Claremont, Calif.: Ruth Chandler Williamson Gallery, Scripps College, 1995. 

Division of Labor, “Womenʼs Work” in Contemporary Art. Texts by Judy Chicago, 

Jane C. Delgado, Mary Kelly, Amalia Mesa-Bains, Arlene Raven, Miriam Schapiro, 

Michele Wallace, and Lydia Yee. Bronx, New York: Bronx Museum of the Arts, 1995: 




Frogier, Larys. “Résister en corps dans la crise du sida.” In Les Cahier de la Villa 

Gillet. Lyon: Les editions Circé et Villa Gillet, 1995: 105, illustrated; 106, illustrated. 

Kiki Smith. Text by Jo Anna Isaak. London: Trustees of the Whitechapel Art Gallery, 

1995. 

Kiki Smith: New Work. New York: PaceWildenstein, 1995. 

Kiki Smith: Sojourn in Santa Barbara. Santa Barbara: University Art Museum, 

University of California and University of Washington, 1995. 

Laboratories pour une expérience du corps: Damien Hirst, Fabrice Hybert, Kiki Smith 

Patrick van Caeckenbergh. Rennes, France: Galerie Art et Essai, Université Rennes, 

1995. 

Matsumoto, Michiko. Portraits: Women Artists. Tokyo: Kawade Shobo Shinsha, 

1995. 

1994 Cocido y Crudo. Madrid: Museo Nacional Centro de Arte Reina Sofía, 1994: 164, 

165, 280, 281, illustrated. 

The Essential Gesture. Text by Bruce Guenther. Newport Beach, Calif.: Newport 

Harbor Art Museum, 1994. 

In the Lineage of Eva Hesse. Texts by Mel Bochner and Elizabeth Hess. Ridgefield, 

Conn.: Aldrich Museum of Contemporary Art, 1994. 

Kiki Smith. Humlebaek, Den.: Louisiana Museum of Modern Art, 1994. 

Kiki Smith. Essays by Jessica Bradley and Karen MacCormack. Toronto: Power 

Plant, 1994. 

Kiki Smith. Santa Barbara: University Art Museum, University of California, 1994. 

Kiki Smith: Prints and Multiples 1985–1993. Text by Nancy Stapen. Boston: Barbara 

Krakow Gallery, 1994. 

Kiki Smith. Jerusalem: Israel Museum, 1994. 

Smith, Kiki. Re. Santa Barbara, Calif.: University of California, Santa Barbara, 1994. 

(Artist book). 

1993 Hair. Text by Alison Ferris. Sheboygan, Wis.: John Michael Kohler Arts Center, 1993. 

The Human Factor: Figurative Sculpture Reconsidered. Text by Ellen Landis. 

Albuquerque: Albuquerque Museum, 1993. 

1993 Biennial Exhibition. New York: Whitney Museum of American Art, 1993. 

Perkins, Pamela Gruninger. “Kiki Smith.” In The Elusive Object. p. 18. New York: 

Whitney Museum of American Art, 1993. 

Post-Human. Text by Jeffrey Deitch. Pully/Lausanne: FAE Musée d'Art 

Contemporain, 1993. 

Signs of Life. Text by Barry Blinderman. Normal, Ill.: University Galleries, Illinois 

State University, 1993. 

Uber Leben. Text by Annelie Pohlen. Bonn: Bonner Kunstverein, 1993. 

1992 Désordes. Text by Catherine David. Paris: Galerie Nationale de Jeu de Paume, 

1992. 

Dissent, Difference and the Body Politic. Text by John S. Weber. Portland: Portland 

Art Museum, 1992. 

Kiki Smith. Texts by Claudia Gould, Linda Shearer, and Margurite Yourcenar. 

Columbus, Ohio: Wexner Center for the Arts, Ohio State University, 1992. 

Kiki Smith: Silent Work. Texts by Peter Noever, Kiki Smith, and R.A.Stein. Vienna: 

MAK Österreiches Museum für angewandte Kunst, 1992. 

Kiki Smith: Unfolding the Body. Text by Susan Stoops. Waltham, Mass.: Rose Art 

Museum, Brandeis University, 1992. 

Posner, Helaine. Corporal Politics. Cambridge, Mass.: MIT List Visual Arts Center, 

1992. 

This is My Body, This is My Blood. Text by Susan E. Jahoda. Amherst, Mass.: Herter 



Art Gallery, University of Massachusetts, 1992. 

1991 The Body Electric, Zizi Raymond and Kiki Smith. Washington, D.C.: Corcoran Gallery 

of Art, 1991. 

Drawing Conclusions. Text by Guiseppe Molica. New York: Guide Arte Gallery, 1991 

1991 Biennial Exhibition. New York: Whitney Museum of American Art, 1991. 

Smith, Kiki. Fountainhead. Columbus, Ohio: Logan Press, 1991. (Artist book). 

1990 Kiki Smith. Texts by Paolo Colombo, Elizabeth Janus, Eduardo Lipshutz-Villa, and 

Kiki Smith. Interview with Kiki Smith by Robin Winters. The Hague, The Netherlands: 

Institute of Contemporary Art, Amsterdam and SDU Publishers,1990. 

The Unique Print. Text by Clifford Ackley. Boston: Museum of Fine Arts, 1990. 

1989 New York Experimental Glass. Text by Karen Chambers. Pittsburgh: Society for Arts 

in Crafts, 1989. 

Projects and Portfolios: The 25th National Print Exhibition. Brooklyn, N.Y.: Brooklyn 

Museum, 1989. 

Selected Articles 

2007 Lubbock, Tom, ʻ…and around the countryʼ, The Information, The Independent, 

24 February – 2 March, p. 12 

The AI Interview: Kiki Smith, artinfo.com, January 31 

ʻ…and around the countryʼ, The Information, The Independent, 24 Feb – 2 

March, p.12 

2006 Ayres, Robert, ʻArtInfoʼs Top 10 Shows of 2006ʼ, Kiki Smith: A Gathering, 

1980 – 2005, Whitney Museum of American Art, ArtInfo.com, December 2006 

Hanson, Sarah P., ʻThereʼs no palace like homeʼ, ARTnews, November, p. 48 

Stein Greden, Deirdre, ʻHow Bloopers become breakthroughsʼ, ARTnews, 

November, p. 172-175 

Mullarkey, Maureen, Bodies tumbling after the fall, The New York Sun, 16 

November 

Kimmelman, Michael, The Intuitionist, The New York Times Magazine, 29 

November 

Herbert, Martin, ʻKiki Smith, Tim Bradenʼ, Time Out, November 1 – 8, p.42 

Williams, Eliza, ʻKiki Smithʼ, Art Monthly, November, No 301, p.24-25 

Dominus, Susan, ʻKookie Kikiʼ, Stella Magazine, The Sunday Telegraph, October 22, 

p. 62-65 

Ward, Ossian, ʻat the fairʼ, Art + Auction, October 

Stoilas, Helen, ʻKiki Smith. Something of the nightʼ, The Art Newspaper, October 

Lubbock, Tom, ʻFive Best London Showsʼ The Independent, October 21-27, p.12 

Wright, Karen, ʻWoolʼs Doodles, Regoʼs Pillowman, Smithʼs Grnickotto,ʼ 

Bloomberg.com, October 24 

Hustvedt, Siri, ʻKiki Smith dismembers body and mind Insides Outʼ, Modern 

Painters, September, p.71-73 

Baker, Kenneth. “Kiki Smith: A Gathering, 1980–2005” (exhibition review). Art News 

105 (April 2006): 149–150, illustrated. 

Cohen, David. “Arts & Letters, Museums: Art as a Four-Letter Word” (P.S. 1 

Contemporary Art Center exhibition review). New York Sun, 20 July 2006: 16, 

illustrated. 

Close, Chuck. “Time 100: The People Who Shape Our World: Artists and 

Entertainments.” Time, 8 May 2006: 170. 

Glueck, Grace. “The Enduring Allure of Scratching on Metal [The Museum of Modern 

Art: The Compulsive Line]” (exhibition review). The New York Times, 9 March 2006: 

E7, illustrated 



Hustvedt, Siri. “Kiki Smith Dismembers Body and Mind, Insides Out” (Walker Art 

Center exhibition review). Modern Painters (September 2006): 70–73, illustrated. 

Johnson, Ken. “For a Broad Landscape, An Equally Wide Survey” (National 

Academy Museum). The New York Times, 31 May 2006: E5, discussed. 

Johnson, Patricia C. “A Gathering Presents a Look at 25 Years of Kiki Smith” 

(exhibition review). Houston Chronicle, 29 July 2006. 

Plagens, Peter. “The Arts: Mortality, Morbidity and More” (Contemporary Arts 

Museum, Houston, exhibition review). Newsweek, 31 July 2006: 54–55, illustrated. 

Smith, Kiki. “Op-Ed: The Seasons, Summer.” The New York Times, 21 June 2006: 

A17, illustrated. 

Zoetrope: All-Story [issue designed by Kiki Smith] (Spring 2006). 

2005 Baker, Kenneth. “Kiki Smith Offers Up a Challenging Body of Work at SFMOMA” 

(exhibition review). San Francisco Chronicle, 19 November 2005, section E: E10, 

illustrated. 

Berwick, Carly. “Absolutely Fabulist.” Art News (October 2005): 158–161, illustrated. 

Drake, Cathryn. “Reviews: Venice: Kiki Smith, Fondazione Querini Stampalia” 

(exhibition catalogue). Artforum (December 2005): 287, illustrated. 

“Kiki Smith: A Gathering, 1980–2005” (exhibition review). Sculpture 24, no. 10 

(December 2005): illustrated. 

Nochlin, Linda. “Venice Biennale: What Befits a Woman?” (exhibition review). Art in 

America (September 2005): 120–125, illustrated. 

Robinson, Walter. “Festive Venice” (exhibition review). Artnet.com, 10 June 2005: 

discussed, illustrated. 

Robinson, Walter. “Ten Reasons to Love the Venice Biennale” (exhibition review). 

Artnet.com¸21 June 2005: illustrated. 

Saltz, Jerry. “Inky Depths.” New York Village Voice, Habyart 4–10, 2006: C75. 

Sherrill, Steven. “Kiki & Me. Kiki Smith: glad to be a terror.” Modern Painters 

(July/August 2005): 74–79, illustrated. 

Van Gelder, Lawrence. “Arts, Briefly: American Academy Honors.” New York Times, 

19 May 2005: E2. 

Vogel, Carol. “Inside Art: Kiki Smith in San Francisco.” New York Times, 11 February 

2005: E35. 

Yablonsky, Linda. “Fall Preview 2005: Kiki Smith” (exhibition preview). Artforum 

(September 2005): 134, illustrated. 

Yablonsky, Linda. “Why Small Is Big.” Art News, December 2005: cover, illustrated; 

122–127. 

2004 Armstrong, Carol. “Kiki Smith: MoMA QNS, New York,” exhibition review. Artforum, 

summer 2004, p. 243, illus. 

Hirsch, Faye. “Mortal Coils,” The Museum of Modern Art exhibition review. Art in 

America, May 2004, pp. 124–130, illus. 

Holborn, Mark. “Kiki Smith/Nancy Spero,” Baltic exhibition review. Modern Painters, 

Spring 2004, p. 123, illus. 

Johnson, Patricia C. “Texas Gallery seizes the day with Carpe Diem show,” 

exhibition reveiw. Houston Chronicle, June 26, 2004, p. C90. 

Landi, Ann. “Kiki Smith: Prints, Books & Things,” Museum of Modern Art exhibition 

review. Art News, February 2004, p. 109, illus. 

Yablonsky, Linda. “Fresh Prints,” The Museum of Modern Art exhibition review. Time 

Out New York, January 15–22, 2004, p. 56, illus. 

2003 Cotter, Holland. “Art Review: The Body in all Its Mortal Urgency,” The Museum of 

Modern Art exhibition review. New York Times, December 5, 2003, Weekend Fine 

Arts Leisure, p. E41+, illus. 



Cotter, Holland. “Museums: Kiki Smith: Prints, Books & Things.” New York Times, 

December 19, 2003, Art Guide, p. E40, illus. 

Glueck, Grace. “Trip to Queens Yields Boroughed Treasure.” New York Times, April 

23, 2003, p. 6. 

Helander, Bruce. “In the Name of the Father.” South Florida Times: Cultural Calendar 

8, no. 2 (2003), pp. 22-23, ill. 

Kazanjian, Dodie. “Portraits of the Artists.” Vogue, December 2003, p. 308, illus. 

“Kiki Smith.” Künstler: kritisches Lexikon der Gegenwartskunst 63, no. 22 (2003): 1– 


Kunitz, Daniel. “Kiki Smithʼs Graphic Confrontations,” The Museum of Modern Art 

exhibition review. New York Sun, December 11, 2003, Arts & Letters, p. 17, illus. 

Landi, Ann. “Who Are the Great Women Artists?” Art News, March 2003, pp. 94-97. 

Pachner, Joan. “Smith-o-rama,” Palm Beach Institute of Contemporary Art exhibition 

review. Art in America, pp. 84–85, illus. 

Pollack, Barbara. “A Great, Great Fair.” Art News, February 2003, p. 68, ill. 

Siegel, Katy. “Preview Fall 2003: Kiki Smith: Prints, Books & Things. MoMA QNS.” 

Artforum, September 2003, p. 70. 

Westerbeke, Julia. “Body Double,” The Museum of Modern Art exhibition review. 

Time Out New York, December 4–11, 2003, p. 68, illus. 

2002 Cotter, Holland. “Kiki Smith: Triple Candie, PaceWildenstein,” review. New York 

Times, April 12, 2002, p. E36. 

Dannatt, Adrian. “New York Contemporary Dealer Shows. Kiki Smith: Realms 

(PaceWildenstein 25 th Street location).” Art Newspaper (London) 123 (March 2002), 

p. 3. 

Donadio, Rachel. “ʻGoddessʼ Kiki Smith Leads MoMA March.” New York Sun, June 

24, 2002, pp. 1, 4. 

Engelhard, Günter. “ʻWarum!ʼ Zum Berliner Kirchentag ein gewagter Versuch der 

Gottessuche. Engel auf Gegenkurs.” Rheinischer Merkur (Bonn), 5 June 2006, 

Kultur: 3, illustrated. 

Israel, Nico. “Preview: Nico Israel on The Whitney Biennial Tribal Counsel.” Artforum, 

January 2002, pp. 47-48. 

“Kiki Smtih: what it feels like for a girl Galerie Fortlaan, Ghent,” review. Art 

Newspaper (London) 124 (April 2002): 27. 

Maak, Niklas. “Ach Mensch: Eine Berliner Schau beleuchtet zum Kirchentag das 

Verhältnis von moderner Kunst und Religion.” Franfurter Allgemeine Zeitung, 28 May 

2003: FA2, illustrated. 

“PaceWildenstein: ʻElizabeth Murray: Watercolorsʼ and ʻKiki Smith: Realms,ʼ” art 

listings. Time Out New York, March 21-28, 2002, p. 89. 

Plagens, Peter. “The Smiths: Tony, Kiki, Seton.” Artforum, fall 2002, p. 72 

Rexer, Lyle. “Fairy Tales Move to a Darker, Wilder Part of the Forest,” exhibition 

review. New York Times, April 7, 2002, p. 34 (AR). 

Rinder, Lawrence. “Outsider Art.” Interview by Christopher Bollen. V Magazine, 

March/April 2002. 

Smith, Kiki. “Jʼexpose mon art. Pas ma personne.” Art Actuel (Paris), May-June 

2002, pp. 70-71. 

Schwarze, Dirk. “Der Widerschein des Religiösen. Berliner Ausstellung ʻWarum!ʼ 

befragt die zeitgenössische Kunst.” Hessische Allgemene (Kassel), 4 June 2003: 

illustrated. 

Souccar, Miriam Kreinin. “Uptown Bohemia: Artists, galleries making the scene in 

Harlem.” Crainʼs New York Buisness, p. 3+. 

Spears, Dorothy. “Triple Play,” Palm Beach Institute for Contemporary Art exhibition 



eview. Art News, November 2002, p. 48. 

Vogel, Carol. “Why Is There a Steel Tree in Central Park? Well, Times Have 

Changed.” New York Times, February 27, 2002, pp. B1, B6. 

2001 Lebowitz, Cathy. “Rites of Passage,” International Center of Photography and 

Pace/MacGill exhibition reviews. Art in America, December 2001, pp. 96-99. 

Boxer, Sarah. “Fairy Tales In a Forest Of Women And Fruit,” exhibition review. New 

York Times, April 27, 2001, E30. 

Braff, Phyllis. “The Things that Flesh Falls Vulnerable To.” New York Times, January 

7, 2001, Art Reviews, p. 10. 

Chardon, Elisabeth. “Avec plus ou moins de bonheur, deux musées montrent des 

films dʼanimation.” Le Temps (Geneva) February 10, 2001, p. 43. 

Conner, Lois. “Pow! Her!” Interview, April 2001, p. 122. 

Fleury, Jean-Damien. “Le son, quinze manières de lʼutiliser,” exhibition review. La 

Liberté (Paris), November 10, 2001, p. 41. 

Grandjean, Emmanuel. “Ma Semaine Expos: Galeries portes ouvertes et bon plan 

soleurois.” Tribune de Genéve, September 8, 2001, p. 15. 

Honigman, Ana. “A Threshold of Spirit,” exhibition review. Time Out, August 16-23, 

2001. 

Landi, Ann. “Kiki Smith: International Center of Photography,” exhibition review. Art 

News, June 2001, p. 128. 

Marguerat, Florence. “Ánimation, de bricolage à (z)effets spéciaux,” exhibitioin 

review. Le Courrier (Geneva), p. 23. 

Menz, Marguerite. “Trickfilme und Videos im Centre dʼArt Contemporain.” Kunst- 

Bulletin (Bern), November 2001, p. 41. 

“GENF: Centr dʼart contemporain.” Neue Zürcher Zeitung, October 18, 2001, p. 64. 

Sheets, Hilarie M. “The Mod Bod.” Art News, June 2001, pp. 98-105. 

Sherman, Mary. “MCA creates a ʻWonderland,ʼ” exhibition review. Boston Sunday 

Herald, January 28, 2001, p. A7. 

Summerbell, Dierdre. “Marrying Your Own Personal Nutty Trips with the Outside 

World.” Trans Magazine, fall/winter, 2001, pp. 202-219. 

Temin, Chirstine. “Mass Artʼs ʻWonderlandʼ brings fairy tales to life,” exhibition 

review. Boston Globe, Living Arts Section. 

Wilson, Andrew. “Voici 100 years of contemporary art,” exhibition review. Art 

Monthly, February 2001, pp. 22-23. 

2000 “Barcelona and Venice.”Burlington Magazine (London), March 2000, pp. 192-194. 

Bizier, Valerie. “Silver and Gold. Hitting the Mother Lode.” Palm Springs Life, 

December 2000: 86–89. 

Frank, Peter. “Kiki Smith & Peter Hutton with Margaret De Wys, Jason Phillips,” 

Shoshana Wayne Gallery, Santa Monica, exhibition review. L.A. Weekly, October 

13, 2000. 

Gluek, Grace. “Primer on Printmaking That Stresses Innovation,” art review. New 

York Times, December 8, 2000. 

Gomez, Edward M. “They Speak For the Animals, And Through Them.” New York 

Times, November 12, 2000, pp. 39, 42. 

“Kiki Smith: Vom Alptraum zur heilen Welt.” Art Das Kunstmagazin, January 2000, 

pp. 66-73. 

MacAdam, Alfred. “Drawings 2000.” Art News, October 2000, p.177. 

Norden, Linda. “A Decade of Collecting: Recent Acquisitions by the Harvard 

University Art Museums.” Harvard University Art Museums Bulletin 7, no. 2 (2000), 

pp. 95-96. 

Steinberg, Claudia. “Mach Mich!” Vogue (German), September 2000, pp. 324-331. 



“Working Proof. Kiki Smith.” Art on Paper, May-June 2000, p. 66. 

1999 Altmann, Susanne. “Kein Blatt vor dem Mund.” Dresdner, April 1999, p. 18. 

Beaumont, Susannah. “Festival Art: Kiki Smith, Fruitmarket Gallery.” List 

(Edinburgh), July 22, 1999. 

Belcove, Julie L. “Kiki Smith: W Pioneers Artist.” W, November 1999. 

Bell, Bowyer J. “Kiki Smith: Of Her Nature.” Review (London), November 15, 1999, p. 

46. 

Burnet, Andrew. “Calm Before the Storm.” Scotsman ʻIʼ Magazine (Edinburgh), July 

31, 1999. 

Cumming, Laura. “Art: Kiki Smith, Fruitmarket Gallery.” Observer (Edinburgh), 

August 15, 1999. 

Dannatt, Adrian. “The Art Newspaper Interview: Kiki Smith.” Art Newspaper 

(London), November 1999, p. 37. 

Germer, Stefan. “Full Fathom Five My Father Lies.Vermutungen zur Aktualität Paul 

Theks.” Jahresring 46 (1999), pp. 122. 

Jeffrey, Molra. “Fringe Art: Kiki Smith, Fruitmarket Gallery.” Sunday Herald 

(Edinburgh), August 8, 1999. 

“Kiki Smith Review.” Scotsman (Edinburgh), August 9, 1999. 

Larson, Kay. “The Big Apple.” Mirabella, November 1999, p. 20. 

Levin, Kim. “Short List: Kiki Smith.” Village Voice, November 23, 1999, p. 82. 

Mahoney, Elisabeth. “Exhibtions: Kiki Smith.” Art Monthly, September 1999. 

Maxwell, Douglas F. “Kiki Smith: Of Her Nature.” Review (London), November 15, 

1999, pp. 27. 

von Nagy, Katja. “Kantig, lustig, bunt - wenn Frauen ihren Köper modellieren.” Welt 

am Sonntag (Hamburg), February 21, 1999. 

Reichert, Herbert. “Into The Woods,” exhibition review. Review (London) November 

15, 1999, pp. 20-23. 

Reissner, Katja. “Schönheit und Ohnmacht: Kunst vonFrauen–eine Ausstellung in 

Chemnitz.” Der Tagesspiegel, March 8, 1999. 

Sarver, Patrick. “The Adamson Connection.” Digital Fine Art, winter 1999, pp. 22–31. 

Skestos, Stephanie. “Modern and Contemporary Art: The Lannan Collection at The 

Art Institute of Chicago: Kiki Smith.” Jeremy Strick, ed. Museum Studies 25, no. 1 

(1999), pp. 64–65. 

Smith, Elisabeth. “Danger: Fragile.” Scotland on Sunday (Edinburgh), August 8, 

1999. 

Smith, Kiki. “When the Spiritual Turns Physical.” New York Newsday, October 8, 

1999, p. A55. 

Smith, Roberta. “Galleries Are Labs Of a Sort.” New York Times, February 14, 1999, 

p. 39. 

Sommer, Tim. “Sanft faucht das Riesenkondom über der Königin.” Leipziger 

Volkszeitung, February 1999. 

Temin, Christine. “Collectorsʼ best of the ʻ90s.” Boston Globe, April 2, 1999, pp. F1, 

F10. 

“Kiki Smith.” New Yorker, November 29, 1999. 

1998 Armitage, Diane. “SoHo/Chelsea Selections.” THE Magazine, January 1998, pp. 24- 

25. 

Armitage, Diane. “Kiki Smith- Convergence,” The Sculptors Society Newsletter, 

January-February 1998. 

Engl, Ulrike. “Frauen und Identität.” Die Furche (Austria), April 16, 1998, p. 107. 

Jones, Joyce. “Kiki Smithʼs Creature Feature.” Washington Post, March 27, 1998, 

Weekend Section, 



p. 74. 

Kreißig, Uwe. “Erstes Raumschiff zur Venus.” Freie Presse, Febrary 6/7, 1998. 

Lienbacher, Ulrike. “Corporal Identity.” Die Presse (Austria), March 27, 1998, p. 79. 

Maier, Anne. “Kiki Smith in der Galerie Barbara Gross.” Kunst-Bulletin (Hamburg), 

March 1998: 36. 

Pincus, Richard L. “Stuart Collection Gains Impressive ʻBodyʼ of Work.” San Diego 

Union-Tribune, October 18, 1998, p.E3. 

Pollack, Barbara. “Leaping Off the Pedestal.” Art News, June 1998, pp. 106 - 110. 

Richard, Paul. “The Enchanted Forest: Kiki Smithʼs Alchemy of Bronze.” Washington 

Post, March 21, 1998, pp. C1, C7. 

Ruas, Charles. “Kiki Smith.” Art News, January 1998, p. 130. 

Sachs, Brita. “Bei Barbara Gross in München: Freud und Leid der Kiki Smith.” 

Frankfurter Allgemeine Zeitung, February 21, 1998. 

Schneider, Claire. “Kiki Smith” Museum of Modern Art: Ireland”, spring 1998. 

Schneider, Jens. “Frauen formen Frauen.” Süddeutsche Zeitung (Munich), February 

11, 1998. 

Sonna, Birgit. “Hymne auf die Natur.” Süddeutsche Zeitung (Munich), February 6, 

1998: 19. 

Stockinger, Andreas. “Skulptur - Figur - Weiblich: Landesgalerie.” Noëma Art Journal, 

July/August 1998, p. 115. 

Tanguy, Sarah. “Kiki Smith: Night.” Sculpture, September 1998, pp. 64-65. 

Vicente, Mercedes. “Un mundo natural.” Lapiz (Spain), February 1998, pp. 62-73. 

1997 Belcove, Julie L. “Kikiʼs Vision: Artist Kiki Smithʼs Mind is as Curious as her Work.” 

W, October 1997, pp. 258-260, 262. 

Bernard, Kate. “Galleries: Choice.” Evening Standards Hot Tickets, March 6, 1997. 

Clancy, Luke. “Creative Surge Into New Territory.” Irish Times (Dublin), November 4, 

1997. 

Clancy, Luke. “More Than Just Guts,” The Irish Times, October 23, 1997. 

Douglass, Steven L. “Kiki Smith.” Flash Art, November/December 1997, p. 112. 

East, Louise. “On the Town: Big Smiths Gig.” New Yorker, October 25, 1997. 

Fallon, Brian. “Warhol Exhibition Planned for Royal Hospital.” Irish Times (Dublin), 


Irvine, Madeline. “Quite a Body of Work.” Austin American-Statesman, July 3, 1997, 

pp. 54-55. 

Januszczak, Waldemar. “Itʼs all a matter of life and death.” Sunday Times (London), 

April 6, 1997, Section II, p. 8. 

Januszczak, Waldemar. “Women on the Verge...” Sunday Times (Ireland), 

November 2, 1997 

Kandel, Susan. “Some New Adventures in the Color Red.” Los Angeles Times, 

March 21, 1997. 

Kent, Sarah. “Kiki Smith at Anthony DʼOffay.” Time Out (London), March 26, 1997. 

“Kiki Smith.” Artforum, September 1997. 

Kimmelman, Michael. “Kiki Smith: ʻReconstructing the Moon.ʼ” New York Times, 

October 10, 1997, p. E35. 

Kutner, Janet. “Body of Work.” Dallas Morning News, April 4, 1997, p. 30. 

Levin, Kim. “Shortlist: Kiki Smith.” Village Voice, October 15 - 21, 1997, p. 2. 

Lyttelton, Celia and James Wood. “Kiki Smith at Anthony dʼOffay.” London This 

Week, April 1997, p. 18. 

Madoff, Steven Henry. “After the Roaring 80ʼs in Art, A Decade of Quieter Voices.” 

New York Times, November 2, 1997, Arts & Leisure, pp. 1, 45. 

Massey, Annabelle. “Body Parts: Two Artists Sever the Human Figure from 



Tradition.” Met, August 13, 1997, p. 26. 

Matthiesson, Sophie. “Quirky Quilts at the Mattress Factory.” Art Newspaper 

(London), October 1997, p. 11. 

Murdock, Robert M. “Text & Touch.” Review, November 1, 1997, pp. 21 - 22. 

Musgrave, David. “The Quick and the Dead.” Art Monthly (London), 

December/January 1997-98, pp. 40-41. 

Negrotti, Rosanna. “Kiki Smith at Anthony DʼOffay Gallery.” Whatʼs On In London, 

April 9-16, 1997. 

Plett, Nicole. “Art and Science: Hunches, Insight, and Creativity.” U.S. 1: Princetonʼs 

Business and Entertainment Weekly, January 29, 1997, pp. 17, 26. 

Schmerler, Sarah. “Kiki Smith ʻReconstructing the Moon.ʼ” Time Out New York, 

October 16-23, 1997, p. 46. 

Tyson, Janet. “A Body of Work.” Star Time, April 4-10, 1997, p. 32. 

Schmerler, Sarah. “Body Language.” Fort Worth Star Telegram, April 6, 1997, 

Section H, pp. 1-2. 

Schmerler, Sarah. “Kiki Smithʼs Work is Like the Human Body, Potentially 

Provocative.” Fort Worth Star Telegram, May 12, 1997, pp. 1, 5. 

Schmerler, Sarah. “Smithʼs Work Expresses Lifeʼs Wonders - and itʼs Horrors,” Fort 

Worth Weekly, May 7 - 8, 1997, p.16 

Carr, Mary. “The Arts Report.” Evening Herald (Ireland), October 21, 1997, p. 22 - 

23. 

“Private Investigator.” Irish Times (Dublin), December 2, 1997, p. 7. 

Vogel, Carol. “A Night of Records for 8 Contemporary Artists.” New York Times, 

November 20, 1997, p. B12. 

“The Year at IMMA.” Sunday Times, February 16, 1997. 

1996 Diehl, Carol. “Kiki Smith at PaceWildenstein.” Art News, January 1996, p. 124. 

Janus, Elizabeth. “Everything thatʼs Interesting is New: The Dakis Joannou 

Collection.” Freize, Summer 1996, pp. 76-77. 

Karmel, Pepe. “The Stuff of Dreams And the Natural World.” New York Times, 

January 5, 1996, p. C18. 

Kertess, Klaus. “Kiki Smith: Elaborating a Language of the Body.” Elle Decor, 

February/March 1996, pp. 52 - 53, 56, 58. 

Kimmelman, Michael. “Making Metaphors Of Art and Bodies.” New York Times, 

November 15, 1996, pp. C1, C22. 

Knight, Christopher. “Seeking Paradise in ʻCage.ʼ” Los Angeles Times, November 

28, 1996, pp. F1, F6, F8. 

Myoda, Paul. “Kiki Smith.” Frieze (London), January/February 1996, pp. 64-65. 

Myers, Terry R. “Kiki Smith at PaceWildenstein.” World Art (Amsterdam), January 

1996, p. 100. 

Otto, Libby. “RE: Production - Art and Medical Images of the Pregnant Body.” 

Queenʼs Feminist Review 4 (1996), pp. 79-86. 

Pagel, David. “Meditations on Mortality and the Depiction of Space.” Los Angeles 

Times, August 22, 1996, pp. F9, F12. 

Schwendener, Martha. “Kiki Smith.” Art Papers, January/February 1996, p. 57. 

“Selections from the Collection of Livia and Marc Straus.” Everson Museum of Art 

Bulletin, summer 1996, cover illustration. 

Smith, Roberta. “The Gallery Doors Open to the Long Denied.” New York Times, 

May 26, 1996, Arts & Leisure Section, pp. 1, 29. 

Tarlow, Lois. “Profile: Kiki Smith.” Art New England, August-September 1996, pp. 20- 

21. 

Temin, Christine. “Heart of glass.” Boston Sunday Globe, June 9, 1996, pp. B21, 



B26-27. 

Williams, Gilda. “Young Americans Part 2.” Art Monthly (London), May 1996, pp. 27- 

29. 

1995 Acker, Kathy. “I Come Out of Deep Hippie Stuff.” Independent (London), February 

27, 1995. 

Adlmann, Jan Ernst. "Report from Santa Fe: Going Mainstream." Art in America, 

January 1995, pp.51-55. 

Anderton, Frances. “Letter from Los Angeles.” Art Newspaper (London), November 

1995, p. 13. 

Audiello, Massimo.“Spotlight: Kiki Smith.” Flash Art, December 1995, p. 125. 

Bevan, Roger. "The metamorphosis of a limb into a flower." Art Newspaper (London), 

March 1995, p. 9. 

Broz, Josef. “Kiki Smith: Pokus o podobu skutechneho osviceni.” Atelier, August 24, 

1995, p. 7. 

Carrier, David. “Sculpture in New York.” Burlington Magazine (London), December 

1995, p. 871. 

Clothier, Peter. “Living With Art,” Art News, February 1995, pp.82-85. 

Cohen, Ronny. “New York Scene.” Art Newspaper (London), December 1995, p. 36. 

Connors, Thomas. "Reviews: Chicago." Sculpture, July-August 1995, p. 45. 

Cork, Richard. "Out on a limb and in distress." London Times, March 15, 1995. 

Dault, Gary Michael. “Visual Art, The Registry of Flesh.” Border Crossings (Winnipeg, 

Manitoba), spring 1995, p. 60. 

Decker, Andrew. “Bigger and Bigger: PaceWildensteinMacGill.” Art News Letter, 


Feaver, William. “Relics of revolutions.” Observer (London), March 5, 1995 

Feaver, William. "Kiki Smith: Whitechapel," Art News, May 1995, p. 161. 

Fessy, Emmanuel. "A new broom - for this year at least." Art Newspaper (London), 

no. 49, June 1995, pp. 22-23. 

Gayford, Martin. "Making the visceral visual." Daily Telegraph (London), March 1995. 

Glew, Adrian. “The Body Politic.” Daily Telegraph (London), April-May 1995, pp. 104- 

106. 

“Goings on About Town: Galleries – Downtown.” New Yorker, September 18, 1995, 

p. 28; October 9, 1995, p. 20; October 16, 1995, p. 32. 

Greenan, Althea. “Moths, Bodies & Disorder.” Womenʼs Art Magazine, April, 1995, 

pp. 22-23. 

Greig, Geordie. "Body Shock." Telegraph Magazine (London), February 1995, pp. 

30-34. 

Hagen, Charles. "Photography Today: Branching Out." Art News, February 1995, pp. 

92-98. 

Hall, James. "Body of Evidence." Guardian (Manchester), March 7, 1995, pp. 10-12. 

Halle, Howard. “Kiki Smith.” Time Out (New York), October 4-11, 1995, p. 33. 

Halpert, Peter Hay. “Stealing a march on New York in LA.” Art Newspaper (London), 

October 1995, p. 36. 

Heartney, Eleanor. “Kiki Smith at PaceWildenstein.” Art in America, January 1995, 

pp. 98-99. 

Hirsch, Faye. “Kiki Smith at PaceWildenstein.” Artforum, December 1995, p. 87. 

Holg, Garrett. “City Focus Chicago, From Monet to Mentalfloss.” Art News, 

September 1995, pp. 53-54. 

Jones, Amelia. “ʻPresenceʼ and Calculated Absence.” Art in America, 

January/February 1995, pp. 101-105 and xvi. 



Kaufman, Jason Edward. “Detroit Institute of Arts: Big corporate art tours the US.” Art 

Newspaper, December 1995, p. 12. 

Kent, Sarah. “Body guarded.” Time Out, March 15, 1995. 

Kimball, Roger. "Oozing Out All Over." Modern Painters, spring 1995, pp. 52-53. 

Knight, Christopher. “A Blue-Chip Gallery Sees Blue Skies in L.A.” Los Angeles 

Times, August 13, 1995, pp. 53,56. 

Landi, Ann. "Kiss & Tell." Art News, February 1995, pp. 116-119. 

Lindaurova, Lenka. “Vratit si sve skutecne telo.” Lidove Noviny (Prague) June 24, 

1995, p. 12. 

Lovatt, Estelle. “Accent on Art.” Southern Cross, March 22, 1995, p. 12. 

Lubbock, Tom. “The words-to-that-effect version.” Independent (London), March 7, 

1995. 

McCormick, Carlo. “Leaving the Body: A personal visit with Kiki Smith.” Paper, 

September 1995, p. 142. 

McEwen, John. "In thrall to flesh." Sunday Telegraph (London), March 19, 1995. 

McKean, Marcia. “Rena Rosenwasser and Penny Cooper: Collectors of Art by 

Women.” Art West Newspaper, March 1995, pp. 8-9. 

“National News.” Art News, September 1995, p. 48. 

Netzer, Sylvia. “3 New York Artists Use Glass: Judy Pfaff, Kiki Smith, Nancy Bowen.” 

Neues Glas/New Glass, spring 1995, pps. 18-29. 

Newhall, Edith. “Preview: Art, Galleries.” New York, September 11, 1995, p. 60; 

September 18, 1995, p. 99. 

OʼSullivan, Charlotte. “Art can be very mucky, but itʼs not filth!” Observer (London), 


Packer, William. “Self-conscious portraits.” Financial Times (London), March 11, 

1995. 

Pietsch, Hans. “Körper, verwundbar.” Ehen und Hörfunk, March-April, 1995, p. 12. 

Plananska, Svetlana. “Nase tela jsou nam ukradena.” Maximagazin, August 5, 1995, 

p. 18. 

Raimanova, Ivona. “Kiki Smith: Praha, Galerie Rudolfinum, 22.6.-27.8.” Atelier, 

August 16-17, 1995, p. 16. 

Raven, Arlene. "Opinion: I Remember Mama." Sculpture, May-June 1995, pp. 16-17. 

Riding, Alan. “French Survey Sex in 20th-Century Art.” New York Times, pp. C13, 17. 

Ritchie, Matthew. “The Third Sex: The Theme of Androgyny In Recent Work by 

Matthew Barney, Jeanne Dunning, Sarah Lucas, Lisa Ruyter, and Kiki Smith.” Flash 

Art, January-February 1995: 51–52; 51, illustrated. 

Roberts, Tim. “Feministʼs vile bodies.” Timeout (London), March 10, 1995. 

Robinson, Walter. “Artworld: Obituaries, Joe Fawbush.” Art in America, September 

1995, p. 126. 

Schjeldahl, Peter. “Incorrigible: Kiki Smith.” Village Voice, October 10, 1995, p. 85. 

Schwendener, Martha. “The Body Returns.” Art in America, 1-2, 1995, pp. 92-100 

and xv-xvi 

Seidner, David and Franciscus Ankoné.“The State of the Arts.” New York Times 

Magazine, August 27, 1995, p. 95. 

Sewell, Brian. "Wicked witch of the waste." Standard, March 30, 1995, p. 30. 

Smith, Kiki. “Nature Morte.” Paper, December 1995, pp. 137-38. (Joel-Peter Witkin 

interviewed by Kiki Smith). 

Smith, Roberta. “Avoiding the Hip, the Trendy and the Political.” New York Times, 

September 8, 1995, p. C24. 

Smith, Roberta. “Art in Review: Kiki Smith at PaceWildenstein.” New York Times, 

October 13, 1995, p. C23. 



Solomon, Andrew. "Complex Cowboy: Bruce Nauman." New York Times Magazine, 

March 5, 1995, pp. 28-31. 

Stafford, Barbara Maria. “Forum: What Do You Think is the Most Significant 

Development in Contemporary Sculpture.” Sculpture, May-June 1995, p. 8. 

“Studio Walk in SoHo.” Art & Auction, October 1995, p. 35. 

Suffield, Laura. "ARCO: doing its best for success." Art Newspaper (London), March 

1995, p. 33. 

Taplin, Robert. “Kiki Smith at PaceWildenstein.” Art in America, December 1995, 

pp. 92-93. 

Vogel, Carol.“Inside Art.” New York Times, May 26, 1995, p. C24. 

Wakefield, Neville. "Flesh and fluid." Vogue (London), March, 1995. 

Walle, Mark van de. "Kiki Smith: Laura Carpenter Gallery." Artforum, January, 1995, 

p. 91. 

Woodward, Richard B. “French Kissing.” Village Voice, November 28, 1995, p. 80. 

Zinnes, Harriet. "Reviews: New York." Art Papers, March-April 1995, pp. 57-58. 

1994 Armitage, Diane. "Interview: Kiki Smith." THE Magazine, April 1994, pp. 20-21. 

Boodro, Michael. "Blood, Spit, and Beauty." Art News, March 1994, pp. 126-131. 

Chun, Rene. "Psssssst! Wanna See Some Modern Art?" New York Times, October 

9, 1994, p. 57. 

Close, Chuck. “Interview with Kiki Smith.” Bomb, fall 1994, pp. 38-45. 

Cotter, Holland. “Art in Review: Kiki Smith Drawings.” New York Times, November 

18, 1994, p. C22. 

Czöppan, Gabriele. "Kiki Smith: Feines Gespür für skulpturales Gestalten." Kritik, 

no. 3, 1994, pp. 4-7. 

Dannatt, Adrian. "Some Went Mad...Some Ran Away," review. Flash Art (Milan), 

summer 1994, p. 61. 

Decter, Joshua. “Kiki Smith, Zilkha Gallery, Wesleyan University.” Flash Art (Milan), 

October 1994, pp. 134-135. 

“Die Trends 1994.” Focus, no. 24 (1994), pp. 104, 106. 

Gibson, Eric. "The Figure Reconsidered." Sculpture, May/June 1994, p. 10. 

Gipe, Lawrence. "Kiki Smith/Shoshana Wayne, Los Angeles," exhibition review. 

Flash Art (Milan), January/February 1994, p. 70. 

Grotvedt, Paul. “Postmortal kunst.” Dagbladet, November 16, 1994. 

Hoff, Anne. “Kikis kropps-Kunst.” Inne & Ute, October 7, 1994, p. 16. 

Kazanjian, Dodie. "Blood Ties." Vogue, November 1994, pp. 208, 213, 216. 

"Kiki Smith On-Site at The Israel Museum." Flash Art News (Milan), May/June 1994, 

p. 54. 

Kuspit, Donald. "The Decline, Fall and Magical Resurrection of the Body." Sculpture, 

May/June 1994, pp. 20-23. 

Levin, Kim. “Voice Choices.” Village Voice, November 8, 1994, p. 8. 

Lingemann, Susanne. “Starke Frauen in New York.” Das Kunstmagazin (Hamburg), 

December 1994, pp. 16-37. 

McKenna, Kristine. “The Art of the Body Part.” Los Angeles Times, March 13, 1994, 

pp. 85-86. 

Myklebost, Tone. “Sterke effekter og groteske former.” Aftenutgaven (Oslo), October 

13, 1994. 

Napack, Jonathan. "Defections; Majority Art; Balkan Angst in the East Village." New 

York Observer, March 28, 1994. 

Newhall, Edith. “The Body Worshipers.” New York, November 14, 1994, p. 112. 

"The News." Galeries Magazine (Boulogne), spring 1994, pp. 25-26. 

“100 Fearless Women.” Mirabella, June 1994, pp. 132-133. 



"Pace to Represent Kiki Smith." Flash Art News (Milan), March/April 1994, p. 64. 

Padon, Thomas. "Reviews: New York." Sculpture, March/April 1994, p. 45. 

Pedersen, Victoria. "Gallery Go 'Round.ʼ" Paper, November 1994, p. 110. 

“Provoserende kroppskunst.” Dagbladet, October 14, 1994. 

Ramljak, Suzanne. "Interview: Barbara Maria Stafford." Sculpture, May/June 1994, 

pp. 12-14. 

Ramljak, Suzanne. "Kiki Smith/Fawbush Gallery," exhibition review. New York 

Review of Art, February 1994, p. 17. 

Sandberg, Lotte. “Skulpturens nye kropp.” Dagbladet, November 3, 1994. 

Serck, Peter. “Kroppens tyngde.” Klassekampen Magasinet (Norway), October 24, 

1994. 

Serck, Peter. “Kvinnelighet og katolisisme.” Klasserkampen Magasinet (Norway), 

October 19, 1994. 

Slatin, Peter. “Variations on the Music Box.” New York Times, December 22, 1994, p. 

C4. 

Smith, Roberta. "Sculptors in the Shadow of a Minimalist Master." New York Times, 

March 18, 1994. 

Stromodden, Jarle. “Kiki Smith og endeligheten.” Morgenbladet, October 27 - 

November 3, 1994. 

Taplin, Robert. "Dead of Alive: Molds, Modeling and Mimesis in Representational 

Sculpture." Sculpture, May/June 1994, pp. 24-31. 

Vogel, Carol. "Inside Art." New York Times, February 18, 1994. 

Vogel, Carol. “Downtown Artist Goes Uptown, but Not Her Art.” New York Times, 

November 9, 1994, p. C11, C12. 

Wallach, Amei. “The Art of Living, Dying, Transcending.” New York Newsday, 


Wilson, Andrew. "Out of Control." Art Monthly, June 1994, pp. 3-9. 

1993 Bonami, Francesco. "Kiki Smith: Diary of Fluids and Fears." Flash Art (Milan), 

January/February 1993, pp. 54-55. 

Cotter, Holland. "Kiki Smith/Fawbush Gallery," exhibition review. New York Times, 

December 3, 1993. 

Gimelson, Deborah. "Rebels with a Cause." Self, June 1993, pp. 124-127. 

Greenstein, M.A. "A Conversation with Kiki Smith." Artweek, January 7, 1993, pp. 

23-24. 

Hills, Patricia. "Kiki Smith: Unfolding the Body, The Rose Art Museum, Waltham, 

MA," exhibition review. Art New England, December 1992/January 1993, p. 41. 

Pagol, David. "Kiki Smith/Shoshana Wayne Gallery," exhibition review. Art Issues, 

March/April 1993, p. 41. 

Paine, Janice. "Hair/John Michael Kohler Arts Center, Milwaukee, WI," exhibition 

review. Milwaukee Sentinel, January 8, 1993. 

Rian, Jeff. "What's all this Body Art?" Flash Art, January/February 1993, pp. 50-53. 

Smith, Roberta. "Whitney Biennial 1993," exhibition review. New York Times, March 

5, 1993, pp. C1 & 28. 

Solomon, Deborah. "The Art World Bust." New York Times, February 28, 1993, pp. 

28-33. 

St.-Gelais, Thérèse. "Kiki Smith: La Melancolie de l'Anatomiste." Parachute, no. 70 

(1993), pp. 5-9. 

1992 Bourdon, David. "Seeing It All, or Six Weeks in Manhattan Galleries." Art in America, 

September 1992, p. 61. 

Gehrke, Michael. "Recent Narrative Sculpture, Milwaukee Art Museum." Art Muscle, 

June/July 1992, p. 13. 



Graham-Dixon, Andrew. "Kiki Smith: Anthony d'Offay," exhibition review. 

Independent (London), September 15, 1992. 

Hess, Elizabeth. "Fawbush Gallery/Blood Sisters," exhibition review. Village Voice, 

June 2, 1992, p. 55. 

Hofleitner, Johanna. "Kiki Smith, Museum für angewandte Kunst, Vienna, Austria," 

exhibition review. Artforum, November 1992, p. 119. 

Kandel, Susan. "Shoshana Wayne Gallery," exhibition review. Los Angeles Times, 

December 17, 1992, pp. 10-11. 

Kimmelman, Michael. "Kiki Smith: The Body as Political Battleground." New York 

Times, August 16, 1992, pp. 23, 28. 

Norman, Geraldine."Contemporary Art Market." Independent (London), May 1992. 

Sherman, Mary. "Kiki Smith: Unfolding the Body, The Rose Art Museum, Waltham, 

MA," exhibition review. Boston Sun Herald, October 4, 1992. 

Silver, Joanne. "Kiki Smith: Unfolding the Body, The Rose Art Museum, Waltham, 

MA," exhibition review. Boston Herald, October 18, 1992. 

Smallwood, Lyn."Visual Arts." Seattle Weekly, January 15, 1992. 

Smith, Roberta. "Kiki Smith." New York Times, May 15, 1992. 

Solomon, Deborah. "Body & Soul." Bazaar, November 1992, pp. 140-142. 

Tallman, Susan. "Kiki Smith, Anatomy Lessons." Art in America, April 1992, pp. 146- 

153, 175. 

Temin, Christine. "Corporal Politics, MIT, List Visual Arts Center, Cambridge, MA." 

Boston Globe, December 11, 1992. 

Wallach, Amei. "Excruciating Intimacies." New York Newsday, May 22, 1992. 

1991 "The Abortion Project, Real Art Ways." Women's News, October 1991. 

Barrie, Lita. "Overinflated with Theory, Kiki Smith at Shoshana Wayne Gallery," 

exhibition review. Artweek, July 4, 1991, p. 13. 

Cyphers, Peggy. "Kiki Smith, Project Room, The Museum of Modern Art," exhibition 

review. Arts, February 1991, p. 96. 

Gardner, Colin. "Kiki Smith, Lannan Foundation and Shoshana Wayne Gallery, LA, 

CA," exhibitioin review. Artforum, October 1991, pp. 135-136. 

Hayt-Atkins, Elizabeth. "Envisioning the Yesterday of Tomorrow and the Tomorrow of 

Today." Contemporanea, no. 24 (January 1991), p. 76. 

Helfand, Glen. "Kiki Smith/University Art Museum Berkeley," exhibition review. Art 

Issues, summer 1991. 

Hess, Elizabeth. "Upstairs, Downstairs." Village Voice, April 30, 1991, pp. 93-94. 

Hixson, Kathryn. "...and the object is the body." New Art Examiner, October 1991, 

pp. 20-21. 

Kalina, Richard. "Real Dead." Arts Magazine, December 1991, pp. 47-53. 

Kimmelman, Michael. "Whitney Biennial," exhibition review. New York Times, April 

19, 1991. 

Knight, Christopher. "Body Language: Kiki Smith," exhibition review. Los Angeles 

Times, July 7, 1991, pp. 74-76. 

Lail, Thomas. "1991 Whitney Biennial," exhibition review. Albany Times Union, June 

13, 1991, p. 23. 

Lail, Thomas. "Kiki Smith at Art Awareness," exhibition review. Albany Times Union, 

July 4, 1991, p. 19. 

Levin, Kim. "Choices: Group Exhibition, Jack Tilton Gallery," exhibition review. 

Village Voice, July 23, 1991. 

Levin, Kim. "Choices: Physical Relief." Village Voice, December 17, 1991, pp. 87-88. 

McCormick, Carlo, “Kiki Smith.” Journal of Contemporary Art, summer 1991, pp. 81- 

95. 



Newington, Leslie. "For Arts Sake/The Abortion Project," exhibition review. Hartford 

Advocate, November 7, 1991. 

Rizzo, Frank. "The Abortion Project, Real Art Ways," exhibition review. Hartford 

Courant, October 11, 1991, section B. 

Rugof, Ralph. "Missing Persons: Body/Language at Lannan Foundation," exhibition 

review. L.A. Weekly, August 2, 1991, p. 37. 

Schweighofer, Kerstin. "Amsterdam: Kiki Smith." Das Kunstmagazin (Hamburg) 

November 1991, pp. 142-143. 

Schjeldahl, Peter. "Cutting Hedge," exhibition review. Village Voice, April 30, 1991, 

pp. 93-94. 

Shiver, Jean Paul. "Real Art Ways, The Abortion Project." University of Hartford 

Informer, October 31, 1991. 

White, S.G. "Real Art Ways, The Abortion Project," exhibition review. Hartford 

Courant, October 17-23, 1991. 

1990 Ahearn, Charles. "Kiki Smith." Interview, December 1990. 

"Goings On About Town - Kiki Smith-Cara Perlman," exhibition review. New Yorker, 

June 18, 1990. 

"Goings On About Town - Projects: Kiki Smith," exhibition review. New Yorker, 


Humphrey, David. Arts Magazine, November 1990. 

Lyon, Christopher. "Kiki Smith: Body and Soul." Artforum, February 1990, pp. 102- 

106. 

Mays, John Bentley. "Exploring The Human Body." Toronto Globe and Mail, January 

19, 1990. 

Smith, Roberta. "Kiki Smith/Fawbush Gallery," exhibition review. New York Times, 

June 1, 1990, p. C22. 

Smith, Roberta. "Kiki Smith/The Museum of Modern Art," exhibition review. New York 

Times, November 23, 1990. 

Tallman, Susan. "The Other Biennial." Arts Magazine, February 1990, p. 17. 

Tallman, Susan. "The Skin of the Stone: Kiki Smith at ULAE." Arts Magazine, 

November 1990, pp. 31-32. 

Tallman, Susan. "Kiki Smith at Fawbush Gallery," exhibition review. Metropolis M 

(Amsterdam), July 5, 1990. 

Wells, Jennifer. "The Body as a Democracy." MOMA Members' Quarterly, fall 1990, 

pp. 18-19. 

1989 Caron, Nathalie. "La Mort Sure," exhibition review. Voir (Lausanne), June 8, 1989, p. 

23. 

Decter, Joshua. "Kiki Smith/Wesleyan University," exhibition review. Flash Art 

(Milan), October 1989, p. 134. 

Duncan, Ann. "Playful Sculptures Conceal," exhibition review. Gazzett, June 17, 

1989, p. H9. 

Schwendenwein, Jude. "Mysteries of the Body Re-Created/Wesleyan University," 

exhibition review. Hartford Courant, June 11, 1989, p. G-6. 

1988 Adams, Brooks. "Kiki Smith/Fawbush Gallery," exhibition review. Art in America, 

September 1988. 

Levin, Kim. "Choices." Village Voice, June 21, 1988. 

Mahoney, Robert. "Kiki Smith/Fawbush Gallery," exhibition review. Arts Magazine, 

September 1988. 

McCormick, Carlo. "Kiki Smith/Fawbush Gallery," exhibition review. Artforum, 

October 1988. 

Smith, Roberta. "Kiki Smith/Fawbush Gallery," exhibition review. New York Times, 



June 24, 1988. 

Wagemans, Fred. "Fortunately and Happily Conditioned." HP Magazine, May 21, 

1988, p. 86. 

1986 Brenson, Michael. "Donald Lipski, Matt Mullican, and Kiki Smith/The Clocktower," 

exhibition review. New York Times, January 10, 1986. 

Brody, Jacqueline. Print Collectors' Newsletter. January/February 1986, p. 218. 

Levin, Kim. "Voice Picks." Village Voice, April 8, 1986. 

1985 Engler, Brigitte. "Sensitive Artist." Paper, March 1985. 

Waite, John. "Kiki Smith Pro Vita." Metropolism, no. 5 (1985), p. 27. 

1984 Engler, Brigitte. "Femme Serpent." ICI New York, summer 1984. 

Feitlowitz, Maugerite. "Where Art and Medicine Meet." MD, February 1984, p. 65. 

Ingramham, Fatima. "Kunst am Korper." Stern (Hamburg), June 1984, p. 24. 

Princenthal, Nancy. "Life Wants to Live/The Kitchen," exhibition review. Art News, 

April 1984, p. 25. 

Raynor, Vivian. "Group Show, Jack Tilton Gallery," exhibition review. New York 

Times, May 11, 1984. 

Robinson, Walter and Carlo McCormick. "Slouching Toward Avenue D." Art in 

America, summer 1984, p. 149. 

1983 Smith, Kiki. Bomb, no. 7 (1983). 

Smith, Kiki. "Interview with Kiki Smith." Hallwalls, 1983, pp. 14-15. 

1982 Skoggard, Ross. "Group Show/Artists Space," exhibition review. Art in America, 

January 1982, pp. 141-142. 

Selected Public Collections 

Albright-Knox Art Gallery, Buffalo, New York 

Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio 

Art in Embassies, U.S. Department of State, Washington, D.C. 

Art Institute of Chicago, Chicago, Illinois 

Bonner Kunstverein, Bonn, Germany 

Brooklyn Museum of Art, Brooklyn, New York 

Cincinnati Art Museum, Cincinnati, Ohio 

Cleveland Museum of Art, Cleveland, Ohio 

Contemporary Art Museum, Honolulu, Hawaii 

Corcoran Gallery of Art, Washington, D.C. 

Des Moines Art Center, Des Moines, Iowa 

The Detroit Institute of Arts, Detroit, Michigan 

Fogg Art Museum, Harvard University, Cambridge, Massachusetts 

Hallmark Cards, Inc., Kansas City, Missouri 

High Museum of Art, Atlanta, Georgia 

Irish Museum of Modern Art, Dublin, Ireland 

Israel Museum, Jerusalem, Israel 

J.B. Speed Art Museum, Louisville, Kentucky 

Los Angeles County Museum of Art, Los Angeles, California 

Louisiana Museum of Modern Art, Humlebaek, Denmark 

The Metropolitan Museum of Art, New York, New York 

Milwaukee Art Museum, Milwaukee, Wisconsin 

Moderna Museet, Stockholm, Sweden 

Museum of Contemporary Art, Los Angeles, California 

Museum of Contemporary Art, San Diego, La Jolla, California 

Museum of Fine Arts, Boston, Massachusetts 

The Museum of Fine Arts, Houston, Texas 



The Museum of Modern Art, New York, New York 

The New York Public Library, New York, New York 

San Francisco Museum of Modern Art, San Francisco, California 

The Stewart Collection, University of California, San Diego 

Tate Gallery, London, England 

Toledo Museum of Art, Toledo, Ohio 

Victoria and Albert Museum, London, Great Britain 

Virginia Museum of Fine Arts, Richmond, Virginia 

Whitney Museum of American Art, New York 

Yale University Art Gallery, New Haven, Connecticut

Full biography (pdf) - Timothy Taylor Gallery

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