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The Guide to Japanese Film Industry & Co -Production - UNIJAPAN

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Chapter 1<br />

Japan’s <strong>Film</strong> <strong>Industry</strong> Postwar <strong>Japanese</strong> <strong>Film</strong> <strong>Industry</strong> and Development<br />

Number of audience<br />

¡1957 1.0989 billion people<br />

¡1958 1.1275 billion people<br />

¡1959 1.0881 billion people<br />

¡1960 1.0144 billion people<br />

Number of cinemas<br />

¡1958 7,067 facilities<br />

¡1959 7,400 facilities<br />

¡1960 7,457 facilities<br />

¡1961 7,231 facilities<br />

From 1957 <strong>to</strong> 1960, the annual number of audience in Japan exceeded 1<br />

billion people. It was still at a time when the <strong>Japanese</strong> population was less<br />

than 100 million people, indicating that a person went <strong>to</strong> the cinemas more<br />

than ten times a year. Furthermore, between 1958 and 1961, the number<br />

of cinemas exceeded 7,000 facilities. <strong>The</strong>re were two or three cinemas even<br />

in a small <strong>to</strong>wn.<br />

4. From 1960s Onwards — <strong>Japanese</strong> <strong>Film</strong> <strong>Industry</strong> in decline<br />

With the Tokyo Olympic coming up in 1964, TV was rapidly making<br />

its way <strong>to</strong> <strong>Japanese</strong> households. In contrast <strong>to</strong> the rise of TV, the film<br />

industry was starting <strong>to</strong> mark a decline. <strong>The</strong> number of audience which<br />

exceeded 1 billion people in 1960 plunged <strong>to</strong> 254.8 million people in 1970,<br />

approximately 25% of that in 1960. Furthermore, there were 7,231 cinemas<br />

in 1961, but the number dropped <strong>to</strong> 3,246 facilities in 1970. This downward<br />

trend continued up until the mid-1990s. As for the number of cinemas,<br />

1993 marked the worst in his<strong>to</strong>ry at 1,734 facilities. Ironically, 1993 was<br />

also the year the first multiplex in Japan, Warner Mycal Ebina was opened.<br />

As for the number of audience, 1996 marked the worst in his<strong>to</strong>ry at 119.6<br />

million people.<br />

5. Boom of Artistic <strong>Film</strong>s and Mini-<strong>The</strong>aters (Independent Art House Cinemas)<br />

1) Establishment of Art <strong>The</strong>ater Guild (ATG)<br />

<strong>The</strong> establishment of the Art <strong>The</strong>ater Guild, also known as ATG, in<br />

November 1961 played a major role for <strong>Japanese</strong> artistic films. Proposed by<br />

Ms. Kawakita Kashiko of Towa Eiga, supported by Mr. Mori Iwao of Toho<br />

and with capital investment amounting <strong>to</strong> more than half of the <strong>to</strong>tal by<br />

Toho, ATG was established <strong>to</strong> screen highly artistic and low profit films that<br />

are usually cold-shouldered by commercial cinemas.<br />

<strong>The</strong> first film ATG screened on April 20, 1962 was the Polish film<br />

Mother Joanna of the Angels directed by Jerzy Kawalerowicz which ranked<br />

6th place in Kinema Junpo Top Ten (imported films). <strong>The</strong> following list<br />

consists some of the films by ATG. <strong>The</strong>y were screened at Nichigeki Bunka<br />

which used <strong>to</strong> be in the underground floor of Nichigeki <strong>The</strong>ater and<br />

Shinjuku Bunka in Shinjuku.<br />

Imported <strong>Film</strong>s:<br />

Wild Strawberries (Smuktron-Stallet)<br />

st [<br />

1962 Ingmar Bergman 1<br />

<strong>The</strong> Seventh Seal (Det Sjunde Inseglet)<br />

th [<br />

1963 Ingmar Bergman 6<br />

Shoot the Piano Player (Tirez sur le pianiste)<br />

th [<br />

1963 Francois Truffaut 9<br />

<strong>The</strong> Long Absence (Une aussi longue absence)<br />

st [<br />

1964 Henri <strong>Co</strong>lpi 1<br />

Last Year at Marienbad (L’Anné dernière á Marienbad)<br />

rd [<br />

1964 Alain Resnais 3<br />

[ rank for Kinema Junpo Top Ten (imported films)<br />

Works screened by ATG continued <strong>to</strong> rank in the Kinema Junpo Top Ten.<br />

ATG also played a key role for <strong>Japanese</strong> films as well.<br />

A Man Vanishes (Ningen johatsu) 1967 Imamura Shohei nd [ 2<br />

Manual of Ninja Martial Arts (Ninja bugei-cho)<br />

1967 Oshima Nagisa<br />

<strong>The</strong> Human Bullet: Human Guinea Pigs (Nikudan)<br />

th [ 10<br />

nd [<br />

1968 Okamo<strong>to</strong> Kihachi 2<br />

Death by Hanging (Koshikei) 1968 Oshima Nagisa rd [ 3<br />

Nanami: <strong>The</strong> Inferno of First Love (Hatsukoi: Jigoku-hen)<br />

1968 Hani Susumu<br />

Double Suicide (Shinju ten no Amijima)<br />

th [ 6<br />

st [<br />

1969 Shinoda Masahiro 1<br />

Boy (Shonen) 1969 Oshima Nagisa rd [ 3<br />

[ rank for Kinema Junpo Top Ten (<strong>Japanese</strong> films)<br />

2) Age of Mini-<strong>The</strong>aters<br />

In 1978, <strong>Co</strong>nversation Piece (Gruppo di Famiglia in un Interno) (directed<br />

by: Luchino Visconti, distributed by: Toho-Towa = Shibata Organization)<br />

was screened at Iwanami Hall, and recorded a long-running hit. <strong>The</strong><br />

following year, in 1979, <strong>The</strong> Travelling Players (O Thiassos) (directed<br />

by: <strong>The</strong>o Angelopoulos, distributed by: Shibata Organization) was also<br />

screened at Iwanami Hall and again marked a long-running hit. <strong>The</strong>se two<br />

10 11

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