The Guide to Japanese Film Industry & Co -Production - UNIJAPAN
The Guide to Japanese Film Industry & Co -Production - UNIJAPAN
The Guide to Japanese Film Industry & Co -Production - UNIJAPAN
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<strong>Co</strong>ntents<br />
¡About this guide ............................................................................................... 4<br />
Foreword ............................................................................................................. 5<br />
Chapter 1 Japan’s <strong>Film</strong> <strong>Industry</strong><br />
Postwar <strong>Japanese</strong> <strong>Film</strong> <strong>Industry</strong> and Development ....................................... 7<br />
1. <strong>Japanese</strong> <strong>Film</strong> after World War II ............................................................ 7<br />
2. Importing <strong>Film</strong>s ..................................................................................... 8<br />
3. 1950s Mark the Peak of the <strong>Japanese</strong> <strong>Film</strong> <strong>Industry</strong> ................................. 9<br />
4. From 1960s Onwards — <strong>Japanese</strong> <strong>Film</strong> <strong>Industry</strong> in decline .................... 10<br />
5. Boom of Artistic <strong>Film</strong>s and Mini-<strong>The</strong>aters ............................................. 10<br />
6. Video Rental S<strong>to</strong>res and V-Cinema ........................................................ 12<br />
7. Multiplex Cinemas ................................................................................ 13<br />
8. Increasing Number of Screens and Plateauing Number of Audience ...... 14<br />
9. TV Networks Entering the <strong>Film</strong> <strong>Industry</strong> ............................................... 15<br />
10. IT <strong>Co</strong>mpanies Entering the <strong>Film</strong> <strong>Industry</strong> .............................................. 16<br />
11. <strong>The</strong> <strong>Japanese</strong> <strong>Film</strong> Bubble<br />
—shift from imported films <strong>to</strong> <strong>Japanese</strong> films ........................................ 16<br />
Overview of the <strong>Japanese</strong> Box-office for Year 2008 ....................................... 18<br />
1. <strong>Japanese</strong> <strong>Film</strong>s Exceed Imported <strong>Film</strong>s .................................................. 18<br />
2. Further Polarization between Majors and Independents ........................ 19<br />
3. Box-office of <strong>Japanese</strong> <strong>Film</strong>s .................................................................. 20<br />
4. Box-office of Imported <strong>Film</strong>s ................................................................ 22<br />
Major Distribu<strong>to</strong>rs ........................................................................................... 25<br />
Statistics 2008 ................................................................................................... 37<br />
Chapter 2 <strong>Co</strong>-production System in Japan<br />
Development of <strong>Co</strong>-production System and Its Structure ........................... 40<br />
1. Development of <strong>Co</strong>-production in Europe ............................................ 40<br />
2. Development of <strong>Co</strong>-production in East Asia and Japan ......................... 41<br />
3. Trying <strong>to</strong> Define International <strong>Co</strong>-production ....................................... 43<br />
4. Works Recognized as <strong>Co</strong>-production in Japan<br />
Three Patterns and Recent Cases ........................................................... 43<br />
5. Challenges in <strong>Co</strong>-producing with Japan ................................................. 45<br />
J-Pitch: Support Program for International <strong>Co</strong>-production ........................ 48<br />
1. J-Pitch Activities ................................................................................... 48<br />
2. Supported <strong>Film</strong>s .................................................................................... 52<br />
<strong>Film</strong> and <strong>Co</strong>-production Market in Japan ..................................................... 54<br />
1. TIFFCOM: Marketplace for <strong>Film</strong> & TV in Asia ...................................... 54<br />
2. Tokyo Project Gathering (TPG) <strong>Co</strong>-production Market ......................... 55<br />
Other Support Schemes ................................................................................... 57<br />
1. Support Program for the <strong>Production</strong> of <strong>Film</strong> and TV Programs on Japan<br />
.............................................................................................................. 57<br />
2. Subsidies for Culture and Arts Promotion Expenses<br />
—Support for Challenging <strong>Film</strong> <strong>Production</strong> .......................................... 59<br />
3. Support Program for the Participation at <strong>Film</strong> Festivals ......................... 62<br />
Chapter 3 <strong>Film</strong>ing in Japan<br />
1. <strong>The</strong> Establishment of <strong>Film</strong> <strong>Co</strong>mmissions ............................................... 66<br />
2. <strong>The</strong> Launch of Japan <strong>Film</strong> <strong>Co</strong>mmission (JFC) ....................................... 67<br />
3. Some Useful Tips<br />
—how <strong>to</strong> get the best support from film commissions ........................... 67<br />
4. AFCNet (Asian <strong>Film</strong> <strong>Co</strong>mmissions Network) members ......................... 68<br />
Chapter 4 Information on <strong>Japanese</strong> <strong>Film</strong>s<br />
<strong>Japanese</strong> <strong>Film</strong> <strong>Industry</strong> .................................................................................... 71<br />
1. For the Statistics Refer <strong>to</strong> Motion Picture Producers<br />
Association of Japan, Inc. (EIREN) ........................................................ 71<br />
2. For the Imported <strong>Film</strong>s Refer <strong>to</strong> Foreign <strong>Film</strong> Importer-Distribu<strong>to</strong>rs<br />
Association of Japan (Gaihaikyo) ........................................................... 71<br />
3. For Research and Survey on <strong>Japanese</strong> <strong>Film</strong> Market Refer <strong>to</strong><br />
Kinema Junpo <strong>Film</strong> Institute ................................................................. 72<br />
<strong>Japanese</strong> <strong>Film</strong> Database (JFDB) ...................................................................... 73<br />
<strong>Co</strong>ntent of JFDB .................................................................................... 74<br />
Japan Location Database (JLDB) .................................................................... 75<br />
Some Useful Links ........................................................................................... 76<br />
¡About <strong>UNIJAPAN</strong> ............................................................................................. 78<br />
[ <strong>Japanese</strong>, Chinese, Korean, and other names from cultures where the family name appears<br />
first are printed in romanized form in this booklet in accordance with those cus<strong>to</strong>ms, with<br />
the family name first and the given name second.<br />
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