20.08.2013 Views

The Guide to Japanese Film Industry & Co -Production - UNIJAPAN

The Guide to Japanese Film Industry & Co -Production - UNIJAPAN

The Guide to Japanese Film Industry & Co -Production - UNIJAPAN

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>Co</strong>ntents<br />

¡About this guide ............................................................................................... 4<br />

Foreword ............................................................................................................. 5<br />

Chapter 1 Japan’s <strong>Film</strong> <strong>Industry</strong><br />

Postwar <strong>Japanese</strong> <strong>Film</strong> <strong>Industry</strong> and Development ....................................... 7<br />

1. <strong>Japanese</strong> <strong>Film</strong> after World War II ............................................................ 7<br />

2. Importing <strong>Film</strong>s ..................................................................................... 8<br />

3. 1950s Mark the Peak of the <strong>Japanese</strong> <strong>Film</strong> <strong>Industry</strong> ................................. 9<br />

4. From 1960s Onwards — <strong>Japanese</strong> <strong>Film</strong> <strong>Industry</strong> in decline .................... 10<br />

5. Boom of Artistic <strong>Film</strong>s and Mini-<strong>The</strong>aters ............................................. 10<br />

6. Video Rental S<strong>to</strong>res and V-Cinema ........................................................ 12<br />

7. Multiplex Cinemas ................................................................................ 13<br />

8. Increasing Number of Screens and Plateauing Number of Audience ...... 14<br />

9. TV Networks Entering the <strong>Film</strong> <strong>Industry</strong> ............................................... 15<br />

10. IT <strong>Co</strong>mpanies Entering the <strong>Film</strong> <strong>Industry</strong> .............................................. 16<br />

11. <strong>The</strong> <strong>Japanese</strong> <strong>Film</strong> Bubble<br />

—shift from imported films <strong>to</strong> <strong>Japanese</strong> films ........................................ 16<br />

Overview of the <strong>Japanese</strong> Box-office for Year 2008 ....................................... 18<br />

1. <strong>Japanese</strong> <strong>Film</strong>s Exceed Imported <strong>Film</strong>s .................................................. 18<br />

2. Further Polarization between Majors and Independents ........................ 19<br />

3. Box-office of <strong>Japanese</strong> <strong>Film</strong>s .................................................................. 20<br />

4. Box-office of Imported <strong>Film</strong>s ................................................................ 22<br />

Major Distribu<strong>to</strong>rs ........................................................................................... 25<br />

Statistics 2008 ................................................................................................... 37<br />

Chapter 2 <strong>Co</strong>-production System in Japan<br />

Development of <strong>Co</strong>-production System and Its Structure ........................... 40<br />

1. Development of <strong>Co</strong>-production in Europe ............................................ 40<br />

2. Development of <strong>Co</strong>-production in East Asia and Japan ......................... 41<br />

3. Trying <strong>to</strong> Define International <strong>Co</strong>-production ....................................... 43<br />

4. Works Recognized as <strong>Co</strong>-production in Japan<br />

Three Patterns and Recent Cases ........................................................... 43<br />

5. Challenges in <strong>Co</strong>-producing with Japan ................................................. 45<br />

J-Pitch: Support Program for International <strong>Co</strong>-production ........................ 48<br />

1. J-Pitch Activities ................................................................................... 48<br />

2. Supported <strong>Film</strong>s .................................................................................... 52<br />

<strong>Film</strong> and <strong>Co</strong>-production Market in Japan ..................................................... 54<br />

1. TIFFCOM: Marketplace for <strong>Film</strong> & TV in Asia ...................................... 54<br />

2. Tokyo Project Gathering (TPG) <strong>Co</strong>-production Market ......................... 55<br />

Other Support Schemes ................................................................................... 57<br />

1. Support Program for the <strong>Production</strong> of <strong>Film</strong> and TV Programs on Japan<br />

.............................................................................................................. 57<br />

2. Subsidies for Culture and Arts Promotion Expenses<br />

—Support for Challenging <strong>Film</strong> <strong>Production</strong> .......................................... 59<br />

3. Support Program for the Participation at <strong>Film</strong> Festivals ......................... 62<br />

Chapter 3 <strong>Film</strong>ing in Japan<br />

1. <strong>The</strong> Establishment of <strong>Film</strong> <strong>Co</strong>mmissions ............................................... 66<br />

2. <strong>The</strong> Launch of Japan <strong>Film</strong> <strong>Co</strong>mmission (JFC) ....................................... 67<br />

3. Some Useful Tips<br />

—how <strong>to</strong> get the best support from film commissions ........................... 67<br />

4. AFCNet (Asian <strong>Film</strong> <strong>Co</strong>mmissions Network) members ......................... 68<br />

Chapter 4 Information on <strong>Japanese</strong> <strong>Film</strong>s<br />

<strong>Japanese</strong> <strong>Film</strong> <strong>Industry</strong> .................................................................................... 71<br />

1. For the Statistics Refer <strong>to</strong> Motion Picture Producers<br />

Association of Japan, Inc. (EIREN) ........................................................ 71<br />

2. For the Imported <strong>Film</strong>s Refer <strong>to</strong> Foreign <strong>Film</strong> Importer-Distribu<strong>to</strong>rs<br />

Association of Japan (Gaihaikyo) ........................................................... 71<br />

3. For Research and Survey on <strong>Japanese</strong> <strong>Film</strong> Market Refer <strong>to</strong><br />

Kinema Junpo <strong>Film</strong> Institute ................................................................. 72<br />

<strong>Japanese</strong> <strong>Film</strong> Database (JFDB) ...................................................................... 73<br />

<strong>Co</strong>ntent of JFDB .................................................................................... 74<br />

Japan Location Database (JLDB) .................................................................... 75<br />

Some Useful Links ........................................................................................... 76<br />

¡About <strong>UNIJAPAN</strong> ............................................................................................. 78<br />

[ <strong>Japanese</strong>, Chinese, Korean, and other names from cultures where the family name appears<br />

first are printed in romanized form in this booklet in accordance with those cus<strong>to</strong>ms, with<br />

the family name first and the given name second.<br />

2 3

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!