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globe-trotting pianist alessio bax joins eugene symphony on january ...

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FOR IMMEDIATE RELEASE FROM<br />

C<strong>on</strong>tact: Lisa Calevi - Communicati<strong>on</strong>s Coordinator - lisa.calevi@<str<strong>on</strong>g>eugene</str<strong>on</strong>g><str<strong>on</strong>g>symph<strong>on</strong>y</str<strong>on</strong>g>.org - Ph: 541-687-9487 X 115<br />

Cell: 541-515-8908<br />

GLOBE-TROTTING PIANIST ALESSIO BAX JOINS EUGENE<br />

SYMPHONY ON JANUARY 17<br />

Bax is the 2009 Avery Fischer Career Grant recipient and a regular soloist <strong>on</strong> world stages.<br />

______________________________________________________________________________<br />

EUGENE, OR (January 2, 2013)—Hold <strong>on</strong> to your hats—the Eugene Symph<strong>on</strong>y’s first c<strong>on</strong>cert<br />

of 2013 leads off with Rossini’s heroic and ever-popular William Tell Overture, followed by the<br />

technical firepower and superb artistry of Alessio Bax, who performs Mozart’s hauntingly<br />

beautiful Piano C<strong>on</strong>certo No. 24 <strong>on</strong> Thursday, January 17, 2013 at 8 p.m. at the Hult Center for<br />

the Performing Arts. Music Director Danail Rachev c<strong>on</strong>ducts this program which also includes<br />

Prokofiev’s powerful Symph<strong>on</strong>y No. 5.<br />

Praised for creating “a ravishing listening experience” with his lyrical playing, insightful<br />

interpretati<strong>on</strong>s and dazzling facility, Bax earned first prize at the Leeds and Hamamatsu<br />

internati<strong>on</strong>al piano competiti<strong>on</strong>s and was a 2009 Avery Fisher Career Grant recipient. A<br />

Steinway artist now based in New York, Bax began his musical career in his native Italy, where<br />

he graduated with top h<strong>on</strong>ors from the Bari c<strong>on</strong>servatory. Bax’s appearance with the Eugene<br />

Symph<strong>on</strong>y this m<strong>on</strong>th comes <strong>on</strong> the heels of his performance with the St. Petersburg<br />

Philharm<strong>on</strong>ic under Yuri Temirkanov at the opening c<strong>on</strong>cert of the St. Petersburg Winter<br />

Festival in December. Closer to home, a New York Times critic observed that a recent<br />

performance at the Metropolitan Museum of Art left “an audience unwilling to let Mr. Bax go.”<br />

And yet go he does. Bax’s colorful blog (“Have Piano, Will Travel”) chr<strong>on</strong>icles his musical<br />

expediti<strong>on</strong>s around the <str<strong>on</strong>g>globe</str<strong>on</strong>g> through remarkable photographs—of Icelandic fjords, Bavarian<br />

alpine flowers, and quirky camels—and provides generous insight into his artistry al<strong>on</strong>g the way.<br />

As Bax writes, “Beauty, simplicity, immediacy is what makes music so universal. I've been<br />

lucky to experience that feeling in some of the most remote corners of the <str<strong>on</strong>g>globe</str<strong>on</strong>g> and see first


hand [sic] the amazing effect that music has <strong>on</strong> people. No matter how l<strong>on</strong>g we work <strong>on</strong> every<br />

single minuscule detail, we should never forget that gut feeling, that visceral emoti<strong>on</strong> that<br />

inhabits great music and is able to touch every soul in the exact same way, regardless of<br />

geographical, religious or cultural differences.” C<strong>on</strong>cert dates this seas<strong>on</strong> also include solo<br />

recitals in Venezuela, South Korea, Japan, as well as at major c<strong>on</strong>cert halls across the United<br />

States. In March, Bax will make his Carnegie Hall debut with cellist Sol Gabetta.<br />

In his first performance with the Eugene Symph<strong>on</strong>y, Bax performs Mozart’s celebrated Piano<br />

C<strong>on</strong>certo No. 24. The piece is c<strong>on</strong>sidered <strong>on</strong>e of Mozart’s greatest works and has influenced<br />

composers from Beethoven to Strauss and Haydn.<br />

On Tuesday, January 15 at 4:00 p.m., Bax will c<strong>on</strong>duct a piano master class in The Studio of the<br />

Hult Center as part of the Laura Avery Visiting Masters program. The following day, January 16,<br />

he and Maestro Rachev will present a pre-c<strong>on</strong>cert lecture sp<strong>on</strong>sored by the Eugene Symph<strong>on</strong>y<br />

Guild at no<strong>on</strong>, also in The Studio. Both events are free and open to the public.<br />

Tickets to Mozart Piano C<strong>on</strong>certo are available through the Hult Center box office (541-682-<br />

5000) or <strong>on</strong>line at <str<strong>on</strong>g>eugene</str<strong>on</strong>g><str<strong>on</strong>g>symph<strong>on</strong>y</str<strong>on</strong>g>.org. This c<strong>on</strong>cert is supported by Oakm<strong>on</strong>t Family Dental,<br />

Dr. Matthew McLaughlin.<br />

Related Calendar Events<br />

# # #<br />

FORTHCOMING CONCERTS – Mozart Piano C<strong>on</strong>certo, January 17, 2013, 8:00 pm; The Planets, February 14,<br />

2013, 8:00 pm; Beethoven Violin C<strong>on</strong>certo, March 21, 2013, 8:00 pm; Carmina Burana, April 18, 2013, 8:00 pm;<br />

Dvořák Symph<strong>on</strong>y No. 8, May 16, 2013, 8:00 pm.

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