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Super Graphic<br />
A Visual Guide to the Comic Book Universe • By Tim Leong<br />
The comic book universe is adventurous, mystifying and filled with heroes, villains and<br />
cosplaying Comic-Con attendees. This book by one of Wired magazine’s art directors traverses<br />
the graphic world through a collection of pie charts, bar graphs, timelines, scatter<br />
plots and more. Super Graphic offers readers a unique look at the intricate and<br />
sometimes contradictory storylines that weave their way through comic books and shares<br />
advice for navigating the pages of some of the most popular, longest-running and bestloved<br />
comics and graphic novels out there. From a colourful breakdown of the DC Comics<br />
reader demographic to a witty Venn diagram of superhero comic tropes and a Chris<br />
Ware sadness scale, this book charts the most arbitrary and monumental characters,<br />
moments and equipment of the wide world of comics.<br />
Tim Leong is the director of digital design at Wired magazine<br />
and founder of the Eisner Award–nominated Comic Foundry<br />
magazine.<br />
Super Graphic<br />
£11.99 UK<br />
PB • 978-1-4521-1388-3<br />
235 x 184 mm (9£ x 7£ in), 192 pp,<br />
6-page gatefold, die-cut cover,<br />
full-colour images throughout<br />
Rights: W<br />
Comics/Pop Culture<br />
Pub Month: September<br />
u s a g e<br />
A Personal History<br />
of Saying “Good Grief”<br />
BOOK REPORT<br />
The Library<br />
of Congress<br />
Comic Collection<br />
ALTER EGOS<br />
Bobby Digital vs. Batman<br />
In 1998, the rapper RZA, best known for being the unofficial leader of the Wu-Tang Clan, released his first solo<br />
album under the pseudonym Bobby Digital, a futuristic superhero. RZA stuck close to the persona and after a<br />
while, the rapper’s life began looking somewhat familiar.<br />
RZA Bruce Wayne<br />
i<br />
i<br />
How thoroughly<br />
the library collects<br />
different subjects<br />
Basic<br />
Materials introducing<br />
the subject<br />
In Japan, giant magazines hundreds of<br />
pages thick are printed every week. To<br />
meet the page count, comic book artists<br />
work some pretty crazy hours. Here’s a<br />
Intermediary<br />
Enough to support<br />
week in the life of one artist.<br />
undergrad instruction<br />
m o n d ay t u e s d ay w e d n e s d ay t h u r s d ay f r d ay s at u r d ay s u n d ay<br />
Advanced<br />
All important reference<br />
AM12<br />
The Library of Congress’s mission, according to official policy, is to create a<br />
“comprehensive record of the Platinum, Golden, and Silver Ages of US comic book<br />
publishing (representing the formative years of comic book development as well<br />
as current trends).” They collect a lot; but they also miss a lot. Here’s how they go<br />
works<br />
Comprehensive<br />
All significant works<br />
1<br />
2<br />
about beefing up their collection.<br />
3<br />
4<br />
Graphic<br />
t m e<br />
Comic<br />
books<br />
(foreign)<br />
Syndicate<br />
Comic proof Web<br />
strips sheets comics<br />
novels<br />
Published Published<br />
5<br />
Comic and<br />
colleccollec- Superhero alter-ego Secondary Extremely Secondary wealthy Butler on staff Bomb-proof and bulletproof custom car<br />
books collected<br />
tions,tions, Original sources, sources,<br />
(U.S.) works Manga comics cartoons comic art comics cartoons Bulletproof and knife-proof super-suit 6<br />
Crime-fighter Gold album Cover by artist Bill Sienkiewicz<br />
7<br />
8<br />
9<br />
SuperGraphic_Mechs_v3.indd 108-109<br />
Are not<br />
presently<br />
10<br />
1/31/13 5:06 PM<br />
acquired<br />
11<br />
PM12<br />
1<br />
2<br />
3<br />
4<br />
5<br />
The bulk<br />
of the<br />
6<br />
acquisitions<br />
are<br />
7<br />
via the<br />
copyright<br />
8<br />
registration<br />
process<br />
(the library<br />
9<br />
is also<br />
home to<br />
10<br />
the U.S.<br />
Copyright<br />
Office).<br />
11<br />
Copyright Purchase Donation Digital deposit<br />
(in the future)<br />
h o w they’re acquired<br />
Work on<br />
rough pages<br />
Also available:<br />
The Boy Who Loved Batman<br />
£19.99 HC<br />
978-0-8118-7550-9<br />
ART, WORK<br />
The Schedule<br />
of a Manga Artist<br />
Assistants help<br />
production<br />
Meet with<br />
the editor<br />
Work on<br />
cover or<br />
color pages<br />
SuperGraphic_Mechs_v3.indd 146-147 1/31/13 5:06 PM<br />
Sleeping<br />
Meal break<br />
Free time<br />
AUTUMN 2013 CATALOGUE • CHRONICLE BOOKS<br />
147<br />
5