31.08.2013 Views

The Cultural Heritage of Zagreb County

The Cultural Heritage of Zagreb County

The Cultural Heritage of Zagreb County

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>Zagreb</strong> <strong>County</strong> Tourist Board<br />

<strong>Cultural</strong> <strong>Heritage</strong><br />

Publisher:<br />

<strong>Zagreb</strong> <strong>County</strong> Tourist Board, July 2009<br />

For the publisher:<br />

Ružica Rašperić, MSc<br />

Data processing:<br />

Vlatka Marić, Sanja Vujić<br />

English translation and pro<strong>of</strong>reading:<br />

Zanella Translation Services<br />

Photographs:<br />

<strong>Zagreb</strong> <strong>County</strong> Tourist Board archive,<br />

Markus studio d.o.o.<br />

Layout:<br />

Plava Ponistra d.o.o.<br />

Design:<br />

Gordan Karabogdan, Ivana Novak<br />

Printing:<br />

Tipomat d.o.o., Staro Čiče, Vukovina<br />

Distribution:<br />

1000 copies<br />

ISBN:<br />

953-7181-44-8


<strong>Zagreb</strong> <strong>County</strong> Tourist Board <strong>Cultural</strong> <strong>Heritage</strong><br />

Contents:<br />

Dugo Selo 8<br />

Ivanić-Grad 10<br />

Jastrebarsko 12<br />

Kloštar Ivanić 16<br />

Krašić 20<br />

Križ 24<br />

Pisarovina 26<br />

4


Samobor 30<br />

Sv. Ivan Zelina 36<br />

Sveta Nedelja 46<br />

Velika Gorica 50<br />

Vrbovec 56<br />

Zaprešić 60<br />

Žumberak 64<br />

<strong>Cultural</strong><br />

institutions 68<br />

5


<strong>The</strong> <strong>Cultural</strong><br />

<strong>Heritage</strong> <strong>of</strong><br />

<strong>Zagreb</strong> <strong>County</strong><br />

<strong>The</strong> thematic brochure <strong>Cultural</strong> <strong>Heritage</strong> <strong>of</strong> <strong>Zagreb</strong> <strong>County</strong> is intended to provide those setting out on a journey through cultural space<br />

and time with information and assistance towards recognizing the spatial specificities <strong>of</strong> the cultural and historical entity <strong>of</strong> <strong>Zagreb</strong><br />

<strong>County</strong>.<br />

Despite the county’s diversity, it is possible to distinguish two fundamental cultural landscapes: the lowland region <strong>of</strong> northwestern<br />

Croatia (Turopolje, Posavina and Pokuplje) and the mountainous region (Žumberak, Samoborsko gorje and Prigorje). <strong>The</strong>se are two<br />

spatial entities, based on the natural landscape and relief, the historical, cultural and traditional characteristics, the type and form <strong>of</strong><br />

settlements, the type <strong>of</strong> traditional architecture and the characteristic architectural styles and details.<br />

<strong>The</strong> churches and chapels, with their tall spires, erected on plateaus above the settlements have special symbolic meaning. Through<br />

their isolation, they <strong>of</strong>fer an opportunity to become acquainted with the original, local forms <strong>of</strong> cultural and historical construction.<br />

Meanwhile, their interiors are places <strong>of</strong> peace and house a wealth <strong>of</strong> sacral treasures. <strong>The</strong>y draw attention to themselves with the<br />

beauty <strong>of</strong> their many altars, frescos, paintings, statues and stained glass windows. However, the most valuable artefacts within are<br />

certainly the organs, the main instrument <strong>of</strong> religious life.<br />

<strong>The</strong> mountainous relief and the border position <strong>of</strong> the county resulted in the construction <strong>of</strong> many fortified citadels. With the cessation<br />

<strong>of</strong> conflicts came the desire for a greater showcase quality and greater living comfort, and at this time, numerous castles and manor<br />

houses were erected in the lowland areas.<br />

Many <strong>of</strong> the stories and legends <strong>of</strong> that time attract visitors even today. <strong>The</strong> rich cultural heritage <strong>of</strong> this region provides visitors with<br />

countless possibilities.<br />

This thematic brochure gives an insight into the cultural history <strong>of</strong> <strong>Zagreb</strong> <strong>County</strong>: its sacral entities, castles, manor houses and cultural<br />

institutions. It also aims to stimulate guests to include some <strong>of</strong> the structures listed within in a future visit to and walk through <strong>Zagreb</strong><br />

<strong>County</strong>. A lively and interesting past awaits you!<br />

7


Dugo Selo<br />

8 Dugo Selo


Parish Church <strong>of</strong> St. Martin, Dugo Selo<br />

<strong>The</strong> church was erected in 1900, according to the designs by<br />

Herman Bollé. It was constructed in the neo-Gothic style, and due<br />

to its similarities to the <strong>Zagreb</strong> Cathedral, it is <strong>of</strong>ten called the “little<br />

cathedral”. <strong>The</strong> image <strong>of</strong> St. Martin is on the main altar, together with<br />

statues <strong>of</strong> St. Nicholas and St. Augustine. <strong>The</strong> four side altars are<br />

dedicated to St. Vitus, St. Joseph, the Mother <strong>of</strong> God and the Heart <strong>of</strong><br />

Jesus. All altars are constructed <strong>of</strong> wood. <strong>The</strong> interior is ornamented<br />

by stained glass windows by Josip Biffel, an academic painter, with<br />

motives <strong>of</strong> the annunciation, the birth <strong>of</strong> Jesus, the crucifixion, the<br />

resurrection and others. <strong>The</strong> two-tower organ is the work <strong>of</strong> master<br />

organ builders Heferer and Son who were from <strong>Zagreb</strong> – it originates<br />

from the turn <strong>of</strong> the 20th century. A large rosette window made <strong>of</strong><br />

colourful stained glass dominates between the two organ towers.<br />

Info: Dugo Selo parish <strong>of</strong>fice, tel: +385 1 2750 207<br />

<strong>The</strong> pipe organ, with 8 registers, 1 manual (keyboard) and pedal<br />

board, was built by the Heferer company in about 1900. <strong>The</strong> organ<br />

was restored in 1958 and received a pneumatic register. It is still in use.<br />

Church <strong>of</strong> St. Martin, Martin Breg<br />

<strong>The</strong> oldest visible aboveground remnants <strong>of</strong> the structure date back<br />

to the 16th century. It is assumed that an older Church <strong>of</strong> St. Martin<br />

stood at this location, and this church was first mentioned in 1209. It<br />

was owned by the order <strong>of</strong> the Templar knights. Already in the 13th<br />

century, the House <strong>of</strong> St. Martin, the seat <strong>of</strong> the Templar Preceptory,<br />

stood next to the church. Later, this was taken over by the knight’s<br />

order <strong>of</strong> the Iohannites. <strong>The</strong> most significant archaeological finding is<br />

that <strong>of</strong> the stone tombstones dating back to the 13th century.<br />

<strong>The</strong> sculpture <strong>of</strong> St. Martin, standing on a plateau in front <strong>of</strong> the<br />

church, is the work <strong>of</strong> Josip Cikač. Miniature copies are an <strong>of</strong>ficial<br />

souvenir <strong>of</strong> Dugo Selo.<br />

Info: Dugo Selo parish <strong>of</strong>fice, tel: +385 1 2750 207, Dugo Selo Tourist Board, tel: +385 1 2751<br />

404<br />

Dugo Selo 9


Ivanić-Grad<br />

Parish Church <strong>of</strong> St. Peter the Apostle, Ivanić-Grad<br />

<strong>The</strong> church was erected in 1831, at the site <strong>of</strong> the former wooden Chapel <strong>of</strong> St. John <strong>of</strong> Capistrano that stood within the fortress walls before it was<br />

destroyed during the Turkish wars. A report from the 17th century tells <strong>of</strong> its poor state at that time and it was finally torn down in 1775. <strong>The</strong> new<br />

parish church is a typical late Baroque structure <strong>of</strong> the Classicist style, richly ornamented with frescos on the arches and walls.<br />

<strong>The</strong> church interior was painted in the lavish Historicist style at the start <strong>of</strong> the 20th century by Leonardo Marotti. <strong>The</strong> paintings express the style <strong>of</strong><br />

that time, while also showing equal influence from the Gothic, Baroque, Rococo, Classicist and Jugendstil periods.<br />

Info: Ivanić-Grad parish <strong>of</strong>fice, tel: +385 1 2889 030<br />

<strong>The</strong> valuable pipe organ, with 14 registrars, 2 manuals and pedal, is the work <strong>of</strong> Antonin Mölzer from Kutna Hora. <strong>The</strong> organ is characterised by the<br />

lovely resonance with a strong, romantic s<strong>of</strong>tness.<br />

10 Ivanić-Grad


Čardak <strong>of</strong> the Vratarić-Sukner Family,<br />

Zaklepica, Posavski Bregi<br />

<strong>The</strong> čardak is the traditional wooden house style <strong>of</strong> this area.<br />

It was built in 1782 from hand carved oak plants joined in what<br />

is called the ‘Croatian corner’, with a massive river rock placed<br />

in the foundation. <strong>The</strong> čardak is owned by the Rukavina family<br />

and is one <strong>of</strong> Croatia’s oldest and best preserved examples <strong>of</strong><br />

traditional architecture.<br />

<strong>The</strong> interior <strong>of</strong> the čardak takes us back to the olden days,<br />

with its upper earthen floors, oven and the open hearth.<br />

Info: Josip Rukavina, tel: +385 1 2910 628<br />

Church <strong>of</strong> St. Maximilian, Posavski Bregi<br />

Construction <strong>of</strong> the church was completed in 1815. <strong>The</strong> church<br />

is large and the interior vaulted. <strong>The</strong> church inventory including<br />

the Classicist reliquary <strong>of</strong> St. Maximilian and the paintings on<br />

the vaults date back to the period <strong>of</strong> construction.<br />

Though the parish was established in 1790, the construction<br />

<strong>of</strong> the parish church did not begin until the early 19th century,<br />

under the supervision <strong>of</strong> <strong>Zagreb</strong> Bishop Maksimilijan Vrhovec.<br />

<strong>The</strong> church was consecrated to St. Maximilian. <strong>The</strong> church<br />

contains a valuable collection <strong>of</strong> altar linens, handmade and<br />

donated by parishioners.<br />

Info: Posavski Bregi parish <strong>of</strong>fice, tel: +385 1 2896 044<br />

Church <strong>of</strong> St. Nicholas, Dubrovčak Lijevi<br />

<strong>The</strong> church is situated near the Sava River and its façade faces<br />

the river. <strong>The</strong> church was erected in the 18th century and<br />

belongs to the late Baroque era, and has a central quatrefoil<br />

layout with a narrow rectangular sanctuary containing the<br />

sacristy and oratorium.<br />

<strong>The</strong> Church <strong>of</strong> St. Nicholas was the first brick church built in<br />

the parish that was founded in 1789, making this the oldest<br />

church in the Ivanić-grad region. It was restored in 1880, as<br />

seen by the inscription on the choir balcony. <strong>The</strong> church has a<br />

valuable collection <strong>of</strong> hand-woven linens.<br />

Info: Posavski Bregi parish <strong>of</strong>fice, tel: +385 1 2896 044<br />

Town Hall, Ivanić-Grad<br />

This building, bearing a stone engraving <strong>of</strong> the town coat <strong>of</strong> arms<br />

above the entrance, was constructed in 1889 and is a protected<br />

cultural monument.<br />

Ivanić-Grad 11


Jastrebarsko<br />

Erdödy Castle, Jastrebarsko<br />

Situated in the centre, the Erdödy castle is the oldest structure in town. It was erected at the end <strong>of</strong> the 15th century by Ban Matija<br />

Gereb and was in the possession <strong>of</strong> the Erdödy family from the early 16th century until 1922. Over time, additions were made to the<br />

castle, and the original rectangular structure was reinforced with two rounded towers. <strong>The</strong> inner courtyard is lined with arcades and<br />

Baroque pillars and has outstanding acoustics. <strong>The</strong> plaque to the left <strong>of</strong> the entrance was installed in 1592 by Ban Tomo Erdödy, son<br />

<strong>of</strong> the original owner Petar Erdödy, who held the estate from 1519 to 1567. <strong>The</strong> castle is surrounded by a lovely park, which today is a<br />

favourite promenade.<br />

Oršić Castle, Slavetić<br />

<strong>The</strong> castle <strong>of</strong> Count Oršić stands on the top <strong>of</strong> the hill opposite the Parish Church <strong>of</strong> St. Anthony the Hermit (1600), in the midst <strong>of</strong> the<br />

gentle, green Slavetić hills, with their colourful orchards, vineyards and flowery meadows. <strong>The</strong> old town was first mentioned in 1294<br />

as part <strong>of</strong> the Podgorje <strong>County</strong>. It later changed hands many times. <strong>The</strong> Oršić counts took over ownership in 1468 through until 1869,<br />

when it was taken over by Levin Rauch. It was originally constructed as a medieval burg, with a Gothic town core, defensive tower and<br />

palace. It underwent several adaptations from the 16<br />

12 Jastrebarsko<br />

th to 18th century, and was over time transformed into a spacious castle. Today, the<br />

castle is privately owned.


Zwilling Castle (Ribograd), Crna<br />

Mlaka<br />

It is situated in the midst <strong>of</strong> a wetland area that was<br />

turned into the Crna Mlaka fishpond in the early 20th<br />

century. In about 1905, Kornelius Zwilling took the<br />

estate under lease. In the period from 1914 to 1920, he<br />

built a complex <strong>of</strong> villas, gardens and accompanying<br />

structures after the designs <strong>of</strong> architect J. Deutsch<br />

(1917) in the late art deco style. Today, this castle stands<br />

at the centre <strong>of</strong> the Crna Mlaka Special Ornithological<br />

Reserve near Jastrebarsko.<br />

Church <strong>of</strong> the Blessed Virgin Mary <strong>of</strong><br />

Okić, Novo Selo Okićko<br />

<strong>The</strong> Okić parish was included on the list <strong>of</strong> parishes<br />

from 1334. <strong>The</strong> church underwent renovations<br />

throughout the entire 17th century, and the present<br />

day bell tower dates back to 1649. <strong>The</strong> outer courtyard<br />

walls, the portal bearing the Erdödy family coat <strong>of</strong> arms<br />

and the sculpture <strong>of</strong> the Blessed Virgin Mary with two<br />

angels were added in 1668. <strong>The</strong> portal is <strong>of</strong> exceptional<br />

value due to the sculpture positioned above the gable:<br />

two kneeling angels to the side and the figure <strong>of</strong> Mary<br />

standing on the Erdödy coat <strong>of</strong> arms in the middle,<br />

surrounded on the wall by painted heads <strong>of</strong> cherubs.<br />

<strong>The</strong> year 1691 is engraved on the portal. <strong>The</strong> style and<br />

high quality <strong>of</strong> the work suggests that this is the work<br />

<strong>of</strong> <strong>Zagreb</strong> sculptor Komersteiner.<br />

<strong>The</strong> church interior was completely renovated from<br />

1888 to 1890 according to the designs <strong>of</strong> August<br />

Posilović, and the walls were painted by Croatian<br />

painter Ferdo Quiquerez (Kikerec), the first Croatian<br />

realist. <strong>The</strong> Rococo style pulpit <strong>of</strong> the side nave was<br />

also installed and is painted (Christ the Shepherd),<br />

the organ dates back to the end <strong>of</strong> the 19th century.<br />

<strong>The</strong> late Renaissance free-standing stone holy water<br />

font and the walled holy water font ornamented with<br />

a flower petal and cross motif have been preserved.<br />

Info: Parish <strong>of</strong>fice, tel. + 385 1 6294 200, 6294 043<br />

Cistercian Convent, Jastrebarsko<br />

<strong>The</strong> original structure was a monastery used by<br />

the Dominicans in the 16 th century, though the last<br />

Dominican abandoned Jastrebarsko in 1575. <strong>The</strong><br />

monastery was taken over by Franciscan monks in<br />

1602. <strong>The</strong>y began construction <strong>of</strong> a new monastery in<br />

1704, in the early Baroque style. <strong>The</strong> new monastery<br />

included the original Dominican part <strong>of</strong> the church<br />

and monastery, and many traces <strong>of</strong> the original<br />

Gothic structure can still be seen in the walls <strong>of</strong> the<br />

church. <strong>The</strong> façade is simple, and the monastery has<br />

a rectangular layout with an internal courtyard and<br />

open arcade. <strong>The</strong> Church <strong>of</strong> the Blessed Virgin Mary<br />

was originally a Gothic structure, though only the<br />

Gothic window on the northern wall <strong>of</strong> the sanctuary<br />

and the rectangular shape <strong>of</strong> the sanctuary remain<br />

today. A Baroque adaptation in the early 18 th century<br />

resulted in an extension <strong>of</strong> the rectangular nave, and<br />

the installation <strong>of</strong> a choir at the western end. <strong>The</strong><br />

Chapel <strong>of</strong> Our Lady <strong>of</strong> the Scapular was built along the<br />

northern wall. <strong>The</strong> many exceptionally valuable details<br />

<strong>of</strong> sculpted works indicate the wealth <strong>of</strong> the patron <strong>of</strong><br />

the church and monastery, and the clear influence <strong>of</strong><br />

masters from Slovenia, where the Franciscan province<br />

was seated.<br />

Info: Convent, tel. +385 1 6282 110<br />

Jastrebarsko 13


14 Jastrebarsko<br />

Church <strong>of</strong> the Blessed Virgin Mary,<br />

Jastrebarsko<br />

Construction <strong>of</strong> the church was completed in 1747. <strong>The</strong> Baroque<br />

inventory from the 18th century includes the valuable main altar<br />

from 1733, the work <strong>of</strong> the Italian master Giovanni Rossa and<br />

made from marble; the side altars to St. Francis, St. Anthony, and<br />

Our Lady <strong>of</strong> the Scapular, the pulpit from the mid 18th century,<br />

and the statues <strong>of</strong> St. Valentine and the Whipped Christ from the<br />

early 20th century. <strong>The</strong> entire complex is one <strong>of</strong> the most valuable<br />

sacral complexes in northwestern Croatia, and had a significant<br />

influence on the later construction <strong>of</strong> sacral structures in the<br />

Jastrebarsko area. In the 1980s, the monastery was taken over by<br />

the nuns <strong>of</strong> the Cistercian Order (Catholic order, members <strong>of</strong> the<br />

Benedictines). <strong>The</strong> monastery library houses valuable books and<br />

old maps, and the collection <strong>of</strong> incunabula and its original printed<br />

works from before 1500, is particularly valuable.<br />

Info: Parish <strong>of</strong>fice, tel. + 385 1 6282 110<br />

Church <strong>of</strong> St. Peter, Petrovina<br />

<strong>The</strong> church is situated in the middle <strong>of</strong> the town. <strong>The</strong> parish in<br />

Petrovina was already included on the 1334 list <strong>of</strong> parishes. <strong>The</strong><br />

original medieval Gothic structure was adapted and renovated<br />

in the 17 th century when the church received its characteristic<br />

Baroque appearance.<br />

On the façade and in the interior one finds a series <strong>of</strong> fantastic<br />

stone sculpture details, from stone door and window frames to<br />

the engraved stone holy water font. <strong>The</strong> main neo-Gothic altar,<br />

dating back to the second half <strong>of</strong> the 19 th century, no longer stands<br />

in the church. It has been replaced by highly valuable late Gothic<br />

frescos from the 15 th century that were revealed, along with the<br />

Gothic window, during restoration works in the 1980s. <strong>The</strong> frescos<br />

depict motifs <strong>of</strong> the Passion <strong>of</strong> Christ, and are the only example <strong>of</strong><br />

their kind in northern Croatia. <strong>The</strong> altars consecrated to Michael<br />

the Archangel and the Sorrowful Madonna in the nave date back<br />

to the 17 th century and are among the loveliest Mannerist altars in<br />

northwestern Croatia. <strong>The</strong> church also contains the late Mannerist<br />

altar <strong>of</strong> St. Anthony at the side chapel (17/18 th century), the wooden<br />

pulpit and the organ from 1821.<br />

Info: parish <strong>of</strong>fice, tel. +385 1 6286 099<br />

Chapel <strong>of</strong> the Blessed Virgin Mary <strong>of</strong> the<br />

Snow, Volavje<br />

<strong>The</strong> chapel stands in the centre <strong>of</strong> the town, and is surrounded by<br />

walls containing a Baroque portal. <strong>The</strong> original chapel was built<br />

in the 15 th century, and the new church completed in 1704. <strong>The</strong><br />

bell tower dates back to the 17 th century, though it was extended<br />

in the 18 th century. <strong>The</strong> polygonal chapel east <strong>of</strong> the sanctuary<br />

was added in 1709, while the vestibule <strong>of</strong> the chapel was added<br />

south <strong>of</strong> the nave in 1732. <strong>The</strong> courtyard walls with portal were<br />

raised in 1741. Remnants <strong>of</strong> late medieval paintings have been<br />

found on the southern wall. <strong>The</strong> main, great altar <strong>of</strong> the Blessed<br />

Virgin Mary, in the early Baroque style, was created in 1706 in the<br />

Paulist workshop. <strong>The</strong> Mannerist side altar <strong>of</strong> St. Stephen (on the<br />

right) and the Magi (on the left) date back to the end <strong>of</strong> the 17 th<br />

century, while the two early Baroque side altars <strong>of</strong> the Immaculate<br />

Conception <strong>of</strong> the Blessed Virgin Mary (left) and St. John <strong>of</strong><br />

Nepomuk (right) date back to the early 18 th century. <strong>The</strong> organ<br />

is from 1785. <strong>The</strong> entire complex stands out due to the masterful<br />

detail <strong>of</strong> sculpture, and represents one <strong>of</strong> the most valuable<br />

monuments <strong>of</strong> sacral architecture in the Jastrebarsko area.<br />

Info: parish <strong>of</strong>fice, tel. +385 1 6286 099


Chapel <strong>of</strong> St. Francis Xavier, Plešivica<br />

Situated on a hill outside <strong>of</strong> the town core, it was constructed in the period from 1752–1757 at the site <strong>of</strong> an earlier chapel. <strong>The</strong> bell<br />

tower was added in 1822, and the chapel underwent restoration in 1847. A sculpture <strong>of</strong> St. Francis Xavier stands in the niche on the<br />

facade. Medallions <strong>of</strong> the evangelists adorn the pendentives. <strong>The</strong> preserved 18th century inventory includes the main altar with 4<br />

sculptures and the atectonic zone <strong>of</strong> the gable, the two side altars in the chapels and the pulpit.<br />

Info: Parish <strong>of</strong>fice, Church <strong>of</strong> St. George, tel. + 385 1 6293 127, 6281 756<br />

Church <strong>of</strong> St. Nikola, Jastrebarsko<br />

<strong>The</strong> Heferer organ, with 12 registers, 2 manuals and a pedal, dates back to 1894. <strong>The</strong> organ is a prized piece <strong>of</strong> domestic craftsmanship,<br />

and is well preserved.<br />

Info: Church <strong>of</strong> St. Nicholas, tel. +385 1 6281 756<br />

Jastrebarsko 15


Kloštar Ivanić<br />

16 Kloštar Ivanić


Franciscan Monastery and Church <strong>of</strong> St.<br />

John the Baptist, Kloštar Ivanić<br />

<strong>The</strong> church is a late Gothic structure completed in 1508,<br />

and made from stone blocks, and is the largest Gothic<br />

structure in northern Croatia. <strong>The</strong> church has a single nave<br />

and an extended sanctuary with a polygonal apse, and<br />

ornamentation <strong>of</strong> fauna.<br />

<strong>The</strong> massive bell tower was raised on the southern side <strong>of</strong><br />

the sanctuary and connects the church and the monastery.<br />

It was built in brick, unlike the remaining constructive and<br />

ornamental elements, which are all made <strong>of</strong> stone. <strong>The</strong><br />

façade is simple, and the coat <strong>of</strong> arms <strong>of</strong> Bishop Luka Baretin,<br />

who commissioned the construction <strong>of</strong> the church, adorns<br />

the keystone <strong>of</strong> the Renaissance portal. <strong>The</strong> bell tower dates<br />

back to the 16 th century, though it lost its original appearance<br />

in the Baroque restoration at the turn <strong>of</strong> the 18 th century.<br />

During the Turkish conquests, the church was torched.<br />

Restoration works began in 1677 when the vaults were<br />

restored, but were instead given the appearance <strong>of</strong> Baroque<br />

style barrel vaults. <strong>The</strong> façade is richly ornamented. In 1745, a<br />

crypt was constructed under the sanctuary and the old altars<br />

were replaced, with the exception <strong>of</strong> the main altar from<br />

1703 and the altar <strong>of</strong> the Holy Cross under the choir. <strong>The</strong><br />

new altars were consecrated to Our Lady <strong>of</strong> the Rosary, the<br />

14 Assistances, St. Francis and St. Anthony.<br />

<strong>The</strong> church was heavily damaged in World War II and left<br />

to deteriorate. Restoration works on its reconstruction and<br />

preservation began in the late 1980s. <strong>The</strong> inventory dates<br />

back to the 17 th and 18 th centuries, including the main altar<br />

and the four side altars by <strong>Zagreb</strong> sculptor Josip Weinacht.<br />

Virtually all the paintings and sculptures have been<br />

preserved and are stored in the gallery and the treasury <strong>of</strong><br />

the new Franciscan monastery and Parish Church in Kloštar<br />

Ivanić, opened in 1994. <strong>The</strong> pieces <strong>of</strong> the inventory yet to be<br />

restored are kept in the monastery.<br />

Construction <strong>of</strong> the old Franciscan monastery began in<br />

the early 16th century, and was completed in 1748. <strong>The</strong><br />

building took place in several phases, each <strong>of</strong> which left its<br />

mark on the monastery. <strong>The</strong> old rectory that stood at this<br />

site was incorporated into the monastery. <strong>The</strong> Franciscans<br />

abandoned the monastery in 1544 while fleeing from the<br />

Turks, and would only return again in 1639. During that<br />

period, it served as a military base for the Military Border. In<br />

1997, the Franciscans relocated to the new monastery built<br />

alongside the Parish Church <strong>of</strong> St. Mary, and handed over<br />

this structure to the Sisters <strong>of</strong> the Carmelite order, who have<br />

established the Carmel <strong>of</strong> the Holy Little <strong>The</strong>resa.<br />

Library <strong>of</strong> the Franciscan Monastery,<br />

Kloštar Ivanić<br />

<strong>The</strong> beginnings <strong>of</strong> the now very valuable library stretch back<br />

to 1639, when the Franciscans returned to Kloštar Ivanić. <strong>The</strong><br />

library is a truthful reflection <strong>of</strong> the work <strong>of</strong> the Franciscans<br />

in this area, as it is followed by expert literature. Today’s<br />

library has been completely catalogued. A symposium on the<br />

library was held in 1999, and symposium papers published in<br />

a volume entitled <strong>The</strong> Library <strong>of</strong> the Franciscan Monastery <strong>of</strong><br />

Kloštar Ivanić. Today, the library houses some 5000 volumes,<br />

including three incunabula (first prints), one <strong>of</strong> which is a<br />

very rare German publication. <strong>The</strong> library also houses about<br />

150 rare volumes in Croatia, and several hundred in foreign<br />

languages. <strong>The</strong> collection <strong>of</strong> pharmaceutical and medical<br />

literature is exceptional, as the Franciscans held the only<br />

apothecary in this region from 1728 to 1931, making it one<br />

<strong>of</strong> the oldest in Croatia. Today’s pharmacy in Kloštar Ivanić<br />

continues the activities <strong>of</strong> this same apothecary. Considering<br />

that the Franciscan library holds a collection <strong>of</strong> 42 books <strong>of</strong><br />

Kajkavian literature, this collection can rightfully be called<br />

Rara Kajkavaiana, as the Kajkavian works within a rare and<br />

very diverse.<br />

Kloštar Ivanić 17


Chapel <strong>of</strong> All Saints, Stara Marča<br />

<strong>The</strong> church has a rectangular nave, triangular apse and bell tower before the facade. It was constructed at the turn <strong>of</strong> the 20th century<br />

and contains an altar from the period <strong>of</strong> construction (Classicist style). It has recently been restored. <strong>The</strong> church stands next to the<br />

local cemetery.<br />

Marča Greek Catholic Eparchy<br />

<strong>The</strong> Holy Office, led by Pope Paul V discussed the issue <strong>of</strong> creating a union between the Holy See and the Marča Eparchy, and on 19<br />

November 1611, Cardinal Robert Belarmino issued a letter confirming that Simeon Vratanje had entered into a union with the Catholic<br />

Church, and the Pope recognized Simeon as the bishop for the all faithful <strong>of</strong> the Greek Catholic faith in Hungary, Slavonia, Croatia<br />

and as far as Kranj. On 21 November 1611, Pope Paul V issued the decree “Divinae Majestatis arbitrio” which canonically established<br />

the Marča monastery under the name St. Michael the Archangel. It was constructed at the site <strong>of</strong> the former Church <strong>of</strong> All Saints, and<br />

Bishop Simeon was appointed abbot.<br />

Parish Church <strong>of</strong> the Assumption <strong>of</strong> the Blessed Virgin Mary<br />

<strong>The</strong> church was already mentioned in the 13 th century, when it was part <strong>of</strong> a convent that was destroyed during the Tatar invasions,<br />

while the parish was included on the 1334 list <strong>of</strong> parishes. <strong>The</strong> church was given a Baroque appearance in 1759. <strong>The</strong> Baroque inventory<br />

has been completely preserved and restored, including the unique example <strong>of</strong> the ‘Lord’s tomb’ from 1692, designed in the form <strong>of</strong> a<br />

Baroque stage. <strong>The</strong> Baroque inventory dates back to the second half <strong>of</strong> the 18 th century, and consists <strong>of</strong> 8 altars: the main altar <strong>of</strong> the<br />

Assumption <strong>of</strong> the Blessed Virgin Mary (the work <strong>of</strong> Franjo Antun Straub), and the side altars <strong>of</strong> St. George, St. Joseph, the Epiphany,<br />

St. Barbara (Baroque master from the mid 18 th century), St. Anthony the Hermit, Our Lady <strong>of</strong> Sorrows and the Holy Cross. <strong>The</strong> church<br />

inventory also includes a valuable pulpit and throne <strong>of</strong> Our Lady with baldachin, the christening font with the sculpture <strong>of</strong> St. John,<br />

and a valuable organ from 1834 created by local master Pavao Pump. <strong>The</strong> stone statue <strong>of</strong> the Mother <strong>of</strong> God, bearing a pieta motif and<br />

containing many mysterious elements, is from an unknown period.<br />

Info: Parish <strong>of</strong>fice, tel. +385 1 2831 400<br />

18 Kloštar Ivanić


<strong>The</strong> organ is a mechanical system with wooden pipes,<br />

two manuals and one pedal, and is the work <strong>of</strong> reputed<br />

<strong>Zagreb</strong> organ builder Pavao Pump (19 th century). This<br />

is one <strong>of</strong> the largest organs in the Beidermayer style in<br />

Croatia. <strong>The</strong> organ was fully restored in 1988.<br />

Kloštar Ivanić 19


Krašić<br />

20 Krašić


Parish Church <strong>of</strong> the<br />

Most Holy Trinity,<br />

Krašić<br />

<strong>The</strong> church was included in the<br />

first list <strong>of</strong> parishes <strong>of</strong> the <strong>Zagreb</strong><br />

Diocese in 1334. Remnants <strong>of</strong><br />

the late Gothic structure, later<br />

remodelled to the Baroque style<br />

in 1759, are still evident in the<br />

sanctuary and netted vaults. <strong>The</strong><br />

main altar is consecrated to the<br />

Most Holy Trinity, the left altar to<br />

the Most Holy Heart <strong>of</strong> Jesus and<br />

the right altar to St. Barbara. A new<br />

altar, consecrated to the Blessed<br />

Alojzije Stepinac, was installed in<br />

2004 and, according to his own<br />

willing, the statue <strong>of</strong> Our Lady <strong>of</strong><br />

Lourdes <strong>of</strong> the Cave, the work <strong>of</strong><br />

sculptor Mila Wood, was installed.<br />

<strong>The</strong> ceiling paintings in the dome<br />

<strong>of</strong> the main nave in the sanctuary<br />

<strong>of</strong> the new church are the work <strong>of</strong><br />

painter Marko Rašica.<br />

<strong>The</strong> old Gothic church was<br />

renovated and expanded into a<br />

new central type space according<br />

to the designs <strong>of</strong> Stjepan Podhorski,<br />

an architect from the early 20th<br />

century.<br />

Info: Krašić parish <strong>of</strong>fice, tel. +385 1 6270 703<br />

<strong>The</strong> organ was constructed in 1892<br />

by Mijo Heferer. <strong>The</strong> organ has 8<br />

registers, 1 manual and pedal, and<br />

is a prized piece <strong>of</strong> the <strong>Zagreb</strong><br />

Heferer workshop.<br />

Parish Church <strong>of</strong> St.<br />

Sixtus, Pribić<br />

Erected at an early Christian site;<br />

according to some records, it was<br />

already built by 925. <strong>The</strong> medieval<br />

structure, covered subtly by the<br />

Baroque vaults with arches, can still<br />

be felt in the restored church.<br />

<strong>The</strong> church is one <strong>of</strong> the oldest<br />

sacral structures that belonged to<br />

the <strong>Zagreb</strong> Kaptol. Archdeacon<br />

Ivan Gorički mentioned the church<br />

in the list <strong>of</strong> parish churches <strong>of</strong><br />

1334. It was torched in the Turkish<br />

conquests in 1643. <strong>The</strong> exterior<br />

exudes a medieval feeling. <strong>The</strong><br />

church is marked by the polygonal<br />

bell-tower that, despite its more<br />

recent construction in 1653, repeats<br />

the characteristic shapes <strong>of</strong> the<br />

medieval structure. In 1732, the side<br />

Chapel <strong>of</strong> Our Lady was added and<br />

fully completed in 1759.<br />

Pribić is the birthplace <strong>of</strong> Cardinal<br />

Franjo Kuharić, and this is the<br />

church where he practiced his faith.<br />

Info: Parish priest Stjepan Dijaneš, tel. +385 1<br />

6270 080<br />

Krašić 21


Church <strong>of</strong> Our Lady <strong>of</strong> Dol, Dol<br />

<strong>The</strong> church was erected by patron <strong>of</strong> the Pribić parish, Petar Zrinski, on the Zrinski lands. Since 1668, this church has been listed among<br />

the canonical visitations. In 1740, parish priest Miha Šegina began the construction <strong>of</strong> today’s church.<br />

<strong>The</strong> Baroque altar was erected in 1753, bearing the statue <strong>of</strong> the Madonna with Child, from the old church inventory. <strong>The</strong> main altar<br />

and side chapels (1767) were created by an unknown travelling master. <strong>The</strong> altars and Rococo pulpit (1767) are among Croatia’s most<br />

valuable church inventory <strong>of</strong> the 18th century. <strong>The</strong> wall paintings are particularly charming; they illustrate the tales <strong>of</strong> Mary’s miracles,<br />

set in scenes <strong>of</strong> the everyday life <strong>of</strong> the people <strong>of</strong> the day, at work or at rest, in the clothing <strong>of</strong> the time. Scenes from the life <strong>of</strong> St. Isidore<br />

and St. Notburga are depicted on the folk costumes.<br />

As a child, Alojzije Stepinac made pilgrimages to this sanctuary with his mother Barbara; this was also a favourite church <strong>of</strong> Cardinal<br />

Franjo Kuharić.<br />

Info: Parish priest Stjepan Dijaneš, tel. +385 1 6270 080<br />

<strong>The</strong> organ has six registers, without a pedal, and uses a perforated mechanism. It was built by Celje master Antun Scholz in about 1782.<br />

<strong>The</strong> instrument was successfully restored in the Heferer workshop. With its exceptional Rococo organ case, it is one <strong>of</strong> the loveliest<br />

organs <strong>of</strong> the 18th century.<br />

Greek Catholic Church <strong>of</strong> the Annunciation <strong>of</strong> Mary, Strmec Pribićki<br />

This neo-Byzantine church, constructed in 1911, was commissioned by Bishop Julije Drohobecky and built on the designs <strong>of</strong> Stjepan<br />

Podhorski. <strong>The</strong> Baroque manor <strong>of</strong> the Greek Catholic bishopric and the church form a harmonious entity that blends in beautifully with<br />

the landscape. <strong>The</strong> central structure is covered with a dome, and the interior is fantastically adorned.<br />

Strmec Pribićki was first mentioned as an estate in 1441. For a time, it was under the possession <strong>of</strong> Ban Petar Zrinski, and later was<br />

purchased by the Marča Greek Catholic Bishop Pavao Zorčić in 1682.<br />

In 1942, a Greek Catholic parish was established here. In commemoration <strong>of</strong> the signing <strong>of</strong> the Marča Treaty in 1611, uniting the<br />

Christians <strong>of</strong> the Eastern-Rites with the Catholic Church, this Greek Catholic church consecrated to the Annunciation <strong>of</strong> Mary was<br />

erected on this small, artificial island.<br />

Complex <strong>of</strong> the Greek Catholic Rectory,<br />

Strmec Pribički<br />

<strong>The</strong> estate <strong>of</strong> the Greek Catholic Eparchy has stood at the<br />

southern gates to the Žumberak region, along the road from<br />

Krašić to Pribić since 1678. <strong>The</strong> estate includes a Baroque<br />

castle with portal from 1751 that houses the rectory, which<br />

was adapted in 1910 according to designs by the architect<br />

Podhorski. At this time, the chapel was also added. <strong>The</strong> entire<br />

complex, with the castle, includes the single-story outbuilding<br />

with its steep ro<strong>of</strong>, the old residential building (manor style)<br />

and the Greek Catholic Church <strong>of</strong> the Annunciation <strong>of</strong> Mary,<br />

situated on a small island in the midst <strong>of</strong> the park. <strong>The</strong> church<br />

was built in 1911 in the neo-Byzantine style. <strong>The</strong> complex as a<br />

whole has great historical, artistic and ambient value.<br />

Info: Krašić Tourist Board, tel. +385 1 6270 910<br />

22 Krašić


Krašić 23


Križ<br />

Church <strong>of</strong> the Raising <strong>of</strong> the Holy Cross, Križ<br />

<strong>The</strong> name <strong>of</strong> this church was first recorded in 1120, when the Templars built the wooden Church <strong>of</strong> the Holy Cross on the lands <strong>of</strong> the<br />

<strong>Zagreb</strong> bishops. <strong>The</strong> parish was included in the 1334 list <strong>of</strong> parishes.<br />

<strong>The</strong> single nave church was originally Gothic in style, but later received a Baroque appearance. It has a narrow rectangular sanctuary<br />

and polygonal apse, sacristy and bell tower on the northern wall <strong>of</strong> the nave and sanctuary. <strong>The</strong> medieval elements were retained in<br />

the buttresses that following the exterior <strong>of</strong> the church, while the lower level <strong>of</strong> the bell tower retained the appearance <strong>of</strong> a defensive<br />

tower. <strong>The</strong> sanctuary was vaulted in the Baroque style in 1693, while restoration works in 1729 added vaulting in the nave. <strong>The</strong> Baroque<br />

inventory from the early 18th century has been preserved, including the large main altar with the collection <strong>of</strong> the crucifixion and 4<br />

sculptures in the upper and 6 in the lower zone from 1720, in the early Baroque style, which was the work <strong>of</strong> the Paulist workshop. Also<br />

preserved is the right altar <strong>of</strong> St. Rocco, with 3 large and 4 small sculptures (1761), the left altar <strong>of</strong> St. Anthony, with 3 large and 4 small<br />

sculptures (1761), pulpit with wooden relief and sculptures, and the organ with 3 figures <strong>of</strong> angels.<br />

Info: Parish <strong>of</strong>fice, tel. + 385 1 2824 747<br />

24 Križ


Križ 25


Pisarovina<br />

26 Pisarovina


Parish Church <strong>of</strong> St. Martin,<br />

Jamnica Pisarovinska<br />

This is the oldest church in the area as it was<br />

first mentioned in 1610. It received its present<br />

day appearance in 1761. It was built on a hill<br />

and dominates the landscape.<br />

Info: Donja Kupčina parish <strong>of</strong>fice, tel. +385 1 6292 011<br />

Chapel <strong>of</strong> the Holy Trinity,<br />

Dvoranci<br />

First mentioned in 1871, the chapel is<br />

characterised by its wooden Baroque<br />

construction. It was completed in 1893, when<br />

it received its present day appearance.<br />

Info: Donja Kupčina parish <strong>of</strong>fice, tel. +385 1 6292 011<br />

Pisarovina 27


Chapel <strong>of</strong> St. Leonard, Gradec Pokupski<br />

Constructed in 1922 in the traditional wooden architectural style, the church is dominated by the altars <strong>of</strong> St. Leonard, the patron saint<br />

<strong>of</strong> livestock breeders, St. Nicholas and St. Nikola Tavelić.<br />

Info: Lasinja parish <strong>of</strong>fice, tel. +385 47 884 277<br />

Church <strong>of</strong> St. Mary Magdalene, Donja Kupčina<br />

Mentioned as early as 1566, the construction <strong>of</strong> this Baroque church was completed in 1672, when it received its present day appearance.<br />

It suffered heavy damage from shelling during the Homeland War, and was completely renovated in 2007. <strong>The</strong> church inventory<br />

includes a valuable monstrance that is more than 300 years old.<br />

Info: Donja Kupčina parish <strong>of</strong>fice, tel. +385 1 6292 011<br />

28 Pisarovina


Pisarovina 29


Samobor<br />

30 Samobor


Samobor Old Town<br />

<strong>The</strong> Old Town was raised at a crossroad in the<br />

northwestern corner <strong>of</strong> the Sava River Valley in about<br />

1260. Early rulers were the Babonić family, followed by<br />

the Hungaro-Croatian King. In the early 15th century,<br />

it came under the Celje knights, and in the early 16th<br />

century, into the possession <strong>of</strong> the Frankopan family.<br />

It was also owned by the Erdödy and Kulmer families,<br />

and its last owner was Montecuccoli.<br />

<strong>The</strong> oldest structure <strong>of</strong> the burg is the defensive<br />

tower from the 13th century, a slender and well built<br />

structure, likely the strongest <strong>of</strong> the entire complex;<br />

that includes a palace, tower with chapel, two battery<br />

towers, a courtyard, a substructure with a pentagonal<br />

bastion and palace called “Ajtić’s house”. Today, due to<br />

its position above the main town square, overlooking<br />

the houses below like a memento <strong>of</strong> the past, this<br />

picturesque ruin <strong>of</strong> a citadel/burg over Samobor<br />

contributes to the overall beauty <strong>of</strong> the town.<br />

Okić Old Town, Podgrađe<br />

Podokićko<br />

<strong>The</strong> Old Town has a specific position, at the very top<br />

<strong>of</strong> a steep hill. Okić was first mentioned in 1193, and<br />

its first known owner was Jaroslav, as mentioned in<br />

a document from 1217. In the 14th century, Okić<br />

was made up <strong>of</strong> two distinctive burgs and a chapel.<br />

Several stages <strong>of</strong> construction and the high quality<br />

Romanesque masonry are evident on the walls <strong>of</strong> the<br />

burgs. Stone details include windows, staircases and<br />

loopholes.<br />

Tuščak, Kravljak<br />

Situated on the top <strong>of</strong> a long, narrow ridge <strong>of</strong> the<br />

eastern slopes <strong>of</strong> Žumberačka gora, near the village<br />

<strong>of</strong> Kravljak. In the 12th century, the border between<br />

Slavonia (Hungary) and Germany passed along the<br />

top <strong>of</strong> Žumberačka gora, and the Tuščak burg was<br />

on the German side and in the possession <strong>of</strong> the<br />

Spanheim counts. With its position, it served to<br />

defend the borders. This is a good example <strong>of</strong> an<br />

axial burg, regardless <strong>of</strong> the fact that it consisted <strong>of</strong><br />

only two walled structures.<br />

Lipovec, Mali Lipovec<br />

Situated at the peak <strong>of</strong> a cone-shaped hill, just<br />

west <strong>of</strong> Samobor, near to the Šoić House and the<br />

peak <strong>of</strong> Oštrc. Ivan, son <strong>of</strong> Jaroslav <strong>of</strong> Okić received<br />

permission to build the Lipovec castrum from King<br />

Bela IV in 1251. Later, it was purchased by the Babonić<br />

knights, and in 1349 it was taken over by Nikola Seč,<br />

and later by Martin Frankopan. It was constructed<br />

on the edge <strong>of</strong> a very high cliff, thus making it less<br />

accessible to invaders. <strong>The</strong> Lipovec Burg was likely<br />

abandoned during the 17th century, as it no longer<br />

served a defensive purpose and was not suitable for<br />

comfortable living.<br />

Samobor 31


Parish Church <strong>of</strong> St. Anastasia, Samobor<br />

<strong>The</strong> church was constructed from 1671–1675 by Hans Allio from Celje, who freely combined<br />

stylist elements from the Gothic to the Baroque.<br />

<strong>The</strong> wall murals were painted in 1897 by Marko Antonini. <strong>The</strong> church contains seven altars<br />

and inventory from the end <strong>of</strong> the 19th century. <strong>The</strong> stained glass windows date back to<br />

the early 20th century. <strong>The</strong> church is a rare and interesting structure in the Mannerist style.<br />

<strong>The</strong> parish church was first mentioned with this name in 1334. Today’s structure was<br />

modelled after the Jesuit Church <strong>of</strong> St. Catharine in <strong>Zagreb</strong>. <strong>The</strong> layout repeats the typical<br />

Jesuit structure, with a characteristic single open space. <strong>The</strong> main area expands outwards,<br />

and the sides are transformed into a series <strong>of</strong> chapels.<br />

Info: parish <strong>of</strong>fice, tel. +385 1 3360 082, Samobor Tourist Board, tel. +385 1 3360 044<br />

Chapel <strong>of</strong> St. Michael, Taborec<br />

32 Samobor<br />

<strong>The</strong> chapel stands in the settlement <strong>of</strong> Taborec on the slope <strong>of</strong> the Tepec hill, just<br />

under the Samobor Old Town. <strong>The</strong> chapel was originally a medieval structure, one<br />

<strong>of</strong> the oldest in the Samobor region, which was later given a Baroque appearance.<br />

It was erected in the 16th century, and later adapted and restored by the end <strong>of</strong> the<br />

17th century.<br />

<strong>The</strong> land the chapel was built on was partially levelled and walled. On the western<br />

side, it is fenced by a stone wall with stone entrance portal with wrought iron gates.<br />

A choir was installed in the western part <strong>of</strong> the nave, and is accessed from the<br />

exterior, from a path at the same height <strong>of</strong> the choir, via a covered bridge. Several<br />

Gothic elements have been preserved inside the church, including the body and<br />

layout, the pr<strong>of</strong>iled stone door and window frames, boxes and other details.<br />

During the Baroque renovations, the valuable Baroque main altar and two side altars<br />

were added. A stone tombstone, with a relief depicting the Crucifixion from 1589,<br />

was installed on the southern wall <strong>of</strong> the sanctuary. <strong>The</strong> chapel is an exceptional<br />

example <strong>of</strong> Gothic sacral architecture, as only a few have been preserved in the<br />

Samobor area. Later renovations gave it a Baroque appearance.<br />

Info: Church <strong>of</strong> St. Anastasia parish <strong>of</strong>fice, tel. + 385 1 3360 082


Church <strong>of</strong> the Assumption <strong>of</strong> the Blessed Virgin<br />

Mary and Franciscan Monastery, Samobor<br />

Erected at the site <strong>of</strong> the older Church <strong>of</strong> Our Lady <strong>of</strong> Mercy in the<br />

field, legend has it that the original church was built by King Bela IV in<br />

the 13 th century. Recent archaeological studies have shown that today’s<br />

church contains part <strong>of</strong> the structure <strong>of</strong> the medieval construction.<br />

<strong>The</strong> present day Baroque monastery was completed in 1721, and the<br />

church in 1733. <strong>The</strong> surrounding grounds are spacious, including three<br />

large plots with gardens, orchards and grasslands.<br />

<strong>The</strong> monastery is a single-storey four-wing structure with an internal<br />

courtyard containing a garden and a well from 1717. <strong>The</strong> church<br />

interior is richly ornamented. <strong>The</strong> apse features a luxurious Illusionist<br />

style fresco <strong>of</strong> the Assumption <strong>of</strong> Mary which was painted above the<br />

main altar by Franc Jelovšek in 1752.<br />

<strong>The</strong> side chapels include lavish Baroque altars and the altar pale by<br />

V. Metzinger from 1735, and is complemented by the Baroque pulpit.<br />

<strong>The</strong> monastery includes a valuable collection <strong>of</strong> Baroque paintings and<br />

church dishes, and a particularly valuable library, with many books<br />

from the 16–19 th century.<br />

<strong>The</strong> Franciscan monastery and church is an important Baroque<br />

architectural complex from the early 18 th century. In terms <strong>of</strong> its<br />

architectural and aesthetic values, level <strong>of</strong> preservation, the diverse and<br />

valuable inventory, this complex is one <strong>of</strong> the most important cultural<br />

monuments in Samobor. <strong>The</strong> monastery houses a very valuable library,<br />

including three incunabula.<br />

Info: parish <strong>of</strong>fice: tel. +385 1 3360 810<br />

Samobor 33


Franciscan Monastery and Parish Church <strong>of</strong> St. Leonard, Kotari<br />

34 Samobor<br />

Parish Church <strong>of</strong><br />

St. Martin, Sveti<br />

Martin pod Okićem<br />

<strong>The</strong> original organ was first<br />

mentioned in 1745, while the<br />

present day organ, the work<br />

<strong>of</strong> the Heferer company,<br />

dates back to 1886. It has 6<br />

registers, 1 manual and pedal,<br />

and has since undergone<br />

restoration several times. <strong>The</strong><br />

organ is electrified and is still<br />

in use to day, and <strong>of</strong>ten serves<br />

as a concert accompaniment.<br />

Info: parish <strong>of</strong>fice, tel: +385 1 3382 161,<br />

www.zupa-svetimartin.hr<br />

<strong>The</strong> monastery stands below the village, near the road Samobor – Jastrebarsko. Legend has it that Ban Petar Erdödy built a votive chapel<br />

in 1528 at the site <strong>of</strong> an apparition, and the monastery was built in 1683. A new, square monastery building with a central courtyard<br />

and well was built at the end <strong>of</strong> the 17 th century. <strong>The</strong> church was restored and enlarged in 1733, when it took on the role <strong>of</strong> the parish<br />

church. A school was opened within the monastery in 1775, though the monastery would be terminated and abandoned in 1789. <strong>The</strong><br />

parish continued to be led by the Diocesan priests, though the monastery was neglected and over time, three <strong>of</strong> its wings caved in. In<br />

1964, the parish and remaining monastery wing were returned to the Franciscan-Glagolitic priests. <strong>The</strong> unique complex <strong>of</strong> the former<br />

Franciscan church and monastery consists <strong>of</strong> the church and remaining monastery wing, which is a single-storey structure with an<br />

L-shaped layout that is connected to the church.<br />

A wall mural <strong>of</strong> St. Francis adorns the eastern façade <strong>of</strong> the monastery, while the coats <strong>of</strong> arms <strong>of</strong> the Erdödy family are found above<br />

the entrance and above the arch <strong>of</strong> the arcades.<br />

<strong>The</strong> church is a single nave structure, with a narrow, rectangular sanctuary and a bell tower west <strong>of</strong> the nave. <strong>The</strong> church includes<br />

exceptionally valuable inventory, such as the main altar <strong>of</strong> St. Leonard (1741), which is large and richly formed, with a sculptural group<br />

<strong>of</strong> the Virgin with Christ on the gable, the side altars <strong>of</strong> St. Francis and St. Anthony with a triumphant arch (1743) and two statues <strong>of</strong><br />

saints, the two side altars <strong>of</strong> the Virgin Mary and St. Joseph are on the northern and southern sides <strong>of</strong> the nave (1746), the painted pulpit<br />

(18 th c.), the antependium with the altar <strong>of</strong> the Immaculate (18 th c.), and four paintings in the sanctuary, the painting <strong>of</strong> St. Gregory (17 th<br />

c.) and the painting <strong>of</strong> St. Anthony <strong>of</strong> Padua (1732). <strong>The</strong> monastery also houses a very valuable library.<br />

Info: Kotari parish <strong>of</strong>fice, tel. + 385 1 3381 518


Church <strong>of</strong> the Assumption <strong>of</strong> the<br />

Blessed Virgin Mary, Samobor<br />

<strong>The</strong> organ has 16 registers, two manuals and a pedal, and<br />

uses a mechanical system with trackers. Master Antun<br />

Weiner reported that he built the organ in 1738. He was<br />

trained in Graz, in the workshop <strong>of</strong> the reputed organ<br />

builder K. Mittereitter. After the Paulist organ in Lepoglava,<br />

Weiner’s piece is the most valuable musical instrument<br />

in northern Croatia, and only one <strong>of</strong> a few from the early<br />

18th century. It has been preserved, virtually in its original<br />

state and still possesses excellent phonic qualities. <strong>The</strong><br />

organ case is also a masterpiece <strong>of</strong> carpentry. It is built into<br />

a single block, together with the positive, into the choir<br />

balcony.<br />

Info: parish <strong>of</strong>fice, tel. + 385 1 3360 810<br />

Parish Church <strong>of</strong> St. Leonard, Kotari<br />

A record in the monastery Diarium states that the organ<br />

positive was obtained in 1742, but without mention <strong>of</strong> the<br />

artist or place from which it was acquired. <strong>The</strong> instrument<br />

is a late Baroque work <strong>of</strong> art, with great historical and<br />

museum value. <strong>The</strong> positive is a mechanical system with<br />

trackers and perforated panels, and there are 7 registers<br />

and one manual. <strong>The</strong> positive is particularly interesting in<br />

the sense <strong>of</strong> the musical system due to the Mixtura register,<br />

the only one <strong>of</strong> its kind in Croatia. <strong>The</strong> organ case <strong>of</strong> the<br />

positive is also one <strong>of</strong> the most precious woodcarving<br />

accomplishments in Croatia. <strong>The</strong> positive was restored by<br />

the Faulend-Heferer company in 1992.<br />

Info: parish <strong>of</strong>fice, tel. + 385 1 3381 518<br />

Church <strong>of</strong> St. John the Evangelist, Cerje<br />

This organ, with 1 manual and pedal, was created in the<br />

Heferer workshop in 1893. It is a high quality piece by the<br />

domestic masters, and has been well preserved.<br />

Info: Church <strong>of</strong> St. John the Evangelist, tel. + 385 1 2046 806<br />

Samobor 35


Sv. Ivan Zelina<br />

36 Sv. Ivan Zelina


Church <strong>of</strong> the Holy Three Kings,<br />

Komin<br />

Constructed in the mid 17th century and<br />

consecrated by Bishop Martin Borković in 1669.<br />

<strong>The</strong> church interior is richly ornamented and<br />

represents a pearl <strong>of</strong> Baroque architecture. This<br />

is one <strong>of</strong> the rare churches in which the entire<br />

interior is covered with frescos and mouldings,<br />

with female and male figures as allegories <strong>of</strong><br />

the gifts <strong>of</strong> the Holy Spirit, and an abundance<br />

<strong>of</strong> lovely Rococo ornamentation and flowers.<br />

According to the information available, the<br />

frescos were likely to have been painted by<br />

Antun Archer in the 18th century. <strong>The</strong> church is<br />

dominated by the main altar <strong>of</strong> the Three Holy<br />

Kings, with the altar painting <strong>of</strong> the Homage<br />

<strong>of</strong> the Kings (1729), which originates from the<br />

workshop <strong>of</strong> Bishop Branjug. <strong>The</strong> altar <strong>of</strong> St.<br />

Elizabeth is particularly lovely.<br />

<strong>The</strong> church is surrounded by a walled arcade<br />

which provides shelter for pilgrims. <strong>The</strong> church<br />

stands in a lovely position over the road for<br />

Varaždin, and dominates the landscape.<br />

Info: Bisag parish <strong>of</strong>fice, tel. +385 42 616 225<br />

Sv. Ivan Zelina 37


38 Sv. Ivan Zelina


Chapel <strong>of</strong> the Holy Three Kings, Komin<br />

<strong>The</strong> church complex surrounded by a walled arcade was<br />

built during the 18th century, and during the traditional<br />

feast days was a place <strong>of</strong> pilgrimage. <strong>The</strong> monstrance is a<br />

very valuable artefact. On the exterior wall <strong>of</strong> the chapel<br />

is a small, closed altar with a relief depicting a kneeling<br />

peasant with hands folded in prayer, a dish with money, and<br />

the date 1710 and initials. <strong>The</strong> peasant in the relief is a man<br />

named Prevarek who had found a bowl with Roman money<br />

while ploughing the fields with his oxen. When the plough<br />

struck something hard, the oxen were frightened and ran<br />

away, and the surprised peasant kneeled on the ground and<br />

made a vow to God, that if nothing happened to his oxen<br />

he would build a chapel. When the event ended happily,<br />

the peasant kept his promise. Church feasts are held in the<br />

chapels on the feast day <strong>of</strong> the Nativity <strong>of</strong> the Virgin Mary,<br />

and on the feast <strong>of</strong> the Holy Three Kings (Epiphany), to<br />

whom the chapel was consecrated.<br />

Sv. Ivan Zelina 39


Chapel <strong>of</strong> St. Peter, Novo Mjesto<br />

<strong>The</strong> chapel was built in the late 13th century. In terms<br />

<strong>of</strong> style, the chapel is predominantly Romanesque with<br />

some Gothic elements. It was mentioned in the 1501 list<br />

<strong>of</strong> parish churches, though the parish was soon afterwards<br />

extinguished due to Turkish attacks. <strong>The</strong> chapel was likely<br />

a church <strong>of</strong> the court. This is a very reasonable assumption,<br />

given that the chapel had a gallery from which the<br />

aristocrats could partake in the service to God. Medieval<br />

frescos from the 14th century have been preserved in the<br />

church.<br />

Info: Sveti Ivan Zelina parish <strong>of</strong>fice, tel. +385 1 2060 878<br />

40 Sv. Ivan Zelina


Sv. Ivan Zelina 41


Zelingrad, Zelinska gora<br />

<strong>The</strong> medieval city <strong>of</strong> Zelingrad stands on a ridge along the forest road through the Zelinska gora hills, near the mountain hut at<br />

Kladeščica. It was first mentioned in the records in 1295, when Ivan, son <strong>of</strong> the Palatin Dionysius, gave the land as a gift to Nespeš Pavao<br />

and the son <strong>of</strong> his brother Fabijan as a reward for their loyal service. Throughout history, it had changed hands many times, though the<br />

most important to own it were the Bychkele family, Zapolja family, Petar Palffy and Pavao Kerečani. It was mentioned as ruins already<br />

in 1635. <strong>The</strong> complex <strong>of</strong> urban elements was encircled by defensive walls. On the northern side was a circular defensive half-tower,<br />

with the entrance gates on the northwestern side <strong>of</strong> the half-tower. On the southwestern side is a strong polygonal structure, with a<br />

southern defensive wall leading to a half-tower in the southeast. <strong>The</strong> interior is divided into two parts: the northern residential part<br />

consisting <strong>of</strong> two segments, and the southern part which was the interior courtyard.<br />

Today, it is under the ownership and management <strong>of</strong> the Sveti Ivan Zelina Museum<br />

42 Sv. Ivan Zelina


Church <strong>of</strong> John the Baptist, Sveti Ivan Zelina<br />

<strong>The</strong> church was first mentioned in 1200, when Zelina was under the <strong>Zagreb</strong><br />

Diocese. Virtually all its medieval elements disappeared in the many adaptations<br />

made to the church. It was expanded in the Baroque style in 1720. <strong>The</strong> Baroque<br />

pulpit (1726) and Rococo christening font (1761) have been preserved from this<br />

period.<br />

During the Middle Ages, the church was mentioned under the name St. John<br />

<strong>of</strong> Moravec. It is listed among the parishes in 1334 and 1501. <strong>The</strong> church,<br />

in its present day appearance, was consecrated in 1803 by <strong>Zagreb</strong> Bishop<br />

Maksimilijan Vrhovec. <strong>The</strong> Blessed Alojzije Stepinac was parish priest here<br />

in 1933. <strong>The</strong> rectory houses an exceptionally valuable old library, which<br />

includes several books considered to be the foundation <strong>of</strong> Croatian publishing<br />

(Belostenec, Mulih, Katarina Zrinska and others).<br />

Info: Sv. Ivan Zelina parish <strong>of</strong>fice, tel. +385 1 2060 878<br />

Sv. Ivan Zelina 43


Church <strong>of</strong> St. Nicholas, Donja Zelina<br />

Organ with 8 registers, 1 manual and pedal was built by Josip Brandl<br />

from Maribor in 1908. Unfortunately, the instrument has been<br />

neglected and is not in use.<br />

Info: church, tel. +385 1 2065 143<br />

44 Sv. Ivan Zelina


Parish Church <strong>of</strong> All Saints, Bedenica<br />

Mentioned in the historical documents in 1334, the church was erected at an important<br />

strategic position. During the Turkish conquests in this region, the church was fortified<br />

with exceptionally thick walls. <strong>The</strong> Gothic arches and Romanesque oculus window in the<br />

sanctuary were preserved. At the turn <strong>of</strong> the 14th century, a late Renaissance bell tower<br />

was added to the front, with the entrance to the church passing through the tower.<br />

Info: Bedenica parish <strong>of</strong>fice, tel. +385 1 2064 086<br />

Sv. Ivan Zelina 45


Sveta Nedelja


Chapel <strong>of</strong> St. Mary Magdalena,<br />

Mala Gorica<br />

Constructed in the mid 18th century at the site<br />

<strong>of</strong> an earlier wooden chapel from the mid 17th<br />

century, this Baroque structure has a quatrefoil<br />

layout and a narrow sanctuary ending in an apse.<br />

A small bell tower stands above the main facade.<br />

<strong>The</strong> main altar, originating from the old parish<br />

church in Sveta Nedelja from 1600, is <strong>of</strong> significant<br />

value. This altar represents the only preserved<br />

altar from that period in the area: wooden, two<br />

stories high, gold plated and polychromatic, with<br />

five sculptures, an altar pale and a painting <strong>of</strong> the<br />

Blessed Virgin Mary.<br />

Info: Sveta Nedelja parish <strong>of</strong>fice, tel. +385 1 3370 755<br />

Erdödy Castle in Kerestinec<br />

<strong>The</strong> Kerestinec Castle is a monument <strong>of</strong> the first category. Its construction was started by the Erdödy family in 1576. In its original from,<br />

it was a typical Renaissance castle with four corner towers and four wings with open arcades bordering a square courtyard. It received<br />

its present day Baroque appearance and structure in restoration works during the 18th century. Significant construction works were<br />

carried out in the early 20th century with the addition <strong>of</strong> the southern wing and in the park around the castle.<br />

Sveta Nedelja 47


Chapel <strong>of</strong> St. Rocco, Sveta Nedelja<br />

<strong>The</strong> Chapel <strong>of</strong> St. Rocco, constructed in 1728, is a valuable example <strong>of</strong> a harmonious Baroque<br />

structure with a rectangular layout and sanctuary and a small bell tower above the facade.<br />

All the facades <strong>of</strong> the chapel are decorated with thin white trimming and a simply pr<strong>of</strong>iled<br />

wreath. <strong>The</strong> chapel’s greatest feature is the impressively restored Baroque altar <strong>of</strong> St. Rocco<br />

from 1751, covering the entire wall <strong>of</strong> the sanctuary. Also <strong>of</strong> great value is the pulpit and<br />

organ.<br />

Info: Sveta Nedelja parish <strong>of</strong>fice, tel. +385 1 3370 755<br />

<strong>The</strong> organ, which has a positive with 7 registers, 1 manual and no pedal, was built by well<br />

known Slovenian organ builder Antun Scholz in 1799. <strong>The</strong> original note bares his name,<br />

stating Burgl. Orgelbauer in Cilli, has been preserved on the pipes. This masterpiece has<br />

been preserved in is original state, and is phonically complete. <strong>The</strong> scale <strong>of</strong> the manual is<br />

C/E - c3. <strong>The</strong> console is built into the back <strong>of</strong> the organ, while a small window allows the<br />

musician to view the altar. <strong>The</strong> housing is built into the choir balcony. <strong>The</strong> primary elements<br />

<strong>of</strong> this artistically valuable organ case are the architecturally harmonious, rhythmic facade<br />

and subtle decorations. Two slender side towers with triangular bases close the narrow<br />

coupler. <strong>The</strong> magnificently carved curtains over the opening <strong>of</strong> the registers attract particular<br />

attention.<br />

48 Sveta Nedelja


Parish Church <strong>of</strong> the Most Holy Trinity, Sveta<br />

Nedelja<br />

<strong>The</strong> church was constructed in the period from 1768 to 1786 and is a<br />

significant example <strong>of</strong> the late Baroque style. This is a single nave structure<br />

with a rectangular layout, with an apse termination and side bell tower on<br />

the main facade.<br />

<strong>The</strong> dome is vaulted and its interior is decorated with ornamented stucco<br />

mouldings. <strong>The</strong> church inventory includes the main altar dating back to<br />

1811, the side altar with the stone statue <strong>of</strong> the Sorrowful Mother <strong>of</strong> God –<br />

Pietà from the 17th century, the pulpit and organ from 1900.<br />

<strong>The</strong> Sveta Nedelja parish was first mentioned in 1334, and the parish<br />

church was described in 1501 as a Gothic structure which has suffered over<br />

time. <strong>The</strong> parish priest in this church from 1760 to 1787 was Mihalj Šilobod<br />

Bolšić, writer <strong>of</strong> the first Croatian arithmetic book (Aritmetika Horvatska).<br />

Info: Sveta Nedelja parish <strong>of</strong>fice, tel. +385 1 3370 755<br />

<strong>The</strong> organ was built by the <strong>Zagreb</strong> Heferer company in 1990 for the chapel<br />

<strong>of</strong> the Institute <strong>of</strong> the Blind in <strong>Zagreb</strong>. In 1942, the organ was transferred to<br />

the parish church in Sveta Nedelja. <strong>The</strong> simple organ case is separated into<br />

three fields <strong>of</strong> ranks, closed with a semi-circular arch, but separated from<br />

one another by a thin column and elevated wreath with a simple, narrow<br />

pr<strong>of</strong>ile. <strong>The</strong> top <strong>of</strong> the central field ends with a stylized gable, while the<br />

side fields carry engraved wooden, flat motifs <strong>of</strong> the lyre. <strong>The</strong> organ has<br />

7 registers, one manual and pedal, and the console is built into the choir<br />

balcony. Due to the making <strong>of</strong> the ranks and the transfer <strong>of</strong> registers, this<br />

organ is a particularly valuable instrument.<br />

Sveta Nedelja 49


Velika Gorica<br />

50 Velika Gorica


Parish Church <strong>of</strong> the Annunciation <strong>of</strong> the Blessed<br />

Virgin Mary, Velika Gorica<br />

<strong>The</strong> church was first mentioned in 1334. <strong>The</strong> original structure was a<br />

wooden chapel that was destroyed during the Turkish invasions. At<br />

the beginning <strong>of</strong> the 17th century, the church was restored with stone<br />

from Okić, which was a longer lasting material than wood. <strong>The</strong> “Noble<br />

Municipality <strong>of</strong> Turopolje” took over the reign <strong>of</strong> the church in 1757, and<br />

the two side chapels <strong>of</strong> St. Anthony <strong>of</strong> Padua and the Heart <strong>of</strong> Jesus were<br />

built. After the 1880 earthquake that struck <strong>Zagreb</strong> and the surrounding<br />

areas, the church was completely restored according to designs by<br />

Herman Bollé.<br />

A relief <strong>of</strong> the scene <strong>of</strong> the Annunciation is found on the main altar. <strong>The</strong><br />

frescos <strong>of</strong> the Birth <strong>of</strong> Christ and Christ’s Resurrection were painted by<br />

Marko Antonini. <strong>The</strong> stained glass windows are particularly lovely.<br />

<strong>The</strong> statue <strong>of</strong> St. Lucy, the patron saint <strong>of</strong> Turopolje, and the coat <strong>of</strong> arms<br />

<strong>of</strong> the Noble Municipality <strong>of</strong> Turopolje are found on the facade.<br />

Info: Velika Gorica parish <strong>of</strong>fice, tel. +385 1 6222 019, Velika Gorica Tourist Board, tel. +385 1<br />

6221 666<br />

Parish Church <strong>of</strong> the Annunciation <strong>of</strong> the Blessed<br />

Virgin Mary, Pokupsko<br />

<strong>The</strong> church was constructed in the period from 1736–1739. <strong>The</strong> church is<br />

dominated by the Baroque altar with a statue <strong>of</strong> St. Ladislav, patron saint<br />

<strong>of</strong> the church, in the central niche. Statues <strong>of</strong> four popular saints stand in<br />

the remaining niches: St. Donat, St. George, St. Martin and St. Florien. <strong>The</strong><br />

rich Baroque inventory, the altar, church linens and church dishes, was<br />

created in the well known Branjug workshop in <strong>Zagreb</strong>.<br />

In 1746, the church was originally consecrated to St. Ladislav by Bishop<br />

Juraj Branjug, patron <strong>of</strong> the church. It is encircled by a stone wall with<br />

four cylindrical towers with defensive shooting positions. <strong>The</strong> structure<br />

is considered among the best quality from the Baroque era in northern<br />

Croatia. It was destroyed in 1991 in a Serbian artillery attack. Its<br />

reconstruction and restoration is ongoing.<br />

Info: Pokupsko parish <strong>of</strong>fice, tel. +385 1 6266 046, Velika Gorica Tourist Board, tel. +385 1 6221 666<br />

Parish Church <strong>of</strong> the Visitation <strong>of</strong> the Blessed<br />

Virgin Mary, Vukovina<br />

<strong>The</strong> church was constructed in the 17th century as a late Baroque church<br />

with elements <strong>of</strong> Classicism. A dome with a lantern stands high above<br />

the nave, and the apse <strong>of</strong> the sanctuary is rounded. <strong>The</strong> church has<br />

been adapted and redecorated several times. Today, both the interior<br />

and exterior have been fully restored, including the beautiful main altar,<br />

stained glass windows and frescos.<br />

<strong>The</strong> church was originally mentioned as a wooden chapel that was later<br />

reconstructed from brick into a spacious and beautifully ornamented<br />

structure, as it was known far and wide as a church <strong>of</strong> pilgrimage. It was<br />

consecrated to Our Lady, and numerous written records and a strong oral<br />

tradition tell us that her miraculous statue has long been adored in this<br />

shrine.<br />

Info: Vukovina parish <strong>of</strong>fice, tel. +385 1 6230 300, Velika Gorica Tourist Board, tel. +385 1 6221 666<br />

<strong>The</strong> pneumatic organ with 13 registers, 2 manuals and pedal was built by<br />

the Maribor Master Josip Brandl in 1904. It was restored and electrified<br />

by Father Gabrijel Posavec and Velimir Kostrevec from Ivanić Grada, and<br />

returned to function on 30 September 2001.<br />

Velika Gorica 51


Parish Church <strong>of</strong> Our Lady <strong>of</strong> the Snow, Dubranec<br />

<strong>The</strong> church was constructed in 1650 but over time, was adapted on several occasions. It owes its<br />

present appearance to Herman Bollé, who in 1881 removed the majority <strong>of</strong> the decorations belonging<br />

to the Turopolje style, not recognizing the value and originality <strong>of</strong> the local architecture and artwork.<br />

He designed the present day brick church with the wooden ceiling, and designed the main altar <strong>of</strong><br />

Our Lady and the two side altars dedicated to St. Joseph and St. Catharine.<br />

In 1714, the first chapel in Dubranec was consecrated to Our Lady and was mentioned as a parish<br />

church, instead <strong>of</strong> the previous Church <strong>of</strong> St. Catharine that was situated further from the town.<br />

Info: Dubranec parish <strong>of</strong>fice, tel. +385 1 6267 407, Velika Gorica Tourist Board, tel. +385 1 6221 666<br />

Church <strong>of</strong> St. Barbara, Velika Mlaka<br />

<strong>The</strong> church was constructed as a wooden chapel in 1642. It was built from carved oak planks, and the<br />

ro<strong>of</strong> was covered with wooden shingles. <strong>The</strong> bell tower ends with a steep, pyramidal, metal cap, while<br />

a small lantern stands above the sanctuary on the opposite side <strong>of</strong> the ro<strong>of</strong>. <strong>The</strong> interior features a<br />

ceiling <strong>of</strong> wooden panels, the walls are painted, and three Baroque altars have been preserved. <strong>The</strong><br />

main altar <strong>of</strong> St. Barbara dates back to the 17th century. <strong>The</strong> closed section <strong>of</strong> the retabla (chapel wall)<br />

shows eight scenes <strong>of</strong> the Passion <strong>of</strong> Christ, and the open section shows four scenes from the life<br />

and passions <strong>of</strong> St. Barbara. <strong>The</strong> richly painted interior is the work <strong>of</strong> unknown domestic artists and<br />

represents an authentic reflection <strong>of</strong> the national artistic style. This is one <strong>of</strong> the best preserved and<br />

most valuable wooden churches in the continental part <strong>of</strong> Croatia. <strong>The</strong> parish was established in 1976.<br />

Info: parish <strong>of</strong>fice, tel. + 385 1 6234 761<br />

Parish Church <strong>of</strong> the Raising <strong>of</strong> the Holy Cross, Kravarsko<br />

<strong>The</strong> original chapel dates back to the 17th century. <strong>The</strong> bell tower <strong>of</strong> this harmonious structure,<br />

standing on a hill, dominates the landscape. <strong>The</strong> church interior is simple and balanced, with lovely<br />

stained glass windows. <strong>The</strong> church also possesses one <strong>of</strong> the loveliest sacristies.<br />

Kravarsko is a town with tradition several centuries long. It was first mentioned in 1251, while the<br />

parish Church <strong>of</strong> the Holy Cross was included in the 1334 list <strong>of</strong> parishes. Today’s Church <strong>of</strong> the<br />

Raising <strong>of</strong> the Holy Cross was heavily damaged in World War II and completely restored in 1959.<br />

Info: Kravarsko parish <strong>of</strong>fice, +385 1 6237 337, Velika Gorica Tourist Board, tel. +385 1 6221 666<br />

52 Velika Gorica


Lukavec Castle<br />

Situated on the Turopolje plains in the settlement <strong>of</strong> the<br />

same name, it was first mentioned in 1256 as caput Lukavez.<br />

However, the exact period and place <strong>of</strong> its construction<br />

is not known. This castle was built in between 1474–1479<br />

as a medieval wooden city with the purpose <strong>of</strong> defending<br />

its inhabitants from Turkish conquests. Over time, it had<br />

changed owners many times. <strong>The</strong> walled city we know<br />

today was raised in the 18th century. <strong>The</strong> layout is essentially<br />

a square castle with an internal courtyard with a series <strong>of</strong><br />

arcades and four prismatic towers at the corners. A high<br />

tower rises up above the entrance with its Baroque portal<br />

displaying the coat <strong>of</strong> arms <strong>of</strong> the Noble Municipality <strong>of</strong><br />

Turopolje. Under this tower stood the Chapel <strong>of</strong> St. Lucy<br />

and 70 loopholes.<br />

Parish Church <strong>of</strong> Sts. Peter and Paul,<br />

Veleševec<br />

<strong>The</strong> organ which has a mechanical system with 12 registers,<br />

2 manuals and a pedal was built by Mihael Heferer in 1874.<br />

<strong>The</strong> organ represents an interesting accomplishment by<br />

domestic masters, both in terms <strong>of</strong> its musical quality and<br />

artistic appearance. It certainly is deserving <strong>of</strong> attention as<br />

the earliest piece by the founders <strong>of</strong> the Heferer company,<br />

and as the largest organ built in Croatia in that period.<br />

Info: parish <strong>of</strong>fice, tel. +385 1 6239 265<br />

Church <strong>of</strong> the Raising <strong>of</strong> the Holy Cross,<br />

Kravarsko<br />

An organ with 8 registars, manual and pedal built by the Heferer<br />

Company in 1965. This is a new, modern organ, with very good<br />

sound quality, and is very well maintained.<br />

Info: church, tel. +385 1 6237 337<br />

Wooden Chapel <strong>of</strong> St. John the Baptist,<br />

Buševec<br />

<strong>The</strong> chapel was constructed <strong>of</strong> wood in 1668, and the new nave<br />

and bell tower were added in 1768. <strong>The</strong> main Classicist altar has<br />

been preserved and following restoration, the altar today stands<br />

in the newly constructed Chapel <strong>of</strong> St. John the Baptist in the<br />

vicinity <strong>of</strong> the old chapel. Along with the Church <strong>of</strong> St. Barbara in<br />

Velika Mlaka, this is the most valuable wooden, sacral structure<br />

in the county.<br />

Info: Parish Church <strong>of</strong> the Visitation <strong>of</strong> the Blessed Virgin Mary, Vukovina, tel. + 385 1<br />

6230 300<br />

Velika Gorica 53


Wooden Chapel <strong>of</strong> St. Anthony <strong>of</strong> Padua, Gustelnica<br />

<strong>The</strong> original chapel was first mentioned in historical documents in 1678, but went to ruins. In 1759, the chapel<br />

was completely restored, only to be torn down in 1832 and rebuilt from oak. <strong>The</strong> present day appearance<br />

<strong>of</strong> the chapel dates back to 1888. <strong>The</strong> chapel was constructed by foreign masters who used a substantially<br />

different building technique than the local masters. It was built, as the locals say na žale, a vertical construction<br />

<strong>of</strong> wooden beams with planks laid in between. <strong>The</strong> interior walls are lined with pine boards. <strong>The</strong>re are four<br />

engraved columns on the facade. <strong>The</strong> gable <strong>of</strong> the chapel is carved, and a small bell tower rises up above the<br />

facade.<br />

Info: Dubranec parish <strong>of</strong>fice, tel. +385 1 6267 407, Velika Gorica Tourist Board, tel. +385 1 6221 666<br />

Wooden Chapel <strong>of</strong> the Holy Spirit, Lučelnica<br />

<strong>The</strong> chapel was constructed in 1935, though written records first mentioned this chapel at this site in 1678. <strong>The</strong><br />

original chapel was torn down in 1704, and a new, larger and more spacious chapel with a vestibule and bell<br />

tower erected in its place. Nobleman Franjo Berislavić was the caretaker <strong>of</strong> the chapel.<br />

<strong>The</strong> chapel bears the recognizable style <strong>of</strong> Turopolje wooden architecture. With its eight pr<strong>of</strong>iled columns,<br />

three at each corner and two at the entrance, the chapel is an example <strong>of</strong> the skilled woodworking <strong>of</strong> the local<br />

masters. A small bell tower ro<strong>of</strong>ed with shingles rises above the ro<strong>of</strong>.<br />

<strong>The</strong> chapel inventory includes sculptures <strong>of</strong> St. Florien and St. George, the beloved patron saints <strong>of</strong> Turopolje.<br />

<strong>The</strong> Stations <strong>of</strong> the Cross are the work <strong>of</strong> Turopolje naïve sculptor, Mate Mihinice.<br />

Info: Sunčev zračak café, tel. +385 1 6277 541, Velika Gorica Tourist Board, tel. +385 1 6221 666<br />

54 Velika Gorica


Velika Gorica 55


Vrbovec<br />

56 Vrbovec


Orehoci/Patačić/Farkaš Castle, Lovrečina grad, Vrbovec<br />

This castle, known as Lovrečina Grad, stands along the road from Vrbovec to Križevci, just northeast <strong>of</strong> Vrbovec. <strong>The</strong> first owners <strong>of</strong> the<br />

castle were the Orehoci family, who owned it from 1599 to 1726. Later, it was under the ownership <strong>of</strong> the Fodroci, Patačić (1800–1834),<br />

and Farkaš (1834–1870) families. In 1909, the estate was purchased by Count de Piennes, who bestowed it to the Sisters <strong>of</strong> Mercy. In the<br />

mid 19th century, the castle received the present day U-shaped layout. A grand renovation with rich neo-Renaissance ornamentation<br />

in the Historicist style took place in 1898, when the towers were built, and the central risalto and altana were added on the southern<br />

facade. At this time, the stables and other outbuildings around the castle were also built.<br />

Parish Church <strong>of</strong> St. Vitus, Vrbovec<br />

<strong>The</strong> church was constructed in the 14th century. <strong>The</strong> Baroque altar<br />

<strong>of</strong> St. Vitus dominates the church. Viennese painter Josef Hempee,<br />

who moved to in Vrbovec in 1859, brought these exceptionally<br />

valuable paintings and the engraved altar made by Tirol masters<br />

with him and donated them to the church. Later, due to a lack <strong>of</strong><br />

money, they were given to the Museum <strong>of</strong> Arts and Crafts and the<br />

Strossmayer Gallery in <strong>Zagreb</strong> in exchange for repairs to the church.<br />

<strong>The</strong> parish church was seriously damaged in a Turkish attack<br />

in 1591 when the town <strong>of</strong> Vrbovec was conquered and torched.<br />

<strong>The</strong> church was thoroughly restored in the 17th century, but was<br />

again destroyed in a fire in 1754. Today’s Baroque appearance was<br />

achieved in the 18th century and only the Gothic layout <strong>of</strong> the old<br />

church remains. A very tall tower stands next to the church and in<br />

the past this served as a watchtower.<br />

Info: Vrbovec parish <strong>of</strong>fice, tel: +385 1 2791 226, Vrbovec Tourist Board, tel: +385 1 2791<br />

661<br />

Church <strong>of</strong> St. Lawrence, Lovrečka Varoš<br />

First mentioned in the list <strong>of</strong> parishes in 1334, the church was <strong>of</strong><br />

imposing size in a lovely position, but was destroyed during the<br />

Turkish conquests. <strong>The</strong> later structure, from the late 18 th century, was<br />

more modest in size, with a single nave, and stylistically belonged<br />

to the late Baroque period. A pair <strong>of</strong> free-standing sculptures <strong>of</strong><br />

saints stand before the church entrance, something rarely seen in<br />

Croatia.<br />

Info: Lovrečka Varoš parish <strong>of</strong>fice, tel: +385 1 2726 533<br />

Vrbovec 57


Pulpit in the form <strong>of</strong> Jonah’s fi sh<br />

Lovrečka Varoš is a very old settlement, and the Parish <strong>of</strong> St. Lawrence<br />

with its church, after which the village was named had already existed<br />

here in the Middle Ages. <strong>The</strong> nearby lowland fortress, Lovrečina Grad, was<br />

also named after the church, and has always belonged to Lovrečka Varoš.<br />

<strong>The</strong> Church <strong>of</strong> St. Lawrence stands out in the realm <strong>of</strong> art history due to<br />

its magnificent pulpit in the form <strong>of</strong> Jonah’s fish with ivy branches, dating<br />

back to 1780. This is a true rarity in world art history, as there are only a<br />

few similar examples in the Czech Republic and in Germany, and this is the<br />

only one east <strong>of</strong> the Czech Republic.<br />

Jonah was a prophet <strong>of</strong> the Old Testament, sent by God to teach<br />

repentance and atonement to the Jews in the loathed city <strong>of</strong> Nineveh.<br />

But Jonah did not want to obey God’s willing, and so he tried to flee<br />

by ship. God raised a terrible storm and the terrified sailors rolled the<br />

dice to decide which <strong>of</strong> the passengers to throw overboard. <strong>The</strong>y chose<br />

Jonah, as they considered him to be the cause <strong>of</strong> the terrible storm, having<br />

angered God. As soon as Jonah fell into the sea, the storm was calmed and<br />

the ship sailed peacefully. Jonah was then swallowed by a fish, and after<br />

spending three days and nights in the belly <strong>of</strong> the fish, Jonah repented and<br />

promised to obey God. <strong>The</strong> fish cast Jonah out onto land, and he set <strong>of</strong>f<br />

to preach in Nineveh. <strong>The</strong> residents <strong>of</strong> the city repented and atoned for<br />

their sins and God saved them from destruction. Jonah was dissatisfied<br />

that God has shown mercy over the city <strong>of</strong> sin, and he sat in the distance<br />

to observe the city. Overnight, ivy branches grew to protect Jonah from<br />

the sun and provide him with shade, though on the second day, a worm<br />

gnawed through the ivy and it was dried out by the sun. Jonah cried out,<br />

and God said, “Is it right for you to be angry about the plant, and I not pity<br />

Nineveh!”<br />

(Text prepared by: Jelena Magoš, Vrbovec)<br />

Parish Church <strong>of</strong> St. Margaret, Dubrava<br />

<strong>The</strong> church was already mentioned in 1269, and was later adapted and<br />

expanded several times. <strong>The</strong> present day appearance, with the vaulted<br />

sanctuary and main nave, arose in the period 1758–1765. <strong>The</strong> church<br />

interior is dominated by the lovely altar and church inventory.<br />

A parish has existed in Dubrava since the 12th century and early on, the<br />

region <strong>of</strong> Ivanić was also included in this parish. Thanks to the frequent<br />

presence <strong>of</strong> the bishop, as the parish belonged to the diocesan estate, it<br />

became an important ecclesiastical centre. In this strong Dubrava parish, a<br />

church assembly was held in 1527 at which Ivan Zapolje was elected king.<br />

<strong>The</strong> Church <strong>of</strong> St. Margaret was a lovely late Gothic church, but it was<br />

heavily damaged in a Turkish attack in 1552 when the town <strong>of</strong> Dubrava<br />

was destroyed. It was restored in the late 16th century.<br />

Info: Dubrava parish <strong>of</strong>fice, tel: +385 1 2725 218, Vrbovec Tourist Board, tel: +385 1 2791 661<br />

Parish Church <strong>of</strong> St. Peter (Wounded Christ),<br />

Gradec<br />

<strong>The</strong> church was built in the period from 1768 to 1824. <strong>The</strong> main Historicist<br />

altar was designed by Herman Bollé.<br />

<strong>The</strong> town <strong>of</strong> Gradec is mentioned in the historical documents in 1292. <strong>The</strong><br />

Chapel <strong>of</strong> St. Peter was first mentioned in 1325 and again as a parish in<br />

1334. After the Turkish conquests <strong>of</strong> Dubrava in 1552, the <strong>Zagreb</strong> Bishop<br />

transferred his seat to Gradec. <strong>The</strong> old Parish Church <strong>of</strong> St. Peter was<br />

situated in the Bishop’s manor, and was thus small in size. When the number<br />

<strong>of</strong> residents increased, a new, larger church was erected and consecrated<br />

to the Wounded Christ. <strong>The</strong> <strong>Zagreb</strong> Bishops assisted in the construction <strong>of</strong><br />

the church, which took many years. After the old bells were melted down<br />

for war needs in 1917, the church received three new bells in the period<br />

from 1925 to 1927, and the godfathers <strong>of</strong> the bells were the leaders <strong>of</strong> the<br />

HSS party, Vladko Maček, Juraj Krnjević and Rudolf Horvat.<br />

Info: Gradec parish <strong>of</strong>fice, tel: +385 1 2797 155, Vrbovec Tourist Board, tel: +385 1 2791 661<br />

58 Vrbovec


Petar Zrinski Tower, Vrbovec<br />

<strong>The</strong> Zrinski Tower is a remnant <strong>of</strong> the old Vrbovec castle <strong>of</strong> the Zrinski family, built as a<br />

fortification in defence <strong>of</strong> the Turks after 1528. <strong>The</strong> stormy history <strong>of</strong> this region is seen<br />

in the many changes <strong>of</strong> ownership over the castle: the Erdödy, Zrinski, Patačić and other<br />

families. Today, all that remains <strong>of</strong> the castle is the cylindrical tower that was erected more<br />

as a show <strong>of</strong> power than for truly defensive purposes. <strong>The</strong> great Croatian patriot Petar<br />

Zrinski was born here in 1621.<br />

<strong>The</strong> tower is a symbol <strong>of</strong> the town and is also a detail on the town’s coat <strong>of</strong> arms.<br />

Info: Vrbovec Tourist Board, tel: +385 1 2791 661<br />

Vrbovec 59


Zaprešić<br />

60 Zaprešić


Lužnica Castle, Zaprešić<br />

If we set out by road from the centre <strong>of</strong> Zaprešića, to the left<br />

towards the municipality <strong>of</strong> Brdovec, after just 1 km, we will see<br />

the single-story Baroque Lužnica Castle on the right hand side. <strong>The</strong><br />

castle was erected in the early 18th century, and was once owned<br />

by the Rauch family. <strong>The</strong> castle has three wings, in a U-shape. Its<br />

central wing features a prominent risalto, and cylindrical towers<br />

at the corners. Above the main entrance is a spacious balcony,<br />

overlooking the park. On the facade above the windows are reliefs<br />

<strong>of</strong> busts. <strong>The</strong> chapel on the castle grounds has a Rococo altar. <strong>The</strong><br />

castle is a first category monument. <strong>The</strong> castle is open to the public<br />

and the spiritual and educational centre <strong>of</strong> the order <strong>of</strong> the Sisters<br />

<strong>of</strong> Mercy and St. Vincent de Paul operate within.<br />

Info: tel. +385 1 3311487, www.luznica.hr<br />

Januševec Castle, Prigorje Brdovečko<br />

<strong>The</strong> Januševec Castle, six kilometres west <strong>of</strong> Zaprešić, is the<br />

loveliest Classicist style castle in Croatia. It is thought to have been<br />

built in about 1830 by General Vrkljan, minister <strong>of</strong> Marie Louise,<br />

Archduchess <strong>of</strong> Parma and second wife <strong>of</strong> Napoleon Bonaparte.<br />

<strong>The</strong> castle was likely built upon the designs <strong>of</strong> B. Felbinger. Later, in<br />

1845, the castle was purchased by E. Corberon, and later changed<br />

owners several times. In May 1945, it was heavily damaged in an<br />

explosion, and was later restored in the 1970s.<br />

<strong>The</strong> castle has a rectangular layout, positioned in the direction<br />

north–south, with prominent porticos on the columns, while<br />

there is a loggia on the western side. <strong>The</strong> central, circular ballroom<br />

features a dome that is 8 metres in diameter, and 11 metres high.<br />

Some <strong>of</strong> the rooms <strong>of</strong> the castle were ornamented with murals<br />

featuring the vistas <strong>of</strong> different cities. <strong>The</strong> castle is surrounded by a<br />

park, and is considered a monument <strong>of</strong> the highest category.<br />

Oršić Castle, Gornja Bistra<br />

This castle in Gornja Bistra, in the foothills <strong>of</strong> the northern slopes<br />

<strong>of</strong> Mt. Medvednica, is an example <strong>of</strong> an elegant Baroque castle.<br />

In terms <strong>of</strong> its size and the quality <strong>of</strong> its architecture, it represents<br />

the peak <strong>of</strong> architectural accomplishments in Croatia. It is the best<br />

example <strong>of</strong> pr<strong>of</strong>ane Baroque architecture in the Hrvatsko zagorje<br />

region, and is a monument <strong>of</strong> the highest category. At the core<br />

<strong>of</strong> the castle is an oval ballroom which, together with the castle<br />

chapel that has been preserved in its original state, is a rarity in the<br />

castle architecture <strong>of</strong> Croatia. <strong>The</strong> remnants <strong>of</strong> the lovely gardens<br />

around the castle, from the late 18th and early 19th century, are still<br />

visible today. <strong>The</strong> castle was constructed from 1770 to 1775 for field<br />

marshal Krsto II Oršića. In the 19th century, the castle came under<br />

the ownership <strong>of</strong> the family <strong>of</strong> French <strong>County</strong> Carion. Today, the<br />

castle houses a hospital for chronically ill children.<br />

Oršić Castle, Chapel <strong>of</strong> St. Joseph<br />

Found within the complex <strong>of</strong> the Oršić Castle. <strong>The</strong> high quality<br />

Rococo inventory has been preserved: the main and two side<br />

altars <strong>of</strong> a low, tabernacle style, the emporium and organ, and<br />

the entrance doors. <strong>The</strong> wall behind the altar is painted with altar<br />

architecture and figures.<br />

<strong>The</strong> organ positive, with 5 mechanical registers and perforated<br />

sliders, has been preserved in the chapel. <strong>The</strong> organ represents<br />

a true masterpiece <strong>of</strong> instrument quality and specialized wood<br />

engraving on the Rococo casing. <strong>The</strong> organ was built in about 1780<br />

by Antun Scholz. <strong>The</strong> organ is no longer in use.<br />

Info: Chapel, tel. +385 1 3390 611<br />

Zaprešić 61


62 Zaprešić<br />

Vranyczany-Dobrinović Castle, Gornji Laduč<br />

<strong>The</strong> Laduč Castle stands 7 km from Zaprešić. It was constructed by the<br />

owner <strong>of</strong> the lands, Baron Vladimir Vranyczany, on plans by the architect K.<br />

Waidman in 1882. This is a two-storey castle with altana on the facade. <strong>The</strong><br />

formal two-winged staircase with stone banisters leads to the upper floor,<br />

where the ceilings were painted with fantastic decorations by Ivan Klausen.<br />

A French style garden lies before the castle. Today, the castle houses a home<br />

for children.<br />

Jelačić Curia Novae, Zaprešić<br />

In the centre <strong>of</strong> Zaprešić, the complex stands in a 20.5 ha park-forest and<br />

includes the castle (second category monument), chapel, family tomb and<br />

outbuildings (thresher, corn and crop storage – a zero category monument).<br />

<strong>The</strong> Curia Novae complex represents a unique example <strong>of</strong> a complete<br />

manorial complex that has been preserved to the present day. <strong>The</strong> Curia<br />

Novae emerged from what was previously the Susedgrad–Stubica estate,<br />

and the first owners were the Zrinski family. Later the castle was owned by<br />

the Čikulin, Sermage, Festetić and Erdödy families, until it was purchased by<br />

Ban Josip Jelačić in 1852.<br />

Info: Zaprešić Tourist Board, tel. + 385 1 3311 611<br />

Parish Church <strong>of</strong> St. Peter the Apostle, Zaprešić<br />

Constructed in 1869 in the neo-Gothic style. <strong>The</strong> side walls in the sanctuary<br />

and nave, and the wall mural on the lunette behind the main altar depict<br />

the 12 apostles. <strong>The</strong> main altar is made <strong>of</strong> wood and is the work <strong>of</strong> Tyrolian<br />

artists. Due to the historical value <strong>of</strong> the statues <strong>of</strong> St. Peter, St. Cyril and<br />

St. Methodius, the church was included in the Croatian Register <strong>of</strong> <strong>Cultural</strong><br />

Goods in 2008. <strong>The</strong> church was completely restored in 2005.<br />

In 1945, the now Blessed Cardinal Alojzije Stepinac, was stoned before the<br />

church.<br />

Info: parish <strong>of</strong>fice, tel. +385 1 3310 474<br />

Parish Church <strong>of</strong> St. Vitus, Brdovec<br />

<strong>The</strong> Baroque Church <strong>of</strong> St. Vitus, with its bell tower with loopholes, stands<br />

in Brdovec, 3 km northwest <strong>of</strong> Zaprešić. This church was already listed in the<br />

1334 list <strong>of</strong> parishes.<br />

Church <strong>of</strong> the Visitation <strong>of</strong> the Blessed Virgin Mary,<br />

Marija Gorica<br />

Constructed in 1517 as part <strong>of</strong> the complex <strong>of</strong> the Franciscan monastery, that<br />

was raised at the same time. After the partial abolishment <strong>of</strong> the Franciscan<br />

order in the 18th century, the monastery was torn down (1789), though<br />

shortly prior to that a new church was built (1754) and the parish established<br />

(1781). <strong>The</strong> church was built by the master builder Matija Leonhart. <strong>The</strong> very<br />

valuable inventory has been preserved: the Gothic sculpture <strong>of</strong> the Blessed<br />

Virgin Mary on the main altar made <strong>of</strong> marble (very rare in northern Croatia)<br />

from 1757, the work <strong>of</strong> Italian master Francesco Bensa, the stone pulpit,<br />

organ and more.<br />

Info: parish <strong>of</strong>fice, tel. + 385 1 3395 848<br />

<strong>The</strong> organ with 14 registers, two manuals and pedal with a mechanical<br />

system, is the work <strong>of</strong> I. J. Eisla from 1759. It has been preserved with all<br />

its parts in its original form, and is a rare example <strong>of</strong> an artistically and<br />

historically valuable instrument in northern Croatia, and is still in use today.<br />

It is housed in a colossal organ case, still featuring the original paint, and has<br />

exceptional artistic value. Alongside organs from Lepoglava and Čazma, this<br />

organ represents the greatest accomplishment <strong>of</strong> domestic organ building<br />

<strong>of</strong> the 18th century.


Parish Church <strong>of</strong> St. Anne,<br />

Rozga<br />

<strong>The</strong> Rozga (Rozgva) parish was already marked<br />

on old maps in the 13th century. Each year, a<br />

traditional church fête is held here on 26 July<br />

and the first Sunday after that date. <strong>The</strong> parish<br />

church was built in 1842, while the cemetery<br />

chapel dates back further, to 1609, when it<br />

was called the Chapel <strong>of</strong> Our Lady <strong>of</strong> Lušak.<br />

<strong>The</strong> old rectory, a monument <strong>of</strong> the highest<br />

category, stands in the courtyard <strong>of</strong> the parish<br />

church. It is a wooden structure more than 300<br />

years old, and is unique in this part <strong>of</strong> <strong>Zagreb</strong><br />

<strong>County</strong>.<br />

Chapel <strong>of</strong> Our Lady <strong>of</strong><br />

Čislavska, Pušća<br />

<strong>The</strong> chapel contains the Baroque main altar<br />

from 1722, two altars in the Rococo style, a<br />

pulpit with painted images <strong>of</strong> the evangelists<br />

and a series <strong>of</strong> paintings <strong>of</strong> the Stations <strong>of</strong> the<br />

Cross.<br />

Parish Church <strong>of</strong> St. George,<br />

Donja Pušća<br />

This Baroque church in Donja Pušća, 7 km<br />

north <strong>of</strong> Zaprešić, includes three preserved<br />

Classicist altars, a pulpit and pews, and two<br />

chalices from the 18th century.<br />

Zaprešić 63


Žumberak<br />

64 Žumberak


Žumberak Old Town, Kekići<br />

<strong>The</strong> Old Town stands elevated (altitude 501 m) above the two tributaries <strong>of</strong> the Kupčina River.<br />

Access is possible via the Žumberak mountain roads. <strong>The</strong> Old Town was first mentioned under<br />

the name Sichelberg in the list <strong>of</strong> papal tithes from 1296. From the 13 th century, it was under the<br />

ownership <strong>of</strong> the Corinthian dukes. <strong>The</strong> town changed owners several times until the time <strong>of</strong> the<br />

Turkish invasions and the settlement <strong>of</strong> the dispersed population in the 16th century, when the Old<br />

Town was deserted and the Novi Grad Žumberački (Žumberak New Town) was built. <strong>The</strong> layout <strong>of</strong><br />

the Sichelberg was very regular, and similar to that <strong>of</strong> the Romanesque citadels. <strong>The</strong> New Town was<br />

erected in defence from the Turkish attacks, and was also the seat <strong>of</strong> the captains <strong>of</strong> the revolt. In the<br />

18th century, the New Town was ravaged by a fire, and all that remains today are the ruins, most <strong>of</strong><br />

which are covered by earth. <strong>The</strong> complex stands outside the present day settlement <strong>of</strong> Žumberak,<br />

in the valley between two hills. <strong>The</strong> Old Town, together with the Church <strong>of</strong> St. Nicholas (present day<br />

church dates back to 1654), its rectory and the Baroque pillar <strong>of</strong> shame from the 17th century, forms<br />

a distinctive complex.<br />

Churches and chapels<br />

<strong>The</strong> furthest church, standing on the highest peak <strong>of</strong> Žumberačka gora, Sveta Geri (1178 m), is a<br />

Greek Catholic church consecrated to Saint Elias, protector from thunder.<br />

<strong>The</strong> church was constructed from the 17th to the 19th century, and is a small single nave structure with<br />

a rectangular layout, polygonal sanctuary and bell tower before the main facade. <strong>The</strong> congregation is<br />

separated from the sanctuary, which contains the altar, by a dividing wall. <strong>The</strong> dividing wall portrays<br />

images from both the Old and New Testament, and is called iconostas after the Greek work icon.<br />

<strong>The</strong> church in Stojdraga features a late Baroque/Classicist iconostas, the work <strong>of</strong> Markovića (1795<br />

– 1800). Several iconostases dating back to the 19th century can be found in the churches <strong>of</strong> this<br />

region (Kašt, Sošice, Radatovići).<br />

<strong>The</strong> iconostas in Liješće was created in 1889 by artist Jernej Jereb from Metlika, while the iconostases<br />

in Grabar, Mrzlo Polje and Pećno (1958) are the work <strong>of</strong> Ljubo Babić and Zlatko Latković. Many<br />

Greek Catholic churches were rebuilt in brick during the 19th century (Mrzlo Polje, Grabar, Pećno,<br />

Drage, Badovinci). <strong>The</strong> most notable among them is the Baroque Church <strong>of</strong> Sts. Peter and Paul in<br />

Sošice, with its slender bell tower, octagonal form in the upper zone and preserved inventory from<br />

the time <strong>of</strong> construction. <strong>The</strong> cultural and historical value <strong>of</strong> this Greek Catholic church is further<br />

increased due to its position right next to the Roman Catholic Chapel <strong>of</strong> the Annunciation <strong>of</strong> the<br />

Blessed Virgin Mary. This is one <strong>of</strong> the very rare examples <strong>of</strong> the cohabitation <strong>of</strong> these two church<br />

orders in the Žumberak region.<br />

<strong>The</strong> churches in Stojdraga, Sopoti (1873) and Kašt (1828) feature late Baroque and Classicist<br />

architectural elements. Some <strong>of</strong> the older churches were renovated in the 19th century (Dančulovići,<br />

Budinjak, Radatovići). <strong>The</strong> church in Radatovići contains a relief <strong>of</strong> the writer Jovan Hranilović, which<br />

is the work <strong>of</strong> artist Franje Cote (1934).<br />

Among the Greek Catholic churches, the Church <strong>of</strong> the Annunciation <strong>of</strong> Mary in Pribićki Strmec<br />

holds a special place. It was built by architect Stjepan Podhorski (1911) next to a castle and has a<br />

trefoil layout in the neo-Byzantine/neo-Romanesque style. <strong>The</strong> church was erected on orders by<br />

Križevaci Bishop Julije Drohobecky to commemorate the 300th anniversary <strong>of</strong> the formation <strong>of</strong> the<br />

church union in Croatia (1611).<br />

Žumberak 65


Žumberak – Catholics <strong>of</strong> east and west<br />

In this region, where east and west meet, as the borders <strong>of</strong> state and cultural influences changes, so did the borders <strong>of</strong> the dominant<br />

influence <strong>of</strong> the eastern and western church organization. Since the 16th century, this area has been inhabited by a mixture <strong>of</strong> Catholics<br />

<strong>of</strong> the eastern and western rites.<br />

Over the years and centuries, the faithful did not view these rites as two different religions, but more as two different customs. <strong>The</strong><br />

Christian lives in that diocese in which he was born or to which he moved, celebrated God in the way typical for that area, under the<br />

influence <strong>of</strong> the priest <strong>of</strong> one rite, if there was no priest <strong>of</strong> the other rite in that area. <strong>The</strong> ceremony is no more than a collection <strong>of</strong><br />

customs, manners and regulations as to how Christians in a given area celebrate their holidays, receive their sacraments and organize<br />

the life <strong>of</strong> their religious community.<br />

Since the very beginning, the Catholic east and west do have, however, differences in the singing, dress and painting <strong>of</strong> holy pictures and<br />

church architecture. Over time, different ways <strong>of</strong> celebrating mass and different rituals had evolved, and the holidays were celebrated<br />

according to the Julian calendar, or the newer Gregorian calendar that was implemented by Pope Gregory in the 16th century for<br />

Catholics <strong>of</strong> the eastern rite. <strong>The</strong> frequent Turkish attacks in Žumberak, the destruction and abandonment <strong>of</strong> fortified cities, the<br />

imprisonment <strong>of</strong> their people, and the fear the Turks spread, which forced the residents <strong>of</strong> Žumberak to flee in search <strong>of</strong> safer areas,<br />

lead to the first demographic crisis in this region in the 15th and 16th centuries.<br />

<strong>The</strong> Croatian feudal lords were left without their serfs, income and defensive strength was weakened, and so the imperial rulers<br />

found the solution in relocating Christians from the Turkish territories, from their nomadic, combat lifestyle. <strong>The</strong> Austrian rulers saw<br />

these Christians first and foremost as experienced warriors who would defend this important border land from the frequent Turkish<br />

invasions, and then as farmers and livestock breeders. <strong>The</strong>y were relocated here in several waves, from 1530 to 1538, and they were<br />

called uskoci (which loosely translated means ‘those who jumped in’).<br />

From the 17th century forth, the native inhabitants and the new residents who were Catholics <strong>of</strong> the eastern rite, built many churches<br />

in beautiful, prominent positions on the vast mountain plateaus that are characteristic for the Žumberak region, near to settlements<br />

that once existed and that would soon be built, and <strong>of</strong>fering lovely vistas over the entire region.<br />

66 Žumberak


Parish Church <strong>of</strong><br />

St. George, GCC,<br />

Stojdraga<br />

Info: tel. + 385 1 3387 600<br />

Church <strong>of</strong> St.<br />

Nicholas, GCC, Kašt<br />

Info: tel. + 385 47 755 031<br />

Church <strong>of</strong> St. Mary<br />

Magdalene, RCC,<br />

Oštrc<br />

Info: parish priest, tel. + 385 1<br />

6270 259<br />

Parish Church <strong>of</strong><br />

St. John the Baptist,<br />

GCC, Grabar<br />

Info: parish priest, tel. + 385 1<br />

3387 600<br />

Church <strong>of</strong> the<br />

Assumption <strong>of</strong> the<br />

Most Holy Mother <strong>of</strong><br />

God, GCC, Pećno<br />

Info: parish priest, tel. + 385 1<br />

6277 027<br />

Parish Church <strong>of</strong> St.<br />

Michael, RCC, Kalje<br />

Info: parish priest, tel. + 385 1<br />

6277 027<br />

Greek Catholic<br />

Pastoral Centre,<br />

Samobor<br />

Info: tel. + 385 1 3327 453<br />

Žumberak 67


<strong>Cultural</strong><br />

institutions<br />

Dugo Selo<br />

68 <strong>Cultural</strong> institutions<br />

Visitors <strong>Cultural</strong> Centre<br />

Ulica Josipa Zorića 5/I<br />

Tel. +385 1 2753 419<br />

Ostojić Atelier / Gallery<br />

(<strong>Zagreb</strong>ačka 14) Domobranska 2<br />

10 370 Dugo Selo<br />

Tel. + 385 1 2759 048<br />

Visits by appointment.<br />

Private collection<br />

Krešimir Fotović<br />

J. Zorića 142<br />

10 370 Dugo Selo<br />

Tel. +385 1 2754 670<br />

Visits by appointment.<br />

Dugo Selo Open University<br />

Josipa Zorića 21a<br />

10 370 Dugo Selo<br />

Tel./fax. + 385 1 2753 419, +385 1 2753 012<br />

e-mail: dgs-kronika@zg.htnet.hr<br />

Internet: www.dugoselska-kronika.hr<br />

Open: Mon–Fri from 7:30am – 3:30pm, Saturday and Sunday<br />

(during events)<br />

Collection <strong>of</strong> old photographs, collection <strong>of</strong> art pieces with<br />

motifs <strong>of</strong> the city.<br />

Dugo Selo Library<br />

J. Zorića 17<br />

10 370 Dugo Selo<br />

Tel. +385 1 2753 754, fax. +385 1 2774 200<br />

Open: Mon–Fri from 8am – 7pm, Sat from 8am – 1pm<br />

Children’s department: Mon, Wed, Fri from 8am – 3:30pm;<br />

Tues, Thurs from 11am – 7pm, Sat from 8am – 1pm (break: 11 –<br />

11:30am and 3 – 3:30pm)<br />

Courtyard building<br />

Preporod Culture & Arts Society<br />

Josipa Zorića 21<br />

10 370 Dugo Selo<br />

Tel. +385 1 2753 629


Ivanić-Grad<br />

Bahlen Gallery<br />

Maznica bb<br />

10 310 Ivanić-Grad<br />

Tel./fax. +385 1 2889 089<br />

Open: Mon–Fri from 9am – 1pm, 3 – 5pm; Sat 9am – 1pm<br />

Nika Gallery<br />

Beliceva 16, Ivanić-Grad<br />

Tel. +385 1 2881 119<br />

Open: 8am – 4pm<br />

Ethnography collection <strong>of</strong> the Kezele family<br />

Kezele Rural Tourism, Šumećani<br />

Tel. +385 1 2820 496, 091 521 3857<br />

Ivanić-Grad Open University<br />

Town Library (established 1887)<br />

Music School (established1967)<br />

Gallery<br />

Cinema<br />

Moslavačka 11,<br />

10310 Ivanić-Grad<br />

Tel./fax. + 385 1 2881 688, 2881 689<br />

e-mail: sveuciliste@ivanic-grad.hr<br />

Internet: www.ivanic-grad.hr/sveuciliste<br />

Open: Mon–Fri from 7am – 3pm, Sat 9am – 1pm, and during<br />

events<br />

Library hours: Mon–Fri 7am – 7pm, Sat 9am – 1pm<br />

Janus Amateur <strong>The</strong>atre<br />

Moslavačka 13<br />

10 310 Ivanić-Grad<br />

Tel. + 385 1 2885 077<br />

Fax. + 385 1 2885 078<br />

Mobile: + 385 98 352 302<br />

Contact: Božidar Balenović<br />

Jastrebarsko<br />

Jastrebarsko <strong>Cultural</strong> Centre<br />

Dr. Franje Tuđmana 9<br />

10 450 Jastrebarsko<br />

Tel. + 385 1 6272 961<br />

Tel./fax. + 385 1 6281 126<br />

Open: Mon–Fri 8am – 4pm, Sat 8am – noon (and during events)<br />

Jastrebarsko Town <strong>The</strong>atre<br />

Dr. Franje Tuđmana 9<br />

10 450 Jastrebarsko<br />

Mob. + 385 98 203 322<br />

Internet: www.gkj.hr<br />

e-mail: zvonimir.novosel@jastrebarsko.hr<br />

Movie Cinema, within the Jastrebarsko <strong>Cultural</strong> Centre<br />

Antuna i Davida Starčevića 1<br />

10 450 Jastrebarsko<br />

Tel. +385 1 6281 126<br />

Jastrebarsko Music School<br />

Dr. Franje Tuđmana 9<br />

10 450 Jastrebarsko<br />

Tel. + 385 1 6284 632, 6271 605<br />

Fax. + 385 1 6281 126<br />

Open: 8am – 8pm, Sat 8am – noon<br />

Jastrebarsko Town Museum and Gallery<br />

V. Mačeka 1<br />

10 450 Jastrebarsko<br />

Tel. + 385 1 6283 991,<br />

Fax. + 385 1 6281 112<br />

Open: Mon, Wed, Thurs, Fri from 10am – 1pm and 4 – 6pm;<br />

Sat & Sun from 10am – noon and 4 – 6pm, closed Tues (and by<br />

appointment).<br />

Free <strong>of</strong> charge.<br />

Museum shop: postcards, brochures, souvenirs.<br />

Historical and ethnographic collection, crafts collection, wine<br />

boutique and painting gallery.<br />

Ethnography collection <strong>of</strong> the Sveta Jana region<br />

Gorica Svetojanska 13<br />

10 453 Gorica Svetojanska<br />

Tel. + 385 1 6287 174<br />

Open: Mon–Fri 10am – 2pm, Sat & Sun by appointment<br />

Free <strong>of</strong> charge<br />

<strong>Cultural</strong> institutions 69


Kloštar Ivanić<br />

Kloštar Ivanić Libary and Reading Room<br />

Trg Svetog Ivana 1<br />

10 312 Kloštar Ivanić<br />

Tel. + 385 1 2892 251<br />

Open: Mon–Wed, Fri 9am – 3pm, Thurs 11am – 5pm<br />

Krašić<br />

Blessed Alojzije Stepinac Memorial Room<br />

Krašić 117<br />

10 454 Krašić<br />

Tel. + 385 1 6270 003, 6270 703<br />

Visits by appointment<br />

Hiža Mrzljak<br />

Private collection <strong>of</strong> B. Ćuk<br />

Krašić 72<br />

10 454 Krašić<br />

Tel. + 385 1 6270 510<br />

Mob. 098/9014 934<br />

Visits by appointment.<br />

Medven Family Manorhouse<br />

Medven Draga<br />

A residential and commercial structure with a large courtyard<br />

and outbuildings set on a 20,000 m 2 estate. <strong>The</strong> commercial<br />

structures still in use are the wine cellar (capacity <strong>of</strong> 3 wagons <strong>of</strong><br />

wine), the grape press with the stone floor and the grape press<br />

from 1902, the old spirit distillery from the late 19th century, the<br />

two-cylinder water pump used in the Kupčina River, bearing the<br />

Austro-Hungarian crown from the time <strong>of</strong> Emperor Franz Josef.<br />

<strong>The</strong> barn, the work <strong>of</strong> Slovenian masters from 1882, and the<br />

gazebo from 1868 are particularly lovely.<br />

Tel. +385 1 6270 665, 6270 347<br />

Križ Library and Reading Room<br />

Josip Badalić <strong>Cultural</strong> Centre<br />

(cinema room and J. Badalić memorial room)<br />

Križ Gallery (exhibition space)<br />

Memorial Room for Fallen Soldiers in the Homeland War<br />

Josip Badalić Amateur <strong>The</strong>atre<br />

Trg Svetog Križa bb<br />

10 314 Križ<br />

Tel./fax. + 385 1 2824 884<br />

70 <strong>Cultural</strong> institutions<br />

Križ<br />

Križ Municipal Culture and Sports Centre<br />

<strong>Zagreb</strong>ačka 2<br />

10 314 Križ<br />

Tel. + 385 1 2824 464, 2830 215<br />

e-mail: knjiznica-kriz@zg.htnet.hr<br />

Open: Mon–Thurs 9am – 6pm, Fri 9am – 3pm<br />

Movie Cinema, within the Križ <strong>Cultural</strong> Centre<br />

<strong>Zagreb</strong>ačka 2<br />

10 314 Križ<br />

Tel. +385 1 2824 464


Pisarovina<br />

Pokupsko Municipal Library<br />

Tel./fax. + 385 1 6216 234<br />

Open: Mon–Fri noon – 4pm, Sat 8am – noon<br />

Permanent exhibit (and sales exhibit) <strong>of</strong> pieces created during<br />

the annual art colony held in Pokupsko.<br />

Donja Kupčina Local <strong>Heritage</strong> Museum<br />

Donja Kupčina<br />

10 451 Pisarovina<br />

Tel. + 385 1 6292 157<br />

Open: Tues–Sun 9am – 4pm, and by appointment.<br />

Tickets: HRK 5.<br />

Samobor<br />

Samobor Museum<br />

Livadićeva 7<br />

10 430 Samobor<br />

Tel./fax. + 385 1 3361 014<br />

e-mail: samoborski.muzej@zg.htnet.hr<br />

Open: Tues–Fri 9am – 3pm, Sat & Sun 9am – 1pm, closed<br />

Mondays<br />

Natural history, geological, archaeological, ethnographic,<br />

cultural and historical collections.<br />

Organized workshops to make the kraluža, the traditional<br />

necklace <strong>of</strong> the Samobor and Sveta Nedelja areas.<br />

Marton Museum<br />

(first private museum in Croatia)<br />

Jurjevska 7<br />

10 430 Samobor<br />

Tel. + 385 1 3364 160, 3326 426<br />

e-mail: muzej-marton@muzej-marton.hr<br />

Internet: www.muzej-marton.hr<br />

Open: Sat 10am – 1pm, other days by appointment.<br />

Visits with an expert guide.<br />

Tickets: HRK 25 (adults with guide), 20 (adults without guide), 15<br />

(students, pupils, seniors), 15 (groups visits with guide).<br />

A collection <strong>of</strong> paintings, porcelain, glass and silver artefacts,<br />

furnishings, and other art from the 18th and 19th centuries.<br />

Lang Photo Gallery<br />

Langova 15<br />

10 430 Samobor<br />

Tel. + 385 1 3362 884<br />

e-mail: fotum@globalnet.hr<br />

Open: Sat & Sun 11am – 1pm, 4 – 7pm<br />

or by appointment at mob. 091/730 0485<br />

Prica Gallery<br />

Trg Matice hrvatske 6<br />

10 430 Samobor<br />

Tel./fax. + 385 1 3360 112, 3366 214<br />

e-mail: galerija@pousamobor.hr<br />

Internet: www.pousamobor.hr<br />

Open: Tues, Wed, Thurs 9am – 3pm, Fri 1 – 7pm, Sat & Sun 10am<br />

– 1pm<br />

<strong>Cultural</strong> institutions 71


Pod Okićem Ethno House<br />

Podokićka 40, Klake<br />

10 435 Sveti Martin pod Okićem<br />

Tel. + 385 1 3382 335<br />

Mob. 098/9288 773<br />

e-mail: marijan.slakoper@zg.t-com.hr<br />

Internet: www.etno-kuca.hr<br />

Open: Sun and holidays 10am – 5pm, and by appointment<br />

Samobor Open University<br />

Trg Matice hrvatske 3, 10 430 Samobor<br />

Tel. /fax. + 385 1 3360 112, 3360 266, 3361 267<br />

e-mail: pousamobor@pousamobor.hr<br />

Internet: www.pousamobor.hr<br />

Croatian Haiku Society<br />

Smerovišće 24<br />

10 430 Samobor<br />

Tel. + 385 1 3384 029<br />

Samobor Open University Amateur <strong>The</strong>atre<br />

Trg Matice hrvatske 3<br />

10 430 Samobor<br />

Tel./fax. + 385 1 3360 112<br />

e-mail: pousamobor@pousamobor.hr<br />

Internet: www.pousamobor.hr<br />

72 <strong>Cultural</strong> institutions<br />

Lutonjica Toporko Amateur Puppet <strong>The</strong>atre<br />

<strong>Zagreb</strong>ačka 16<br />

10 430 Samobor<br />

Tel. + 385 1 3336 737<br />

Samobor Town Library<br />

Krležina 9<br />

10 430 Samobor<br />

Tel. + 385 1 3361 803, 3364 260<br />

Tel./fax. + 385 1 3363 439<br />

e-mail: mirjana@gks.hr<br />

Internet: www.gks.hr<br />

Open: Mon–Fri 8am – 8pm, Sat 8am - noon<br />

Movie Cinema, within Samobor Open University<br />

Trg Matice Hrvatske 6<br />

10 430 Samobor<br />

Tel: +385 1 3361 266<br />

Internet: www.pousamobor.hr


Sv. Ivan Zelina<br />

Sv. Ivan Zelina Museum<br />

Trg Ante Starčevića 13<br />

10 380 Sveti Ivan Zelina<br />

Tel./fax. + 385 1 2013 686<br />

e-mail: muzej@zelina.hr<br />

Internet: www.zelingrad.hr / www.zelina.hr<br />

Open: Mon–Fri 7am – 3pm (and during events)<br />

Museum shop: souvenirs, postcards, brochures, tourist maps,<br />

exhibit catalogues.<br />

Museum also includes the archaeological site <strong>of</strong> the medieval<br />

city Zelingrad on Zelinska gora.<br />

(Guided visits are by appointment)<br />

Sveti Ivan Zelina Gallery<br />

Ulica Matije Gupca 8<br />

10 380 Sv. Ivan Zelina<br />

Tel. + 385 1 2062 680<br />

e-mail: fs@zg.t-com.hr<br />

Internet: www.gallery-hr.com<br />

Open: Tues–Sun 4 – 8pm<br />

Sveti Ivan Zelina Open University<br />

Vatrogasna 3<br />

10 380 Sveti Ivan Zelina<br />

Tel. + 385 1 2059 062<br />

Fax. + 385 1 2060 270<br />

e-mail: pou-zelina@zg.htnet.hr<br />

Open: Mon–Fri 7am – 3pm (and during events)<br />

Zamka Amateur <strong>The</strong>atre<br />

Sv. Ivan Zelina Open University<br />

Vatrogasna 3<br />

10 380 Sv. Ivan Zelina<br />

Tel. + 385 1 2060 270<br />

Sveti Ivan Zelina Town Library<br />

Trg Ante Starčevića 12<br />

10 380 Sveti Ivan Zelina<br />

Tel. + 3851 2061 064<br />

e-mail: gradska.knjiznica@zg.htnet.hr<br />

Open: Mon, Wed, Fri 8am – 4pm, Thurs 11am – 7pm<br />

(and during events)<br />

Movie Cinema, within Sv. Ivan Zelina Open University<br />

Vatrogasna 3<br />

10 380 Sv. Ivan Zelina<br />

Tel. +385 1 2060 270<br />

Sveta Nedelja<br />

Bauer Gallery<br />

(Town Council building)<br />

Trg Ante Starčevića 5<br />

10 431 Sveta Nedelja<br />

Tel. + 385 1 3335 444<br />

Fax. + 385 1 3373 564<br />

Open: Mon–Fri, 8am – 3pm<br />

Kratis Gallery<br />

Dr. F. Tuđmana 14a<br />

10 431 Sveta Nedelja<br />

Tel. + 385 1 3378 600, fax. + 385 1 3378 601<br />

e-mail: galerija@kratis.hr<br />

Internet: www.kratis.hr/galerija/<br />

Open: Mon–Fri from 10am – 5pm, Sat 10am – 2pm<br />

Sveta Nedelja Association <strong>of</strong> Culture & Arts Societies<br />

Trg Ante Starčevića 5<br />

10 431 Sveta Nedelja<br />

Mob. 099 2522 225, 099 2622 226<br />

<strong>Cultural</strong> institutions 73


Velika Gorica<br />

Modić-Bedeković Manor House<br />

Donja Lomnica<br />

<strong>The</strong> Modić–Bedeković Manor House stands at the edge <strong>of</strong> the<br />

town, and is one <strong>of</strong> the rarely preserved examples <strong>of</strong> the original<br />

architectural style <strong>of</strong> this region, the wooden manor house <strong>of</strong><br />

the Turopolje nobility. It was constructed in 1806. <strong>The</strong> typical<br />

architectural style has been respected, in that the commercial<br />

rooms are on the ground floor, while the living quarters are<br />

on the upper floor. <strong>The</strong> manor house exudes the spirit <strong>of</strong> the<br />

past, and much <strong>of</strong> the original interior appearance has been<br />

preserved. A beautiful heating oven, period furniture and the<br />

Modić family tree are on display.<br />

Visits by appointment.<br />

Info: Velika Gorica Tourist Board<br />

Tel. + 385 1 6221 666<br />

Velika Gorica Open University<br />

<strong>Cultural</strong> Section<br />

<strong>Zagreb</strong>ačka 37, 10 410 Velika Gorica<br />

Tel. + 385 1 62 59 800<br />

Galženica <strong>Cultural</strong> Centre<br />

tel. + 385 1 62 21 122<br />

e-mail: kultura@pouvg.hr<br />

Internet: www.pouvg.hr<br />

Open: Mon–Fri, 8am – 8pm; Sat & Sun 6 – 8pm (and during<br />

events)<br />

74 <strong>Cultural</strong> institutions<br />

Movie cinema, within Velika Gorica Open University<br />

<strong>Zagreb</strong>ačka 37, 10 410 Velika Gorica<br />

Tel. +385 1 6259 800<br />

e-mail: kultura@pouvg.hr<br />

Internet: www.pouvg.hr<br />

Open: 8am – 8pm<br />

Klub 100<br />

<strong>Zagreb</strong>ačka 37<br />

10 410 Velika Gorica<br />

Tel. + 385 1 62 59 800<br />

e-mail: klub100@pouvg.hr<br />

Internet: www.pouvg.hr<br />

Open: Mon–Thurs 10am – 11pm, Fri–Sat 6pm – 4am, Sun 6 -<br />

11pm<br />

Velika Gorica Town Library<br />

<strong>Zagreb</strong>ačka 37<br />

10 410 Velika Gorica<br />

Tel. + 385 1 6222 948<br />

Internet: www.knjiznica-vg.hr<br />

Open: Mon–Fri 8am – 7:30pm, Sat 8am – 1pm


Galženica Branch Library<br />

Trg Stjepana Radića 5<br />

10 410 Velika Gorica<br />

Tel./fax. + 385 1 6222 194<br />

e-mail: knjiznica-velika-gorica-2@zg.htnet.hr<br />

Mon–Fri 8am – 7:30pm, Sat 8am – 1pm<br />

“Noble Municipality <strong>of</strong> Turopolje”<br />

<strong>Zagreb</strong>ačka 37<br />

10 410 Velika Gorica<br />

Tel./fax. + 385 1 6260 001<br />

e-mail: plem-op-turopoljska@zg.t-com.hr<br />

Internet: www.turopolje.hr<br />

Velika Gorica Association <strong>of</strong> Culture & Arts Societies<br />

Trg kralja Tomislava 34, 10 410 Velika Gorica<br />

Mob. 098 274 524, 098 406 565<br />

Spark Artists’ Association<br />

Matije Slatinskog 4, 10 410 Velika Gorica<br />

Mob. 091/7632 115<br />

Andautonia Archaeological Park<br />

Šćitarjevo near Velika Gorica<br />

Information: <strong>Zagreb</strong> Archaeology Museum, Turopolje Museum,<br />

Velika Gorica Tourist Board<br />

Tel. + 385 1 4873 101<br />

Fax. + 385 1 4873 102<br />

e-mail: amz@amz.hr<br />

Internet: www.amz.hr, www.muzej-turopolja.hr and www.<br />

andautonia.com<br />

Open: (1 May–23 Sep) Tues–Fri 9am – 1pm, 4:30 – 8pm, Sat & Sun<br />

10am – 8pm, closed Mon<br />

(24 Sep–31 Oct) Tues–Fri 10am – 6pm<br />

Tickets: adults HRK 15; students/seniors/pupils HRK 10; family<br />

HRK 30; guided tours HRK 10 per person, HRK 50 per group<br />

Children’s workshops: ROMAN GAMES, LITTLE<br />

ARCHAEOLOGISTS, ROMAN DRESS UP<br />

Original souvenirs<br />

Turopolje Museum<br />

Trg kralja Tomislava 1<br />

10 410 Velika Gorica<br />

Tel. + 385 1 6221 325<br />

Fax. + 385 1 6225 077<br />

e-mail: muzej-turopolja@muzej-turopolja.hr<br />

Internet: www.muzej-turopolja.hr<br />

Open: Winter (1 Nov–31 Mar): Tues–Fri 9am – 4pm, Sat & Sun<br />

10am – 1pm<br />

Summer (1 Apr–31 July; 1 Sep–31 Oct): Tues–Fri 10 am–6 pm, Sat<br />

& Sun 10am – 1pm<br />

Tickets: HRK 5 (group <strong>of</strong> 5+), HRK 6 (pupils/students/seniors/<br />

soldiers), HRK 8 (adults)<br />

Museum shop: postcards, permanent collection catalogues,<br />

exhibit catalogues, c<strong>of</strong>fee mugs, souvenirs by local artists and<br />

craftsmen.<br />

A range <strong>of</strong> archaeological, ethnographic, cultural, historical, and<br />

artistic collections othere eočč n dugt.<br />

Galženica Gallery<br />

Trg S. Radića 5<br />

10 410 Velika Gorica<br />

Tel. + 385 1 6221 122<br />

Fax. + 385 1 6226 740<br />

e-mail: galerija.galzenica@globalnet.hr<br />

Internet: www.galerijagalzenica.com.hr<br />

Open: Mon–Fri 10am – 7pm, Sat 10am – 2pm<br />

Free <strong>of</strong> charge.<br />

Kordić Gallery<br />

Šetalište F. Lučića 15<br />

10 410 Velika Gorica<br />

Tel. + 385 1 6222 208<br />

Fax. + 385 1 6222 212<br />

e-mail: galerija-kordic@zg.t-com.hr<br />

Open: Mon–Fri 8am – 4pm, Sat 9am - noon<br />

Free <strong>of</strong> charge.<br />

<strong>Cultural</strong> institutions 75


Vrbovec<br />

Agnezina Gallery<br />

Trg P. Zrinskog 1<br />

10 340 Vrbovec<br />

Tel. + 385 1 2791 524<br />

Open: Mon–Fri 10am – 5pm, Sat 10am – 2pm<br />

Free <strong>of</strong> charge.<br />

Vrbovec Art Gallery<br />

Trg P. Zrinskog 5<br />

10 340 Vrbovec<br />

Tel./fax. + 385 1 2791 115, 2791 888<br />

e-mail: os-vrbovec-002@skole.t-com.hr<br />

Open when exhibits are on<br />

Mala Gallery (Vrbovec Open University)<br />

Kolodvorska 1<br />

10 340 Vrbovec<br />

Tel./fax. + 385 1 2791 115, 2791 888<br />

e-mail: os-vrbovec-002@skole.t-com.hr<br />

Vrbovec Open University<br />

Kolodvorska 1<br />

10 340 Vrbovec<br />

Tel./fax. + 385 1 2791 115, 2791 888<br />

e-mail: os-vrbovec-002@skole.htnet.hr<br />

Open: Mon–Fri 7am – 3pm (and during events)<br />

Vrbovec National Library<br />

Trg Petra Zrinskog 7<br />

10 340 Vrbovec<br />

Tel. + 385 1 2794 407, 2791 043<br />

Fax. + 385 1 2791 110<br />

e-mail: narodna-knjiznica-vrbovec@zg.htnet.hr<br />

Open: Mon–Fri 7:30am – 6:30pm, 2nd and 4th Saturday <strong>of</strong> each<br />

month: 9am – noon;<br />

(during summer school vacation) Mon, Wed 11am – 6:30pm;<br />

Tues, Thurs, Fri 7:30am – 4pm<br />

Movie Cinema, within Vrbovec Open University<br />

Trg Petra Zrinskog 7<br />

10 340 Vrbovec<br />

Tel. +385 1 2791 115<br />

Tel./fax. 2791 888<br />

Zaprešić<br />

76 <strong>Cultural</strong> institutions<br />

Matija Skurjeni Museum<br />

Novi dvori Jelačićevi<br />

Aleja Đure Jelačića 8<br />

10 290 Zaprešić<br />

Tel./fax. + 385 1 3310 540<br />

e-mail: muzej-matija-skurjeni@zg.htnet.hr<br />

Internet: www.muzej-matija-skurjeni.hr<br />

Permanent collection <strong>of</strong> paintings, sketches and graphics by<br />

naive painter Matija Skurjeni.<br />

Open: Tues, Thurs 9am – 2pm; Wed, Fri noon – 5pm (summer 1<br />

– 6pm), Sat 10am – 2pm (summer 9am – 2pm); Sun 10am – noon<br />

(summer 9am – noon); closed Mondays<br />

Tickets: children HRK 5, adults HRK 10, seniors/soldiers free <strong>of</strong><br />

charge<br />

Brdovec Museum<br />

Ilije Gregorića 13<br />

10 291 Prigorje Brdovečko<br />

Tel. + 385 1 3310 288<br />

Open: Mon–Fri 9am – 3pm<br />

Free <strong>of</strong> charge.<br />

Permanent exhibit: local heritage collection.<br />

Razvid Gallery, Zaprešić Open University<br />

Trg žrtava fašizma 11<br />

10 290 Zaprešić<br />

Tel. + 385 1 3310 116; tel./fax. +385 1 3310575<br />

e-mail: pou-zapresic@pouz.hr<br />

Internet: www.pouz.hr<br />

Pod stupi Blaž Gallery<br />

Kavana Blažeković<br />

Trg žrtava fašizma 2<br />

10 290 Zaprešić<br />

Tel. +385 1 3310 116; tel./fax. +385 1 3310575<br />

Trg žrtava fašizma 1, tel. +385 1 3311 604


<strong>Cultural</strong> institutions 77


Kraljica Mira Gallery<br />

Školska 7<br />

10 294 Donja Pušća<br />

Tel. +385 91 2510 912, 3399 308<br />

Internet: www.galerija-kraljice-mira.hr<br />

Open: upon request<br />

Jakovlje Castle Gallery<br />

Dvorska 5, 10 297 Jakovlje<br />

Tel. +385 1 3351 736, 6171 678<br />

Sculpture park on the grounds surrounding the castle.<br />

Stjepan Balja Jewellery Atelier<br />

Trg žrtava fašizma 9<br />

10 290 Zaprešić<br />

Tel. + 385 1 3313 850<br />

Zaprešić Open University<br />

Trg žrtava fašizma 11<br />

10 290 Zaprešić<br />

Tel. + 385 1 3310 116, tel./fax. + 385 1 3310 575<br />

e-mail: pou-zapresic@pouz.hr<br />

Internet: www.pouz.hr<br />

Zaprešić Open University nurtures the Musical Salon series,<br />

which regularly presents well known musical artists.<br />

Mary’s Court Spiritual and Educational Centre<br />

Lužnički odvojak 3<br />

10 290 Zaprešić<br />

Tel./fax. +385 1 3350 943<br />

Internet: www.luznica.hr<br />

78 <strong>Cultural</strong> institutions<br />

Ante Kovačić Town Libary<br />

Trg žrtava fašizma 6<br />

10 290 Zaprešić<br />

Tel. + 385 1 3310 290<br />

Fax. + 385 1 3310 270<br />

e-mail: gradska.knjiznica.zapresic@kgz.hr<br />

Internet: www.kgz.hr/kovacic<br />

Open: Mon–Fri 8am – 8pm, Sat 8am – 2pm<br />

Summer (1 Jul–31 Aug): Mon, Wed, Fri 8am – 2pm; Tues, Thurs<br />

2 – 8pm, Sat 8am – 2pm<br />

Movie cinema within Zaprešić Open University<br />

Trg žrtava fašizma 11<br />

10 290 Zaprešić<br />

Tel. +385 1 3310 116


<strong>Cultural</strong> institutions 79


Žumberak<br />

80 <strong>Cultural</strong> institutions<br />

Basilican Sisters Ethnography Collection<br />

Sošice 11<br />

10 457 Sošice<br />

Tel. + 385 1 6297 559<br />

Visits by appointment.<br />

Žumberak Uskok Museum<br />

Stojdraga<br />

Greek Catholic Diocese<br />

Perivoj Kralja Tomislava 1<br />

Tel. + 385 1 3387 600<br />

Mob. + 385 91 50 42 062


ISBN: 953-7181-44-8

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!