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PO Box 397, Lymington, Hampshire, SO41 1BT, United Kingdom<br />

Tel:+44 (0)1425 629756 / 07812 586597 Email: alastor.rarebooks@virgin.net<br />

Hordle MMXII Alastor<br />

Rare Books<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong>


13th CENTURY<br />

Sermons 63<br />

ADVERTISING<br />

All In <strong>One</strong> 25<br />

Roberti 54<br />

New, Authentic 56<br />

Respirator 59<br />

ARCHAEOLOGY<br />

Il Sepolcro 28<br />

ARCHITECTURE<br />

Timber Houses 5<br />

ART, HOW-TO<br />

Aux Artistes 26<br />

BELGIAN BOOKS<br />

Leurs Majestés 20<br />

BIBLIOGRAPHY<br />

De Bibliothecis 19<br />

Antiqui 47<br />

Venezia 50<br />

Catalogo 61<br />

BLIND, THE<br />

Types... 33<br />

BOOKBINDINGS<br />

Dutch Paper... 14<br />

The Loves 45<br />

BOOKSELLING<br />

Libri 41<br />

Roberti 54<br />

New, Authentic 56<br />

Receipts 64<br />

BROADSIDE<br />

Inscription 8<br />

Corporal 16<br />

The last 38<br />

Mr Le Mesurier 39<br />

New, Authentic 56<br />

Rules 60<br />

BURIAL<br />

Edit 24<br />

Il Sepolcro 28<br />

COLLECTIONS<br />

Algae 3<br />

Medaglie 10<br />

Iscrizione 72<br />

COOKERY<br />

Culinary 18<br />

DESIGN<br />

Titres de Livres 4<br />

Style Book 34<br />

DIALECT<br />

Sie Fiabe 37<br />

DISASTERS<br />

Aufforderung 1<br />

DUTCH BOOKS<br />

Vondel 7<br />

Dutch Paper... 14<br />

Lettres 30<br />

Het Leven 67<br />

Tooneelpoëzy 71<br />

EDUCATION<br />

Settlements 15<br />

Dom. Epis. 32<br />

Mais Factos 44<br />

Guardian’s 55<br />

ESTC<br />

Lettres 30<br />

Messiah 31 (not in)<br />

New.. 56 (not in)<br />

XXV Sermons 68<br />

Calamities 73<br />

Memorials 74<br />

ETHNICITY, CELT<br />

Scrapbook 62<br />

FAIRY TALE<br />

Le Prince 40<br />

FICTION<br />

La Fausse 66<br />

FRENCH BOOKS<br />

Titres de Livres 4<br />

Épitre 12<br />

Edit 24<br />

Aux Artistes 26<br />

Le Prince 40<br />

Antiqui 47<br />

La Parisiade 53<br />

Les Templiers 58<br />

La Fausse 66<br />

FRENCH REVOLUTION<br />

La Parisiade 53<br />

GEOGRAPHY<br />

Antiqui 47<br />

GERMAN BOOKS<br />

Aufforderung 1<br />

De Bibliothecis 19<br />

Parentalla 52<br />

GRANGERISM<br />

Tooneelpoëzy 71<br />

ILLUSTRATION<br />

Landscape 11<br />

Commonplace 17<br />

Style Book 34<br />

Italian Tour 35<br />

Heureusement 57<br />

Het Leven 67<br />

Illustrated 69<br />

Tooneelpoëzy 71<br />

IMPRINT, FALSE<br />

Lettres 30<br />

La Parisiade 53<br />

ITALIAN BOOKS<br />

Alfabettica 2<br />

Passione 9<br />

Medaglie 10<br />

Sul Progretto 21<br />

Grand... 22<br />

Guida 27<br />

Il Sepolcro 28<br />

Sie Fiabe 37<br />

La Vita 43<br />

Alcune 49<br />

Zanotti 51<br />

Catalogo 61<br />

Il Ragno 70<br />

Iscrizione 72<br />

INDEX<br />

LEGAL<br />

Notorial 46<br />

LOTTERY<br />

All In <strong>One</strong> 25<br />

MANUSCRIPTS<br />

Commonplace 17<br />

Culinary 18<br />

Leurs Majestés 20<br />

Grand 22<br />

Style Book 34<br />

Italian Tour 35<br />

Old Testament 36<br />

Liturgical 42<br />

Notorial 46<br />

Formule 48<br />

Scrapbook 62<br />

Sermons 63<br />

Receipts 64<br />

Diaries 65<br />

Illustrated 69<br />

MEDICINE/SCIENCE<br />

Alcune 49<br />

Zanotti 51<br />

Respirator 59<br />

Rules 60<br />

The Spleen 75<br />

MILITARY<br />

Leurs Majestés 20<br />

Mais Factos 44<br />

MNEMONICS<br />

Formule 48<br />

MUSIC<br />

Mr Giardini 6<br />

Grand 22<br />

Messiah 31<br />

NEO-LATIN VERSE<br />

Hymni 13<br />

NUMISMATICS<br />

Medaglie 10<br />

ILLUSION<br />

Corporal 16<br />

PEOPLE<br />

Babel, PE 4<br />

Giardini, Felice 6<br />

Vondel, J 7, 14<br />

Sandby, P 11<br />

Chénier, M-J 12<br />

Napoleon 16<br />

Rossini, G 22<br />

Handel 31<br />

Aretino, P 43<br />

Zanotti, E 51<br />

Pertsch, G 52<br />

Cook, James. 56<br />

Jeffreys, John 59<br />

Charles I 74<br />

PLACES<br />

Fruili 2<br />

India 8<br />

Bristol 15<br />

Florence 27<br />

Rome 28<br />

Hereford 32<br />

Italy 35<br />

Essex 38<br />

Durham 39<br />

Venice 49, 50<br />

Helmstedt 52<br />

Africa 57<br />

Vermont 60<br />

Padova 61<br />

Anglesey 62<br />

POETRY<br />

Épitre 12<br />

Commonplace 17<br />

Draf-slottet 23<br />

Sie Fiabe 37<br />

The Last 38<br />

The Loves 45<br />

La Parisiade 53<br />

Il Ragno 70<br />

The Spleen 75<br />

PORTUGUESE BOOKS<br />

Mais Factos 44<br />

PRINTING<br />

Types 33<br />

Venezia 50<br />

QUARREL, PUBLIC<br />

Mr Le Mesurier 39<br />

RELIGION<br />

Passione 9<br />

Hymni 13<br />

De Bibliothecis 19<br />

Edit 24<br />

Definitio 29<br />

Lettres 30<br />

Old Testament 36<br />

Liturgical 42<br />

XXV Sermons 68<br />

SATIRE<br />

Inscription 8<br />

SHORTHAND<br />

Old Testament 36<br />

SPIDERS, VIRTUES OF<br />

Il Ragno 70<br />

SWEDISH BOOKS<br />

Draf-slottet 23<br />

SWISS BOOKS<br />

Definitio 29<br />

TEMPLARS<br />

Les Templiers 58<br />

THEATRE<br />

Vondel 7<br />

Dutch Paper... 14<br />

Les Templiers 58<br />

Het Leven 67<br />

Tooneelpoëzy 71<br />

TRAVEL<br />

Italian Tour 35<br />

Diaries 65<br />

Illustrated 69<br />

VICE, AGAINST<br />

Calamities 73<br />

WOMEN<br />

Sul Progretto 21<br />

Alcune 49<br />

La Fausse 66<br />

The Spleen 75<br />

Alastor Rare Books<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong><br />

Item 10<br />

[Cattaneo, Gaetano & Labus, Giovanni].<br />

Medaglie E Monete Procedenti Dal Museo Del Conte Constazo Taverna.<br />

PO Box 397, Lymington, Hampshire, SO41 1BT, UK<br />

Tel:+44 (0)1425 629756/07812 586597<br />

Email: Alastor.Rarebooks@Virgin.Net<br />

Hordle<br />

MMXII<br />

1


Alastor Rare Books<br />

1. [Adolphus, Frederick].<br />

[North Sea Floods] Aufforderung.<br />

Hannover: [s.i], 1825.<br />

Bifolium, 300 x 195mm, 3, [1 blank] p., gothic type. Only printing of this Royal appeal from Frederick Adolphus, Duke of<br />

Cambridge on behalf of King George IV. This pamphlet, in German, appeals for support in reconstruction and proposes<br />

regional committees to oversee reconstruction in the aftermath following the February flood of 1825 “Great Hallig Flood”<br />

in which some 800 people died. The German and Dutch North sea coast was badly hit, especially the village of Pellworm and<br />

town of Emden.<br />

£200.00<br />

2. Alfabettica Descrizione Della Castella,<br />

Comunità, e Ville della Patria del Fruili O da essa Segregate, che hanno relazione Di<br />

Udine.<br />

Udine: /Giovambatista Murero, 1752.<br />

8vo, 16.5cm, 46, [2 blank] p., contemporary cartonatura rustica (spine repaired), crayon manuscript annotations to last blank<br />

page and inside rear cover. A good copy (scattered light spotting). An unrecorded and curious little work giving an alphabetical<br />

list of the castles, villages, communes and rivers in the patriarchal state of Aquileia and their distance in miles from the capital,<br />

Udine. in 1077 Henry IV rewarded Sigeardo of Beilstein, the patriarch of Aquileia, with the feudal Dukedom of Fruili and title<br />

of Prince following his support during excommunication. Aquileia becoming a direct fief of the Holy Church of Rome. The<br />

state developed with the capital established at Udine in 1238 and became embroiled in a series of internal conflicts and with<br />

the Republic of Venice in 1281. After a period of stability conflict with the city of Cividale reached a head with the invasion<br />

and capture of Udine in 1411. This lead to war with Venice and the eventual recapture and annexation of Aquileia to Venice<br />

in 1420. The ancient patriarchal see was legally dissolved in 1751 and presumably created this work as a continuing record of<br />

its possessions. Not in located in the online union catalogues.<br />

£280.00<br />

3. Algae Britannicae: Or Dried Specimens Of Marine Plants.<br />

Named According To Professor Harvey’s Phycologia Britannica.<br />

[England], [183-?].<br />

8vo, 19cm, [13] p., 12 mounted seaweed specimens, original printed card covers, all edges gilt, Ownership signature of Edith<br />

Back. This attractive collection of seaweed specimens is a fine example of the Victorian fashion for forming collections of<br />

all types. Presumably formed as a holiday amusement on the South coast of England, this collection “named according to<br />

Professor Harvey’s Phycologia Britannica” is arranged with an aesthetic eye with samples fixed to plates and tipped into the<br />

notebook and labelled in a delicate and precise copperplate.<br />

£250.00<br />

4. Babel, Pierre Edmé.<br />

Suite De 10 Titres De Livres Inventés Par Babel Et Gravés Par Loizelet.<br />

Paris: [Loizelet], [1879].<br />

Scarce collection of title page designs in high Rococo style by the French artist/engraver/goldsmith Pierre Edme Babel (1720-<br />

1775), about whom little is known. Each design is about 130 x 80mm, with decorative border inside large margins. Eugène<br />

Loizelet was active as a printer and print-seller in Paris in the 1870s. A very good copy (Edges slightly creased, title page lightly<br />

foxed, else very clean). Only copy located is at Hannover.<br />

£280.00<br />

5. Baily, Charles.<br />

Remarks On Timber Houses.<br />

Printed for Private Distribution by Wyman & Sons.,1869.<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong><br />

Large 8vo, [4], 49, [1 blank] p., engraved frontispiece, seven plates & 18 text illustrations, half-leather & marbled boards (loss<br />

of leather to corners), recent spine, all edges gilt. First separate edition and one of the first printed works on the history<br />

and structure of Tudor timber framed houses. This key work by the London architect and antiquary, Charles Baily, examines<br />

glazing, fitted furniture, doors, stairs, internal room architecture, brick and plasterwork, timbering and first appeared in<br />

Surrey Archaeological Collections in 1862. Baily assisted in the roofing of the Guildhall and building of the Corporation Library<br />

prior to his suicide in 1878 during illness (DNB). A very good copy (text wrinkled). COPAC & OCLC (BL, Guidhall, C, Leeds, V&A,<br />

Soc. Ant). De Zouche Hall-Bib of Vernacular Architecture p.36; A.Lawrence K ocher Collection 022.<br />

£300.00<br />

6. [Benefit Ticket For The Benefit Of Mr Giardini.<br />

[London]: [s.n], [1775?].<br />

Single sheet, 120 x 135mm, wove paper, printed on recto only, engraving [in brown/sepia] within border, with margin, printed<br />

by F[rancesco] Bartolozzi after G[iovanni] B[attista] Cipriani.<br />

Ticket for a benefit concert for the Italian composer and violinist Felice Giardini (1716-1796). Said to show Melpomene--<br />

Greek muse of tragedy--seated on a parapet, holding a dagger in her right hand; two putti at her feet: one lying dead, the<br />

other standing and scratching his head; on the right, Thalia standing, carrying a putto who holds a torch. Giardini was a child<br />

prodigy who, after touring Europe, settled as an adult in London, where for many years he was highly successful. He served<br />

as concertmaster and director of the Italian Opera there and gave solo concerts under the auspices of his close friend Johann<br />

Christian Bach (son of Johann Sebastian). Very clean item. A bill-head showing the same image is held by British Museum; other<br />

tickets for Giardini benefits, with different classical scenes, seem to be more common than this one. A fine copy.<br />

£140.00<br />

2 3


Alastor Rare Books<br />

7. [Bespoke Collection Of The Complete Dramatic Works Of J.V.Vondels<br />

Printed By De Wees].<br />

Three volumes, 4to, 200mm, partial watermarks visible showing_______ and “ D. & C. Blauw,” table of contents in each<br />

volume, each play has separate title page, all but one [Maria Stuart in vol. 3] bearing the de Wees printer’s device of a<br />

decorative well and motto “Elck zyn Beurt” (Each His Turn) Several have plates or illustration; most have decorative initial<br />

letters, red edges (faded). Each volume in contemporary full vellum with blind stamped double ruled borders and decorative<br />

central stamp, raised bands with manuscript spine titles, boards of Volume <strong>One</strong> bowed, other volumes slightly bowed, boards<br />

rubbed in varying degrees, corners bumped, water stains to lower edges of some pages in Vol. 2; text blocks else very clean.<br />

Each volume contains printed bookplate “Cloeck voor Storm,” with image of ship on stormy sea and initials C S. Volume one<br />

has small bookseller’s label of M. R. Van Gelder (Leiden), Volume two has bookseller’s label of A. J. van Tetroode (Amsterdam).<br />

Three volumes, each with half title J. V. Vondels<br />

Tooneel-Poëzy, containing various printings of all of<br />

Vondel’s 32 completed plays, a fragment of another<br />

(Rozemont) and an essay. The first volume contains<br />

plays with Biblical themes; the other volumes’<br />

contents are mainly classical. All the plays were<br />

published by members of the de Wees family over a<br />

span of 60 years.<br />

Vol. I: Tooneelschilt Of Pleitrede Voor Het<br />

Tooneelrecht (1661)--[essay in response to an attack<br />

by the fundamentalist preacher Petrus Wittewrongel,<br />

its title page bears the motto “Cedo nulli”--I cede to<br />

no one”]; Adam In Ballingschap, Of Aller Treurspeelen<br />

Treuerspel (1664); Noah, Of Ondergan Der Eerste<br />

Weerelt. Treurspel (1692); Joseph In Dothan.<br />

Treurspel (1692); Joseph In Egypten. Treurspel (1644);<br />

Sofompaneas Of Josef In’t Hof. Treurspel, [Huigh<br />

de Groot, trans. from Latin by Vondel] (1692); Het<br />

Pascha, Ofte De Verloffinge Israëls Uyt Egypten....<br />

(1636); Jeptha Of Offerbelofte. Treurspel (1659);<br />

Samson Of Heilige Wraeck. Treurspel (1694); Koning<br />

David In Ballingschap. Treurspel (1691); Koning David<br />

Herstelt. Treurspel (1693); Salomon. Treurspel (1648);<br />

Peter En Pauwels. Treurspel (1691); Hierusalem<br />

Verwoest. Treurspel (1665)<br />

Vol. II: Plate tipped in after contents page showing<br />

Phaeton’s death at the hand of Zeus, folded at<br />

bottom; Lucifer. Treurspel (1654); Gebroeders.<br />

Treurspel (1650); Adonias Of Rampzalige Kroonzucht.<br />

Treurspel (1661); Faëton Of Reuckeloze Stoutheit.<br />

Treurspel (1663); Salmoneus. Treurspel (1657);<br />

Sofokles Herkules In Trachin. Treurspel. Verduitscht<br />

door J. v. Vondel (1668); Hippolytus Of Rampzalige<br />

Kuischeit. Treurspel (1668); Koning Edipus Uit<br />

Sofokles. Treurspel (1660); Euripedes Feniciaensche<br />

Of Gebroeders Van Thebe. Treurspel. Verduitscht<br />

Door J. v. Vondel (1668); De Amsterdamsche Hecuba.<br />

Treur-spel [from Seneca’s Troades/The Trojan Women]<br />

(1693)<br />

Vol. III: Elektra Van Sophokles. Treurspel (1658);<br />

Ifigenie In Tauren. Uit Euripedes. Treurspel (1666);<br />

Batavische Gebroeders Of Onderdruckte Vryheit.<br />

Treurspel (1690); Maeghden. Treurspel (1643);<br />

Rozemont. Treurspel. Het Eerste Bedryf (n.d.)*;<br />

Gysbrecht Van Aemstel. D’Ondergangk Van Zijne<br />

Stadt, En Zein Ballingschap. Treurspel (1659); Maria<br />

Stuart Of Gemartelde Majesteit (1646)**; Zungchin<br />

Of Ondergand Der Sineesche Heerschappye. Treurspel<br />

(1692); Leeuwendalers. Lantspel (1657); Palamedes<br />

Of Vermoorde Onnozelheit. Treurspel (1652)<br />

£650.00<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong><br />

8. [British Indian Raj]:<br />

An Inscription was found among the records of the Club.<br />

It was Unanimously Voted that it should be printed and Copies Sent to the Members<br />

Therein Mentioned So Far As they Could Be Discovered By The Scriptural Phraseology<br />

Adopted By The Author. ].<br />

[Bengal], [186-].<br />

Single sheet, 310 x 195mm, 2 p., two edges untrimmed, (couple of short tears to edges). This unrecorded satirical broadside<br />

from an army officers club from British India, is cast as a supposed translation “as part of a cuneiform inscription found at<br />

Germ-ok-taza; supposed to be a portion of the book of Spawt”. The tales of how one Fawben together with his tribe of Hind<br />

sets forth and cleanses the land of unclean beast. It presumably relates to the commencement and expansion of British rule in<br />

India. A key is given at the end with the names of characters the text attributed to officers from the 19th Hussars, Royal Horse<br />

Artillery, Royal Artillery and local administrators.<br />

£180.00<br />

9. C.B.F. Narrazione Della Passione Del Nostro Signore Gesu Cristo...<br />

Roma: Nella Stamperia Piluchhi Cracas, 1790.<br />

8vo, 18cm, [2], 67, [1 blank] p., engraved title device of decorative urn with flowers & scroll work, endpiece of flowers &<br />

foliage in a wicker urn flanked by griffins, contemporary carta silografata policroma with repeated square motif and ruled<br />

yellow lines (two small chips to spine). Only edition of this annotated narrative of Christ’s Easter Passion. Dedicated to the<br />

Procuratessa of San Marco, Camilla Giovanelli, the text is compiled from the Gospels and through extensive footnotes explains<br />

the significance and function of the language, historical figures and places. It is thus of particular value in terms of historical<br />

religious exegesis. A very good copy (fore edge of first two leaves dusty & negligible upper marginal staining to last four<br />

leaves). Not in worldcat, COPAC or ICCU.<br />

£180.00<br />

10. [Cattaneo, Gaetano & Labus, Giovanni].<br />

Medaglie E Monete Procedenti Dal Museo Del Conte Constazo Taverna.<br />

Milano: Società Tipogr[afica] De’ Classici Italiani, 1842.<br />

8vo, 16 p., titled in shaded & Roman types, unbound as issued, stitched. Only edition of this catalogue of the medals and coins<br />

in the collection of Italian numatist Carlo Taverna. Taverna inherited the substantial collection of coins and medals of his Uncle<br />

Constanzo Taverna which in turn had come from the collection of Count Carlo Castiglione and added to them throughout his<br />

life. The first catalogue of the collection, by the Director of the Gabinetto Numismatico di Brera and Secretary of the Istututo<br />

Lombardo di Scienze e Lettere, was this one issued in 1842 and the second, issued posthumously in 1872. The catalogue,<br />

in tabular form, lists items by name and quantity and covers papal and royal medals both Italian and European including<br />

England, Poland, Austria, Denmark, Spain & France (2093 examples); Milanese coins produced in honour of Francesco II of<br />

Austria (873 examples) and miscellaneous European coins & medals (63 examples). The collection together with books &<br />

papers was later donated to the Milanese civic collection and is now at the Civica Biblioteca Archeologica e Numismatica di<br />

Milano. Not in worldcat, COPAC or ICCU.<br />

£240.00<br />

4 5


Alastor Rare Books<br />

11. Chatelain, Jean Baptiste & Sandby, Paul.<br />

[Suite Of 18th Century English & French Landscape Etchings].<br />

270 x 215mm, 6 leaves, laid paper, Italian(?) paste paper binding (spine worn), manuscript label (chipped) to front cover<br />

“LANDSCAPES,” in single hand-ruled border, all items trimmed to same size with additional stab holes as in the margin of each<br />

print from previous binding. This collected suite of plates includes Four plates by French printmaker Jean Baptiste Chatelain<br />

and two by British printmaker Paul Sandby.<br />

I. [Storm?] [by Chatelain], image 175 x 245mm. Trees near waterside, with buildings and bluff in distance. Two men struggle<br />

against the wind in leftforeground. Closely trimmed, with no significant loss of image, but title and creator information<br />

trimmed off, can just make out top of “Ch” [Chatelain]. Manuscript margin note “L1”<br />

II. Calm, by Chatelain, image 175 x 245mm. Pastoral scene of trees near water, with buildings on far side. Seated man reads,<br />

with dog beside him, and a man address a group of females. Title, in decorative typeface, partly trimmed off.<br />

III. [Untitled-Landscape With Group Of Travellers], image 215 x 160mm, “P Sandby Inv Sculpt 1758,” pastoral scene dominated<br />

by trees on hillock, house behind with smoking chimney, man with sword and several resting figures to lower right, horse and<br />

cart approaching and further buildings to left. It seems likely that this is from the first edition of Sandby’s “Six Landscapes”.<br />

IV. [untitled], two images within one embossed border 225 x 165, each image about 135 x 85mm, signed at bottom “Chatelain<br />

invet et delin.”<br />

V. [untitled], image 175 x 125mm, “Chatelain invet et delin.” Waterside scene with trees, man and woman on right shore,<br />

other figures in fore and middle ground, buildings on far side of water.<br />

VI. [untitled], image 90 x 120mm, “P Sandby Inv. Sculp.” at bottom, crease to lower left margin. Rural landscape with a man<br />

standing in the left foreground, indicating a boulder inscribed with the series title at the side of the road, for the benefit of<br />

a boy, while two men stand talking further off to right, with a ruin glimpsed beyond three leafy trees on the bank in the left<br />

foreground; issued as one of ‘Six Landscapes’ in 1758.<br />

£650.00<br />

12. Chenier, Marie-Joseph.<br />

Épitre A Eugénie.<br />

[Paris?]: [s.i], [1800?].<br />

8vo, [ii], 6, [2 blank] p., recent decorative rose wrappers, MS upper cover title. First and sole independent edition of this short<br />

poem by the Constantinople born French writer and politician who played an active role in revolutionary France. The poem<br />

praises the charms of the beautiful and seductive Eugénie who is thrown against a cast of moralists such as Arsinoe from<br />

Moliere’s The Misanthrope, throwing Fielding, Lesage & Richardson and pedantry to the devil, giving praise for voluptuous<br />

love, the amiable Ninon [de L’Enclos] and the arts. OCLC 558430286 (2 copies BL & BNF); Querard p.174 (giving a 1799 date);<br />

Michaud & Michaud VIII p. 330<br />

£280.00<br />

13. Coffin, C.<br />

Hymni Super Patrato In Nova Haemorrhoissa Miraculo.<br />

[Paris]: Typis Theobusteis, 1726.<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong><br />

Bifolium, [4] p., headpiece of repeated typographic ornament, unusual initial letter created from three printers flourishes,<br />

printed in roman & italic types. This principal of the Dorman-Beauvais college in the University of Paris was chief hymnographer<br />

of the 18th century Roman Catholic liturgical revival. This work collects three neo latin hymns. OCLC records a sole copy (BNF).<br />

Not located in the other online union catalogues. Conlon. Siècle des Lumières : bibliographie chronologique X p.185; Routley<br />

& Cutts (2005) p.71.<br />

£160.00<br />

14. [Collection of Dutch Paper Bindings].<br />

I. [Anonymous] De Gewaande Ariane, Of De Bedrieger Door List Bedrogen. Blyspel.<br />

Amsterdam: Hendrik Bosch over’t Burger Weeshuys, en Jacob van Saan, in de Gasthuys,<br />

1718.<br />

8vo, 155mm, 62p. A-[D7], partial watermark visible. Engraved title page vignette shows winged horse on ledge overlooking<br />

musicians, with banner motto “Honos alit artes” (Honour fosters the arts). Decorated initial letter. Later, very clean paper<br />

wrapper printed with repeated design in red. A comedic play in three scenes set in Amsterdam, with seven characters: “The<br />

Fictitious Ariane, Or The Trickster Tricked by a Trick.” In verse. A tidy copy, last leaf slightly begrimed, very small tears to cover<br />

edges.<br />

II. Hoeven, Willem van der, d. 1727 ‘T Koffyhous, Kluchtspel. Amsterdam: Izaak Duim,<br />

1734.<br />

8vo, 155mm, 48p. Partial watermark visible. Elaborate title page engraving [looks embossed?] shows beehive within scrollwork,<br />

with motto in Dutch., signed “J--or T?--Punt del. et fecit 1732.” Later paper wrappers printed in red with overall floral design<br />

with wavy lines. A farce, “The Coffeehouse,” in one act, 22 scenes, with many characters, including a runaway youth, a<br />

Walloon, and a drunken farmer--all promising fodder for comedy, perhaps. Clean copy with slightly grimy and creased last<br />

page, also very small stain to fore edge.<br />

III. Bernagie, Pieter De Ontrouwe Voogd, Kluchtspel. Amsterdam: Albert Magnus, op den<br />

Nieuwendyk, in den Atlas, by den Dam, 1686.<br />

8vo, 155mm, 37, [1] blank p., A-C[3], partial watermark visible. Title page has engraving in classical style and motto “Latet<br />

quoque utilitas” (Usefulness is also hidden). paper cover, yellow printed with repeated red and blue floral pattern, lines, and<br />

dots. Has small printed Art Nouveau-style bookplate of “V. Delamontagne” and pencilled shelf or catalogue marks.<br />

A farce--”The Unfaithful Guardian”--in one act, with five characters, 15 scenes, partly in verse. Bernagie (1656-1699) was a<br />

well-known physician and professor of medicine. He published 14 plays in several styles between 1684 and 1698 and was one<br />

of the best-known comedy writers of his day. This first edition--in good condition with slight spotting to lower edge of last<br />

leaf--<br />

IV. Hoogeveen, Cornelis van Het Huwelyk Door Bloedverwanschap, Blyspel. Te Leyden:<br />

By Cornelis van Hoogeveen, Junior, 1763.<br />

8vo. 155mm, 64p., partial watermark visible. Engraved title page vignette with classical themes, beehive, winged horse, within<br />

scrollwork. Motto “Door Vlyt En Kunst.” Signed “N. v.d. Meer jun. inv. et fec. 1763.” Printer’s device at end of foreword and<br />

decorative initial letter. Plain paper wrapper with pencilled shelf marks. Printed bookplate of “V. Delamontagne” in Art<br />

Nouveau style.<br />

V. Wit, Abraham de, de Jonge De Ingebeelde Edelman, Blyspel. Amsterdam: By de<br />

Erfgen: van J. Lescailje, op den Middeldam, op de hoek van de Vischmarkt, 1700.<br />

8vo., 150mm, 55, [1 blank] p., A-D[4], partial watermark visible, title page vignette of [dog-like animal?] encircled by snake<br />

with its tail in its mouth and motto “PERSEVERANTER,” floral printers device p. 3, decorative initial letter. Speckled edges, later<br />

paper wrapper with overall tulip motif in red, with small tears to edges, text block good with a couple of ink(?) spots. “The<br />

Imaginary Nobleman” is a comedy in three acts, in verse. Nothing seems to be known of the author, except that he published<br />

two other plays in the 1690s. The printing house and bookshop of Jacob Lescailje [also Lescaille], on the other hand, was well<br />

known as a centre for drama in Amsterdam. After his death in 1679, it was run for many years by his heirs.<br />

VI. Elvervelt, Henrik Van (c. 1700-1781) De Gewaande Heidin, Of De Bedrogen<br />

Gelukzoeker, Kluchtspel. Amsterdam: Izaak Duim, Boekdrukker en Boekverkooper,<br />

bezuiden het Stadhuis, 1746.<br />

8vo, 155mm, 48p., partial watermark visible. Elaborate title page engraving with beehive, classical references, pastoral scenes,<br />

coat of arms. Later paper wrappers with overall leaf motif in red [part unprinted: edge of the paper?], penciled shelf marks,<br />

printed bookplate, in Art Nouveau style, of V. Delamontagne. Only recorded edition of this play, “ The Supposed Heathen, or<br />

6 7


Alastor Rare Books<br />

The Adventurer Deceived,” apparently translated from the original French by Elvervelt, and printed by the noted actor and<br />

bookseller Duim (1696-1782). The original French version, if it existed, has not been located. Very clean copy with negligible<br />

tear to title page.<br />

VII. Rossum, Pieter van (?) Aelius Seianus, Treur-Spel. Gorinchemi [Gorinchem]: By Paulus<br />

Vink, Boeckverkooper, 1667.<br />

4to, 200mm, [2], 42p., (lacks dedication page), [many blank leaves of later date bound in at end], partial watermark visible,<br />

roman and italic type. Title page engraving within a border, shows crest with portcullis, crown, rampant lions and motto<br />

“Sidunt ipso pondere magna, Ceditq. oneri Fortuna suo. --Senec. Agam.” 3/4 vellum with marbled boards, manuscript spine<br />

title, pencilled shelf marks to front pastedown and endpaper. Text block very clean and tidy, faint water stains to lower edge<br />

at gutter, boards slightly warped with very slight scuffing. This tragedy in five acts concerns Lucius Aelius Sejanus (d. AD 31),<br />

who was a once-trusted Praetorian Prefect under the Roman Emperor Tiberius, but who was put to death after betraying that<br />

trust. Sejanus has been the subject of various literary works including a 1603 play of Ben Jonson. Authorship of this Dutch<br />

play is not certain; most often attributed to van Rossum based on initials following the dedication--a leaf that is missing in this<br />

copy--but sometimes assigned to Jan Lemmers. Also issued in 1666 at Dordrecht.<br />

VIII. Lope de Vega, Felix Jaloersche Studenten, Bly-Epodende-Spel. [Translated from the<br />

Spanish by Theodore Rodenburgh] Amsterdam: Gedruckt by Nicolaes van Ravensteyn<br />

Voor Dirck Cornelisz Hout-baeck... 1644<br />

4to, mm, A-G[2], [52]p., partial watermark visible, untrimmed. Gothic, roman, and italic typefaces. Title page vignette inside<br />

double border shows [oops, didn’t finish].... and motto “Nobilitas sola est atque vinca virtus.” Decorative initial letter.. Later<br />

wove glossy paper wrappers, overall 3-colour floral pattern. A Dutch translation of “La escolástica celosa” (The Jealous<br />

Student) was first published at Leiden in 1617. This “happily-ending play” is in three acts, in verse. Lope de Vega (1562-1635)<br />

was a key literary figure of the Spanish Baroque, a prolific poet and playwright. Rodenburgh (1574-1644), Dutch diplomat<br />

and merchant, was also wrote plays and poems. He became familiar with Spanish literature via his diplomatic travels to Spain,<br />

where he met Lope de Vega and translated several of his plays. Water stains to gutter and edges; edges curled; small tears and<br />

creases to wrapper, with one back corner lacking.<br />

IX. J. V. Vondels Salmoneus. Treuspel Amsterdam: Voor de Weduwe van Abraham<br />

de Wees, op den Middeldam, in ‘t jaer MDCLVII (1657). Colophon: Amsterdam: Ter<br />

Druckerye van Thomas Fontein, op de Voorburghwal, by de Deventer-houtmerckt, 1657.<br />

4to, 200mm, [8], 60p. *4 A-H [2], partial watermark visible, roman and italic type, decorative initial letters, title page vignette of<br />

a decorative well and motto “Discite iustitiam moniti, & non temnere divos.” Red edges, later, very clean wove paper wrappers<br />

with repeated motif in red. slight tears to edges with tiny loss to one corner. Text very good, last two signatures loose, smudges<br />

to gutter and faint water stains on several pages Vondel (1587-1679) was the most prominent Dutch playwright and poet of<br />

the 17th century. He moved in literary circles and studied French, German, Latin, and Greek writers. He wrote 32 plays and<br />

translated many others from several languages into Dutch. Salmoneus, in Greek mythology, was king of Elis. This copy has<br />

slight tears to edges with tiny loss to one corner; last two signatures loose, smudges to gutter and faint water stains on several<br />

pages.<br />

X. J. v. Vondels Ifigenie In Tauren. Uit Euripedes. Treurspel. Amsterdam : Voor de<br />

weduwe van Abraham de Wees, op den Middeldam, in ‘t Nieuwe Testament, 1666.<br />

4to, 200mm, *4 A-F 4, [8], 48p., title page with printer’s device of well with motto “Elck zyn beurt” [each his turn]. Also<br />

Latin motto “Hic labor extremus, longarum haec meta viarum.” Decorative initial letters, floral printer’s device on last page,<br />

speckled edges, very faint water stains to lower edge, else very clean. Later glossy blue wove paper wrappers with repeated<br />

design in black, slightly scuffed, small losses to head and tail of spine, penciled notes and shelf marks to inside cover, bookseller<br />

label pasted in, printed bookplate of V. Delamontagne in Art Nouveau style, also older tiny bookplate “Ex Libris A. Ch.” Joost<br />

van den Vondel (1587-1679) was the most prominent Dutch playwright and poet of the 17th century. He moved in literary<br />

circles and studied French, German, Latin, and Greek writers. He wrote 32 plays and translated many others from several<br />

languages into Dutch. The large Vondelpark in Amsterdam is named for him. This translation of Euripedes’ Iphigenia in Tauris<br />

is in verse.<br />

£450.00<br />

15. Copies Of The Settlements Made By Edward Colston, Esq.,<br />

For The Maintaince [sic] Of His Almshouse On St. Michael’s-Hill, & c. And Of His Hospital<br />

For The Maintainance [sic] And Education Of Poor Boys On St. Augustine’s Back, Bristol.<br />

Bristol: Printed at the Mirror Office, 1839.<br />

Large 8vo, 25cm, [2], 65, [1 blank] p., title within rule frame, decorative engraved cornerpieces, contemporary marbled boards,<br />

rebacked with recent tan morocco spine and brown label. This scarce collection of printed social welfare early records makes<br />

available the 1696 settlement and will of Edward Coulson and relates to the establishment of almshouses and schools in the<br />

town of Bristol. COPAC Sole copy LSE.<br />

£120.00<br />

16. Corporal Violette.<br />

London: R.Pratt 12, Broad Street, Golden Square, [1815].<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong><br />

Single sheet, 380 x230mm, hand-coloured illustration (signed Radcliffe sc. 213 Picadilly). This fabulous broadside and optical<br />

illusion was issued presumably as a curiosity following his imprisonment & exile. The violet seems to have become a symbol<br />

of Napoleon prior to his departure for Elba and in his despair he requested a some violets from a child who had been picking<br />

a bunch and pronounced them to be a symbol of his quiet resignation to his fate. The violet also became a symbol of his<br />

resistance and resolve both for him and for supporters, for subsequent to this he is recorded to have said that he would return<br />

from Elba when the violets bloom again. The broadside is of particular note as it includes AN OPTICAL ILLUSION WITH THE<br />

FACES OF NAPOLEON, MARIA LOUISA & THE KING OF ROME within the petals & foliage of the print. OCLC returns 2 records<br />

(BNF & McGill); Not in COPAC.<br />

£500.00<br />

8 9


Alastor Rare Books<br />

17. [Craven, E.H].<br />

[Manuscript Commonplace & Scrapbook with Original Drawings].<br />

[Yorkshire, England], [187-].<br />

Large 8vo, 26.5cm, c.100ff (c.50ff blank), paper stock in varying shades of pink, yellow, grey and blue with a number with<br />

printed decorative borders and some with embossed borders, white paper stock watermarked “J.Whiston 1834” contemporary<br />

plum roan (extremities rubbed, upper joint cracking), boards alike with ornate blind stamping and central diamond within<br />

a cartouche with floral and foliage scrollwork, outer border of a single gilt filet and foliate roll, further blind-stamped inner<br />

border of reclining classical figures with goblets, fruit and foliage sprays, inner dentelles, gauffred edges, all edges gilt, blue<br />

ribbed silk end papers. This attractive album, produced by De La Rue of London contains and interesting mixture of original<br />

verse accompanied by drawings, water-colours and a few coloured & hand coloured printed illustrations clipped from popular<br />

publications. There is one competent loose water colour of a woman with three children on a hillside above a tree-fringed<br />

rural village with central church (170 x 115mm), pencil sketch of Scrooby church, Yorkshire with a forester dressing a tree trunk<br />

in foreground, a highly competent religious verse in a pen & ink border of an arched gothic door way with a further view<br />

through another archway into a church interior. Within the work are the poems “The Maiden’s Choice & Those Evening Bells<br />

(Thomas Hood) in decorative calligraphy, a section entitled “Localities and Lays of Past & Present with three pages of original<br />

verse with clipped illustrations of scenes from Warwickshire & one photograph of a gatehouse in front of a timber beamed<br />

house. Of particular note is the final section “Flowers And Rhymes” which contains twelve original poems on different flowers<br />

each with an original watercolour at the head on separate pages. These are Snowdrop, Primrose, Daisy, Violet, Bluebell, Lilly<br />

of the valley, Wall Stock Gentianella, Forget Me Not, Woodbine, Rose & Mignonette. VICTORIAN LADIES FLOWER POETRY.<br />

£300.00<br />

IF yOU WOULD HAVE A GOOD PUDDING, PRAy MIND WHAT yR TAUGHT<br />

“LET yOUR MAID EAT THE CRUST” (PARADISE PUDDING).<br />

18. Culinary Manuscript.<br />

[Oxford?, England], [1810-1863].<br />

4to, c.86ff (32ff blank), contemporary laced vellum, upper cover title in ink “Receipt Book 1810”, Small newspaper advertisement<br />

for R.Mallett’s of 25 Great Charlotte Street Blackfriars “Mixture of Nervine Herbs, calculated to remove lowness of Spirits,<br />

strengthen the nervous system and improve the general health” tipped to upper pastedown. This dense and highly legible<br />

culinary manuscript appears to be the work of a professional cook, clearly with experience and some training, probably in<br />

service. This is further supported by spelling & construction and the presence of the the R.Mallett Nervine Herbs advertisement<br />

which appeared in publications intended for a working class audience. Some of the recipes have hints of language which<br />

suggest origins in Rundell’s New System of Domestic Cookery (1807) & Ashburn’s The Family director; or Housekeeper’s assistant<br />

(1807), Over some 85 leaves there are some 150 Georgian recipes ranging from meat, cheese, wine, preserving to cakes and<br />

puddings. There does not seem to have been much call for fish and is only one fish recipe for eels is present. There are several<br />

recipes of preparation and preserving of oranges which had become more widely available around this time. The recipes are<br />

particularly precise “six ounces of currants and may pray pick clean them least they grate in the teeth” (paradise pudding)<br />

and written in a engaging style that goes beyond simple instructions “Adam tasted the pudding and it was wonderous nice<br />

so Eve cut her husband another huge slice”. several wine recipes (cowslip, orange, currant, elder), pickles, puddings, meat &<br />

cheese & fruit. Following this is a kind of recipe commonplace section of some 10 leaves containing various recipes in different<br />

hands and autographed including Oxford sausages & Indian curry. At the end of the work are several leaves, initially in the<br />

same hand as the first recipe section then continued in a different hand, of medicinal recipes for colic, various types of cough,<br />

to waterproof cement, the ague, digestive pills, ulcerated sore throat and others. Strachan (Advertising and satirical culture in<br />

the Romantic period p.69-70.<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong><br />

19. De Bibliothecis Et Catenis Patrum.<br />

Lipsiae.<br />

Friderici Lankisii. 1727.<br />

8vo, [6], [clxii], 802, [ 84]. Bound With Spener, Philip. Jacob. Das Muster eines rechtschaffenen Lehrers; oder Ausfuhrliche und<br />

erbauliche Sebens Befchreibung. Francfurt und. . engraved portrait frontispiece (signed C.Romsfet, sculpsit), title in red and<br />

black, roman and italic types, decorative head and endpieces, woodcut initials. Second work title in red and black, gothic<br />

type, decorative initials. Contemporary vellum binding, ms spine title & shelf number (a little soiled) The first work forms a<br />

comprehensive bibliography of the works of the early church fathers organized by geographic area and is decorated with<br />

some particularly impressive headpieces and historiated initials. . Booksellers ticket of J.Leslie London to upperpastedown,<br />

20thc.ownership inscription to ffep.<br />

£550.00<br />

20. [De Leurs Majestés Imperialles Et Royalles de Hongue et de Boheme.<br />

Colonel actuel Commandant Le Regiment de l’infanterie du General Mareschal son<br />

Altesse Le Prince de Ligne Maximilien Comte de Bournonville certifie D’avoir donné<br />

Conge absolut au nomme Pieter Mockel, natif de néau, pays de Limbourg....<br />

[Belgium], [1755].<br />

Single sheet, 415 x 330mm, parchment (reverse soiled) , folded for carriage, calligraphic writing on one side, slits for seal<br />

ribbons (not present). This manuscript discharge certificate gives absolute discharge to one Pieter Mockel of Néau [Eupen] in<br />

Limbourg from the Imperial Army. It is signed by Maximilien, Comte de Bournoville in the names of Maria Theresa and her<br />

husband Francis Stephen. A physical description of Mockel is included as being 5 feet four inches, brown hair and eyes and<br />

catholic. He is also described as having given four years service as a fusilier in Captain Buiseut’s company.<br />

£220.00<br />

21. De Montel, Edoardo.<br />

Sul Progretto Di Riforma Della Legge Comunale E Proviciale: Relazione Alla Associazione<br />

Progressista Di Milano.<br />

Milano: Tipografia Alessandro Gattinoni, 1883.<br />

8vo, 18cm, 79, [1 blank] p., contemporary printed orange wrappers (small split at tail), title within rule frame & corner<br />

ornaments. Only printing of these proceedings of the Associazione Progressista of Milan and of interest for Womens studies.<br />

The Associazione, a club devoted to political reform in Italy was heavily influenced by liberal socialism. The Associazione seems<br />

to have had progressive aims to introduce Women’s suffrage and to generally improve the legal rights and social influence<br />

of women as part of the program. Divided into the transactions of three “sittings” this forms a significant part of the second<br />

sitting. The first concerns general administrative reform and the third the financing of social administration. A very good copy.<br />

Oval ownership stamp of the Associazione Progressista Di Milano.<br />

£200.00<br />

£550.00<br />

10 11


Alastor Rare Books<br />

22. Doglia, Giuseppe; Vespoli, Evangelista; Majer, Giovanni Simone.<br />

Grand Pot-Pourri a Fantasia Scelto dai piu graziosi metrice Del Sig Maestro Rossini<br />

Combinato per Piano Forte Dal Sig Maestro Giuseppe Doglia [Bound with] Pot Pourè<br />

Rossiniano Combinato per Piano Forte Dal Sig Evangelista Vespoli [Bound with]<br />

Canzonette Con accompto di Pianforte Del Sig Gio Simone Majer.<br />

4to, 300 x 225mm, contemporary polished calf (rubbed, upper joint cracked), banded spine with gilt ruled compartments,<br />

gilt upper cover presentation? stamp “H.R.H. The Duchess Of Gloucester” within gilt rule frame with corner ornaments,<br />

boards outer border alike with repeated leaf, circle & flower roll. gauffred edges. I. 16 ff., MS music score of this arrangement<br />

of a work by Rossini for piano by the Italian opera director, Giuseppe Doglia. Doglia, a native of Pavia, worked with opera<br />

companies across Italian including time spent as Maestro Concertatore at the Teatri Napoli and the Teatro degli Avvalorati<br />

[For further information on The Teatro degli Avvalorati see our item 12 in catalogue 19]. II. 18 ff., MS music score in a different<br />

hand of an arrangement for piano of extracts from Rossini’s opera “The Barber of Seville”, “La Gazza Ladra”, “Nella Donna Del<br />

Lago” and others. III. 18 + [1 blank] ff., MS music score with words in a different and highly individual style of these Canzonette<br />

for accompaniment by piano. The work contains various pieces “Canto”, “El Lauro”, “La Domanda”, “La Stracavata”, “Ad<br />

Amalia”, “El Consegio”. This attractive manuscript of arrangements of a selection of Rossini’s works for piano and Italian<br />

cazonette was evidently produced as a gift for Princess Mary, Duchess of Gloucester and Edinburgh, possibly from her sisterin-law,<br />

Caroline of Brunswick who lived in Italy over the period 1814-1820.<br />

£650.00<br />

23. Draf-slottet, Eller Några Rosor Och Blad, Plockade Ur Lidandets<br />

Ymnighetshorn Och Utströdde På Oförskämdhetens Väg.<br />

Också En Rymdskrift Söder Ut, Pendant Till Babels Torn, Utan Intrång I Ordin.<br />

Babyloniske Byggmästarens I Rymden Fri : Och Rättigheter.<br />

Stockholm: Tryckt i Wennlundska Boktryckerie, 1825.<br />

4to, [2 leaves], 12p, 3 plates, laid paper, printer’s devices at head of each section, with other small ornaments, untrimmed, title<br />

page lacking, but represented by a contemporary manuscript version. Bound in contemporary quarter cloth & marbled boards<br />

(end caps and corners worn). Only edition of this pamphlet containing three poems and a short dialogue, with plates having<br />

titles corresponding to three of them with manuscript notes and pasted-in printed items that describe the volume, its author,<br />

and his subsequent works “Lök på laxen” (1825) and “Raketen...” (1826). There is some dispute about authorship, with some<br />

Swedish sources attributing the work to poet Erik Sjöberg (1794-1828) who wrote as “Vitalis” or to others, whilst assigning<br />

responsibility for the illustrations to Löwstädt, a painter and caricaturist, who later became one of the first lithographers in<br />

Sweden.<br />

£280.00<br />

PROTESTANTS GET THEIR OWN PAD.<br />

24. Edit De L’Empereur, Du 26 Juin 1784.<br />

Concernant Les Enterremens.<br />

Namur: Chez Lafontaine, Imprimeur patenté de Sa Majesté L”Empereur & Roi, 1784.<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong><br />

Folio, 32cm, 7, [1 blank] p., drop-head title, woodcut royal arms at head within rectangular border with foliage sprays, ms<br />

numbering to upper page corners. Disbound, stitching broken. This Royal edict regulates interments in the Low Countries of<br />

Europe. Municipal officials in towns and villages are charged with ending unofficial burials and establishing official cemeteries<br />

with appropriate wall, gravediggers lodge, mortuary chamber and chapel where licensed burials would take place. Of note is<br />

the penultimate article which calls for a separate cemetery to be established for Protestants. This edition not located in OCLC,<br />

COPAC or BNF.<br />

150.00<br />

25. [English Lotteries]<br />

I. ALL IN ONE DAy. 2 £30,000, 2 £10,000, 2 £5000. 31st May the First Time such a grand<br />

list of Capitals was ever distributed to the Public in ONE DAy...Tickets & Shares for the<br />

Scheme to be decided 31st May are selling by J. & J.Sivewright [And] NEXT TUESDAy,<br />

10TH JULy. 48 Capitals All To Be Drawn Next Tuesday, 10th July, 17th & 21st July. NO<br />

CLASSES....<br />

[London], [182-].<br />

i. single sheet, 220 x 90mm, engraved hand-coloured illustration of a dancing man within a bush displaying titling. Handbill for<br />

Sivewright lottery, one of the larger London lotteries operating along with Bish from the early 19th century. II. Single sheet,<br />

190 x 115mm, engraved illustration with titling within a shield as part of a larger illustration of a bearded man with sword &<br />

armour. Handbill probably for the T.Bish lottery.<br />

£150.00<br />

12 13


Alastor Rare Books<br />

26. Etrennes De Minerve, Aux Artistes Encyclopedie Economique Ou<br />

Alexis Moderne.<br />

Paris: Desnos, 1772.<br />

12mo, 12cm, 4 parts in one, separate divisional title pages, some printers pagination errors, engraved title device, head & tail<br />

pieces, contemporary calf, banded spine (tail endcap chipped, lower joint starting), double gilt ruled compartments with floral<br />

central figure, dots and foliage, boards alike with triple gilt rule outer border, edges stained red. A curious little instructional<br />

manual or “BOOK OF SECRETS” designed for practicing artists giving direction in a vast number of processes from softening<br />

metal, taxidermy, cleaning coins, manufacture of ink of various colours, ETCHING & ENGRAVING, writing in different coloured<br />

ink on the same paper, artists colours & oil paints, coloured wood stains, colours for porcelain together with directions for<br />

rodent & insect control. A good copy (two leaves lacking outer marginal lower corner, stain to a couple of leaves). It appears<br />

to have been of interest to benjamin Franklin, forming n. 1014 of his published library. Wolf & Hayes (2006).<br />

£280.00<br />

27. [Follini, Bartolommeo].<br />

Guida Della Citta di Firenze Ornata di Pianta e Vedute.<br />

Firenze i.e. Florence: [s.n.], 1822.<br />

8vo, [vi], 260 p., engraved title page, engraved frontispiece & eleven plates, folding city plan, green silk marker, original tree<br />

calf (corners worn through), rebacked, marbled edges, marbled end leaves (hinges strengthened). This beautifully illustrated<br />

and comprehensive guide to history and sights of Florence appears to have been originally produced in a French edition under<br />

a Magheri imprint in 1819 and then revised and expanded by Follini for the italian edition as offered here. In fine internal<br />

condition. Lichtenthal. Manuale bibliografico del viaggiatore in Italia p.149<br />

£250.00<br />

28. Fossati, A Melchiade.<br />

Il Sepolcro Di Priamo Liberto Presso La Via Via Labicana Nel Fondo Oggi Delgrande Da<br />

Alcuni Creduto Un Un Tratto Di Catacombe.<br />

[Rome?]: F.D.Buttaoni & A. Piatti., [1840?].<br />

8vo, 25cm, 8 p., caption title, page numbers within typographic brackets, contemporary yellow wrappers. Only edition of this<br />

description of archeological discovery of funereal catacombes in the city of Rome and discussion of their original origin. This<br />

debate was an important part of early research into Roman Cemetrics of Aproniano Bignamini (2004) p.250; Raoul-Rochette<br />

Le Catacombe di Roma (1841) p.143; COPAC BL only; ICCU (Bib Casanatense & Napoli)<br />

£140.00<br />

29. Grynaeus, Johann Jacob.<br />

Definitio Sanguinis Aeterni Testamenti: a<br />

Iohanne Iacobo Grynaeo, e Scripturis Canonicis<br />

desumta, brevique exaplosei explanata, ut de<br />

ea, si Deus permiserit, disputatio instituatur 8<br />

Iulii, respondente Henrico Horstio Hamonensii,<br />

Westphalo.<br />

Basilae [Basel]: Typis Opor, 1591.<br />

4to, 21.5cm, [8] p, title within border of repeated printers ornament,<br />

historiated initial letter with Moses receiving the commandments<br />

from the Lord, decorative capital, printed in italica & roman types,<br />

un sewn as issued. This singular dissertation by Johann Grynaeus<br />

concerning the redemptive powers of the Blood of Christ, There is<br />

implicit criticism of humanism in the preface, possibly connected to<br />

his Nephew, Simon Grynaeus. OCLC (2 copies only Basel & Munich);<br />

Not in COPAC.<br />

£280.00<br />

30. [Guiton, Marc].<br />

Lettres A Un Protestant Francois Touchant La Declaration Du Roi...<br />

A Londres [i.e. The Hague]: Chez Thomas L’Etonne, 1725.<br />

12mo, [2], 3-451, [1], [2 blank] p., engraved title device of diapered wicker basket with flowers, fruit and<br />

foliage, table headpiece of repeated typographic ornament, contemporary calf (upper cover corners<br />

worn, small chip to lower edge), banded spine (tail end cap worn), gilt spine decorations with central<br />

fleuron with radiating stars and border of repeated dots, boards alike with a single blind-stamped<br />

outer border rule, gilt gauffred edges, text edges sprinkled red. This rare edition of letters concerning<br />

appropriate conduct in the face of Royal persecution is FROM THE LIBRARY OF CITOYEN COTTIER with<br />

his ownership signature to title and blank margin of p.81 and bookplate. The imprint is false and place<br />

taken from De Merville. The work also contains a contemporary bookmark made from a fragment<br />

of French playing card (70x25mm). Cottier was a noted criminal law Judge under the Napoleonic<br />

revolutionary administration. A very good copy (small paper flaws to blank margins four leaves). Not in<br />

OCLC, COPAC (Sole copy Oxford). <strong>Catalogue</strong> des livres imprimez de la Bibliothèque du Roy 1648; Barbier<br />

9424 (2 vol edn); De Merville. Histoire littéraire de l’Europe II. p.176.<br />

£400.00<br />

31. Handel, George Fideric.<br />

Messiah; An Oratorio.<br />

As it is Performed at the Theatre-Royal in Covent-Garden. London: Printed for the Administrator<br />

of J.Watts., 1766.<br />

4to, 16 p., large decorative headpiece with three cornucopiae, flowers and foliage, divisional lines<br />

of repeated typographic flowers, endpiece of twin vases overflowing with flowers, further smaller<br />

headpieces with two cornucopiae, flowers & foliage. Contemporary wrappers (spine worn), side<br />

stitched as issued, upper cover ms ink title. A very scarce edition of this libretto for Handel’s Messiah.<br />

First performed in Dublin in 1742, the work was enduringly popular and the libretto ran to many<br />

editions. A good copy (first signature page corners dog-eared & first two leaves fore edge dusty). Not<br />

in ESTC. Ownership signature of Rowland Hart.<br />

£200.00<br />

32. [Hereford Cathedral School] Dom.<br />

Epis. Herefordiensis, Custos .<br />

[Hereford]: [s.n], 1824.<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong><br />

Single sheet in scroll format, 14 x 93cm, printed on recto only, wove paper with watermark “Whatman Paper Turkey Mill Kent<br />

1824.”Roman, gothic & italic typefaces. Text within single-rule border, with various single and double divisional rules. Large<br />

[Bishop’s?] coat of arms at top with the frequently-used motto “Honi Soit Qui Mal Y Pense” (evil be to him who evil thinks)<br />

and the Winchester College motto “Manners Makyth Man.” In [original? contemporary?] wooden tube covered with pebbled<br />

black paper. Clean copy with several creases and small tears to edges, one repaired with cellophane tape to verso. The tube has<br />

manuscript “Templeton Nov’r 1822” in ink on inner wooden core. This scroll lists the teachers and pupils, both choristers and<br />

others, by year “secunda” through “sexta”--but no “tertia” class--as of October 22, 1824 for the Hereford Cathedral School.<br />

Also named are preceptors, organist, others associated with the school, and students who went on to Oxford or Winchester.<br />

The sixth class includes a “Templeton sen.” and the fifth class a “Templeton jun.,” suggesting possible ownership of an earlier<br />

version of this roster by one of those scholars. British Library holds a similar item dated 1818, but this 1824 version appears to<br />

be otherwise unknown. Hereford Cathedral School is one of the oldest schools in England, first documented in 1324.<br />

£280.00<br />

33. Hirst, Alfred.<br />

Types For The Blind. A Letter Addressed to the “Leeds Mercury” By Alfred Hirst of<br />

Harrowgate.<br />

London.: Elliott and Sons, 1894.<br />

8vo, 12 p., title with rule border with engraved floral ornaments at head & tail, engraved text illustration, recent card covers<br />

with paper title label to upper cover. Only edition of this monograph on the condition of printing for the blind at the end<br />

of the nineteenth century. A short history of the printing for the blind is given together with a synopsis of the the printing<br />

activities of organizations for the blind at the time. A text illustration of the Braille system is given on page five. A very good<br />

copy (light spotting to last two leaves). Anagnostopoulos (1916) p.33. Unknown to the online union catalogues.<br />

Special reference library of books relating to the blind By Michael Anagnostopoulos 1916 p.33 £250.00<br />

14 15


Alastor Rare Books<br />

34. [Hope, Thomas].<br />

[Manuscript Style Book].<br />

[England], [c.182-].<br />

4to, 26cm, 55 ff. [21 blank & several stubs], watermarked J.Whatman 1817, contemporary half plum morocco & marbled boards<br />

(corners worn, spine defective, lower board almost detached). This fascinating hand drawn manuscript book of designs which<br />

seems to be the work of the neo-classicist, furniture designer & interior decorator, Thomas Hope, presumably is the substance<br />

of a further unpublished style book for interior design. The work contains some 130 designs in pen & ink, additional pencil<br />

designs and sketches, and some designs COLOURED IN WATERCOLOUR. The designs and design source material run across the<br />

range of Hope’s interests from Bacchanalian vases, to candelabra, jardinieres, decorative mouldings, ceramic tiling, ancient<br />

Egyptian hieroglyphs & architecture and classical costume. Particularly notable are a number of designs in the Chinoiserie style,<br />

a style which was enjoying a resurgence of interest at this time. An unusual survival (includes several cruder designs possibly<br />

in another later hand?).<br />

£3,300.00<br />

35. [Italian Tour Manuscript Sketchbook].<br />

[Italy], [1873-1874].<br />

4to, 130 x 95mm, 37ff (a couple of stubs present, contemporary black morocco & grey cloth boards (lightly rubbed), blind<br />

stamped floral roll along spine leather edge, flat spine, gilt ruled compartments, pencil holder (pencil not present), remains<br />

of cloth fastening strap. This hand-drawn sketch book is a nice example of later 19th century tourism with echoes of the<br />

earlier fashion of European Grand Tours. It reflects an extensive four month tour at the end of the third quarter of the 19th<br />

century throughout Italy from Ravenna, Firenze, Perugia, Rome, Farnese, Pompeii, Castellamare, San Remo and Bordighera.<br />

Over some 36 pen, ink and water-colour pictures and brief sketches, the unknown traveller depicts his experiences through<br />

views of gatehouses, town squares, bridges, views from his hotels, ruins, classical monuments such as the palace of the caesars<br />

and Colosseum, pastoral & sea scapes. Whilst not of the highest technical ability, the artist is able to convey an interesting<br />

emotional tone and choice of subject matter. An interesting survival.<br />

£250.00<br />

36. [Kaye, Amy?].<br />

[Manuscript Shorthand Transcription Of The Books Of The Old Testament].<br />

[England], [1795].<br />

2 vols, 8vo, I-320 p.; II-336, [1] p., contemporary sheep (joints cracking, rubbed, corners worn), banded spine, gilt ruled<br />

compartments and spine volume numbering. This transcription of the a selection of books from the Old Testament appears<br />

to be in what seems likely to be a NEW SYSTEM OF SHORTHAND with a key for shorthand symbols and corresponding English<br />

letters tipped into the free endpaper of volume one. Volume one contains transcriptions of the books Joshua, Judges, Ruth, I<br />

Samuel & 2 Samuel. Volume Tow contains I Kings, 2 Kings, I Chronicles & 2 Chronicles. Text is within a divided ruled frame. The<br />

transcription does not correspond to the any of the prominent 18th century systems such as Gurney, Tailor, Byrom, Mitchell or<br />

Gregg. Ownership signature of Amy Kaye, Liverpool.<br />

37. [Lamberti, Antonio].<br />

Sie Fiabe Veneziane.<br />

Venezia: Dalle Stampe del Cittadino Gio[vanni] Antonio Perlini, Anno I. della liberta italiana [1796].<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong><br />

8vo. 15, [1] p., contemporary plain wrappers, untrimmed, central leaf was never sewn in, creased, small tears to wrapper, later<br />

small blue privilegiata ticket tipped in beneath last line of text showing lion and ass. Only edition of these Six fables in poetic<br />

form, in Venetian dialect: I Cazzadori, La Scala, El Medico, El Limon, El Fumo, El Lion e L’Aseno. They are possibly of a satirical,<br />

political nature following the appointment of Napoleon as the commander of the French army in Italy and the subsequent<br />

military action and negotiations with Austria leading to the surrender of Venetian territorial possessions in Northern Italy<br />

under the Treaty of Campo Fornio in 1797. ICCU Sole copy (Turin), not in COPAC, Worldcat or KVK. Melzi III p.66.<br />

£320.00<br />

38. The Last C------ Of Heybridge.<br />

A Parody of Moore’s “Last Rose of Summer.” .<br />

Great Totham: Printed at Charles Clark’s Private Press, 1838.<br />

Single sheet, 230 x 140mm, printed on recto only. This rare broadside three-stanza poem from the private press of Charles Clark<br />

closely follows the famous 1805 work of Irishman Thomas Moore, which begins: ‘Tis the last rose of summer/Left blooming<br />

alone/All her lovely companions/Are faded and gone...’ Clark’s version: ‘TIS the last C---- of Heybridge,/Left wand’ring alone,/<br />

All his once gay ancestors /Are vanish’d and gone....’ laments the end of his family line. Though written when Clark was only<br />

32, he in fact never married and was (according to the DNB) a “self-styled Malthusian.” Charles Clark (1806-1880) of Great<br />

Totham Hall, Essex, was a gentleman farmer, printer, antiquarian and book collector who left a his press and a library of 2500<br />

volumes upon his death. Born at Heybridge, and returning there late in life, he wrote and printed at Great Totham numerous<br />

mainly playful and satirical works--brochures and broadsides--over a 30-year period. A very good copy (two short closed tears<br />

along lower edge). Not in COPAC, Worldcat, KVK.<br />

£220.00<br />

39. [Le Mesurier Controversy] Mr LE MESURIER is under necessity of<br />

correcting a mistake...<br />

Durham: Printed by E. Humble, March 22, 1820.<br />

[And] MR. LE MESURIER, having seen the Letter of Mr. STORY.... Darlington: Atkinson’s Office, 25th March, 1820. [And] A Copy<br />

of a Letter intended for the Durham Chronicle. Stockton: Jennett’s Office, March 29th, 1820.<br />

i. Wove paper, 145 x 185mm, (slight soiling & creasing, lacking one corner). II. Wove paper, 285 x 210mm, creased, small<br />

tear to top edge, (corners trimmed from previous mounting) . III. Wove paper, 270 x 200mm, (slight creasing & fraying).<br />

Tantalising snippets of a rather public row between two clergymen in County Durham during the election season of 1820.<br />

The protagonists in this tempest in a local teapot were the prominent Anglican Thomas Le Mesurier (1756-1822), Rector<br />

of Haughton-le-Skerne, and his Roman Catholic opposite number, Reverend Thomas Story (d. 1822), of St. Mary’s Chapel,<br />

£350.00<br />

16 17


Alastor Rare Books<br />

Stockton-on-Tees. Le Mesurier was known to hold anti-Catholic views, which he had published on several occasions, possibly<br />

contributing to the skirmish. Other figures in the drama were a Mr Lambton and a Mr Witham, as well as “Mr Meynell’s<br />

band.” Mr Lambton (John George Lambton [1792-1840], a Catholic, later First Earl of Durham) was standing for re-election<br />

to Parliament. Mr Witham, probably was Henry Witham (1779-1844), botanist and founding member of the Royal Geological<br />

Society. Mr Meynell surely was a member of the prominent family that dwelt at The Friarage at Yarm and may even have been<br />

the Thomas Meynell (d. 1854) who laid the first section of track for the Darlington & Stockton Railroad in 1822. In any case, no<br />

one seems to have behaved with much dignity: Mr Meynell’s band attracted “the lowest rabble of Darlington, having flags,<br />

drunken women, and boys with turnips on sticks.” Mr Story may even have waved his hat and shouted!<br />

The date of this incident seems very likely to coincide with the event that later had Le Mesurier defending himself in court, as<br />

reported in The Times of 3 August 1820. In the heat of that day in March, Le Mesurier, “forgetting his own character and the<br />

temper of his profession had struck a blow which had brought blood from the mouth of the plaintiff”-- a 14-year-old Lambton<br />

supporter--and caused the loss of a tooth. Le Mesurier was sentenced only to pay damages “as a fair remuneration to the<br />

plaintiff.” No copies of the broadsides have been located in libraries via the usual online sources.<br />

£320.00<br />

40. [Le Prince De Beaumont, Jeanne Marie].<br />

Le Prince Desir.<br />

[France], [180-].<br />

12mo, 12 p., stitched as issued, , woodcut headpiece of stars & portrait medallion, original self-wrappers, upper wrapper<br />

with title within border of woodcut typographic ornaments, lower wrapper with woodcut illustration of Mercury appearing<br />

before ladies outside a temple and a handled jug with foliage sprays with decorative border. Better known as the attributed<br />

author of Beauty and the Beast, Jeanne Marie Le Prince De Beaumont penned this chapbook, which first appeared in the<br />

author’s collection of fairy tales Le Magasin des Enfants in London in 1757 and appears here as the first stand alone printing.<br />

FRBNF35218462. Gumuchian Les livres de l’enfance du XVe au XIXe siècle p.271.<br />

£280.00<br />

41. Libri, Guiglemo.<br />

<strong>Catalogue</strong> Of The Reserved & Most Valuable Portion Of The Libri Collection, Containing<br />

<strong>One</strong> Of The Most Extraordinary Assemblages Of Ancient Manuscripts & Printed Books<br />

Ever Submitted For Sale.<br />

Large 8vo, [4], 185, [2] p., original wrappers. Lacroix, Paul Lettres A M. Hatton... Sur Au Sujet De L’incroyable Accusation<br />

Intentee Contre M.Libri. Paris. Paulin. 1849. 8vo, 64 p. disbound. [And] Jubinal, Achille. Lettre M.Paul Lacroix Contenant Un<br />

Curieux episode de l’histoire des Bibliotheques publiques, avec quelques faits relatifs a M.Libri et l’objet. This sale catalogue<br />

from the series of Sotheby Libri sales held between 1859 and 1866 runs to some 713 lots and is rich in ornamental bindings,<br />

Americana, calligraphy, manuscripts, the classics and early manuscripts. It is accompanied by two pamphlets issued in support<br />

of Libri when the original accusations of library theft began to emerge.<br />

Born in 1803 in Florence, Italy, Libri showed early interest in law which he studied at the University of Pisa before changing to<br />

mathematics. He evidently had considerable aptitude for the subject as he was appointed professor of mathematical physics<br />

at Pisa after he graduated. After a sabbatical period in France where he met prominent French mathematicians, he returned<br />

to Italy and became involved in politics and an attempt to introduce a liberal constitution in Tuscany which led to official<br />

displeasure, so under threat of arrest he departed again for France and took up French citizenship in 1833. A friendship<br />

with the mathematician, Francois Arago, led to academic work and in 1834 became assistant professor in the calculus of<br />

probabilities at the Sorbonne. A further friendship with the Chief of Police Francois Guizot led to appointment as Chief<br />

Inspector of French Libraries in 1841.<br />

During his tenure as Inspector of Libraries, Libri, a keen bibliophile, is said to have stolen a large quantity of rare books and<br />

manuscripts to feed his passion. It appears that he was under suspicion for some time but not formally investigated. This<br />

situation continued until 1848 when a warrant was issued for his arrest. The resourceful Libri, however, had received a tipoff<br />

and fled to London. He left everything apart from the book collection of some 30,000 books which he subsequently sold<br />

to finance his lifestyle in a series of spectacular sales, such as the one for which the catalogue is offered here. Many were<br />

convinced of Libri’s innocence, such as Paul Lacroix and the writer Prosper Merimee. The printed letters offered here describe<br />

the affair in more depth, providing information on the investigations and arguments for and against his guilt. He was<br />

convicted in 1850 in absentia and sentenced to ten years imprisonment. He remained in England until failing health led him<br />

to return to Italy in 1868 and died in 1869.<br />

£650.00<br />

42. [Manuscript liturgical & Devotional Book].<br />

[France], 1772.<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong><br />

8vo, [2], 426 p., original mottled calf (worn, loss of leather to corners, joints cracking, upper board almost detached), banded<br />

spine (worn), gilt decorative compartments, boards alike with triple gilt filet outer border, all edges gilt. This handwritten<br />

devotional manuscript in French contains 39 spiritual exercises concerning exercises for the development of the interior spirit,<br />

preparation for mass, penitence, celebration of Christmas. In very good internal condition.<br />

£220.00<br />

43. Mazzuchelli, Conte Giammaria.<br />

La Vita Di Pietro Aretino.<br />

In Padova: Giuseppe Comino, 1741.<br />

FLAGELLO DE PRINCIPI 8vo, [viii], 303, [1] + 4 p. publishers catalogue, engraved portrait frontispiece within oval medallion on a<br />

wolf skin with head & paws, engraved rectangular title vignette of a citizen digging amongst ancient ruins with quotation from<br />

Horace “Quidquid sub terra est in Apricum proferet aetas” (Whatever is under the earth, time will bring to light), engraved<br />

headpiece of flowers and foliage, large decorative initial letters off oliage & mythical beasts, endpiece of crossed pipes & laurel<br />

wreaths, engraved in Italic and Roman types with shoulder notes, 6 engraved plates of portrait medallions, contemporary<br />

laced cartonatura (small split head of lower joint. First edition of this important biography of the Italian Renaissance writer,<br />

satirist and serial moral disrupter, Pietro Aretino. It includes an annotated bibliography of both his printed works and works<br />

attributed to him. Ownership signature of Juan Mosa?.<br />

£350.00<br />

44. Monteiro, [Joao] Franco.<br />

Mais Factos Para a vida mora, da Eschola Medico-Cirurguca de Lisboa.<br />

Lisbon: Typographia de J.B de Gouveia. Rua do Carvalho no.95, [c.1843].<br />

8vo, 19.5cm, 29 p., partially unopened, AUTHOR’S SIGNATURE ON TITLE PAGE, disbound, spine strengthened. Only edition<br />

of this author’s signed copy of this description and memoir of the surgical-medical school in Lisbon by a former student. The<br />

school was founded 0by Government decree in 1836 by the transformation of the Royal School of Surgery. A very good copy<br />

(two short tears to upper blank edge of title page).<br />

£320.00<br />

45. Moore, Thomas.<br />

The Loves Of The Angels, A Poem.<br />

London: Dugdale, 1823.<br />

12mo, vi, 100 p., BESPOKE BINDING WITH DOUBLE RULED MOROCCO LEATHER SPINE WITH CARVED OAK BOARDS WITH DOG<br />

ROSE & FOLIAGE SPRAY DESIGN TO UPPER BOARD AND SUNFLOWER & FOLIAGE DESIGN TO LOWER BOARD, gothic initials<br />

G.H to upper board (spine endcap lightly rubbed at head). Originally issued in a standard trade binding by Longmans in the<br />

same year, Dugdale issued a pirate edition as offered here.A fair copy (first four leaves spotted, occasional ms ink numbering)<br />

£320.00<br />

46. [Notarial Document Appointing Robert Blake of Essex Street,<br />

Clements Dane as Steward of the Manor of Coulsdon].<br />

[London], [1794].<br />

This manuscript English legal document in the name of Thomas Byron, Lord of the Manor of Coulsden, Surrey [South London]<br />

appoints Robert Blake as steward of his manorial courts with rights to receive such fines, amercements and profits as are<br />

generated and exercise the collection of the same as are required. The manor court was the lowest court of English law and<br />

had jurisdiction only over the geographic area of the said manor. The court had authority in settling matters of land transfer,<br />

settling disputes, collection of fines, etc.. A further special sitting of the manorial court, the court leet, addressed matters such<br />

as the election of graves, constables and the presentment of offences. The court steward presided over by the steward in the<br />

name of the lord of the manor. The document is signed and sealed by Thomas Byron and countersigned by Joseph Sparkey.<br />

At the bottom of the document is a typed note pasted to the blank margin identifying that Robert Blake became a partner<br />

in the practice on the death of his Father in 1805 and continued as steward until his death in 1823. Embossed payment stamp<br />

for VI pence to upper left corner.<br />

£240.00<br />

18 19


Alastor Rare Books<br />

47. Oberlin, Jeremie-Jacques.<br />

Antiqui Monumentis Suis Illustrati Primae Lineae.<br />

Argentorati [i.e Strasburg]: Apud Joh. Frid. Stein., 1776.<br />

8vo, 19cm, [8], 198, [60] p., untrimmed, roman & italic type, woodcut medallion to title, woodcut head & tailpieces, recent<br />

marbled boards, paper spine label. First edition of this compendium of geographical knowledge & bibliography by this<br />

Strasburgh born classical scholar, editor and antiquary. After showing much early promise in antiquarian pursuits and study<br />

under Schoeflin and beginning his career as a teacher, he was appointed librarian to the university. In 1770 he became an<br />

assistant lecturer for the chair of Latin eloquence and in this capacity gave courses on antiquities, diplomatics and ancient<br />

geography. To aid his students he published valuable aids to study including the work here which were later adopted by<br />

other universities. The work giving the names of topographical features by country including Europe, Africa and Asia AND<br />

INCLUDING AN EXTENSIVE BIBLIOGRAPHY OF WRITERS ON CLASSICAL GEOGRAPHY. A very good copy (clean tear to one leaf).<br />

£180.00<br />

48. [Orsetti, Stefano].<br />

Formule Mnemoniche Per La Cronologia Dei Sommi Pontefici.<br />

Lucca?, 184-?.<br />

8vo, 195 x145mm, 120 p. (42 completed; 72 blank), original half black cloth & marbled sides, ownership inscription of Stefano<br />

Orsetti, probably Conte Stefano Orsetti. This manuscript notebook of some 3000 words in total contains an interesting<br />

collection of mnemonic tables to memorize the Italian popes. There are five tables with the major second table giving of 256<br />

popes to 1846 with brief name, date of death.<br />

£450.00<br />

49. Orteschi, Anna Maria Giacomina.<br />

Alcune chiacchiere in risposta a quanto ha detto ... Antonio Lizzari sul proposito della<br />

costituzione epidemica veneta degli anni 1761 e 1762.<br />

Venezia [Venice]: Presso Pietro Savioni, 1764.<br />

4to, 24.5cm, [2], 93, [1 blank] p., title page & penultimate page printed entirely in red, large woodcut initial letter of Italian<br />

villa in rural scene, large endpiece of classical bust medallion flanked by urns within strapwork border & smaller endpiece<br />

flowers & foliage. Contemporary cartonatura, spine defective. Only edition of this beautiful piece of writing and romantic<br />

devotion where Anna Ortechi gives detailed textual analysis and defence of her husband, Pietro Ortechi’s, commentary on<br />

Antonio Lizzari’s study on the outbreaks of the Black Death in Venice in 1761 & 1762 with which Lizzari had taken issue. This<br />

copy has an approvazione leaf not present in the ICCU collated copy. A good copy (scattered foxing). OCLC 1433611 (sole copy<br />

NLM); ICCU (3 copies Florence, Padova & Viterbo); Not in COPAC. Cicogna. Saggio di bibliografia veneziana 5541.<br />

£450.00<br />

50. Paitoni, Jacopo Maria.<br />

Venezia, La Prima Citta’ Fuori Della Germania, Dove Esercito’ L’Arte Della Stampa<br />

Dissertazione....<br />

Venezia: Apresso Pietro Bassaglia , 1756.<br />

8vo, 19.5cm, 48 p., (lower half of blank title page foreedge restored) engraved title device with decorative cartouche flanked<br />

with foliage sprays and squirrels and topped with a shallow basket of fruit & flowers, headpiece of doves in foliage, recent<br />

decorative paper covered boards. First edition of this early bibliographical monograph on the origins of Italian printing<br />

proposing Venice as the birthplace of Italian printing over Milan as which had been argued to that date. The work was one<br />

of the first of which was to become a stream of works from the late 18th century onwards establishing the origins of Italian<br />

printing. A very good copy (small ink smudge to last text page just touching text). Bigmore & Wyman II 108; Castellani (1973)<br />

La Stampa in Venezia.<br />

£220.00<br />

51. Palcani Caccianemici, Luigi.<br />

De Vita Eustachii Zanotti Commentarius.<br />

Bononiae [Bologna]: Ex typographia Instituti scientiarum, 1784.<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong><br />

4to, 20cm, 38, [2] p., vignettes of Grecian urns to title page and as endpiece, red edges, contemporary cartonatura. First edition<br />

of this life of the distinguished Italian astronomer Eustachio Zanotti was published by his collaborator Palcani-Caccianemici. It<br />

was republished several times in Latin in the late 18th century and issued in Italian in 1825. Zanotti was born in 1709 into an<br />

accomplished family. By age 30 he was director of the observatory of Bologna. He studied comets (discovering two), eclipses,<br />

aurora borealis, and stars; he published an important star catalogue and was a pioneer in the study of variable stars. Zanotti<br />

was elected Fellow of the Royal Society London in 1740 and also elected a member of other European scientific societies. A<br />

very good copy (two small stains to front cover). Worldcat, COPAC & KVK locate three holdings (BNF, Oxford & Munchen); ICCU<br />

(4 holdings).<br />

£180.00<br />

20<br />

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Alastor Rare Books<br />

52. Parentalia Quibus Memoriam Viri Magnifici Illustris Et Consultissimi<br />

Io Georgii Pertschii....<br />

Helmstad: Pauli Diterici Schnorr, Acad.<br />

Typogr. , [1744].<br />

Folio, [2], 98 p., (lacks frontis), engraved title device of the Academia Julia Carolina (Helmstedt University), various large<br />

engraved headpieces including a central skull & crossbones atop a plinth within an oval medallion flanked with a skeleton<br />

with scythe to right and bearded man to left with the motto “Morte carent anime” (souls forgo death) from Ovid, end pieces<br />

of decorative scrollwork & flowers, page numbers within brackets and decorative printers ornaments. Modern quarter cloth &<br />

paper covered boards. This substantial and highly decorative funeral memorial, bibliography and memoir goes some way to<br />

showing the esteem to which this Helmstedt University prorector, canon law scholar and theology professor was held. Pertsch<br />

penned a number of works and his Versuch einer Kirchen-Historie: So fern solche Als eine Einleitung zur geistliche Rechts-<br />

Gelahrtheit kann angesehen werden, Meisners, Wolfenbüttel 1739 on church history seems to have achieved most acclaim.<br />

Parentalia includes a 53 work bibliography, grouped into places of publication; a biographical memoir, funeral orations from<br />

Georg Keufel, Christian Wernsdorf & Julius Carls and a neo-latin lament from Christian Wernsdorf. A very good copy (paper<br />

flaw to one leaf & lacks blank outer corner of last leaf).<br />

£200.00<br />

53. La Parisiade, Poeme Heroi-Tragi-Comique.<br />

Dedie Au Comite D’Inquisition Par un Hottentot.<br />

[Paris]: Au Cap de Bonne-Esperance, 1789.<br />

8vo, 31, 1 blank p., woodcut title device of rural scene of windmill, church & tree, engraved headpiece of printers rules &<br />

ornaments, woodcut headpiece of flowers & foliage, occasional margin marks & underlining, recent wrappers. A gem for<br />

the collector of the Imprimeur imaginaire, this verse in twelve chants whips up the revolutionary enmity that fed the violent<br />

opening chapters of the French Revolution with the murder and decapitation of Bernard de Launay in the storming of the<br />

Bastille after the dismissal of Jacques Necker, Director General of Finance who had the temerity to suggest that Louis XVI<br />

might consider a budget to conserve funds. Conlon- Le siècle des lumières p.176; Weller- Die falschen und fingirten Druckorte<br />

p.242; Querard 314. Circular embossed stamp of John Fowles, Lyme Regis.<br />

£220.00<br />

54. [Parisian Booksellers <strong>Catalogue</strong>/Advertisement] Roberti Stephani<br />

Thesaurus Linguae Latinae.<br />

Basilae, 1740, 4 Volumes in-fol.<br />

[Paris]: [For Leclerc & Durand Libraires], [1757].<br />

Bifolium, 2, [2 blank] p., top-edge shaved for inclusion in different format work leaving small strip of headpiece. This curious<br />

Parisian booksellers prospectus advertises for sale copies of Robert Etienne’s .<br />

£180.00<br />

55. [Penton, Stephen].<br />

The Guardian’s Instruction, Or, The Gentleman’s Romance. Written for the diversion and service of the gentry; particularly<br />

those educated in Oxford, or Cambridge.<br />

London: Printed for the Authour[sic], and sold by Simon Miller, at the Star near the West-end of St. Paul’s., 1688.<br />

12mo, 14cm, [14], 90, [2] p., title in double rule frame, contemporary mauve wrappers. Scarce edition. COPAC gives only the<br />

Lambeth Palace copy with matching collation. Stephen Penton penned this work in development of his educational ideas<br />

following his principalship of St. Edmunds College, Oxford (1676-1684), with the intention of attracting more students from<br />

the gentry at a time of falling student numbers at the college. A good copy (some headlines shaved, a couple of leaves tightly<br />

bound). Letellier p.342; NCBEL II p.1938; Esdaile p.283<br />

£450.00<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong><br />

56. [Prospectus]<br />

A New, Authentic, and Complete Collection of Voyages Round the World, Undertaken<br />

and Performed by Royal Authority.<br />

Containing a New, Authentic, Entertaining, Instructive, Full, and Complete Historical Account Of Captain Cook’s First, Second,<br />

Third and Last Voyage Undertaken by Order of his Present Majesty, For Making New Discoveries in Geography, Navigation,<br />

Astronomy, & c. in the Southern and Northern Hemisphere. London: Printed for Alex Hogg, at the King’s Arms, No.16, Pater-<br />

Noster-Row; and sold by all Booksellers and News-Carriers., [1784].<br />

Single sheet, 385 x 235mm, printers initials in decorative flourish. This unrecorded prospectus for Alexander Hogg’s 1784<br />

edition of Cook’s Voyages “ Being the most elegant, splendid and perfect edition, of the Whole of Capt. Cook’s Voyages and<br />

Discoveries, &c. ever published, and written in a more pleasing and elegant Stile [sic] than any other Work of the Kind” is<br />

similar to the title page of the published edition which contains substantial additional text and typographic layout alterations<br />

and different printers colophon. Not in ESTC.<br />

£550.00<br />

22 23


Alastor Rare Books<br />

57. [Racial Attitudes]<br />

“Heureusement pour nos héros<br />

ils se trouvaient alors en vue<br />

d’une ville habitée par de bons<br />

negres...” Paris: Magnin &<br />

Blanchard.<br />

Single sheet, 175 x 90mm, hand-coloured<br />

lithograph illustration. This print featuring Mr<br />

Punch & friend at dinner in an African village<br />

plays illustrates contemporary French beliefs<br />

about African living conditions and attitudes<br />

to British colonial expansionism. It features the<br />

pair dining on huge Ostrich eggs and rhinoceros<br />

head.<br />

£120.00<br />

58. Raouard, François.<br />

Les Templiers, Tragédie, Par M.Rayouard.<br />

Paris: Chez Giguet et Michaud., 1805.<br />

8vo, [lxxxii], 118 p., engraved frontispiece titled “Le Grand-Maitre des Templiers”, contemporary tree calf (some loss of leather<br />

to corners & endcaps), gilt ruled spine compartments with alternating gilt fleurons and gilt lozenge lattice work, red morocco<br />

spine label, boards alike with single blind rule outer border, mauve marbled endpapers & pastedowns (edges browned). This is<br />

the second dramatic work by this neglected provincial lawyer and member of the legislative assembly. After a rocky end to the<br />

18th century, imprisoned for Girondines sympathies, Raynouard rose to considerable standing after the publication of this work.<br />

It attracted the attention of Napoleon cf. Mallia-Milanes-The Military Orders: history and heritage (2008) p.51 who commented<br />

on it in correspondence to Fouché and is believed to have attended a private performance of the play in September 1805. He was<br />

made a deputy of the Corps Legislatif in 1806 and was elected to the Académie Française in 1807. However, his favour with the<br />

Emperor was to prove short lived and his second tragedy, Les Etats de Blois, did not find favour and from 1810 Napoleon banned<br />

further performances. He published a further work on the Templars “Monuments relatifs å la condamnation des Templiers” in<br />

1813. Not in COPAC; OCLC 3 copies (none outside of France). Keller (1994) p. 80; Hemmings (1994) p.206.<br />

£180.00<br />

59. The Respirator For All Affections<br />

Attended With Irritation In The Air<br />

Passages As Colds, Cough, Sore<br />

Throat, Asthma, Consumption &c.<br />

[London]: J. & I. Tirebuck, Machine Printers and Lithographers.,<br />

[1851?].<br />

4to, 8pp, caption title, illustrations of the devices, including “the<br />

oral respirator as worn by Ladies and Gentlemen,” repaired at fold<br />

and resewn, recent cloth binding, upper cover gilt-stamped black<br />

leather title label.<br />

Advertising pamphlet for Mr. Jeffreys Respirators for his several<br />

devices, to be worn or held against the mouth. Though this leaflet<br />

has the look of a typical “quack” cure promotion, the device invented<br />

by Jeffreys was patented in in Britain 1836 (No. 10,287) and is the<br />

prototype for devices still manufactured today. Jeffreys’ respirators<br />

were “constructed on scientific principles, and designed to facilitate<br />

respiration by supplying to the air passages and lungs, when in a<br />

delicate or irritable state, air fresh and pure, but rendered so genial<br />

as to be soothing to them, however cold, foggy, and irritating the<br />

atmosphere might be,” thus providing relief to sufferers of a variety<br />

of respiratory ailments. The leaflet reprints favourable notices of<br />

the respirators from standard medical journals, including Lancet<br />

(1851)and Medico-Chirurgical Review (1840).<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong><br />

A price list at the back mentions lower-priced models for the Working Classes and availability at no charge to the indigent.<br />

Julius Jeffreys (1801-1877) studied medicine in Edinburgh and London and served as surgeon for the British East India Company<br />

in India. He was much interested in the relationship between climate and health and developed an early air conditioning<br />

system as well as heat-resistant clothing and headgear; he contributed to development of the Pith helmet widely used by<br />

British troops in tropical climes. He brought his ideas together in an 1858 book The British Army in India: Its Preservation by<br />

an Appropriate Clothing, Housing, Locating, Recreative Employment, and Hopeful Encouragement of the Troops. Jeffreys was<br />

elected to various learned societies and was made a Fellow of the Royal Society. The OED dates the word “respirator” from<br />

1836, the year of Jeffreys’ patent. Only copy located is at Wellcome Library.<br />

£550.00<br />

60. Rules For The Attendants And Assistants of the Vermont Asylum<br />

[for the insane].<br />

[Vermont], [186-].<br />

Single sheet, 250 x 200mm, text within decorative border, shaded & bold type titling, blue paper stock. The unusual broadside<br />

list of rules for the workers at the Vermont psychiatric asylum consists of ten rules governing the standard of care to be<br />

delivered to the patients and provides some insight into the practices of early psychiatric nursing. The standard of training of<br />

such attendants cannot have been especially high as they are entreated, amongst other things, to be “careful hat no other<br />

patient shall carry away a knife, fork or other article from the table, and shall count the knives and forks after each meal” and<br />

also to never report the conduct or conversation of the patients. The Vermont Asylum was founded in 1834 in Battlebro. It was<br />

one of the first 10 psychiatric hospitals, offering ‘moral tratment’ modelled on the Quaker-founded York retreat in England,<br />

in the US.<br />

£180.00<br />

61. [Sberti, Anton Bonaventura].<br />

Catalogo Di Alcuni Altri Padovani Celebri Ne’ Loro Secoli.<br />

Padova: Conzatti, 1796.<br />

8vo, 22, [1], [1 blank] p., untrimmed, engraved sectional printers flourishes, engraved end piece of two books plied together,<br />

contemporary blue wrappers. Only edition of this important biographical catalogue of historically important Padovans from<br />

the 5th century onwards. Divided into seven sections, the work gives brief notice of some 280 soldiers, justices, medical<br />

practitioners, botanists, theologians, poets, painters, sculptors, architects, historians & antiquaries with details of name,<br />

profession, year of birth or death and page reference to contemporary printed biographical source material. This is of<br />

particular bibliographic value in providing a hand list of pre-1800 Padovan biography. OCLC 13042344 (Sole copy-UCLA); Not<br />

in COPAC; ICCU (4 copies). Melzi p. 612; Vedova. Biografia degli scrittori padovani p.6; Moschini. Della letteratura veneziana<br />

del secolo XVII fino a’ nostri giorni p.39.<br />

£220.00<br />

24 25


26<br />

Alastor Rare Books<br />

62. [Selby family, Anglesey?].<br />

[Manuscript Library <strong>Catalogue</strong>, Commonplace Book & Scrapbook].<br />

8vo, 19cm, c.120 ff. with c.45 ff. blank, original green laced vellum (lower joint cracked, upper joint cracking), flat spine, blind<br />

stamped oval heraldic device of a talbot atop a shield with three bends, double rule blind-stamped outer border to both<br />

boards, This manuscript commonplace book began life as an alphabetical library catalogue before being transformed into<br />

a commonplace book & scrapbook. The commonplace book was compiled primarily from 1815-1840 and contains a wealth<br />

of observations, quotations, newspaper clippings and tipped in pamphlets covering all from foot-binding in China, epigrams<br />

& aphorisms, the methods of cross-examination of John Philpott Curran, Welsh, Scottish & Irish nationality, contemporary<br />

male hair growth to a clipping concerning Bibliomania at the time of the Roxburgh & Mccarthy sales. Of note is a tipped in<br />

prospectus, with the author’s presentation inscription, for the publication of Gustave Baslé’s Systeme Mnemonique 1841 and a<br />

DEMONSTRATION OF HIS PRODIGIOUS FEATS OF MEMORY. The manuscript is of particular value for its compliation of material<br />

around Welsh, Irish and Scottish National ethnicity and related attitudes. There are a number of references to both Anglesea<br />

& the legal profession.<br />

£550.00<br />

63. [Sermons. Manuscript Fragment From a Bifolium on Vellum].<br />

[Italy], [c.1250].<br />

Single fragment, 405 x 100mm, 14 lines of text in rounded gothic script over two sides. This manuscript fragment, the head<br />

section of a bifolium, covers avarice, lament for sins, the animal and spiritual aspects of the body. <strong>One</strong> side ends in the heading<br />

XX’us de mor...[text not present] potest fieri in exequiis cu [the twentieth sermon, this sermon is for death and funerals]. Some<br />

text obscured & few stains.<br />

£260.00<br />

64. Shrove, Joseph; Jackson, J; King, Charles.<br />

[British Seventeenth Century Bookselling: Three Manuscript Receipts For Books].<br />

I. Joseph Shrove. Manuscript Receipt For Books. 1736. Single sheet, laid paperstock, 186 x 163. A well preserved MS bill for £2<br />

11s to an unnamed customer, for Ryder’s Alm’s and several groups of plays and dictionaries. Signed by Shrove as received 16th<br />

March 1736. Joseph Shrove was based at the Mitre opposite Furnival’s Inn, London.<br />

II. [Jackson, J?]. [A Manuscript Receipt For Several Books & Serials]. [London. Pall Mall. near St. James’ House?]. 1736. Single<br />

sheet, 122 x 197mm, laid paperstock. A well-preserved booksellers receipt, dated 20th January 1736, addressed to Cyrill Wyck<br />

of Hockwould & Stoke for several Sessions papers, The Grub Street Journal and a Dying Speech acknowledging receipt of<br />

payment of 15 shillings for the works.<br />

III. [King, Charles]. [A Manuscript Receipt For Several Books]. 1707. Single sheet, 145 x 147mm, laid paperstock. This booksellers<br />

receipt for £1 3 shillings is made out to Mr Justice Wych for books bought including a 3 volumes set of the Arabian Nights,<br />

Thomas Brown’s Works and the Power of Parliament and dated as received 27th December 1707. Sir Cyril Wych (1632?-1707)<br />

was a lawyer and politician with a keen interest in Irish affairs. He was married to John Evelyn’s niece and died a few days after<br />

settling this bill.<br />

£380.00<br />

65. [Simmons, W.R].<br />

[Lifelong Manuscript Diaries].<br />

[England], 1867-1868 & 1870-1917<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong><br />

29 vols [volume for 1868-69 not present], predominately card covers with a couple of later volumes in full roan with gilt outer<br />

cover border. Over some 1700 pages in 29 volumes, this life long diary of some half a million words, captures the the experiences<br />

of one William Simmons from apprenticeship as a seaman on board the Royal Standard at the age of seventeen to a career<br />

with W.H.Smith. His service on board the Royal Standard takes him to Bombay and the vessel is chartered to serve as cargo ship<br />

for the Abyssinian war. After some years in insurance, courtship, marriage and birth of two children he moves c.1887 to work<br />

on commission where he doubles his salary to some £500 which peaks in 1903 at nearly £900pa. A keen observer of people<br />

and inveterate traveller, the diaries catalogue holidays initially in England, then tours to Paris, Norway, Switzerland, Germany,<br />

Italy, Spain, France, Algiers & Egypt in later life. There are descriptions of several cycling tours (1885) Wales, Tandem trip (1889)<br />

in England and Wales and Walking Tours both with relatives and alone. He seems to have been quite happy to have travelled<br />

alone and there are several records of him travelling abroad and in England alone. A number of the diaries contain rudimentary<br />

sketches by Simmons of landmarks and things that interested him. A number of the diaries also contain travel ephemera<br />

relating primary to European places of interest and hotels collected and tipped in. Included is a small collection of contemporary<br />

photographs which include a photograph of Simmons c.1879, an undated photograph of Harriet Rose Fagge; a photograph<br />

c.1900 of Simmons’s Father, Simmons & his son Harold; a photograph of Simmons on holiday in Egypt (undated) presumably<br />

1912. There is an obituary on a removed page from “the Beacon Light” relating to charitable giving, temperance work.<br />

£2,800.00<br />

66. Subligny, A.T. Perdou de].<br />

La Fausse Clelie, Histoire Francoise, Glanate et Comique.<br />

Nymegue: Chez R.Smetius, 1680.<br />

12mo, engraved title, title, [8], 322, [6] p., woodcut initials, endpieces of squirrel in foliage with seed heads. Contemporary<br />

mottled calf (lightly rubbed), banded spine, gilt ruled compartments with central gilt lozenge made up of a garland within a<br />

oval, flanked by foliage and a five pronged crown at head, tan morocco label with triple gilt rule outer border, edges speckled<br />

red. This chivalrous romance first issued in 1670 concerns one female Walter Mitty, Juliette, who believes she is the heroine<br />

of Scudéry’s romance Clélie, histoire romaine (1656-1660) a mysterious abduction, a mysterious “ghost”& amorous interludes.<br />

Coming at the end of the Romance period, this novel is seen as an important transitional work in attempting to modernize the<br />

romance. Paige (1990) Before Fiction: The Ancient Regime of the Novel p.62; A very good copy (engraved title dusty). Armorial<br />

bookplate of the Marquess of Headford (est. 1800 County Meath, Ireland)<br />

£280.00<br />

67. [Tengnagel, Matthijs Gansneb].<br />

Het Leven Van Konstance VVaer af volgt het Tooneelspel De Spaensche Heidin.<br />

Amsterdam: Johannes Iacott, 1643.<br />

4to, 156, [3], [1 blank] p., (lacks blank leaf F3) woodcut printers title device, large historiated initial, SIX ENGRAVED PLATES<br />

BY PIETER NOLPE AFTER SIMON DE VLIEGAR, PIETER QUAST & ISAAC ISAACSZOON. 18th century half-vellum & marbled<br />

sides (rubbed extremities worn), manuscript spine title. This beautifully illustrated book is based on the Cervantes novel “La<br />

Gitanilla” and follows the fortunes of one Spanish heathen in this Dutch comedy set in the courtly traditions. A good copy.<br />

Exlibris label of V.De La Montaigne. Locations: (UCamb, Harvard, BL, BNL, NL Sweden & 5 German libs).<br />

£1,550.00<br />

68. The Shakespeare Of Divines Taylor, Jeremy.<br />

XXV Sermons Preached At Golden Grove.<br />

London. Printed by R.Norton for Richard Royston. 1655.<br />

Fol. [12], 334, [2 blank] p. [Bound with] XXVII Sermons Preached At Golden Grove. London: Printed for R.N. for Richard<br />

Royston., 1654. title & text within double rule frame, woodcut title devices, headpiece and large initial letters, watermarks of<br />

vase and flowers, and foolscap, contemporary calf, spine & corners recently restored to original style, boards alike with central<br />

triple gilt rule panel with fleuron cornerpieces within triple gilt rule outer border, gilt inner dentelles. The Golden Grove of the<br />

title takes its name from the home of Richard Vaughan, second Earl of Carbery where Jeremy Taylor was often received whilst<br />

pressed to support himself with two other deprived clergymen as a schoolmaster following displacement after the removal<br />

of Charles I in 1649. He was variously imprisoned three times and penned a number of works on devotion & Christian piety<br />

including The Golden Grove which remains in print to this day. Brooke & Shaaber. The renaissance: (1500-1660) p. 620; de Sola<br />

Pinto. The English Renaissance 1510-1688 p. 336.<br />

£350.00<br />

27


Alastor Rare Books<br />

69. Thomas, Robert.<br />

[Illustrated Manuscript Travel Journal].<br />

[England], [1840-1845].<br />

12mo, 130 x 85mm, c.90 ff. (54 blank), pencil on paper, original chocolate ribbed morocco (extremities lightly rubbed), flat<br />

spine, brass clasp. This succinct little manuscript travel journal of some 2000 words and with 10 brief pencil sketches covers<br />

the fortunes of one Robert Thomas as he journeys North from London to Scotland with three companions (Mr Quart?, Mr<br />

Alex Milne & James) via the Duke of Wellington steamer (which later seems to have been involved in transporting emigrants<br />

to Australia & New Zeland), arrival in Aberdeen, visit to Stonehaven & Dunnotar castle, Banchory & Ballater. The second<br />

section covers “A Tour Into Northern Germany” leaving on the 5th May 1844 on the steamer Neptune, description of visiting<br />

St. Petersburg including the cathedral where he saw paintings from the 15th century including a “Dance of Death”, visiting<br />

Danzig and viewing churches & castle and St. Jacobi [uncompleted]. There are named pencil sketches of Aboyne, Ballater & the<br />

Duke of Wellington steamer and various others including several ships & town scenes (presumably St. Petersburgh). Composed<br />

with quite an aesthetic eye and although quite hard to read gives the impression of a keen enquiring mind with a keen eye<br />

for the beautiful.<br />

£150.00<br />

70. Tornieri, Lorenzo.<br />

Il Ragno Poemetto.<br />

Vicenza: Nella Stamperia Turra, 1794.<br />

8vo, 17cm, 51, [1 blank] p., crown & bicephalic eagle watermarked paper, contemporary marbled wrappers. Only edition<br />

of this work by the Italian pastoral poet Lorenzo Tornieri. Drawing his inspiration from the rural countryside, animals and<br />

hunting, Tornieri, returned to his native Vicenza after travels further South as a young man to produce a corpus of delicate<br />

verse and celebratory poetry celebrating the Italian countryside and rural way of life until his death in 1834. Il Ragno gives in<br />

elegant verse a poetic hymn in praise of the beauty, work and ingenuity of the spider. Not in COPAC, Worldcat, KVK. Di Tipaldo<br />

p.307; Passano p. 275<br />

£220.00<br />

71. Van Winter, Nicolaas & Van Merken, Lucretia.<br />

Tooneelpoëzy [Vol 1: Het Beleg Der Stad Leyden; Jacob 17 Simonzoon De Ryk;<br />

Monzongo, Of De Koningklyke Slaff; De Camisards, Maria Van Bourgondien, Gravinne<br />

Van Hollande & Artemines. Vol II: Menzikoff, Louise D’Arlac. Sebille Van Anjou,<br />

Gemaaline Van Gui Van Lusignan, Koningginne Van Jerusalem, Gelonide].<br />

Amsterdam: Pieter Meijer & Izaak Duim, 1745-1786.<br />

8vo, 2 vols, Vol I. [3], 83 p.+ [8], 87, [1 blank] p.+ [2], 86 p.+ [2], 85, [1 blank] p. + [2], 82 p. + [8], 67 p.; vol II. [4], 94 p. + [4],107, [1<br />

blank] p.+ [4], 92 p.+ [4], 90 p.. Tipped in AUTOGRAPH SIGNATURES OF NICOLAAS VAN WINTER & LUCRETIA VAN MERKEN, AN<br />

AUTOGRAPH NOTE IN LATIN CONCERNING HENRICUS MOON 19th May 1577 & 11 PLATES BY REINER WINKELES (6 engraved<br />

& 5 etched) AND 4 PLATES BY HOUBRAKEN. Contemporary half-speckled calf & speckled paper sides (rubbed, vol I fore<br />

edge worn & joints cracking), flat spine, triple gilt ruled compartments, central gilt lozenge in flower and scrollwork design,<br />

morocco label with titling within gilt chain work & rule frame, blue & white striped linen markers. This unique GRAINGERIZED<br />

BOOK by a Dutch theatre devotee includes 4 additional portrait plates in the first play (signed I.Houbraken 1777), Het Beleg<br />

Der Stad Leyden, concerning the splendid tale of the events during the 16th century Spanish siege of Leiden and the marriage<br />

of Magdalena Moons, the daughter of a local justice of the peace, to the Spanish commander, Francisco De Valdez to prevent<br />

further attacks on the town. The first volume includes an additional play, Artemines. Izaak Duim. 1745, not included in the list.<br />

£550.00<br />

<strong>Catalogue</strong> <strong>Twenty</strong> <strong>One</strong><br />

72. Visconti, Pietro.<br />

Le Iscrizione Poste Nel Vestibolo Della Casa Del Charissimmo Sig. Abbate Francesco<br />

Cancellieri. Illustrate dal Cav. Pietro Visconti.<br />

Nella Stamperia Di Antonio Boulaler., 1826.<br />

8vo, 21cm, 22, [1] p., engraved text illustrations, original card covers, title within typographic frame, tiny stamp of Harvard<br />

college library to title page verso and “class files” to cover. First edition of this description of Francesco Cancelleri’s collection<br />

of latin inscriptions produced by his friend, Pietro Visconti. Fifteen numbered examples are illustrated and in total 20 text<br />

illustrations are present. Cat Accademia Potaniena p.56; Techener, Raoul-Rochette & Paulin 2163. Catalogo de’ libri esistenti<br />

nella biblioteca dell’ Accademia Pontaniana: 21 . By Accademia Pontaniana <strong>Catalogue</strong> des livres composant la bibliothèque<br />

artistique, archéologique . By Jacques Techener, Raoul- Rochette, Paulin Paris.<br />

£210.00<br />

73. Whiston, James.<br />

England’s calamities discover’d with the proper remedy to restore her ancient grandeur.<br />

London: Printed for the Author and sold by Joseph Fox, R.Clavel and T.Minton., 1696.<br />

4to, 20cm, 40 p., printed in roman & italic type, disbound (two leaves lacking an outer marginal corner). Whiston, who wrote<br />

several tracts on trade and economics, here puts a passionate and compelling argument against the sale of public offices, and<br />

is particularly concerned with gaolers and the poor. He concludes that vice leads to the perpetuation of vice. The pamphlet<br />

produced such a reaction that it was investigated at parliamentary level. Wing W.1686<br />

£380.00<br />

74. Whitelock, Bulstrode.<br />

Memorials Of The English Affairs.<br />

London: J.Tonson, 1732.<br />

Folio, 41cm, [8], 702, [13], [1 blank], p., title in double rule frame, woodcut headpieces and initial letters, contemporary calf<br />

(worn, joints cracking & held by cords), banded spine (later partial reback & corner restoration in sheep), tan label, boards alike<br />

with double gilt rule outer border. Third edition of this history and chronology of the reign of Charles the First. A fair copy<br />

(crude inner hinge strengthening). Book plate of G.W.F.Gregor. ESTC t144860.<br />

£200.00<br />

75. Winchilsea, Anne Kingsmill Finch, Countess of The Spleen : A<br />

Pindarique Ode.<br />

By A Lady. Together With A Prospect Of Death: A Pindarique Essay.<br />

London: Printed and sold by H. Hills, 1709.<br />

8vo, 17.5cm, 16p., roman and italic typefaces, disbound, top edge trimmed touching page numbering, manuscript identification<br />

of the author on title page. Anne Kingsmill Finch (1661-1720) was one of the earliest published English women poets. She<br />

was born into the aristocratic Kingsmill family, which held progressive ideas about educating its daughters. She married the<br />

courtier Heneage Finch (later made Earl of Winchelsea) in 1684. Following the political upheavals of 1688, the Finches lived<br />

in exile in the countryside for a number of years, returning to London about 1710. Admired by the likes of Jonathan Swift<br />

and Alexander Pope, Anne Finch received encouragement to publish under her own name. “The Spleen” is a reflection on<br />

depression: “The secret and mysterious ways/By which thou dost destroy and prey upon the Mind....” It was first published<br />

anonymously in 1701 and became the most popular of Finch’s poems during her lifetime. It is included in her Miscellany<br />

Poems.... (1713), though “A Prospect of Death” is not. Her poems have been republished throughout the 20th century and<br />

several book-length studies have appeared, recognising the Countess of Winchelsea as a writer of conviction, directness, and<br />

humour. ESTC T049768; Foxon F141.<br />

£220.00<br />

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