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Amish Acres announces the 2012 inductees into its Golden

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AMISH ACRES<br />

Historic Farm & Heritage Resort<br />

Nappanee, Indiana<br />

Arts & Crafts Festival<br />

Where Arts meet Folk & Folks<br />

meet Art<br />

Press contact<br />

Janis Logsdon<br />

<strong>Amish</strong> <strong>Acres</strong>, LLC<br />

1600 West Market Street<br />

Nappanee, IN 46550<br />

(574) 773‐4188<br />

JanisLogsdon@<strong>Amish</strong><strong>Acres</strong>.com<br />

www.<strong>Amish</strong><strong>Acres</strong>.com<br />

__________________________________________<br />

<strong>Amish</strong> <strong>Acres</strong> <strong>announces</strong> <strong>the</strong><br />

<strong>2012</strong> <strong>inductees</strong> <strong>into</strong> <strong>its</strong> <strong>Golden</strong> Anniversary<br />

Arts & Crafts Festival Hall of Fame<br />

<strong>Amish</strong> <strong>Acres</strong> in Nappanee, Indiana, will celebrate <strong>its</strong> 50 th<br />

anniversary August 2 through 5, <strong>2012</strong>. Five behind‐<strong>the</strong>‐<br />

scenes people played diverse, but vital roles in creating a<br />

small clo<strong>the</strong>s line art show in 1962 in downtown Nappanee.<br />

They helped lay <strong>the</strong> foundation for <strong>the</strong> growth of <strong>the</strong> event<br />

that is now recognized by <strong>the</strong> American Bus Association as<br />

one of <strong>the</strong> TOP 100 Events in North America for <strong>2012</strong>. For<br />

<strong>the</strong>ir early contributions <strong>the</strong>y are being inducted <strong>into</strong> <strong>Amish</strong><br />

<strong>Acres</strong> Arts & Crafts Festival’s hall of fame.<br />

Dori Crane, Dale Paul Culp, Theodore Good, Joyce Sheneman, and Ollie Stutzman, plus<br />

Jacqueline Gnott and Linda Olsen join <strong>the</strong> twenty six previous members of <strong>the</strong> hall of fame<br />

inducted since <strong>its</strong> inception in 1996. “The majority of <strong>the</strong> hall of fame members are artists of<br />

outstanding talent and long time loyalty to <strong>the</strong> festival,” said Richard Pletcher, founder of <strong>the</strong><br />

festival and <strong>Amish</strong> <strong>Acres</strong>. “Five of <strong>the</strong>se six <strong>2012</strong> <strong>inductees</strong> come from <strong>the</strong> behind <strong>the</strong> scenes<br />

beginnings of <strong>the</strong> show. Their diverse contributions were responsible for <strong>the</strong> event growing<br />

beyond <strong>its</strong> meager beginnings to <strong>the</strong> <strong>the</strong>n unimaginable event it has become.”<br />

When <strong>the</strong> idea for <strong>the</strong> first clo<strong>the</strong>s line art show in<br />

front of Pletcher Furniture in downtown Nappanee<br />

was born, Dori Crane was <strong>the</strong> first person recruited.<br />

She was a Nappanee artist and in charge of <strong>the</strong><br />

summer art class held at <strong>the</strong> west side park pavilion<br />

for young students. She introduced art to <strong>the</strong> young<br />

students with <strong>the</strong> help of well know South Bend


artist Joseph Wroble. With her encouragement and guidance <strong>the</strong> event happened on time and<br />

was well organized. All of <strong>the</strong> original art entered in <strong>the</strong> show came from her students.<br />

As a high school student, Deke Culp caught <strong>the</strong> vision of <strong>the</strong> festival and was instrumental in <strong>the</strong><br />

first set up of <strong>the</strong> art show. He became a prodigy of Ollie Stutzman and soon was assisting with<br />

<strong>the</strong> ever more complex electrical needs of <strong>the</strong> show. Like Ollie, he followed <strong>the</strong> festival to<br />

<strong>Amish</strong> <strong>Acres</strong> and became <strong>its</strong> first full time head of buildings and grounds. He was responsible<br />

for <strong>the</strong> building boom that added many of <strong>the</strong> relocated buildings to <strong>the</strong> growing historic<br />

farmstead. He played a major role in integrating <strong>the</strong> festival and <strong>Amish</strong> <strong>Acres</strong> <strong>into</strong> <strong>the</strong> nationally<br />

recognized event it has become.<br />

Theodore Good was a near legend in nor<strong>the</strong>rn Indiana as a renaissance man. He lived with his<br />

wife Gladys in Etna Green, Indiana. Their yellow house, <strong>the</strong> first house past <strong>the</strong> town’s square,<br />

was an ever changing museum of antiques and paintings. A studio was located across <strong>the</strong> alley<br />

that was a treasure trove of visually exciting artistic finds and Theodore’s own work. He painted<br />

ceiling frescos in two of <strong>the</strong> churches located within several blocks of his home. He was well<br />

known in <strong>the</strong> area’s art circles and leagues and was recruited to broaden <strong>the</strong> base of <strong>the</strong><br />

evolving art show and add credibility to <strong>its</strong> growing reputation thus drawing quality artists to<br />

join <strong>into</strong> <strong>the</strong> event.<br />

Joyce Sheneman became <strong>the</strong> first director of <strong>the</strong> marketplace that is now <strong>the</strong> centerpiece of<br />

<strong>the</strong> festival. With responsibilities for recruiting artists and organizing <strong>the</strong>ir participation, she<br />

held <strong>the</strong> position for 21 years from 1966 until 1986. She returned to lead <strong>the</strong> Bremen church of<br />

<strong>the</strong> Brethren fund raising group from 2000 until 2008.<br />

Ollie Stutzman worked at Pletcher Furniture for three decades. He was a jack of all trades with a<br />

specialist’s degree in electricity. He designed and wired <strong>the</strong> new Pletcher Furniture Store,<br />

installed draperies, laid carpet, and became Lenore Pletcher’s right hand man. Ollie was a good<br />

sport about <strong>the</strong> art show, providing <strong>the</strong> first string of lights and outlet for <strong>the</strong> popcorn wagon<br />

on <strong>the</strong> streets and down <strong>the</strong> alleys as <strong>the</strong> show grew. He followed <strong>the</strong> festival to <strong>Amish</strong> <strong>Acres</strong><br />

and installed much of <strong>the</strong> underground wiring and circuitry that is still in use over forty years<br />

later.<br />

Jacqueline Gnott is a five time Best of Show Winner in <strong>the</strong> two dimensional class. The<br />

Jacqueline Gnott rule was imposed for two years to prevent an artist from winning more than<br />

four Best of Show Awards, but her Contemporary Realism in Watercolor couldn’t be denied.<br />

Linda Olsen has been an exhibitor in <strong>the</strong> festival for twenty six years with her doll clothing. She<br />

is <strong>the</strong> perfect example of <strong>the</strong> artist’s ingenuity as her creations have evolved <strong>into</strong> Wee Line Doll<br />

Clothing for American Girl Dolls.


Today over 4,000 artist and craftsmen from<br />

across <strong>the</strong> country are invited to apply for <strong>the</strong><br />

300 booths that make up <strong>the</strong> festival’s<br />

marketplace that surrounds <strong>Amish</strong> <strong>Acres</strong> farm’s<br />

pond. The year round jury process brings<br />

toge<strong>the</strong>r a carefully chosen mix of today’s arts<br />

and crafts trends from across <strong>the</strong> nation. It is<br />

expected that <strong>the</strong> <strong>2012</strong> class of accepted artists<br />

will hail from well over thirty states and<br />

represent nearly two hundred cities. Through an<br />

emerging artist scholarship plan, new artists<br />

from <strong>the</strong> local area are given a chance to join <strong>the</strong> marketplace and be mentored to become part<br />

of <strong>the</strong> next generation of artists that carry on <strong>the</strong> festival’s fifty year tradition of providing<br />

affordable, varied, and ever changing arts and crafts.<br />

‐‐30‐‐

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