Classic Contemporary Design
If we were to go off in search of the ideal place where future and past can meet in order to communicate about the present, the ClassiCon building in Munich would be one of our fi rst choices. Th e modern building, designed by Joachim Jürke, is made of glass, concrete and wood and features a rooft op terrace with a magnifi cent panoramic view of the Alps. Th e company headquarters, including offi ces, warehouse and showrooms, have been located here since 2003 – a place off ering both views and vision.
If we were to go off in search of the ideal place where future and past can meet
in order to communicate about the present, the ClassiCon building in Munich
would be one of our fi rst choices. Th e modern building, designed by Joachim
Jürke, is made of glass, concrete and wood and features a rooft op terrace with a
magnifi cent panoramic view of the Alps. Th e company headquarters, including
offi ces, warehouse and showrooms, have been located here since 2003 – a place
off ering both views and vision.
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Accessories<br />
CASTELLAR 1927<br />
EILEEN GRAY<br />
H 63 / W 56 (H 34 / W 35)<br />
SEE PAGE 75, 77<br />
Wall mirror with a swivel-mounted section.<br />
Chromium-plated steel frame. Mirror made<br />
of polished crystal glass with faceted edges.<br />
NOTOS 1997<br />
THOMAS KÜHL + ANDREAS KROB<br />
H 115-135 / W 75 / D 63 (W 62 / D 49)<br />
SEE PAGE 35, 88<br />
Standing desk. Infi nitely variable height<br />
adjustment. Five angles of tilt. Foldable.<br />
Base of powder-coated steel tubing in<br />
black or white aluminium. Table top in<br />
multiplex with real-wood maple veneer<br />
or in black-stained ash.<br />
USHA 1932<br />
ECKART MUTHESIUS<br />
H 50 / DM 28<br />
SEE PAGE 77<br />
Umbrella stand of chromium-plated fl at<br />
steel. Base of wood with black satin gloss<br />
lacquer fi nish.<br />
FOLDING SCREEN 1930<br />
EILEEN GRAY<br />
H 167 / W 10-143<br />
SEE PAGE 65, 72<br />
Four-piece, foldable screen. Wooden<br />
frame with two differing perforated panels.<br />
High-gloss lacquer fi nish in black, white and<br />
chinese red.<br />
VULCANUS 1989<br />
DANILO SILVESTRIN<br />
H 53 / W 81<br />
SEE PAGE 76<br />
Spark screen of polished inox steel<br />
with black lattice.<br />
MANDU 1932<br />
ECKART MUTHESIUS<br />
H 109 / W 41 / D 38<br />
SEE PAGE 77<br />
Valet of chromium-plated steel tubing.<br />
Anti-slide strip for trousers.<br />
NYMPHENBURG 1908<br />
OTTO BLÜMEL<br />
H 180 / D 48.5<br />
SEE PAGE 8, 16, 30, 35, 89<br />
Coat stand of nickel-plated or black<br />
nickel-plated brass.<br />
VULCANUS 1989<br />
DANILO SILVESTRIN<br />
H 85.5 / DM 24.5<br />
SEE PAGE 76<br />
Stand with poker and tongs of<br />
polished inox steel.<br />
SATURN 2007<br />
E. BARBER + J. OSGERBY<br />
H 165 / W 59 / D 53<br />
SEE PAGE 17, 20, 34, 76<br />
Coat stand in solid beech, colour-stained<br />
in black or blood-orange or solid walnut.<br />
Black metal hooks.<br />
VULCANUS 1989<br />
DANILO SILVESTRIN<br />
H 20 / W 67 / D 40<br />
Firewood holder of polished inox steel.<br />
Limited Edition P 103<br />
BRICK SCREEN 1922-1925<br />
EILEEN GRAY<br />
H 187 / W 115 / D 24<br />
SEE PAGE 38, 41, 83<br />
Rugs<br />
BLUE MARINE 1926-1935<br />
EILEEN GRAY<br />
L 215 / W 110<br />
SEE PAGE 48<br />
Rug from 100% pure wool. Coloured with<br />
natural vegetable dyes. Hand-knotted with<br />
80 knots per square inch (12.5 cm²).<br />
ROQUEBRUNE 1926-1935<br />
EILEEN GRAY<br />
L 200 / W 200<br />
SEE PAGE 46<br />
Rug from 100% pure wool. Coloured with<br />
natural vegetable dyes. Hand-knotted with<br />
80 knots per square inch (12.5 cm²).<br />
An elaborate masterpiece of hand craftsmanship, this is the fi rst version of the Brick Screen<br />
to be authorised by the license holder, Aram <strong>Design</strong>s Ltd., London. Made to order in a limited<br />
edition of 75. Each piece is numbered consecutively and bears the Eileen Gray signature.<br />
The 28 fi xed and movable wooden panels are lacquered by hand layer by layer: each layer is<br />
allowed to dry completely, then is sanded by hand and fi nally polished to an immaculate<br />
sheen. Stabilising interior frame of stainless steel, solid bronze end caps.<br />
BONAPARTE 1926-1935<br />
EILEEN GRAY<br />
L 210 / W 100<br />
SEE PAGE 62<br />
Rug from 100% pure wool. Coloured with<br />
natural vegetable dyes. Hand-knotted with<br />
80 knots per square inch (12.5 cm²).<br />
ST. TROPEZ 1926-1935<br />
EILEEN GRAY<br />
L 204 / W 204<br />
SEE PAGE 52<br />
Rug from 100% pure wool. Coloured with<br />
natural vegetable dyes. Hand-knotted with<br />
80 knots per square inch (12.5 cm²).<br />
CASTELLAR 1926-1935<br />
EILEEN GRAY<br />
L 175 / W 175<br />
SEE PAGE 62<br />
Rug from 100% pure wool. Coloured with<br />
natural vegetable dyes. Hand-knotted with<br />
80 knots per square inch (12.5 cm²).<br />
WENDINGEN 1926-1935<br />
EILEEN GRAY<br />
L 208 / W 200<br />
SEE PAGE 72<br />
Rug from 100% pure wool. Coloured with<br />
natural vegetable dyes. Hand-knotted with<br />
80 knots per square inch (12.5 cm²).<br />
KILKENNY 1926-1935<br />
EILEEN GRAY<br />
L 235 / W 201<br />
SEE PAGE 62<br />
Rug from 100% pure wool. Coloured with<br />
natural vegetable dyes. Hand-knotted with<br />
80 knots per square inch (12.5 cm²).<br />
Dimension tolerance +/- 5 cm possible.
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