11.09.2013 Views

Album Reviews - John Wojciechowski

Album Reviews - John Wojciechowski

Album Reviews - John Wojciechowski

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

“LEXICON” <strong>Reviews</strong>:<br />

Built entirely on <strong>Wojciechowski</strong>'s original compositions,<br />

the recording bristles with a spirit of invention and<br />

harmonic daring, as well as Wojo's technical prowess<br />

and deeply nuanced tone. From the insinuating melody<br />

line of the title cut to the gorgeous lyricism of "Voice in<br />

the Wilderness," from the urgency of "Pentatonic Tune"<br />

to the experimental leanings of "Push," this music<br />

rewards repeated hearings.<br />

The contributions of such formidable players as pianist<br />

Ron Perrillo, drummer Dana Hall, bassist Dennis Carroll<br />

and guitarist Dave Miller enrich the texture of this music<br />

and attest to the caliber of company Wojo keeps. In all, a powerhouse debut.<br />

- Howard Reich, Chicago Tribune (9/15/09)<br />

Detroit sax man that has played with everyone and now lives in Chicago with a day job<br />

in high school music (good luck with that these days), the cat with the name you can’t<br />

pronounce makes up for it by giving you a sound you won’t forget. With a Motown<br />

flavor lurking in the grooves, he’s gone from jazz to classical with several stops in<br />

between and he seems to always know how to hit the right notes. This is a delightfully<br />

tasty workout that those that like to be in the know first should check out now.<br />

-Chris Spector, Midwest Record Review (10/3/09)<br />

Local jazz fans in the know tout tenor saxophonist <strong>John</strong> <strong>Wojciechowski</strong> as perhaps the<br />

most underrated musician in the area. Having caught him live briefly in action, as well<br />

as on rare recordings (see our review of the Jeff Campbell Trio - "A Declaration of<br />

Optimism" here), I can attest to the tremendous skills of the still young artist - a veteran<br />

of several top big bands and 1996 finalist in the prestigious Thelonious Monk<br />

International Jazz Competition. That he is not more well known and more thoroughly<br />

recorded is a bit of a mystery to me, and can only conclude that his duties playing in the<br />

Chicago Jazz Orchestra, Rob Parton Big Band, the Chicago Yestet and Dana Hall's<br />

SPRING, and also as a high school educator in west suburban St. Charles have taken<br />

up much of his time and contributed to his flying under the radar. Lexicon is Wojo's first<br />

album as leader and features top Chicago musicians like keyboardist Ron Perillo,<br />

guitarist Dave Miller and a rhythm section of Dennis Carroll on bass and Dana Hall on<br />

drums. With such great players as these you can imagine nothing can go wrong - and<br />

indeed it is a solid record (recorded in 2006 and 2008) with great playing by all involved.<br />

The combustible Hall and Carroll make a truly dynamic duo, while Perillo contributes his<br />

usual stellar work on acoustic and electric pianos. Miller is rapidly becoming a favorite of


mine and his African-flavored exchanges with the bandleader on "Lion and the Lamb"<br />

are a highlight. Although <strong>Wojciechowski</strong> is generous with giving ample spotlight time to<br />

his compatriots, he himself is the star here and even treats us to some brilliant work on<br />

soprano sax . His assured technique hints at Coltrane, but with a more measured,<br />

melodic and less fevered approach, although he generates enough heat on "Push" and<br />

his "Pentatonic Tune" solo to singe the edge of the CD (the rest of the band is also on<br />

fire on the latter - one of the best burners I have heard in some time). There is so much<br />

to hear in this wonderfully layered recording - including strong and creative<br />

compositions and great individual and ensemble playing - that I am confident listeners<br />

will enjoy playing it often, while absorbing the subtleties for some time to come.<br />

www.jwojojazzl.com<br />

Brad Walseth - www.jazzchicago.net<br />

<strong>John</strong> <strong>Wojciechowski</strong> - LEXICON: <strong>John</strong>'s tenor and soprano sax works are (quite<br />

simply) astounding! His tone makes it that way - full-bodied and rich all the way from<br />

opening note to closing bar. Unfortunately, this one wasn't up on AMAZON (yet?), so I<br />

couldn't link the samples right in for you, but you can hear 4 or 5 of them on <strong>John</strong>'s<br />

listening page (whoops, I did find some downloadable/playable samples at EMUSIC -<br />

our hats are off to those folks for making the links available, even tho' it does appear to<br />

be that abominable FLASH player). He's joined by Dave Miller on guitar, Ron Perillo on<br />

piano/Rhodes, Dennis Carroll on bass and Dana Hall on drums/cymbals; you may not<br />

realize it until you've listened to him, but he's been on the jazz scene with lots of<br />

players. Nine original tunes keep the energy going at full-bore, especially on<br />

compositions like "Jazz Folk Song", my absolute favorite on the album... at about 2:50,<br />

Perillo's excellent piano chops are joined by a scorching sax lead that you won't soon<br />

forget, & Carroll's bass introduction provides a driving force that propels it at rocket<br />

speed! There are all kinds of player comparisons I could make (names like Getz,<br />

Adderley & such come to mind), but what I so much enjoy about his energy is that you<br />

can tell everything he plays is straight from the heart... songs like "Jazz Folk Song" are<br />

more expressive of the ancient language that music truly is than any I've heard in years!<br />

If it's rousing drums and energy that spans the universe you crave, you'll fall in love with<br />

"Pentatonic Tune"... this one just soars! If you're looking for an album that will become<br />

an "instant jazz classic" - this is it!!! I rate it MOST HIGHLY RECOMMENDED, as well<br />

as award it the "PICK" of this issue for "best saxophone-based jazz quintet"!<br />

"EQ" (energy quotient) rating is 4.96!<br />

Dick Metcalf, aka Rotcod Zzaj - Improvijazzation Nation http://zzaj.freehostia.com/


My first thought when I saw the lineup on <strong>John</strong> <strong>Wojciechowski</strong>’s disc, Lexicon, was,<br />

“Wow, this’ll be awesome!” To tell the truth, these days, even on CDs by real New York<br />

heavyweights, it’s fairly rare that you’ll see a pool of talent this deep on one disc. So, the<br />

question then moves from can these cats play? to can these cats play well together?<br />

The answer is a resounding yes. Matching a fantastic and fresh saxophonist with one of<br />

Chicago’s hottest up-and-coming jazz guitarists and then having them play with a rhythm<br />

section so rock-solid that it’s scary is one heck of a way to ensure a fantastic first CD under<br />

one’s name. Suffice it to say, Lexicon does not disappoint.<br />

Things start off fairly quietly with “Title.” While many discs start off with a bang, Lexicon<br />

eases you into its charms with a beautiful melody. The song starts off nicely enough, and Dave<br />

Miller takes a gorgeous solo to get things moving. But when <strong>Wojciechowski</strong> takes the reins, he<br />

kicks the tune up a whole bunch of notches, taking a pretty tune and turning it into the realm that<br />

recalls some of Wayne Shorter’s heavier moments from his Blue Note albums in the mid sixties.<br />

What really makes that solo stand out, though, is what Ron Perrillo does next. Most<br />

players with Perrillo’s skill would have gone for the jugular after <strong>Wojciechowski</strong>’s solo. Perrillo<br />

instead pulls back with a subdued and relatively simple solo that is shocking in its sparseness<br />

and beauty.<br />

“Jazz Folk Song” is the first song on the disc where Perrillo cuts loose, and when he<br />

does, oh my word, does he make it count. Perrillo is one of my favorite pianists in Chicago with<br />

good reason. He simply sounds like he was playing like a prize fighter, first sizing up his<br />

opponent, and then as he realizes that he can beat his man, he just pummels with laser like<br />

accuracy until he’s done. Perrillo is criminally under-recorded and I hope that someone that’s<br />

reading this can remedy the situation soon.<br />

“Lion and the Lamb” is interesting, not only for <strong>Wojciechowski</strong>’s fantastic playing, but<br />

also because it’s one of the first times that I’ve heard Dave Miller really swing on a CD. On his<br />

own, with his band Algernon or with Ted Sirota’s Rebel Souls, the intentions were different and<br />

he played his tail off. Here, as a sideman in an ensemble that is clearly a much more straightahead<br />

affair, he fits in beautifully. “Pentatonic Tune” is the most straightforward song on the CD,<br />

and <strong>Wojciechowski</strong>, Miller and Perrillo all contribute fantastic solos to an excellent tune.<br />

The centerpiece of the disc, however, is “Push.” Much of Lexicon does sound like it was<br />

composed of tunes meant to be soloed over. Which, in the case of these soloists, is not at all a<br />

bad thing! However, “Push” seems like a song that was clearly thought through from beginning<br />

to end. It’s hardly a simple collection of solos. Everyone (but Dennis Carroll) gets to show off<br />

here, with Perrillo on Rhodes, and Miller clearly reveling in the sounds he’s getting with help of<br />

his pedals and his amp. Over all of the revelry, the usual suspects here deliver excellent solos,<br />

and when Dana Hall gets his piece, he delivers a fantastic taste of why he’s so beloved in<br />

Chicago.<br />

Since Lexicon is only the first disc that <strong>John</strong> <strong>Wojciechowski</strong> has put out to date, I think it<br />

goes without saying that his is a career to watch. His compositions are fantastic, his playing is<br />

out of sight and his choice in sidemen is outstanding as well. Lexicon shows a player<br />

comfortable in numerous settings, from pretty ballads to up-tempo swingers, and from hypnotic<br />

vamps to the forefront of thoroughly electric jazz. I can’t wait to hear more of Mr. <strong>Wojciechowski</strong><br />

throughout 2010 and beyond.<br />

––Paul Abella, Chicago Jazz Magazine

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!