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english press pack - 3 dimen

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Goodwin Development Trust<br />

Andrew Pittock (Narrator)<br />

Andrew Pittock comes from Wales and became a son of the<br />

desert by moving to Saudi Arabia as a babe in arms. Then via<br />

Hull, Sunderland, France and London, Andrew came back to the<br />

banks of the Humber at the tender age of thirty.<br />

His acting experience has been limited to school and university<br />

productions but he has dubbing and translation voice-over work<br />

experience in France as well as compereing ‘Mr Octagon’ for the<br />

Goodwin Development Trust.<br />

As a member of Goodwin staff, Andrew was really pleased to land<br />

the role of the narrator for The Legend of Kawa the Blacksmith<br />

and is looking forward to his nieces and nephews hearing him<br />

in the film. He has now developed a bit of a taste for stage and<br />

Christine Brennan (Kawa’s wife)<br />

Christine says, “I’m really pleased to be doing the voice for Kawa’s<br />

wife in this really exciting project. I trained at the Welsh College<br />

of Music and Drama years and years and years ago. Since then<br />

I have been lucky to have continued acting in theatre, television<br />

and radio drama. My last theatre production was Hound of the<br />

Baskervilles in the summer of 2007, and I’ve appeared in various<br />

telly dramas and soaps over the years. I’m a pretty regular occurrence<br />

in Radio 4 dramas too.<br />

I now, like many people in the acting profession, run various careers<br />

at the same time. I have just been directing a documentary<br />

in Bangladesh, which was a great experience. I’m hoping to do<br />

some work in Kurdistan at some point this year too and it’s great<br />

to know at least one tale.”<br />

Peter McGurn, Chief Executive of Goodwin Development Trust, said, “We are very excited about the film and the<br />

impact that it could have. This is a unique project that will help to promote Kurdish/British cooperation and interaction<br />

in our growing multi-cultural society. From the start we were keen to involve the local community as a whole, bringing<br />

together cultures to create something that can be enjoyed by everyone.<br />

“When Stuart and Havi came to us with the idea, we recognised the great potential and benefit that could come from<br />

the making of Kawa the Blacksmith and are delighted with the result.”<br />

Page 5

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