english press pack - 3 dimen
english press pack - 3 dimen
english press pack - 3 dimen
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
ENGLISH PRESS PACK<br />
T he<br />
Legend of<br />
Kawa the<br />
Blacksmith<br />
Duration: 54 minutes ● 2008<br />
Directors: Havi Ibrahim and Stuart Palmer<br />
Produced by Splash Animations and the Goodwin Development Trust<br />
To the best of the directors’ knowledge, this film is the first computer-generated animated film in Kurdish.<br />
Synopsis<br />
Kawa the Blacksmith is probably the most famous Kurdish legend and tells the story of Kurdish New Year (Newroz<br />
- pronounced Now-Rooz) and the birth of a nation.<br />
King Zohak, ruler of the land of Mesopotamia, is tricked by the evil demon Ahriman and cursed with two large black<br />
snakes, which grow from his shoulders. Zohak is wracked with terrible pain, a pain that will only go away if the snakes<br />
are fed the brains of children. As children are snatched from the surrounding towns and villages to feed the snakes’<br />
hunger, the sun refuses to shine and the land becomes cold and desolate.<br />
Kawa the Blacksmith is blessed with seven children, but gradually they are taken from him until only one child remains.<br />
Consumed with anger and grief, he goes to the villagers and tells them that he is going to Zohak’s castle to<br />
plead for his child’s life. If his pleading fails, then he will attempt to kill Zohak with his mighty blacksmith’s hammer.<br />
If he succeeds, he will light a fire on the highest point on the mountain and then the villagers will know he has triumphed.<br />
If no fire can be seen, then he will have failed.<br />
Kawa’s pleading with Zohak is all in vain, and he is forced to strike a blow with his hammer, killing King<br />
Zohak and breaking Ahriman’s evil curse. He then climbs to the top of the mountain and lights a huge bonfire.<br />
The villagers see the fire and light another, which in turn can be seen from the next village where they light another,<br />
and another and another, until there are fires bûrning throughout the land. As the people celebrate, the fire and smoke<br />
cleanse the air of the last of Ahriman’s evil and finally the sun returns to the sky.<br />
About the Film<br />
The Legend of Kawa the Blacksmith is actually two separate films, one in English with a full cast of English actors,<br />
and one in Kurdish with a full cast of Kurdish actors. Many members of the cast came from the local community and<br />
were cast in the film through open auditions.<br />
The film has been created with computer generated animation, but is rich in traditional Kurdish culture.<br />
It will be released on DVD early in 2009 and sold online across Europe through Amazon.<br />
On the DVD:<br />
• The animated English lip-synced version of the film.<br />
• The animated Kurdish lip-synced version of the film.<br />
• A 35 minute documentary on the making of the film.<br />
• A gallery of images from the film.<br />
• Optional English subtitles on the Kurdish version.<br />
• Optional Kurdish subtitles on the English version.<br />
Page 1
The Directors<br />
Splash Animations is the creation of two people from very different backgrounds.<br />
Soon after meeting on a course, Havi Ibrahim and Stuart Palmer became firm friends. With common interests in art<br />
and animation, they decided to work together to create something unique and worthwhile that would be appreciated by<br />
the Kurdish community and lead to a broader understanding of Kurdish culture.<br />
They approached the Goodwin Development Trust in search of funding to see them through the yearlong animation<br />
process, but the Goodwin Development Trust was so taken with the idea they decided to join them in developing the<br />
project.<br />
Havi and Stuart intend The Legend of Kawa the Blacksmith to be the first of many such animated Kurdish films, and<br />
the foundation on which Splash Animations continues to build, and they are already making plans for their second film<br />
together.<br />
Havi Ibrahim<br />
Havi Ibrahim is a Kurd. He finished his education in<br />
Duhok, Kurdistan, and then studied Fine Art at the<br />
Duhok Instute of Fine Art, where he graduated. Now he<br />
studies at the University of Lincoln for Art and Design in<br />
England.<br />
In Kurdistan, Havi worked in many areas of the arts<br />
and media. In art, with a group of four fellow students,<br />
he constructed four large statues in Duhok and the<br />
surrounding area, such as The Work and the Reward,<br />
Mother Sherin, Duban’s Milkmaid and the two statues of<br />
students in front of the University of Duhok.<br />
He also used to design and illustrate for Dicle Magazine,<br />
which nowadays is called Nubon.<br />
In the media, he was a member of the Union of<br />
Kurdish Writers in Duhok, and used to be arts editor for<br />
Dicle Magazine, writing articles, reports, interviews and<br />
selecting articles. He worked as a freelance journalist,<br />
writing articles for a variety of publications in Kurdistan.<br />
Page 2<br />
Stuart Palmer<br />
Stuart Palmer is British. He is a professional writer with<br />
many short stories published in Britain, America,<br />
Australia and Canada, as well as on the world wide web.<br />
He writes a monthly column for Writing Magazine, a<br />
magazine for and about writers. He is also a<br />
professional animator and has done work for the BBC<br />
(DVD division) as well as many amateur productions<br />
that are distributed across the world.<br />
He studied Theology at Hull University and, when he<br />
graduated, he decided to stay in the city he had come to<br />
love. Since that time he has been a singer and songwriter<br />
with a rock band, a writing tutor, and a model, as<br />
well as writing everything from humour to horror, from<br />
romance to articles.<br />
Splash Animations is a dream come true for Stuart, who<br />
can now combine almost all of his passions into<br />
creating one unique and memorable project... whilst<br />
looking forward to many more to come.
Kurdish Cast<br />
Rashed (Kawa)<br />
Rashed is Kurdish and comes from Duhok. He did many art<br />
activities back home, such as performance, theatre and singing<br />
as well.<br />
He says, “It is a huge step forward to have a Kurdish animated<br />
film, especially in Europe.<br />
I, as an actor, tried to do my best to make my part the best that it<br />
can be.<br />
The film shows absolutely pure Kurdish culture, such as houses,<br />
clothes and tools, and even the way the characters talk, and I find<br />
it a very important project.”<br />
Salam Kassab (Zohak)<br />
Salam is Kurdish, from Duhok. He currently lives in Hull in<br />
England and is a volunteer for the ARKH organisation.<br />
He says, “In fact, when I realised they were making a Kurdish<br />
animated film, I was so pleased, especially when they asked me<br />
to play a part in it. When I attended the studio, I found it a very<br />
difficult job because I hadn’t read the film script and hadn’t had<br />
any rehearsals - and I didn’t even know which role I was playing!<br />
I would have been pleased with any role because I liked the idea<br />
of the film. It is good to mention that this is the first time I have<br />
ever done an art project in my life.<br />
Some people have a very strong relationship with each other in<br />
the film without even knowing each other in the real world. I<br />
appreciate both directors of the film and everyone who has<br />
participated in the film.”<br />
Rebin Ahmad (Narrator)<br />
“I am very happy and grateful to be playing the Narrator and<br />
one of the townsmen in this animated movie. The reason I was<br />
enthusiastic to take part in this movie is because the story is very<br />
popular among a lot of nations in the Middle East and wider in<br />
South East Asia, especially among Kurdish people, and Newroz<br />
has become the symbol to struggle for the national liberation of<br />
Kurdistan.<br />
I believe that this movie will be most successful as there is very<br />
little animation in the life and culture of Kurdish people. Looking at<br />
samples from this movie, the efforts of the people who have been<br />
working hard in this production are very clear.<br />
Many thanks to every member of this production. They are<br />
appreciated.”<br />
Page 3
English Cast<br />
Sermin Dohoki (Kawa’s wife)<br />
Sermin is Kurdish and grew up in Germany. She finished her<br />
education there.<br />
She says, “When I was a child, I liked animated films and<br />
cartoons a lot. I was always interested in getting involved with<br />
any projects to do with animation to test my ability.<br />
When I was asked to be a part of this project I quickly decided to<br />
accept and I am very proud of myself for being a part of it.<br />
I believe it is going to be a successful project based just on the<br />
clips I have seen from the film.<br />
There isn’t any other Kurdish project that has been done before<br />
like this.”<br />
Dom Heffer (Kawa)<br />
Dom Heffer arrived in Hull to study for a degree in Fine Art in<br />
2001, and has now lived in Hull ever since. He has been involved<br />
in numerous theatrical enterprises, such as short films, festival<br />
theatre, and set designing. He is currently part of Hull-based<br />
theatre company The Pier Group and in rehearsals for the group’s<br />
third production, to be performed in 2008.<br />
He was led to the role of Kawa the Blacksmith by pure luck -<br />
seeing an advert whilst shopping for a can of beans on Hull’s<br />
Newland Avenue!<br />
John Ainsworth (Zohak)<br />
After briefly treading the boards in the Nineties as a member of<br />
the 369 Theatre Company in Brighton, John’s show-biz career<br />
has predominantly been on the production side of the business,<br />
as a director and producer for Big Finish Productions. However,<br />
he has occasionally lent his voice to a few audio plays. As well<br />
as several tannoy voices, John also played a robotic butler in<br />
the Judge Dredd audio drama, ‘For King and Country’ and was a<br />
Lieutenant on a Victorian spaceship in the Space: 1889<br />
adventure, ‘The Lunar Inheritance’.<br />
On video, John was ‘Man with Tray’ in the celebrated spoof<br />
Doctor Who documentary that is featured on the DVD box-set ‘In<br />
the Beginning’.<br />
Page 4
Goodwin Development Trust<br />
Andrew Pittock (Narrator)<br />
Andrew Pittock comes from Wales and became a son of the<br />
desert by moving to Saudi Arabia as a babe in arms. Then via<br />
Hull, Sunderland, France and London, Andrew came back to the<br />
banks of the Humber at the tender age of thirty.<br />
His acting experience has been limited to school and university<br />
productions but he has dubbing and translation voice-over work<br />
experience in France as well as compereing ‘Mr Octagon’ for the<br />
Goodwin Development Trust.<br />
As a member of Goodwin staff, Andrew was really pleased to land<br />
the role of the narrator for The Legend of Kawa the Blacksmith<br />
and is looking forward to his nieces and nephews hearing him<br />
in the film. He has now developed a bit of a taste for stage and<br />
Christine Brennan (Kawa’s wife)<br />
Christine says, “I’m really pleased to be doing the voice for Kawa’s<br />
wife in this really exciting project. I trained at the Welsh College<br />
of Music and Drama years and years and years ago. Since then<br />
I have been lucky to have continued acting in theatre, television<br />
and radio drama. My last theatre production was Hound of the<br />
Baskervilles in the summer of 2007, and I’ve appeared in various<br />
telly dramas and soaps over the years. I’m a pretty regular occurrence<br />
in Radio 4 dramas too.<br />
I now, like many people in the acting profession, run various careers<br />
at the same time. I have just been directing a documentary<br />
in Bangladesh, which was a great experience. I’m hoping to do<br />
some work in Kurdistan at some point this year too and it’s great<br />
to know at least one tale.”<br />
Peter McGurn, Chief Executive of Goodwin Development Trust, said, “We are very excited about the film and the<br />
impact that it could have. This is a unique project that will help to promote Kurdish/British cooperation and interaction<br />
in our growing multi-cultural society. From the start we were keen to involve the local community as a whole, bringing<br />
together cultures to create something that can be enjoyed by everyone.<br />
“When Stuart and Havi came to us with the idea, we recognised the great potential and benefit that could come from<br />
the making of Kawa the Blacksmith and are delighted with the result.”<br />
Page 5
Page 6<br />
Film Gallery<br />
Having lost six of his seven children, Kawa is<br />
determined to go to King Zohak to plead for<br />
the life of his last child.<br />
King Zohak is cursed with two hungry, black<br />
snakes by the demon Ahriman. When these<br />
snakes grow hungry, they will only be satisfied<br />
by being fed the brains of children.<br />
The Legend of Kawa the Blacksmith shows<br />
traditional Kurdish buildings, tools and<br />
clothing, as in this scene where the villagers<br />
await Kawa’s signal from the mountain.
Page 7<br />
A Kurdish woman tries to hide her children<br />
from Zohak’s guards. In the scene we see<br />
a baby in a traditional Kurdish cradle, and<br />
traditional Kurdish tools for turning fleece into<br />
wool.<br />
People from the village light a bonfire to<br />
spread the news of Kawa’s victory over King<br />
Zohak.<br />
The people of Mesopotamia revolt against<br />
the rule of King Jemshid the Fourth, little<br />
realising that his successor will be the wicked<br />
King Zohak.
Page 8<br />
A map of the lands of Mesopotamia in 700<br />
BC. This map was hand-painted, scanned<br />
into the computer and applied as a texture to<br />
a 3D object. This object was then animated.<br />
The geography and place names on the map<br />
were thoroughly researched before work<br />
began.<br />
Having defeated King Zohak, Kawa the<br />
Blacksmith prepares to light the first bonfire of<br />
Newroz on top of the Zagros Mountains.<br />
People throughout the land lit fires to spread<br />
the news of Kawa’s victory. This event marks<br />
the start of the Kurdish calendar. Similar fires<br />
are built every 21st March by Kurds across<br />
the world to celebrate the Kurdish New Year.
Credits<br />
CAST<br />
(ENGLISH) (KURDISH)<br />
DOM HEFFER KAWA RESHID KAWA<br />
JOHN AINSWORTH ZOHAK SALAM KASSAB ZOHAK<br />
ANDREW PITTOCK NARRATOR REBIN AHMAD NARRATOR<br />
ANDREW ROLFE AHRIMAN ZIZO KUJER AHRIMAN<br />
RICHARD DADD NICE GUARD ZIAD KASIM NICE GUARD<br />
NASTY GUARD MOHAMMAD OMER ALI NASTY GUARD<br />
CHRISTINE BRENNAN KAWA’S WIFE SERMIN DOHOKI KAWA’S WIFE<br />
PAUL DAVID BEARDED MAN JAMAL KHAELANY BEARDED MAN<br />
JACK GALAGHER TOWNSMAN REBIN AHMAD TOWNSMAN<br />
IAN HAYLES COOK BEHZAD OMER SHORO COOK<br />
PAUL MASTERS SHERI ATTAM SHERI ATTAM<br />
ADDITIONAL PERFORMANCES<br />
HAVI IBRAHIM PALIN<br />
STUART PALMER ATTENTION MAN<br />
SHANI SHUKUR CRYING BABY<br />
MUSICIANS<br />
RASHED TITLE MUSIC<br />
DILZAR SHANGA<br />
SERWAT KUYI VIOLIN<br />
NEWZAD LEZGIN LYRICIST, BACKING SINGER<br />
DILZAR SHANGA BACKING SINGER<br />
SOZAN SHANGA BACKING SINGER<br />
DESHTI BACKING SINGER<br />
SPLASH ANIMATIONS INCIDENTAL MUSIC & SOUND DESIGN<br />
STUART PALMER SCRIPT WRITERS<br />
HAVI IBRAHIM<br />
BILIND MEHEMED OMER KURDISH CO-WRITER<br />
ANDREA BEER PROMOTION<br />
KIRSTY CUCKSON ADMINISTRATION<br />
SU HUTCHCROFT<br />
CLIVE DARNELL FUNDING COORDINATOR<br />
SPLASH ANIMATIONS DESIGN & ANIMATION<br />
STUART PALMER DIRECTORS<br />
HAVI IBRAHIM<br />
PETER McGURN EXECUTIVE PRODUCER<br />
HAVI IBRAHIM PRODUCERS<br />
STUART PALMER<br />
WITH THANKS TO THE GOODWIN DEVELOPMENT TRUST<br />
Page 9
Contact Details<br />
Address Address<br />
Goodwin Development Trust Splash Animations<br />
Goodwin Centre 79 Spring Bank<br />
Icehouse Road Hull<br />
Hull East Yorkshire<br />
East Yorkshire HU3 1AG<br />
HU3 2HQ<br />
Telephone Telephone<br />
01482 587550 07783 927440 (Havi Ibrahim)<br />
07549 008350 (Stuart Palmer)<br />
Website Website<br />
www.goodwintrust.org www.splash-animations.com<br />
email email<br />
info@goodwin-centre.org kawa@splash-animations.com<br />
This <strong>press</strong> <strong>pack</strong> is also available in Kurdish<br />
© 2009 Splash Animations and the Goodwin Development Trust<br />
Page 10