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ENGLISH PRESS PACK<br />

T he<br />

Legend of<br />

Kawa the<br />

Blacksmith<br />

Duration: 54 minutes ● 2008<br />

Directors: Havi Ibrahim and Stuart Palmer<br />

Produced by Splash Animations and the Goodwin Development Trust<br />

To the best of the directors’ knowledge, this film is the first computer-generated animated film in Kurdish.<br />

Synopsis<br />

Kawa the Blacksmith is probably the most famous Kurdish legend and tells the story of Kurdish New Year (Newroz<br />

- pronounced Now-Rooz) and the birth of a nation.<br />

King Zohak, ruler of the land of Mesopotamia, is tricked by the evil demon Ahriman and cursed with two large black<br />

snakes, which grow from his shoulders. Zohak is wracked with terrible pain, a pain that will only go away if the snakes<br />

are fed the brains of children. As children are snatched from the surrounding towns and villages to feed the snakes’<br />

hunger, the sun refuses to shine and the land becomes cold and desolate.<br />

Kawa the Blacksmith is blessed with seven children, but gradually they are taken from him until only one child remains.<br />

Consumed with anger and grief, he goes to the villagers and tells them that he is going to Zohak’s castle to<br />

plead for his child’s life. If his pleading fails, then he will attempt to kill Zohak with his mighty blacksmith’s hammer.<br />

If he succeeds, he will light a fire on the highest point on the mountain and then the villagers will know he has triumphed.<br />

If no fire can be seen, then he will have failed.<br />

Kawa’s pleading with Zohak is all in vain, and he is forced to strike a blow with his hammer, killing King<br />

Zohak and breaking Ahriman’s evil curse. He then climbs to the top of the mountain and lights a huge bonfire.<br />

The villagers see the fire and light another, which in turn can be seen from the next village where they light another,<br />

and another and another, until there are fires bûrning throughout the land. As the people celebrate, the fire and smoke<br />

cleanse the air of the last of Ahriman’s evil and finally the sun returns to the sky.<br />

About the Film<br />

The Legend of Kawa the Blacksmith is actually two separate films, one in English with a full cast of English actors,<br />

and one in Kurdish with a full cast of Kurdish actors. Many members of the cast came from the local community and<br />

were cast in the film through open auditions.<br />

The film has been created with computer generated animation, but is rich in traditional Kurdish culture.<br />

It will be released on DVD early in 2009 and sold online across Europe through Amazon.<br />

On the DVD:<br />

• The animated English lip-synced version of the film.<br />

• The animated Kurdish lip-synced version of the film.<br />

• A 35 minute documentary on the making of the film.<br />

• A gallery of images from the film.<br />

• Optional English subtitles on the Kurdish version.<br />

• Optional Kurdish subtitles on the English version.<br />

Page 1


The Directors<br />

Splash Animations is the creation of two people from very different backgrounds.<br />

Soon after meeting on a course, Havi Ibrahim and Stuart Palmer became firm friends. With common interests in art<br />

and animation, they decided to work together to create something unique and worthwhile that would be appreciated by<br />

the Kurdish community and lead to a broader understanding of Kurdish culture.<br />

They approached the Goodwin Development Trust in search of funding to see them through the yearlong animation<br />

process, but the Goodwin Development Trust was so taken with the idea they decided to join them in developing the<br />

project.<br />

Havi and Stuart intend The Legend of Kawa the Blacksmith to be the first of many such animated Kurdish films, and<br />

the foundation on which Splash Animations continues to build, and they are already making plans for their second film<br />

together.<br />

Havi Ibrahim<br />

Havi Ibrahim is a Kurd. He finished his education in<br />

Duhok, Kurdistan, and then studied Fine Art at the<br />

Duhok Instute of Fine Art, where he graduated. Now he<br />

studies at the University of Lincoln for Art and Design in<br />

England.<br />

In Kurdistan, Havi worked in many areas of the arts<br />

and media. In art, with a group of four fellow students,<br />

he constructed four large statues in Duhok and the<br />

surrounding area, such as The Work and the Reward,<br />

Mother Sherin, Duban’s Milkmaid and the two statues of<br />

students in front of the University of Duhok.<br />

He also used to design and illustrate for Dicle Magazine,<br />

which nowadays is called Nubon.<br />

In the media, he was a member of the Union of<br />

Kurdish Writers in Duhok, and used to be arts editor for<br />

Dicle Magazine, writing articles, reports, interviews and<br />

selecting articles. He worked as a freelance journalist,<br />

writing articles for a variety of publications in Kurdistan.<br />

Page 2<br />

Stuart Palmer<br />

Stuart Palmer is British. He is a professional writer with<br />

many short stories published in Britain, America,<br />

Australia and Canada, as well as on the world wide web.<br />

He writes a monthly column for Writing Magazine, a<br />

magazine for and about writers. He is also a<br />

professional animator and has done work for the BBC<br />

(DVD division) as well as many amateur productions<br />

that are distributed across the world.<br />

He studied Theology at Hull University and, when he<br />

graduated, he decided to stay in the city he had come to<br />

love. Since that time he has been a singer and songwriter<br />

with a rock band, a writing tutor, and a model, as<br />

well as writing everything from humour to horror, from<br />

romance to articles.<br />

Splash Animations is a dream come true for Stuart, who<br />

can now combine almost all of his passions into<br />

creating one unique and memorable project... whilst<br />

looking forward to many more to come.


Kurdish Cast<br />

Rashed (Kawa)<br />

Rashed is Kurdish and comes from Duhok. He did many art<br />

activities back home, such as performance, theatre and singing<br />

as well.<br />

He says, “It is a huge step forward to have a Kurdish animated<br />

film, especially in Europe.<br />

I, as an actor, tried to do my best to make my part the best that it<br />

can be.<br />

The film shows absolutely pure Kurdish culture, such as houses,<br />

clothes and tools, and even the way the characters talk, and I find<br />

it a very important project.”<br />

Salam Kassab (Zohak)<br />

Salam is Kurdish, from Duhok. He currently lives in Hull in<br />

England and is a volunteer for the ARKH organisation.<br />

He says, “In fact, when I realised they were making a Kurdish<br />

animated film, I was so pleased, especially when they asked me<br />

to play a part in it. When I attended the studio, I found it a very<br />

difficult job because I hadn’t read the film script and hadn’t had<br />

any rehearsals - and I didn’t even know which role I was playing!<br />

I would have been pleased with any role because I liked the idea<br />

of the film. It is good to mention that this is the first time I have<br />

ever done an art project in my life.<br />

Some people have a very strong relationship with each other in<br />

the film without even knowing each other in the real world. I<br />

appreciate both directors of the film and everyone who has<br />

participated in the film.”<br />

Rebin Ahmad (Narrator)<br />

“I am very happy and grateful to be playing the Narrator and<br />

one of the townsmen in this animated movie. The reason I was<br />

enthusiastic to take part in this movie is because the story is very<br />

popular among a lot of nations in the Middle East and wider in<br />

South East Asia, especially among Kurdish people, and Newroz<br />

has become the symbol to struggle for the national liberation of<br />

Kurdistan.<br />

I believe that this movie will be most successful as there is very<br />

little animation in the life and culture of Kurdish people. Looking at<br />

samples from this movie, the efforts of the people who have been<br />

working hard in this production are very clear.<br />

Many thanks to every member of this production. They are<br />

appreciated.”<br />

Page 3


English Cast<br />

Sermin Dohoki (Kawa’s wife)<br />

Sermin is Kurdish and grew up in Germany. She finished her<br />

education there.<br />

She says, “When I was a child, I liked animated films and<br />

cartoons a lot. I was always interested in getting involved with<br />

any projects to do with animation to test my ability.<br />

When I was asked to be a part of this project I quickly decided to<br />

accept and I am very proud of myself for being a part of it.<br />

I believe it is going to be a successful project based just on the<br />

clips I have seen from the film.<br />

There isn’t any other Kurdish project that has been done before<br />

like this.”<br />

Dom Heffer (Kawa)<br />

Dom Heffer arrived in Hull to study for a degree in Fine Art in<br />

2001, and has now lived in Hull ever since. He has been involved<br />

in numerous theatrical enterprises, such as short films, festival<br />

theatre, and set designing. He is currently part of Hull-based<br />

theatre company The Pier Group and in rehearsals for the group’s<br />

third production, to be performed in 2008.<br />

He was led to the role of Kawa the Blacksmith by pure luck -<br />

seeing an advert whilst shopping for a can of beans on Hull’s<br />

Newland Avenue!<br />

John Ainsworth (Zohak)<br />

After briefly treading the boards in the Nineties as a member of<br />

the 369 Theatre Company in Brighton, John’s show-biz career<br />

has predominantly been on the production side of the business,<br />

as a director and producer for Big Finish Productions. However,<br />

he has occasionally lent his voice to a few audio plays. As well<br />

as several tannoy voices, John also played a robotic butler in<br />

the Judge Dredd audio drama, ‘For King and Country’ and was a<br />

Lieutenant on a Victorian spaceship in the Space: 1889<br />

adventure, ‘The Lunar Inheritance’.<br />

On video, John was ‘Man with Tray’ in the celebrated spoof<br />

Doctor Who documentary that is featured on the DVD box-set ‘In<br />

the Beginning’.<br />

Page 4


Goodwin Development Trust<br />

Andrew Pittock (Narrator)<br />

Andrew Pittock comes from Wales and became a son of the<br />

desert by moving to Saudi Arabia as a babe in arms. Then via<br />

Hull, Sunderland, France and London, Andrew came back to the<br />

banks of the Humber at the tender age of thirty.<br />

His acting experience has been limited to school and university<br />

productions but he has dubbing and translation voice-over work<br />

experience in France as well as compereing ‘Mr Octagon’ for the<br />

Goodwin Development Trust.<br />

As a member of Goodwin staff, Andrew was really pleased to land<br />

the role of the narrator for The Legend of Kawa the Blacksmith<br />

and is looking forward to his nieces and nephews hearing him<br />

in the film. He has now developed a bit of a taste for stage and<br />

Christine Brennan (Kawa’s wife)<br />

Christine says, “I’m really pleased to be doing the voice for Kawa’s<br />

wife in this really exciting project. I trained at the Welsh College<br />

of Music and Drama years and years and years ago. Since then<br />

I have been lucky to have continued acting in theatre, television<br />

and radio drama. My last theatre production was Hound of the<br />

Baskervilles in the summer of 2007, and I’ve appeared in various<br />

telly dramas and soaps over the years. I’m a pretty regular occurrence<br />

in Radio 4 dramas too.<br />

I now, like many people in the acting profession, run various careers<br />

at the same time. I have just been directing a documentary<br />

in Bangladesh, which was a great experience. I’m hoping to do<br />

some work in Kurdistan at some point this year too and it’s great<br />

to know at least one tale.”<br />

Peter McGurn, Chief Executive of Goodwin Development Trust, said, “We are very excited about the film and the<br />

impact that it could have. This is a unique project that will help to promote Kurdish/British cooperation and interaction<br />

in our growing multi-cultural society. From the start we were keen to involve the local community as a whole, bringing<br />

together cultures to create something that can be enjoyed by everyone.<br />

“When Stuart and Havi came to us with the idea, we recognised the great potential and benefit that could come from<br />

the making of Kawa the Blacksmith and are delighted with the result.”<br />

Page 5


Page 6<br />

Film Gallery<br />

Having lost six of his seven children, Kawa is<br />

determined to go to King Zohak to plead for<br />

the life of his last child.<br />

King Zohak is cursed with two hungry, black<br />

snakes by the demon Ahriman. When these<br />

snakes grow hungry, they will only be satisfied<br />

by being fed the brains of children.<br />

The Legend of Kawa the Blacksmith shows<br />

traditional Kurdish buildings, tools and<br />

clothing, as in this scene where the villagers<br />

await Kawa’s signal from the mountain.


Page 7<br />

A Kurdish woman tries to hide her children<br />

from Zohak’s guards. In the scene we see<br />

a baby in a traditional Kurdish cradle, and<br />

traditional Kurdish tools for turning fleece into<br />

wool.<br />

People from the village light a bonfire to<br />

spread the news of Kawa’s victory over King<br />

Zohak.<br />

The people of Mesopotamia revolt against<br />

the rule of King Jemshid the Fourth, little<br />

realising that his successor will be the wicked<br />

King Zohak.


Page 8<br />

A map of the lands of Mesopotamia in 700<br />

BC. This map was hand-painted, scanned<br />

into the computer and applied as a texture to<br />

a 3D object. This object was then animated.<br />

The geography and place names on the map<br />

were thoroughly researched before work<br />

began.<br />

Having defeated King Zohak, Kawa the<br />

Blacksmith prepares to light the first bonfire of<br />

Newroz on top of the Zagros Mountains.<br />

People throughout the land lit fires to spread<br />

the news of Kawa’s victory. This event marks<br />

the start of the Kurdish calendar. Similar fires<br />

are built every 21st March by Kurds across<br />

the world to celebrate the Kurdish New Year.


Credits<br />

CAST<br />

(ENGLISH) (KURDISH)<br />

DOM HEFFER KAWA RESHID KAWA<br />

JOHN AINSWORTH ZOHAK SALAM KASSAB ZOHAK<br />

ANDREW PITTOCK NARRATOR REBIN AHMAD NARRATOR<br />

ANDREW ROLFE AHRIMAN ZIZO KUJER AHRIMAN<br />

RICHARD DADD NICE GUARD ZIAD KASIM NICE GUARD<br />

NASTY GUARD MOHAMMAD OMER ALI NASTY GUARD<br />

CHRISTINE BRENNAN KAWA’S WIFE SERMIN DOHOKI KAWA’S WIFE<br />

PAUL DAVID BEARDED MAN JAMAL KHAELANY BEARDED MAN<br />

JACK GALAGHER TOWNSMAN REBIN AHMAD TOWNSMAN<br />

IAN HAYLES COOK BEHZAD OMER SHORO COOK<br />

PAUL MASTERS SHERI ATTAM SHERI ATTAM<br />

ADDITIONAL PERFORMANCES<br />

HAVI IBRAHIM PALIN<br />

STUART PALMER ATTENTION MAN<br />

SHANI SHUKUR CRYING BABY<br />

MUSICIANS<br />

RASHED TITLE MUSIC<br />

DILZAR SHANGA<br />

SERWAT KUYI VIOLIN<br />

NEWZAD LEZGIN LYRICIST, BACKING SINGER<br />

DILZAR SHANGA BACKING SINGER<br />

SOZAN SHANGA BACKING SINGER<br />

DESHTI BACKING SINGER<br />

SPLASH ANIMATIONS INCIDENTAL MUSIC & SOUND DESIGN<br />

STUART PALMER SCRIPT WRITERS<br />

HAVI IBRAHIM<br />

BILIND MEHEMED OMER KURDISH CO-WRITER<br />

ANDREA BEER PROMOTION<br />

KIRSTY CUCKSON ADMINISTRATION<br />

SU HUTCHCROFT<br />

CLIVE DARNELL FUNDING COORDINATOR<br />

SPLASH ANIMATIONS DESIGN & ANIMATION<br />

STUART PALMER DIRECTORS<br />

HAVI IBRAHIM<br />

PETER McGURN EXECUTIVE PRODUCER<br />

HAVI IBRAHIM PRODUCERS<br />

STUART PALMER<br />

WITH THANKS TO THE GOODWIN DEVELOPMENT TRUST<br />

Page 9


Contact Details<br />

Address Address<br />

Goodwin Development Trust Splash Animations<br />

Goodwin Centre 79 Spring Bank<br />

Icehouse Road Hull<br />

Hull East Yorkshire<br />

East Yorkshire HU3 1AG<br />

HU3 2HQ<br />

Telephone Telephone<br />

01482 587550 07783 927440 (Havi Ibrahim)<br />

07549 008350 (Stuart Palmer)<br />

Website Website<br />

www.goodwintrust.org www.splash-animations.com<br />

email email<br />

info@goodwin-centre.org kawa@splash-animations.com<br />

This <strong>press</strong> <strong>pack</strong> is also available in Kurdish<br />

© 2009 Splash Animations and the Goodwin Development Trust<br />

Page 10

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