1969 - Stockton Folk Dance Camp

AUSTRIA
Dreiertanz
gRoATI,{
SukaEko
DENMARK
Danish Schottische
ENGLAND
Three Meet
FRANCE
BaI de Jugon
Basic Steps for Bourrdes
Bourr6e a 7 Sauts
Bourr6e Care'e de St-Chartier
Bourrde Tournante du Pays-Fort
Gavotte de ltAven et
Passe-Pied
Jabadao
La Bouru6e dtOulches
La Gavotte des Montagnes
La Gigue
La Montagnarde dtlssoudun
Le Brisquet Cellois
Le Rond Argentonnais
Les Gars de Lochmine'
Le Vieux BaI
Piler Lann
Suite de Danses
Sur Les Bordes
GERMAI{Y
Normandes
de la Riviere fI
DrOchsa
D reimaltrapper (Freiderike)
Grosser Achterriim
Klatschmixer
Kleiner Figaro
Mrinchner Frangaise
Ritsch Ratsch
SchlittschuhlSuffer
Schwhbische Tanzfolge
Schwarzerdner
L64
L2
L42
136
69
55
75
66
65
63
62
68
59
74
67
7L
nn
ID
61
72
60
57
70
L54
150
L67
L52
168
L79
163
153
L47
l_58
Sprcitzer Achterrrim 156
Tampet 159
Temp6te (Dunkelschatten) 161
Temp6te (Stddtische) 160
Viertiiriger 155
WaldeEEer 151
s c kjffi;ta **-J!r* (c,^, 5 l;4
GREECE
e@E-rdpit o 20
a Greek Dances (Genera1 Comments) 13
Hasa'pikos 29
gidtikos 28
Karagouna 109
Karsilamds (Antikrystos) 16
std oy'o - Pogonisios 25
sti Tria
e Syrt6s - Kalamatiands -
Thrakikds Hords - Antr i-ur,
PaIik/ri
Tsimikos (n6rtims,
31
35
32
33
Arvanftikos)
Zervds Karpa/thou 19
ISRAEL
Hanodeid
Israeli Style Mixer
Simi Yadech
LATVIA
Jandals
LITHUANIA
MACEDONIA
Legnala Dana
Makedonskih Splet
Maloj Mome
Mariovska Tresenica
Mesarisko Oro
Osogovka
Pembe Oro
Vodarka
Vodarki Oro
TftoPf1//fla At a
FOLK DANCE CAMP - 1969
116
11L
116
L40
137 _ /f,t
L76
169
L7L
172
L73
L75
L74
L77
178
/trf

DANCE BY COUNTRY (Continued)
La Varsouviana Mexicana
El Tranchete
NIgER4
I Higfu Life
sfi

TROPNALO ORO
(Macedonia, Yugoslavia)
Originally presented by Atonas Koloravski.
RECORD:
MUSIC:
Folkraft LP-?4
A/
,/r1 ' / l#J*
The music has 7 beats to a measure divided in the following
manner: tl) 2 3, (41 5, (61 7, or as divided inthe description
a measure is counted (f ) {2) (3).
FORMATION: A mixed line with low hand hold traveling to the right.
MUSIC 7 I t6 PATTgRN
Meas Gts
+
5
9
10
ll
t2
(1)
(2) (3)
(1)
{21
(31
(1)
(z)
(3)
(l)
QI
(3)
(1)
(2't
(3)
(t)
(2)
(3)
(r)
(zl
(3)
(l)
(2)
(3)
Step R in LOD (to right of line).
Step L in LOD,
Repeat meas 1.
Srnall run with R in LOD.
Srnall run with L in LOD.
Small run with R in LOD.
Three rnore runs as in meas 3 starting with L.
Step onto R in LOD. )
In air. ) _ ,-^_) kick left leg forward
Land on right foot. i " t"Pi
Repeat meas 5 to opposite side.
Leap onto R foot and face R shoulder toward LOD.
Step L in front of R.
Step on R foot.
Hop on R foot in RLOD.
Step on L heel in RLOD.
Step R in back of L foot.
Repeat meas 8.
Step on L foot and end faeing diagonally toward RLOD.
In air. ) )
Land on left foot. ) " toP) at sarne tirne kick R leg forward
Step on R in front of left foot.
Step on L.
Step on R.
In Air. )
Land on R foot. 1 a hop (end facing LoD swinging L foot arouad)
Short step onto L in LOD.

FOLIAS
Canary Islandsl Spain
x'.>'
Learned from Senorita Marta Padilla by Anthony Ivancich in Madrid,
March 1963. By tradition three folias are done consecutively in a medley-however,
each varies in tempo and may resemble a different dance altogether.
Maestra Padilla eays of the Folias, I'The Folia is the most irnportant song of
the Canary Islands. It is passionate and idyllic, reflectlng the true temperament
of the feelini;s of the fortunate inhabitants of the Blessed Islands. At
the same time, it is a gentle and witty dance. It possesses a special fixed
form, and itg harmonic form is stereotyped.rr Here follows a Fol,ia:
MUSIC: Special Cut Record 345-A.
FORI4ATION: Any number of couplesr ptrs facing each other in a single circle,
1\{ facing CW, W facing CCW'.
ARMS: Movernent of arrns is described for M. 'W' use opp afrns. Start
with the R arm up to the side and the L arm down to the side.
Hold this pos for the lst meas. In the ?nd meas reverse armst
L arm up, R arrn down. In the 3rd meas arrn6 are in original
pos. This sequence repeats every three meas. The arno6 are
rounded and natural at all times.
MUSIC 6/4 PATTERN
Meas Ct (Pattern described for M, lfiI use opp ft)
3 chords INTRODUCTION
I 6 No movement
I No rnovement
Z Touch R ft beside L -- do not take wt.
& Lift R leg slightly {rom floor with heel close to L calf.
*3 Facing ptr, step on R ft to R.
4 Hold
5 Step to L on L, turning l/a turn GW to face ctr,
6 Step R ft to R.
7, I Step on L ft and pivot 314 t:urn CCW on L. Ptr are now back to
back.
2 Stop turn by touching R ft to floor.
& Lift R leg as in meas l, ct 2&.
3 Step on R ft to R.
4 Ho1d.
5 Step on L ft and pivot 3/4 turn G'W'on L to face ctr of circle.
6 Take wt on R ft stopping pivot.
3 f Step on L ft turning 114 CCW to face ptr.
? Touch R {t beside L--do not take wt.
& Lift R leg as in meas l, ct 2&.
3 Step on R ft to R.
1,ft,

FOLIAS (continued)
Meas Gt
4 HoLd.
5 Step L starting a small circle CCW.
6 Step R alrnost finishing the circle,
4 I Step L finishing circle to face ptr.
? Touch R ft beside L--do not take wt.
& Lift R leg as in meas l, ct Z&.
3 Step on R ft to R.
4 Hold.
5 Step on L ft turning I 14 CW to face ctr of circle.
6 Step on R ft turning I 14 ta face R hand W.
5 I Step on L fwd.
2 Touch R beeide L--do not take wt.
& Lift R leg as in meas l, ct ?&.
3 Step on R ft to R.
4 Hold.
MAN|S P+RT
5 Step on L ft turning \ lZ CW.
6 Step on R ft passing ptr (L hand W) with R ehoulders.
I t Step on L ft and end facing a {rey,ptr.
Z Touch R ft beside L--do not take wt.
&+ Lift R leg slightly frorn fLoor with heel close to L carf.
ysl"f$N:g_EABg
5 Step on R ft turning I 14 CW to faee ctr of circle.
6 Step on L {t turning l/+ CW and passing ptr with R shoulders.
t I Step on R ft and end facing a gg ptr.
Z Touch L ft beside R--do not take wt.
&* Lift L leg slightly frorn floor with heel close to L carf.
*Repeat dance from * until end of rnusic.
iPt

KOJA-KOJA (The Foot)
Lithuanian
{" t"
fl-
MUSIC: Record: Folkraft tr. 1049, band ?, (?S RpM), HIp-HIp polka
FORMATION: CPLS anywhere on floor. Face ptr and join hands straight
acroEg.
STEPS: Polka
MUSLC 214 PATTERN
Meas
AI.
I With t poLka stepr beginning on R, move twd own R until L
shoulders are adj and arrns are stretched acrosB each
otherrs chests.
?, Stamp L ft in place twice.
3 With I polka stepr beginning on L, move twd own L until
R shoulders are adj and arms are again stretched.
4 Stamp R ft in place twice.
5 Rpt action meas 1.
6 Bump L hip with ptrs.
7 Repeat action rneas 3.
8 Bump R hip with ptrs.
B II.
9-16 In ballroorrr pos, dance I polka steps anywhere on floor.
Repeat dance frorn beginning.
irF

TANKO BUSHI
(Japan)
I[as taught by Carl Woltz on his teaching visit to California in the summer
of r966.
MUSIC: Folk Dancer MH 2010.
FORMATION: A eingle circle with no partners faeing CCW around the
f,oom.
MUSrC Z/4 PATTERN
Meas Ct
Introduction 9 Measures
l-? Move hands as if digging toward floor with an imaginary
spade. Start to R side of body and dig twice. At the sarne
tirne noove the R leg to help dig.
3-4 Repeat meas 1-2 to opposite side.
5 Step forward onto ball of the R foot then {latten R foot. At
the same time throw coal over the R shoulder with the
imaginary spade.
6 Repeat meas 5 to opposite side.
f; , /f'l
,7'"/
7 Step back with L foot and at the same tirne shade the R eye
from imaginary cave opening light which is straight forward
with R flattened hand. L hand extends down along the L leg
(not stiff). The top part of the body faces to the left slightly.
I Repeat meas 7 to the other side.
9-10 Step forward 7 steps. At the sasle tirne push coal cart with
both hands.
ll t Step fwd onto R but leave L foot where it was. (At the same
time bring hands out to side as if an umpire does when he
calls ttgafe.rr)
Z Step back onto the L foot.
l? I Bring R to L foot (ending on both feet). At the same time clap
hands.
2, Pause.