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ENTRY - John Maynard Home Page

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FOOTNOTE: NIAGARA FALLS:<br />

Cooper‘s focus on the Great Lakes can be clearly seen in his treatment of Niagara Falls,<br />

―almost the lion of America‖ [cf. <strong>Home</strong> as Found]. Memories of ―the Falls‖ dominate much of<br />

Cooper‘s writing. The use of ―cataract,‖ when referring to Niagara, crops up frequently over<br />

a span of nearly three decades. Numerous other references have also been located.<br />

I was once asked how many times Cooper had been to Lake Erie. As writers travel much<br />

greater distances in their minds than with their feet, a much more pertinent question would<br />

have been to ask just how many times and with what frequency the Great Lakes and, at the<br />

time, America‘s greatest natural wonder found their way into his works. As can be seen in the<br />

quotes that follow, for Cooper the Great Lakes and Niagara were present in his mind‘s eye<br />

throughout his writing career.<br />

In <strong>Page</strong>s and Pictures from the Writings of James Fenimore Cooper with Notes by Susan<br />

Fenimore Cooper (1860), Cooper‘s daughter Susan offered insights into what her father felt<br />

when experiencing ―the Cataract.‖ In the second paragraph of her preface to The Pathfinder<br />

(XVI), she writes:<br />

―On this expedition [ 1809] Mr. Cooper saw Niagara for the first time. He was<br />

struck with the grandeur of the cataract; but he felt its sublime character far more<br />

deeply at a later day, when visiting the same ground, after his return from Europe.‖<br />

In her first paragraph of her preface to The Oak Openings (XXIV), she adds:<br />

―He saw Niagara again [June 1847]. The sublime character of the cataract impressed<br />

him very deeply on this occasion; it far surpassed his recollections, and, having now<br />

seen the most admired falls of Europe, he could better comprehend its dignity and<br />

grandeur – the out-pouring of great seas amid those ragged cliffs. The idea of an<br />

Indian narrative, connected with Niagara occurred to him; he would have dated it a<br />

century earlier, and have carried a party of savages to Goat Island ere any bridge had<br />

been built, and while the whole adjoining country was still a forest. Would that the<br />

book had been written! What varied pictures of Niagara should we have had in its<br />

pages; what wild interest of adventure would he not have thrown over its scenes!<br />

With Buffalo and Detroit he was much pleased, from admiration of their growth and<br />

promise. . . .‖<br />

Given the multitude of allusions to ―Niagara‖ in Cooper‘s works, Susan Fenimore Cooper‘s<br />

statement suggesting that the year 1847 made a particularly deep impression on her father<br />

must be viewed in a broader context, for the ―impressions‖ were already there and had been<br />

there from the year 1809 when he, with young Woolsey, first encountered ―the Cataract.‖<br />

That Cooper‘s own physical presence was coupled with ―pictures‖ of a lifetime and thus<br />

created a form of catharsis, seems likely.<br />

A) CATARACT + NIAGARA FALLS:<br />

1) It was thirty-three years after the interview which we have just related that an<br />

American army was once more arrayed against the troops of England; but the scene<br />

was transferred from Hudson‘s banks to those of the Niagara.<br />

400

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