2013 MEDIA KIT - FOH Online

2013 MEDIA KIT

100% 

Live Audio Editorial 

Live Audio Audience 

Advertising in FOH delivers 

Quantifiable & Measurable Results 

• 22,142 Qualified Subscribers* 

•55.8% of FRONT of HOUSE subscribers are 

presidents/owners or are in management.* 

• 91.98% of FRONT of HOUSE subscribers recommend 

or make final purchasing decisions.** 

• 43.3% of FRONT of HOUSE subscribers have — as 

a direct result of viewing an ad — 

purchased a product and 74.5% have 

visited an advertiser’s Web site.** 

• 25% of FRONT of HOUSE subscribers indicate a 

future spending level on entertainment 

audio technology for themselves or their 

company in excess of $100k** 

*December 2012 BPA Audit Statement 

**Publishers 2012/13 Reader Survey 

Find out how FOH can grow 

your business at: 

www.fohonline.com/mediakit 

FOHMK_01.31.13 

Look 

what our 

readers say 

about 

FRONT of HOUSE. 

“FOH is a very relevant publication. It is 

one of the most well-balanced 

publications available.” 

R. F. Ward, Family Worship Center 

“FOH is the only magazine I read on a regular 

basis …I find FOH writers to be more 

honest about what they write.” 

Hans Eich, Dot Blu 

Management, Inc. 

“FOH has grown to what I call an “industry 

leader,” something that can be related to 

and relied on by the most serious engineer 

and gear-hound within us all.” 

Dennis Buhrmann, DB Sound Productions 

Ron Land, Director of Tech Services, 

Germantown Baptist Church

As the proverbial “new guy” 

here, I should introduce myself, 

although I’ve known many of 

you for years. After decades of editing 

Mix magazine, and having written some 

1,500 articles and five books on pro 

audio, I have a pretty good sense of the 

realities that exist in this industry. 

A Little About Me 

Audio has always been a major part of my life. I originally hailed from San 

Francisco, but left at an early age, spending my formative years in Italy. I played 

drums and guitar in various bands, doing mostly club gigs but occasionally opening 

for acts such as The Searchers and Ben E. King. Along the way, I was self-taught in 

electronics, mixed sound for other bands and—given the reliability of P.A. gear in 

the late 1960s—found out that fixing gear on the fly was an essential part of the job. 

Returning to the Bay Area, I attained degrees in chemistry, technical theater and life 

sciences, working my way through college operating and repairing AV gear and as an 

IATSE Journeyman doing 35/70mm projection, live sound and Dolby Stereo theater 

installations. 

I did my postgraduate work in film production at San Francisco State, taught 

courses in cinematography and sound design, and started writing for various industry 

publications. Finally, I joined the editorial staff at Mix, eventually becoming editor/ 

executive editor, while also contributing to Sound & Video Contractor magazine as a 

columnist and senior technical editor. And yeah, I still play in bands, mix live sound 

and love to mod and build gear—I guess like many of you, it’s just ingrained in who 

we are. 

Team FOH 

When Timeless Communications publisher Terry Lowe contacted me about joining 

the FOH team, I was impressed. I’ve known Terry for years, having worked with 

him at Mix, before he left to form his own publishing group, and since then he’s 

created an industry-leading group of magazines, media properties and the widely 

respected Parnelli Awards. 

Terry’s assembled a first-class organization with a hardworking staff having an 

absolute zeal and passion for this industry—my kinda people. And I’m proud to 

count regular FOH contributors Dave Morgan, Dan Daley, Steve LaCerra, Daniel East, 

Blair Jackson, and Steve Jennings among my friends, so this is pretty familiar turf. 

However, one overriding factor that drew me to FOH comes from the industry 

itself. With all the recent developments in sound reinforcement technology—rang- 

George Petersen, Editor of FOH Magazine 

ing from compact line arrays, new DSP plug-ins and measurement systems, to Wi-Fi 

tablet and iOS mix and system controllers—this is an exciting time in the industry 

and I’m jazzed about being part of FOH. 

At the same time that live sound engineers offer their zeal for learning the craft 

and maintaining professionalism, the recording studio milieu seems to be sliding in 

the other direction, where anyone who has a copy of GarageBand, a USB mic and a 

couple loop libraries is suddenly an engineer/producer. Just quiz them about “difficult” 

topics such as gain structure and you’ll probably get a blank stare. 

There’s not a whole lot of spontaneity or feeling emanating from spending five 

hours in the studio editing a hi-hat part—yet the adrenaline can’t help but flow as 

you fade the walk music and the house lights start to dim when mixing a show before 

a packed audience. 

Outlook? Looking Good! 

Despite the modest (and excruciatingly slow) improvements in the economy, 

there’s definitely light at the end of the tunnel and hope for cautious optimism. So 

far this year, various physical indicators have been pointing in an upward direction. 

These include several measurable factors, including an increasing number of installations 

(both large and small), the strong turnout and positive vibe at this year’s 

tradeshows, such as NAMM, Musikmesse/ProLight+Sound and NAB, along with the 

genuine enthusiasm among users for recent major sound reinforcement product 

launches. 

After spending the last couple years attending trade expos that focused on a lot of 

incremental improvements in existing products while offering few of the big “mustsee” 

hits that everybody would buzz about, the floodgates have suddenly opened. 

Such advancements don’t simply happen overnight, but arise as a direct result of 

years of planning by companies that see opportunities and feel confident enough in 

the overall industry/economy to invest serious R&D resources and capitalization into 

new products. This growth in the business is good news for both manufacturers and 

their customers alike and is a positive sign for this year and beyond. 

Your FOH 

So far, I’ve taken a lot of space talking about me, and the industry in general, 

but it’s important to emphasize that FOH is actually your magazine, and it’s the 

spirit of the readers that make any publication successful. Communication is a twoway 

street, so if you’re not already involved with the proaudiospace.com forums, I 

encourage you to do so. And if you have any suggestions, comments or ideas for 

things we should implement at FOH, drop me an email. We’ll be listening. 

Email George Petersen at george@fohonline.com. 

Editorial Profile 

FOHMK_01.31.13

MOnTH BuyERS GuIDE 

JANUARY Portable PA 

SALES 

CONTACTS 

2013 EDITORIAL CALENDAR 

InSTaLLaTIOn 

FEaTuRE 

Dealing with Bad 

Acoustics 

Greg Gallardo, Advertising Director 

Tel: 702.454.8550 • Fax: 702.898.2942 

gregg@fohonline.com 

aPPLICaTIOn FOCuS 

Michael Devine, Account Manager 

Tel: 702.478.8112 • Fax: 702.554.5340 

md@fohonline.com 

HOuSE OF 

WORSHIP FOCuS 

Guitar Miking Planning System Upgrades 

FEBRUARY Mic Capsules for Wireless New HOW Installs Best/Worst Venues Wireless Tips 

MARCH Subwoofers Room Measurement Essentials for the Gig Drum Miking for HOW 

APRIL Personal Monitor Systems New Sheds Monitor Mixing Tips Hanging Loudspeakers 

MAY Headset Mics Subwoofer Placement The Money Channel Improving HOW Acoustics 

JUNE Large Format Consoles New Stadium Installs Dealing with Generators Recording the Service 

JULY 2" Compression Drivers Powered or Unpowered? Road Survival Tips Piano Miking for HOW 

AUGUST Channel Strips 

Understanding Audio 

Networks 

Truck Packing Subwoofers for the HOW 

SEPTEMBER Large-Format Line Arrays New HOW Installs Interfacing with Broadcast Trucks Assistive Listening Systems 

OCTOBER DSP Power Amps Measurement Mics Drum Miking Portable Systems for HOW 

NOVEMBER Dynamic Handheld Mics 

Dealing with SPL 

Restrictions 

Recording the Show Choosing Lavalier Mics 

DECEMBER Digital Snakes System Processors Essential Plug-ins Monitoring in the HOW 

SPaCE 

RESERVaTIOnS 

December 19, 

2012 

January 18, 

2013 

February 18, 


March 18, 


april 18, 


May 20, 


June 18, 


July 19, 


august 19, 


September 18, 


October 18, 


november 19, 


Matt Huber, Account Manager 

Tel: 702.932.5585 • Fax: 702.932.5584 

mh@fohonline.com 

MaTERIaLS DuE 

TRaDE SHOW 

DISTRIBuTIOn 

12/21/2011 naMM, Jan. 24-27 

1/21/2013 




naB, apr. 6-11; 

PL+S, apr. 10-13 

5/23/2013 InfoComm, June 8-14 







PLaSa, Oct. 6-9; aES, Oct. 17-20; 

LDI, Oct. 21-28 


It’s All About 

the Content! 

FOH looks at audio from a personal level. 

Of course it matters how a piece of gear works. But what matters 

more to FOH subscribers is how others in their shoes solve real 

day-to-day problems in business, shows and installations. They 

want straight talk on new products—why a recent show or venue 

used a certain piece of gear and will it work for their 

applications. 

FOH subscribers have high expectations. 

They expect FOH’s editorial not to be tainted by manufacturer’s 

biases. They trust FOH because they know FOH has the same 

passion for performance audio they do. Magazines without 

passion inspire no one. FOH inspires every month. You can rest 

assured whenever two audio pros get together at some point 

in the conversation you will hear, “Hey, Did you read in FOH this 

month…” 

FOH is the audio magazine 

that puts working audio pros first. 

FOH provides its readers a monthly glimpse into the shared 

experience of working in performance audio. Our subscribers 

know FOH delivers a perspective on the gear, the industry, and 

the men and women working in it they will read nowhere else. 

FOH readers think—and work—“outside the box.” 

They are not looking for a physics lesson. FOH provides them 

peer-to-peer editorial. This is editorial written by other sound 

pros who lug gear, mix shows, pack trucks, design systems and 

live the same life they are leading. It’s honest. It’s raw and it’s 

real. That’s why it’s read. That’s why it creates community. 

“Interesting Topics, 

News, Reviews, & Advice 

in manageable bites, thanks.” 

Jim Ferrante, Stirling Audio Services 

SALES 

CONTACTS 

What Makes FOH the #1 Installed 

and Portable Performance Audio Publication? 

Soyon An Glams the Past for a Gaga 

Venice in Dangerous Beauty 

Waves and DiGiCo Announce 

DiGiGrid Partnership 

Pyro-Sparked Nightclub Fire 

Death Toll Rises to 238 

Super Bowl Audio Crew 

Gets Wireless Assist 

Greg Gallardo, Advertising Director 

Tel: 702.454.8550 • Fax: 702.898.2942 


5 

5 

5 

30 

Eighth Day Sound Provides 

Gear for The Who’s 2013 

Quadrophenia Tour 

U.K. Tour Manager, Singer 

Killed in Load-in Accident 

At Venue Before Show 

Baltzell Audio Design, 

ATK Audiotek Support 

85th Academy Awards 

5 

5 

5 

www.stage-directions.com 

Associations 

& Conferences 

Audio Sales 

Audio Design 

& Rentals 

Backdrops, Sets 

& Scenic Supplies 

Books, Music & 

Multimedia 

Box Office Supplies 

Consultants & 

Architects 

Costumes & Makeup 

Drapery & Tracking 

Education 

Flooring & Seating 

Lighting Equipment 

Lighting Design 

& Rentals 

Platforms, Risers 

& Stagelifts 

Plays & Musicals 

Projection 

Props 

Rigging & 

Safety Equipment 

Software 

Special Effects 

Installations 

A Venue is Reborn 

cover phoTo by Dino perrucci 

22 

Vol. 11.05 

24 

inside this month 

Installations 

house of Worship Showcase 

February 2013 

FrontoFHouse 

www.fohonline.com www.proaudiospace.com 

Vol. 11.06 

34 

The Inauguration 

outdoor Sound for 1,000,000 

cover photo by Steve JeNNINGS. pIctured, from left: SyStemS eNGINeer eddIe o’brIeN aNd foh eNGINeer marc carolaN 

+ PLUS! 

+ 

MUSE 

Production Profile 

Mixing The 2nd Law Tour 

12 


Master Mix Live 

rick camp’s live Sound School 

31 

• Interviews with the Humana 

Fest Playwrights 

On the Digital Edge 

The Art & Technology of Theatre 

Hot Hits from 

Winter NAMM 

Some 100,000 music and audio 

pros made the annual trek to Anaheim 

for Winter NAMM, where even 

a few downpours couldn’t dampen 

their spirit. Inside the convention 

center we found plenty of hot new 

products for sound reinforcement 

applications. Here are our top picks. 

41 

Theory & Practice 

18 

38 

Winter Maintenance Tips 

Road Test 

DPA d:facto II 

Vocal Mic 

FrontoFHouse 

Waves NlS Non-linear Summer 

• Continuing Your Education 

After Graduation 

• Castles from Styrofoam 

Special effects for productions of any size. 

Releasing the Chatbots with Annie Dorsen 


36 

FOH at Large 

TheatreFace.com 

Double-18 Subs 

QSC’s GP218-sw is just one of 

32 boxes with low-end punch 

profiled in this month’s issue. 

30 

Road Test 

Mackie DLM 

Speakers 

“Suck fees” and other Invoicing tips 

JUNE 2011 

2012-2013 

Theatre Resources Directory 

The Essential Source for Theatre Professionals 

stage-directions.com JULY 2012 

Buyers Guide 

CVR1.300.1106.indd 1 5/20/11 12:00 PM 

CVR1.300.1207.indd 1 6/21/12 4:46 PM 

Are You Launching a New Product? 

Try FOH /Stage Directions Strategic Product Launch 

March 2013 

26 

Michael Devine, Account Manager 

Tel: 702.478.8112 • Fax: 702.554.5340 


• New Product Announcements in FOH and Stage Directions magazines 

• Product of the Week in both the FOH and Stage Directions email newsletters 

• Your own specific email blast to the entire database of FOH 

and Stage Directions subscribers 

• Rotation in the “New Products” section on FOHonline.com and Stage-Directions.com 

• Product placement in ProAudioSpace.com and Theatreface.com new product section 

• Featured Product in FOH and Stage Directions Instant Info blast 

• Tweets and Facebook posts calling attention to the new product 

and informing our followers about the new product 

This is the perfect combination of print and electronic 

media components that will: 

• Create immediate awareness in the market for your new product 

• Generate real leads 

• Increase traffic to your web site 

• Coordinate marketing and editorial components 

• Enhance trade show traffic 

• Add additional branding to your overall company image. 

Matt Huber, Account Manager 

Tel: 702.932.5585 • Fax: 702.932.5584 



Market Place Advertising 

2013 PRINT RATES 

4-Color Only 1X 3X 6X 9X 12X 

1/4 Page $1,130 $1,075 $1,020 $905 $820 

1/6 Page $830 $815 $750 $665 $605 

1/12 Page $500 $470 $445 $335 $360 

1/24 Page $370 $345 $330 $295 $265 

Ad Size 1X 6X 12X 

1 Col x 4” $460 $420 $335 

1 Col x 3” $345 $315 $280 

1 Col x 2” $230 $210 $190 

1 Col x 1” $115 $105 $95 

Ad Size Rate 

2 Col x 6” $1,385 

2 Col x 5” $1,155 

2 Col x 4” $925 

2 Col x 3” $695 

2 Col x 2” $460 

2 Col x 1” $230 

RATE CARD 

TABLOID PAGE SIZES 

4-Color 1x 3x 6x 13x 

Tab Spread $6,370 $6,180 $5,800 $5,475 

Full Page Tab $4,500 $4,295 $4,100 $3,915 

3/4 Tab $3,985 $3,870 $3,715 $3,525 

1/2 Tab $3,595 $3,450 $3,305 $3,200 

1/3 Tab $2,700 $2,545 $2,475 $2,400 

1/4 Tab 

JUNIOR PAGE SIZES 

$2,295 $2,185 $2,090 $1,935 

4-Color 1x 3x 6x 13x 

Jr. Full Page $3,680 $3,520 $3,355 $3,260 

2/3 Jr. Page $2,750 $2,695 $2,625 $2,550 

1/2 Jr. Page $2,295 $2,185 $2,090 $1,935 

1/3 Jr. Page $1,890 $1,845 $1,755 $1,685 

1/4 Jr. Page $1,420 $1,380 $1,305 $1,345 

1/6 Jr. Page 

PREMIUM AD POSITIONS 

$ 985 $ 950 $ 845 $805 

4-Color Only 1x 3x 6x 13x 

Front Cover 

Showcase Ad 

$5,000 $4,800 $4,610 $4,430 

Inside Front Cover $5,000 $4,800 $4,610 $4,430 

Inside Back Cover $4,800 $4,610 $4,430 $4,260 

Back Cover $5,400 $5,180 $4,980 $4,780 

PRODuCTIOn MaRKETPLaCE CLaSSIFIEDS 

Special advertising section for: Backline Rental, Case 

Companies Coach Companies, Communications, 

Freight Forwarding, Generator Rentals, Insurance 

Tour Supplies, Tour Pass / Itinerary Books, and 

Trucking. Free 4-color for all 1/6 and 1/4 page ads. 

Free Spot Color for 1/12 and 1/24 pg ads. 

SPECS 

Full Tab Spread 

w/21.75 x h/14.5 

w/bleed 

w/22 x h/14.75 

1/2 Tab Horz. 

w/9.9375 x h/6.65 

w/bleed 

w/ 11.125 x h/7.275 

2/3 Jr. Vertical 

4.85 x 9.75 

1/4 Vert 

FuLL TaBSPREaD 

1/2 TaB 

HORIZOnTaL 1/3 TaB HORZ 

2/3 Jr. VERTICaL 

1/4 Horz 

1/4 Page Horz 

4.85 W x 3.5 H 

1/4 Page Vert 

2.375 W x 7.0 H 

1/12 Page 

2.375 W x 2.0 H 

1/3 Tab Horz. 

w/9.9375 x h/4.325 

w/bleed 

w/11.125 x h/4.95 

1/2 

Jr. HORZ 

2/3 

Jr. HORZ 

1/2 Jr. Horz. 

7.375 x 4.875 

2/3 Jr. Horz. 

7.375 x 6.5 

1/6 Horz 

1/6 PageHorz 

4.85 W x 2.5 H 

1/6 PageVert 

2.375 W x 4.75 H 

1/24 Page 

2.375 W x 1.5 H 

FuLL PaGE TaB 

Full Page Tab 

w/10.875 x h/14.5 

w/bleed 

w/11.125 x h/14.75 

1/4 Tab Vertical 

w/2.375 x h/13.5 

w/bleed 

w/2.9688 x h/14.75 


w/7.365 x h/13.5 

w/bleed 

w/7.9896 x h/14.75 

1/4 Tab Horz. 

w/9.9375 X h/3.5 

w/bleed 

w/11.125 x h/4.125 

Payment: All ads must be prepaid. A check, money order, Visa, MasterCard, or American 

Express payment must accompany all new advertisements. 

1/6 Vert 

1/4 TaB VERTICaL 

1/3 Jr. 

SQUARE 


1/4 TaB HORIZOnTaL 

1/2 

VERT Jr. 

Jr. VERT 1/3 

1/4 Jr. VERT 


w/4.85 x h/13.5 

w/bleed 

w/5.475 x h/14.75 

Junior Full Page 

w/7.375 x h/9.75 

w/bleed 

w/7.9896 x h/10.375 

1/4 

Jr. HORZ 

Greg Gallardo 

Advertising Director 

SALES CONTACTS 

Tel: 702.454.8550 

Fax: 702.898.2942 


6000 S. Eastern Ave. Ste. 14-J 

Las Vegas, NV 

Tel: 702.932.5585 • Fax: 702.932.5584 

www.fohonline.com 


JunIOR 

FuLL PaGE 

1/6 

Jr. HORZ 

1/6 

Jr. VERT 

All bleed Ads must have 0.125” past 

the trim edge. Fractional ads, use 

the non-bleed dimensions as your 

live area. Do not allow any essential 

type or art to fall outside this area. 

For spread ads, do not place any 

essential type or images across the 

gutter (center line) without adding 

.125” space on each side of the fold for 

safety (total .25”). 

All ads must be submitted in digital 

format. Preferred file submission: CMYK or 

grayscale, high resolution (300dpi or greater) 

Photoshop-compatible EPS, TIFF, JPEG 

or PDF files. If supplying layered files, all 

support images and fonts must be included 

with all fonts converted to outlines. 

Other acceptable file formats are: Maccompatible 

InDesign CS3 or Illustrator EPS 

files, collected with all working files and 

Postscript fonts (screen and printer) included. 

Publisher is not liable for inferior outcome if 

guidelines are not followed. 

This publication prints in a web offset, CMYK 

format and to SWOP standards. For color 

critical ads two digital color proofs must be 

provided, created from the supplied digital 

file on a contract-quality, digital halftone 

proofing system in accordance with SWOP 

standards (Imation Digital Matchprint, Kodak 

Approval, Iris, Rainbow, etc.) 

1/3 Jr. Square 1/4 Jr. Vertical 1/4 Jr. Horizontal 

4.85 x 4.85 2.375 x 7.0 4.85 x 3.5 

1/2 Jr. Vertical 1/3 Jr. Vertical 1/6 Jr. Vertical 

4.85 x 7.5 

2.375 x 9.75 2.375 x 4.75 

1/6 Jr. Horizontal 

4.85 x 2.5 

Laser or inkjet proofs are not considered accurate in color and will be used for content confirmation only. 

Publisher is not liable for color inaccuracy if guidelines are not followed and color proofs not supplied. 

If you have questions or concerns regarding ad or insert specifications, please contact the production 

manager at 702.932.5585. For ad sales information, please contact your account manager. 

Preferred method of ad file delivery—please upload digital files to: 

www.fohonline.com/upload (100 MB Max) 

Send color proofs to: 

Timeless Communications • Attn: (Publication Name/Issue Date) 

6000 S. Eastern Ave., Suite 14-J • Las Vegas, NV 89119 

Tel: 702.932.5585 • Fax: 702.932.5584 

Matt Huber 

Account Manager 

Tel: 702.932.5585 

Fax: 702.932.5584 


Michael Devine 


Tel: 702.478.8112 

Fax: 702.554.5340 



WEB SITE BANNER ADVERTISING 

HIGH VISIBILITY 

www.fohonline.com/ 

468x60 Exclusive PaGE FOLD 

468x60 Rotating PaGE HEaD 

120x90 

Exclusive 

SIDEBaR 

Button 

120x240 

Exclusive 

SIDEBaR 

Vertical 

125x125 

Exclusive 

SIDEBaR 

Square 

234X60 

EXCLuSIVE 

SIDEBaR 

160X160 

Exclusive 

SIDEBaR 

Tile 

160x600 

Rotating 

Banner ad 

SIDEBaR 

Skyscraper 

FOHMK_01.31.13 

WEB BANNER SPECS 

Acceptable Formats: .jpg, .gif, .swf 

Size requirements: around 40K 

Flash requirements: If you submit a .swf file you must include the EDITABLE 

.fla version as well. Do not embed links and do not send locked files. We do 

not allow audio. Flash files need to have a clickTAG tracking script embedded 

in them. See this website for details: http://www.flashclicktag.com/ 

468X60 ROTATING PAGE HEAD 

This ad appears on ALL pages in the site and is SHARED. Limited availability. 

468X60 EXCLUSIVE PAGE FOLD 

This ad appears on ALL pages in the site and is EXCLUSIVE to the client. 

$1,250/month 

234X60 EXCLUSIVE SIDEBAR 

RICH MEDIA 

If you are interested in Rich Media advertisement, we will consider it 

on an individual basis. 


6000 S. Eastern Ave. Ste. 14-J • Las Vegas, NV 

Tel: 702.932.5585 • Fax: 702.932.5584 • www.fohonline.com 

$650/month 

This ad appears on ALL pages in the site and is EXCLUSIVE to the client. 

$1,100/month 

SIDEBARS 

These ads are all EXCLUSIVE to the client. The Left side banners appear on ALL 

pages in the site and Right side banners appear on most pages WITHOUT 

articles. Placement may vary and there are multiple sizes available: 

Greg Gallardo 


Tel: 702.454.8550 

Fax: 702.898.2942 


SIDEBAR 

PRICE 

120x90 Button $350/month 

125x125 Square $400/month 

160X160 Tile $450/month 

120X240 Vertical $550/month 

160X600 Skyscraper $1,000/month 



Tel: 702.478.8112 

Fax: 702.554.5340 


Matt Huber 


Tel: 702.932.5585 

Fax: 702.932.5584 

mh@fohonline.com

NEWSLETTER ADVERTISING 

HIGH VISIBILITY 

www.fohonline.com/newsletter/ 

468x60 Header Exclusive Exclusive Header 

468x60 Header Exclusive Exclusive Fold 

160x160 

Exclusive 

Sidebar Stack 

160x160 

Exclusive 

Sidebar Stack 

160x160 

Exclusive 

Sidebar Stack 

160x160 

Exclusive 

Sidebar Stack 

SPECS 

NEWSLETTER SPECS 

Acceptable Formats: .jpg, .gif, .swf 

Size requirements: around 200K 

No Flash 

All newsletter spots are EXCLUSIVE. 

468x60 EXCLUSIVE HEADER 

Subject to availability. 

468X60 EXCLUSIVE PAGEFOLD 

Subject to availability. 

160X60 EXCLUSIVE SIDEBAR 

Stacking order may alternate. 

CUSTOM EMAIL BLASTS 

$1,100/month 

$1,250/month 

$750/month 

Set your sights on sales with a targeted customized e-mail blast. FOH can 

deliver your message to more than 19,000 current e-mail addresses from 

our database. This is the best way to deliver your personalized message 

straight to the desks of decision-makers throughout the industry. 

Greg Gallardo 


Tel: 702.454.8550 

Fax: 702.898.2942 


Matt Huber 


Tel: 702.932.5585 

Fax: 702.932.5584 


6000 S. Eastern Ave. Ste. 14-J 

Las Vegas, NV 

Tel: 702.932.5585 • Fax: 702.932.5584 





Tel: 702.478.8112 

Fax: 702.554.5340 



E-MEDIA 


Greg Gallardo 


Tel: 702.454.8550 

Fax: 702.898.2942 




Tel: 702.478.8112 

Fax: 702.554.5340 


Matt Huber 


Tel: 702.932.5585 

Fax: 702.932.5584 



BUY ONE • RECEIVE VISIBILITY ON ALL SITES 

93,197 Monthly Visitors – 361,048 monthly page views 

**Publisher’s Own Data 


www.epdweb.com 

nEWS, PRODuCT InFO & MOnTHLy ISSuES 

FOHOnLnE.COM 

57,786 visitors monthly average** 

30,048 unique visitors average** 

187,804 page views** 

InDuSTRy SEaRCH EnGInE 

EPDWEB.COM 

8,746 visitors per month** 

4,913 unique visitors** 


THE SOCIaL nETWORKInG SITE FOR LIVE SOunD 

www.proaudiospace.com 

PROauDIOSPaCE.COM 

6,487 members as of Dec. 6, 2010** 



WEEKLy E-nEWSLETTER 

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InDuSTRy BOOKS 

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EMAIL 


Greg Gallardo 


Tel: 702.454.8550 

Fax: 702.898.2942 




Tel: 702.478.8112 

Fax: 702.554.5340 


Matt Huber 


Tel: 702.932.5585 

Fax: 702.932.5584 



CUSTOM EMAIL BLASTS 

www.yourcompaniespromo 

CUSTOM DESIGNED 

E-MAIL BLASTS 

CuSTOM E-MaIL BLaSTS 

E-MAIL BLASTS 

Great for New Product Roll-Outs 

19,000 + e-mails 

CUSTOM E-MAIL BLAST: reaches over 19,000 opt-in subscribers of FOH 

This is the best way to deliver your “personalized message” straight to the desks of the decision- 

makers throughout the entire Live Audio industry. You have total control over the information in 

the message (text, photos, etc.)…everything is focused on you! This is sent in a HTML format and 

will link directly to any where on your website that you want. 

• This is great for a new product introduction, special programs, clients you have done work 

for or any other important information you want the market to know about your company. 

• Drive traffic to your web site 

• You can also use it before a trade show to inform attendees what you will be exhibiting at 

your booth along with your booth number. You can invite attendees to contact you before 

the show to arrange a specific time (set an appointment) that works with their schedule to 

stop by your booth to discuss ways you can help them. When someone calls you before a 

show you can get detailed information on what they do and what their needs are so you are 

well prepared when they come to your booth for the arranged appointment…and that much 

closer to making a sale! 

Examples of Custom E-Blasts that other clients have done are available upon request 


IN PRINT 


Greg Gallardo 


Tel: 702.454.8550 

Fax: 702.898.2942 


TOTAL MARKET • TOTAL REACH 

Ultra Music Festival Main 

5 Stage Accident Severely 

Injures Two During Load-In 

Kid Rock’s Rebel Soul Tour 

5 Rolls with Sound Image’s 

L-Acoustics K1 System 

In Memoriam: 

5 

Buzz Goodwin, 62 

Vol. 11.07 

38 

Analog Summing 

Horace Ward’s Secret Weapon 

FOH MaGaZInE 

WARNER 

THEATRE 

The 

FOH MaGaZInE 

26 Installations 

New Sound System Takes Historic Venue to the Next Level 


April 2013 

FrontoFHouse 


39 

Mixing with Near-Fields 

A Studio Technique Goes Live 

• 22,142 Qualified Subscribers* 

• 59,425 Total Readership ** 

• 55.8% Presidents, Owners 

& Managers* 

22 

Production Profile 

Screaming Fans, Packed Arenas 

and Other Audio Challenges 

Road Tests 36 

Que Audio 

DA04, DA12; 

Kelly SHU 

Microphone 

Mounts 

37 

44 

FOH at Large 

Audio at the Gates of Hell 

*December 2012 BPA Statement **Publishers Own Data 

IN PERSON 



Tel: 702.478.8112 

Fax: 702.554.5340 


Matt Huber 


Tel: 702.932.5585 

Fax: 702.932.5584 


LIGHTING 

SOUND 

STAGING/RIGGING 

RADIO / INTERCOM 

COMMUNICATIONS 

MANUFACTURERS / 

DISTRIBUTORS / 

THEATRICAL RETAILERS 

VIDEO PROJECTION 

SET DESIGN / 

CONSTRUCTION 

LASERS 

FOGGERS / HAZERS 

PYROTECHNICS 

LABOR COMPANIES 

GENERATORS 

SOFT GOODS 

MANUFACTURERS / 

DISTRIBUTORS 

CASES 

BACKLINE 

FREIGHT 

FORWARDERS 

COACHES 

TRUCKING 

THE PaRnELLI aWaRDS 

EVEnT PRODuCTIOn DIRECTORy 

400.CVR1.1303.indd 1 3/29/13 2:18 PM 

EVEnT PRODuCTIOn DIRECTORy 

40,000 Printed 

advertorial Opportunities 

Poly-bagged in March Issue 

COMPany aDVERTORIaL PROMOS 

2 & 4 PaGE aDVERTORIaL 

Professionally Written & Designed 

includes 1,000 Reprints Choices 

Digital File for your Web Site 

GOLD SPOnSORSHIP InCLuDES: 

• Five Months of Visibility in Print and Online 

• Logo on all materials related to the 

Parnelli awards in print and online 

• Press release in FOH about your company’s participation 

• Online, your company’s logo with a link to your Web Site will 

be seen on every page of the Parnelli awards Web Site 

• Logo visibility via signage the night of the event 

• Thanks from the stage for sponsorship participation 

• A FP 4/C ad in the Parnelli Awards program book 

• A Reserved Table for 10 

Other levels of sponsorship available ask your rep. for details 

CREaTIVE BRanDInG aDVERTISMEnT 

Belly Bands 

Inserts 

Advertorials 

Gate Folds 

CREATIVE SERVICES 

• Photography • Art Direction 

• Copy Writing • Campaign Concepts 

• Invitation Design • Ad Design 

• Custom Promotion • Spec Work 

• Editorial Design • Web Design 


CREDIT APPLICATION 

GENERAL CONDITIONS 

1. No conditions, printed or otherwise, appearing on the space 

order, billing instructions, or copy instructions which conflict 

with the Publisher’s stated policies will be binding on the 

Publisher. 

2. All advertising orders are accepted subject to the terms 

and provisions of the current rate card. Orders accepted are 

subject to change in rates upon notice from the Publisher. 

However, orders may be cancelled at the time the change 

in rates becomes effective without incurring a short-rate 

adjustment, provided the rate has been earned up to the date 

of cancellation. 

3. A contract year, or twelve-month period, starts from the 

date of the first insertion. Twelve-month periods do not 

overlap; in other words, space counted in one contract period 

to determine the rate for that period cannot be counted again 

towards determining the rate for the subsequent or past 

periods. 

4. Verbal instructions regarding the insertions, contracts, 

changes, and copy must be immediately confirmed in writing. 

5. The forwarding of an order is construed as acceptance of all 

rates and conditions which apply at the time of sale. 

6. All advertising is subject to Publisher’s approval. The 

Publisher reserves the right to reject advertising which he or 

she feels is not keeping with the publication’s standards. 

7. The Publisher shall have no liability for errors in key numbers 

or advertisers index. 

8. The Publisher’s liability for any error will not exceed the 

charge for the advertisement in question. 

9. The Publisher assumes no liability if, for any reason, it 

becomes necessary to omit an advertisement. 

10. Cancellation or change in orders may not be made by the 

advertiser or its agency after the 5th of the month prior to cover 

date. 

11. The Publisher is not liable for delays in delivery and/ 

or nondelivery in the event of an Act of God, action by any 

government or quasi-government entity, fire, flood, insurrection, 

riot, explosion, embargo, strike, whether legal or illegal, labor 

or material shortage, transportation interruption of any kind, 

work slow-down, or any condition beyond the control of the 

Publisher affecting production or delivery in any manner. 

12. Requests for specific position are given consideration, but 

no guarantee is made unless the position premium has been 

provided in the contract. 

13. The Publisher reserves the right to hold the advertiser and/ 

or its agency jointly and severally liable for such monies as are 

due and payable to the Publisher. 

14. Advertisers and their agencies assume liability for all content 

of advertisements printed, and for any claims arising therefrom 

made against the Publisher. 

SPECIAL POSITIONS 

Specified pages or proximity to monthly columns, add 15% to 

applicable rates. Only for 1/2 page or larger. Specify on insertion 

order. Position not guaranteed if material is late. Continuous 

page placements. 15% extra after first page. 

COMMISSIONS & BILLING 

Agency Commissions: 15% of gross billing allowed to 

recognized advertising agencies on space, color, and position, 

6000 S. Eastern Ave. Ste. 14-J • Las Vegas, NV • Tel: 702.932.5585 • Fax: 702.932.5584 

Timeless Communications, Corp. 

provided account is paid within 30 days of invoice date. 

Commission is not allowed on other charges such as backing 

up inserts, trimming, printing of inserts, etc. No cash discounts. 

Cancellations and changes should be considered executed 

unless acknowledged in writing by publisher. No order 

cancellations will be accepted after closing date. Publisher 

reserves the right to reject any advertising deemed unsuitable. 

Publisher must be given 60 days written notice to cancel 

existing contracts. 

PREPAYMENT 

Accounts with no previous credit history with Timeless 

Communications, Corp. are required to make prepayment by 

space order deadline. Publisher reserves the right to decline 

acceptance of any advertisements for which prepayment has 

not been received on or before the material deadline. 

2% DISCOUNT 

On pre-paid insertion orders paid prior to closing date. No 

other discounts allowed. 

BILLING 

Invoices are issued approximately the same time as the book is 

mailed. Payment to be rendered in U.S. dollars within 30 days. 

CORPORATE FREQUENCY 

Corporate frequency discounts between and other Timeless 

Communications, Corp. publications or properties are available. 

Contact your sales representative for details. 

INSERTS 

Prices on request. 

Send sample or dummy for precise quote. 


Please fill out and return to: 

TIMELESS COMMUNICATIONS, CORP. 

6000 South Eastern Ave. Ste 14-J 

Las Vegas, NV 89119 

TEL: 702.932.5585 

FAX: 702.932.5584 

CREDIT APPLICATION 

FORM 

COMPANY INFORMATION 

NAME: FEDERAL ID#: 

TYPE OF BUSINESS: 

STREET ADDRESS: 

CITY: STATE: ZIP: 

MAILING ADDRESS: 

CITY: STATE: ZIP: 

PHONE: 

YEARS IN BUSINESS: AMOUNT OF CREDIT DESIRED: 

PERSONNEL 

OWNER: 

TITLE: SSN: 

PARTNER OR OFFICER: 

TITLE: SSN: 

BANK AND ACCOUNTING INFORMATION 

BANK 1: ACCOUNT#: 

ADDRESS: TEL: 

BANK 2: ACCOUNT#: 

ADDRESS: TEL: 

TRADE REFERENCES 

NAME: TEL: 

ADDRESS: 

NAME: TEL: 

ADDRESS: 

NAME: TEL: 

ADDRESS: 

The foregoing is understood, agreed to, and accepted by: 

SIGNED: TITLE: 

NAME: DATE: 

Timeless Communications, Corp. 


Filling out this form is a quick and 

easy way to subscribe. You can send 

it back to us by fax or by mail. 

Fax: 

702.932.5584 

FREE PRINT SUBSCRIPTION 

FORM 

Mail: 

6000 S. Eastern Ave. Suite14-J 

Las Vegas, NV 89119. 

Or, simply go to www.fohonline. 

com/subscribe and fill out the form 

online. This will help us immensely 

and ensure your continued 

enjoyment of FOH. 

Please feel free to copy this form 

and distribute to all staff members 

who you feel should get a free 

subscription. 

FREE SUBSCRIPTION 

Name: (print) 

Title 

Company 

Address 

City/Province/State 

Postal Code/Country 

Phone: 

Fax: 

Email:* 

Yes, I wish to receive faxes from Timeless Communications 

No, I do not wish to receive faxes from Timeless Communications 

Please indicate the letter of the ONE category which best 

describes your job title in the box: 

1. 

A. President/Owner 

B. Manager 

C. Employee 

D. Independent 

Z. Other (specify) 

Please check all boxes that currently apply to where 

your business activities in live sound take place: 

2. 

A. University 

B. Theatre 

C. Dance/Opera 

H. Worship 

J. Installations 

D. Corporate/Industrial 

E. Clubs/Restaurants 

F. Concerts/Touring 

G. Casinos 


YES! 

…I WANT TO SUBSCRIBE TO FOH! 

If yes, please 

FREE for all qualified professionals! 

Please fill out qualification card and return. 

The News Magazine 

for Live sound 

Please fill in the number of the ONE category 

which best describes your main business 

activity: 

3. S11 FOH Mixer 

SOUND REINFORCEMENT 

S12 Monitor Mixer 

S13 Audio Technician 

S14 Sound Crew 

S15 System Designer 

S16 Sound Contractor 

S17 Consultant 

S18 Manufacturer 

S19 Audio Sales/Rentals/ 

Mfg. Rep 

Please indicate the level at which you are involved in the 

selection/purchasing process for live audio products: 

4. 

1. Makes Final Purchasing Decisions 

2. Recommends Purchasing Decisions 

3. No Involvement In Purchasing Decisions 

5.* 

By submitting my e-mail address, I consent to receiving 

messages electronically regarding promotional & editorial 

information from Timeless Communications, Corp. 

No sign and date: X REQUIRED Date: 

FACILITIES 

F29 Facility Manager 

F30 Facility Stage Manager 

F31 Operations Manager 

PRODUCTION PERSONNEL 

P20 Technical Director 

P21 Production Manager 

P22 Tour Manager 

P23 Production Crew 

P24 Stage Manager 

P25 Site Coordinator 

P26 Promoter/Producer 

P27 Personal Manager 

Z28 Other (specify) 


FREE DIGITAL SUBSCRIPTION 

Filling out this form is a quick 

and easy way to subscribe. You 

can send it back to us by fax or 

by mail. 

Fax: 

702.932.5584 

THINK 

GREEN 

READ 

GREEN 

Mail: 

6000 S. Eastern Ave. Suite14-J 

Las Vegas, NV 89119. 

Or, simply go to www.fohonline. 

com/subscribe and fill out 

the form online. This will help 

us immensely and ensure your 

continued enjoyment of FOH. 

Without a valid email address, 

you cannot subscribe to FOH 

DIGITAL. 

Please feel free to copy this form 

and distribute to all staff members 

who you feel should get a free 

subscription. 

Name: (print) 

Title 

Company 

Address 

City/Province/State 

Postal Code/Country 

Phone: 

Fax: 

Email:* 

Yes, I wish to receive faxes from Timeless Communications 

No, I do not wish to receive faxes from Timeless Communications 

Please indicate the letter of the ONE category which best 

describes your job title in the box: 

1. 

A. President/Owner 

B. Manager 

C. Employee 

D. Independent 


Please check all boxes that currently apply to where 

your business activities in live sound take place: 

2. 

A. University 

B. Theatre 

C. Dance/Opera 

H. Worship 

J. Installations 

D. Corporate/Industrial 

E. Clubs/Restaurants 

F. Concerts/Touring 

G. Casinos 


YES! 

REQUIRED 

…I WANT TO SUBSCRIBE TO FOH DIGITAL! 

If yes, please 

Please fill in the number of the ONE category 

which best describes your main business 

activity: 

3. S11 FOH Mixer 

SOUND REINFORCEMENT 

S12 Monitor Mixer 

S13 Audio Technician 

S14 Sound Crew 

S15 System Designer 

S16 Sound Contractor 

S17 Consultant 

S18 Manufacturer 

S19 Audio Sales/Rentals/ 

Mfg. Rep 

Please indicate the level at which you are involved in the 

selection/purchasing process for live audio products: 

4. 

1. Makes Final Purchasing Decisions 

2. Recommends Purchasing Decisions 

3. No Involvement In Purchasing Decisions 

5.* 

By submitting my e-mail address, I consent to receiving 

messages electronically regarding promotional & editorial 

information from Timeless Communications, Corp. 

No sign and date: X REQUIRED Date: 

FREE for all qualified professionals! 

Please fill out qualification 

card and return. 

The News Magazine 

for Live sound 

FACILITIES 

F29 Facility Manager 

F30 Facility Stage Manager 

F31 Operations Manager 

PRODUCTION PERSONNEL 

P20 Technical Director 

P21 Production Manager 

P22 Tour Manager 

P23 Production Crew 

P24 Stage Manager 

P25 Site Coordinator 

P26 Promoter/Producer 

P27 Personal Manager 

Z28 Other (specify)

2013 MEDIA KIT - FOH Online

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