2005-2006 Fall Directions - Friends' Central School
2005-2006 Fall Directions - Friends' Central School
2005-2006 Fall Directions - Friends' Central School
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Todd Swimmer ’81<br />
Deliberate in word and in deed, Todd Swimmer ’81<br />
dislikes the spotlight. A part-time art instructor<br />
teaching photography and studio art at FCS, Todd<br />
has spent the last ten years helping students use art as a<br />
creative outlet. He adds that he considers photography “a tool<br />
to enhance perception and communication, not an end in<br />
itself.” And while Upper <strong>School</strong> art colleague Peter Seidel calls<br />
Todd “a consummate craftsman—a great example for the students<br />
to see,” Todd himself is humbled by the challenge of<br />
making great art and is reluctant to mention his impressive<br />
photographic successes. With an undergraduate degree in<br />
Environmental Studies from S.U.N.Y. College and an M.F.A<br />
in Photography from Tyler <strong>School</strong> of Art, Todd has been<br />
awarded Purchase Prizes by the Philadelphia Museum of Art,<br />
the Smithsonian Museum of American Art, and the Johnson<br />
and Johnson Collection.<br />
Todd traces his artistic roots back to FCS and mentions<br />
that while he was not an academic star, he did find his niche at<br />
the <strong>School</strong>. Nurtured by then-photography teacher Bob<br />
Emory who “encouraged a sense of experimentation, deliberate<br />
Recently, Todd’s work was included in a retrospective photography exhibition<br />
for the Perkins Center for the Arts in Moorestown, New Jersey.<br />
Implement Seller, Cameroon 2000 Child Playing in Stonetown Streets,<br />
Zanzibar 2003<br />
control of a range of photographic processes,” he won many<br />
awards in the Annual Photography contests that still are a large<br />
part of the arts at FCS today. As a student, he reveled in the<br />
<strong>School</strong>’s Quaker values; when he graduated, he missed<br />
Meeting for Worship greatly. The choice to return to FCS and<br />
teach was driven by the Quaker tenets and his Jewish heritage;<br />
Todd believes that the combination of the two produce a<br />
framework “with a broader sense of purpose.” This conceptual<br />
FEATURES<br />
framework has also helped Todd<br />
further his interest in photography,<br />
environmental conservation, and the<br />
African continent.<br />
Because “a Friends education offers opportunities<br />
and responsibilities to connect our lives and<br />
our community to people and communities not only through<br />
consciousness but also through actions,” Todd has spent most<br />
of every other summer since 1992 traveling in Africa. His<br />
experiences have included visiting schools, bicycle trips, photographing<br />
for UNICEF, hiking, white water rafting, volunteering<br />
for scientific research, attending art gallery openings, and<br />
enjoying great food.<br />
Fascinated with Africa since childhood when his uncle<br />
would tell of his Peace Corps experiences in Tanzania, Todd has<br />
deep interests in the continent which, he states, “continue to<br />
evolve in breadth and depth, from environmental conservation<br />
policies and programs to politics, sustainable development,<br />
human rights, history, music, film, and food.” His ongoing<br />
artistic and personal project in Africa concerns contemporary<br />
Africans who are try-<br />
ing to make sense of<br />
the socio-economic<br />
and political climates<br />
of their vast and complex<br />
continent. What<br />
Todd has discovered<br />
in his work there is<br />
that “most people in<br />
Africa have many of<br />
the same concerns we<br />
have in America:<br />
family, money, decent<br />
jobs, good education,<br />
access to healthcare,<br />
fulfilling spirituality,<br />
effective governance,<br />
and a hopeful future.”<br />
This past summer,<br />
Todd spent six weeks<br />
in Namibia and<br />
Botswana, including<br />
four weeks of volunteer<br />
work on two<br />
Earthwatch animal<br />
research projects studying the black rhino and Nile crocodile.<br />
And just as Todd returns repeatedly to Africa, committed to<br />
fulfill a greater sense of his life’s purpose, Peter Seidel passionately<br />
asserts, “he [Todd] is committed to the process of<br />
constructing an enduring image.” Without a doubt, Todd<br />
remains modest and unassuming as he faces the challenge of<br />
being an artist and a citizen of the world.<br />
DIRECTIONS <strong>Fall</strong> <strong>2005</strong> 43