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2005-2006 Fall Directions - Friends' Central School

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Todd Swimmer ’81<br />

Deliberate in word and in deed, Todd Swimmer ’81<br />

dislikes the spotlight. A part-time art instructor<br />

teaching photography and studio art at FCS, Todd<br />

has spent the last ten years helping students use art as a<br />

creative outlet. He adds that he considers photography “a tool<br />

to enhance perception and communication, not an end in<br />

itself.” And while Upper <strong>School</strong> art colleague Peter Seidel calls<br />

Todd “a consummate craftsman—a great example for the students<br />

to see,” Todd himself is humbled by the challenge of<br />

making great art and is reluctant to mention his impressive<br />

photographic successes. With an undergraduate degree in<br />

Environmental Studies from S.U.N.Y. College and an M.F.A<br />

in Photography from Tyler <strong>School</strong> of Art, Todd has been<br />

awarded Purchase Prizes by the Philadelphia Museum of Art,<br />

the Smithsonian Museum of American Art, and the Johnson<br />

and Johnson Collection.<br />

Todd traces his artistic roots back to FCS and mentions<br />

that while he was not an academic star, he did find his niche at<br />

the <strong>School</strong>. Nurtured by then-photography teacher Bob<br />

Emory who “encouraged a sense of experimentation, deliberate<br />

Recently, Todd’s work was included in a retrospective photography exhibition<br />

for the Perkins Center for the Arts in Moorestown, New Jersey.<br />

Implement Seller, Cameroon 2000 Child Playing in Stonetown Streets,<br />

Zanzibar 2003<br />

control of a range of photographic processes,” he won many<br />

awards in the Annual Photography contests that still are a large<br />

part of the arts at FCS today. As a student, he reveled in the<br />

<strong>School</strong>’s Quaker values; when he graduated, he missed<br />

Meeting for Worship greatly. The choice to return to FCS and<br />

teach was driven by the Quaker tenets and his Jewish heritage;<br />

Todd believes that the combination of the two produce a<br />

framework “with a broader sense of purpose.” This conceptual<br />

FEATURES<br />

framework has also helped Todd<br />

further his interest in photography,<br />

environmental conservation, and the<br />

African continent.<br />

Because “a Friends education offers opportunities<br />

and responsibilities to connect our lives and<br />

our community to people and communities not only through<br />

consciousness but also through actions,” Todd has spent most<br />

of every other summer since 1992 traveling in Africa. His<br />

experiences have included visiting schools, bicycle trips, photographing<br />

for UNICEF, hiking, white water rafting, volunteering<br />

for scientific research, attending art gallery openings, and<br />

enjoying great food.<br />

Fascinated with Africa since childhood when his uncle<br />

would tell of his Peace Corps experiences in Tanzania, Todd has<br />

deep interests in the continent which, he states, “continue to<br />

evolve in breadth and depth, from environmental conservation<br />

policies and programs to politics, sustainable development,<br />

human rights, history, music, film, and food.” His ongoing<br />

artistic and personal project in Africa concerns contemporary<br />

Africans who are try-<br />

ing to make sense of<br />

the socio-economic<br />

and political climates<br />

of their vast and complex<br />

continent. What<br />

Todd has discovered<br />

in his work there is<br />

that “most people in<br />

Africa have many of<br />

the same concerns we<br />

have in America:<br />

family, money, decent<br />

jobs, good education,<br />

access to healthcare,<br />

fulfilling spirituality,<br />

effective governance,<br />

and a hopeful future.”<br />

This past summer,<br />

Todd spent six weeks<br />

in Namibia and<br />

Botswana, including<br />

four weeks of volunteer<br />

work on two<br />

Earthwatch animal<br />

research projects studying the black rhino and Nile crocodile.<br />

And just as Todd returns repeatedly to Africa, committed to<br />

fulfill a greater sense of his life’s purpose, Peter Seidel passionately<br />

asserts, “he [Todd] is committed to the process of<br />

constructing an enduring image.” Without a doubt, Todd<br />

remains modest and unassuming as he faces the challenge of<br />

being an artist and a citizen of the world.<br />

DIRECTIONS <strong>Fall</strong> <strong>2005</strong> 43

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