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Issue 12

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4<br />

G-View<br />

GPLUS SEP 14 - SEP 20, 2013<br />

RAHUL CHANDA<br />

It is an indecent proposal and<br />

quid pro quo of the exploitative<br />

kind. The young, starry-eyed<br />

girls who dream of fame and glamour<br />

find themselves jolted to sordid<br />

reality when a producer, director or<br />

actor asks them ‘to come over and<br />

meet them alone’ and take things<br />

forward.<br />

Casting couch has remained a<br />

much-debated subject in the Hindi<br />

film industry, with some denying it<br />

outright while others claiming that<br />

the ugly truth is often swept under<br />

the rug. Many directors and producers<br />

have found themselves at<br />

the receiving end of accusations of<br />

having not just made the indecent<br />

proposal but in some cases, sexually<br />

exploiting the girl in question too.<br />

The jury is still out on how much<br />

truth is there in the accusations or<br />

the denials.<br />

In April 2013, the President of<br />

India gave assent to the Sexual Harassment<br />

of Women at Workplace<br />

(Prevention, Prohibition and Redressal)<br />

Act, 2013. The Act was enacted<br />

to provide protection against<br />

sexual harassment of women at<br />

workplaces and for the prevention<br />

and redressal of complaints of<br />

sexual harassment and for matters<br />

connected therewith or incidental<br />

thereto. No matter how many<br />

times the government tries reworking<br />

various laws to provide a secure<br />

environment to the women, the fact<br />

remains that females are almost<br />

always vulnerable anywhere in the<br />

country. No matter what the profession<br />

is, harassment and exploitation<br />

of women still exists.<br />

As the fashion, the glamour and<br />

the film industries are beckoning almost<br />

everyone these days, there has<br />

also been a rise in cases related to<br />

casting couches.<br />

Casting couch<br />

The casting couch, castingcouch<br />

syndrome or casting-couch<br />

mentality is a term which refers to<br />

the trading of sexual favours by an<br />

aspirant, apprentice employee or<br />

subordinate to a superior in return<br />

for entry into an occupation or for<br />

other career advancements within<br />

an organisation. The term “casting<br />

couch” originated in the motion<br />

picture industry, with specific<br />

reference to couches in offices that<br />

could be used for sexual activity between<br />

the casting directors or film<br />

producers and aspiring actresses<br />

or actors. It is not to be confused<br />

with the adult entertainment industry<br />

where such actions may be<br />

a prerequisite, although many pornographic<br />

films play on the casting<br />

couch theme and allude to similarities<br />

one may find in casting couch<br />

scenarios in the film industry.<br />

The term is now often used to<br />

refer to other industries besides entertainment,<br />

though careers which<br />

are highly desirable and traditionally<br />

difficult to break into, such as<br />

the movie, television and music industries,<br />

have been the subject of<br />

casting couch stories in popular<br />

culture. Such trading of favours is<br />

an abuse of power and can become<br />

a wider sex scandal if deemed newsworthy.<br />

Cases in Hindi<br />

film industry<br />

There are many examples when<br />

actors were exploited with promises<br />

that they will get an opportunity<br />

to act in Bollywood films. A typical<br />

“casting couch” case occurred<br />

Casting couch &<br />

Assamese films<br />

In the Assamese film industry circles, people always speak<br />

in hushed tones about the existence of casting couches. We<br />

tried to find out the truth behind it but soon discovered that<br />

no one is very comfortable speaking about the subject, for<br />

SEX<br />

the fear of being singled out or worse.<br />

“It is very tough for people to get a role these days. And after<br />

you get the role, one has to be always listening to the director and<br />

Identity<br />

the producer. Some producers are always keen to talk to the female<br />

actor and make indecent approaches. They purposefully<br />

witheld<br />

make the situation such that they get time to spend with the actor.<br />

The directors also feel that they are the kings and the actor will do<br />

whatever they say. I firmly believe that there are casting couches in<br />

the Assamese film industry and I also understand that people might<br />

ask why the females should allow such things to happen. But at times,<br />

the situation is uncontrollable and you also a worry about the family.<br />

People are also worried about their careers. It is not explainable but the situations<br />

are mostly unreported for various reasons.”<br />

in India in 2004, when actress Preeti<br />

Jain filed a police complaint alleging<br />

that film director Madhur<br />

Bhandarkar had sexually exploited<br />

her for many years and made false<br />

promises to cast her in a lead role<br />

in his next film. She stated that she<br />

was never offered any role in any of<br />

his films. According to Jain, Bhandarkar<br />

repeatedly had sex with her<br />

between 1999 and 2004 at Natraj<br />

Apartment at Yari Road, Hotel Seaside<br />

at Juhu and at Bhandarkar’s<br />

friend’s (Akbar) flat at Mount Mary<br />

Road, Bandra.<br />

In 2005, India TV’s India’s Most<br />

Wanted, an investigative TV show,<br />

caught Indian Idol host Aman Verma<br />

and long time Bollywood actor<br />

Shakti Kapoor in a “sting” operation<br />

and accused them of abusing<br />

their positions to force women to<br />

have sex with them. They even produced<br />

video evidence of Kapoor<br />

making advances to a planted girl,<br />

in which Kapoor tells the girl that<br />

superstars Aishwarya Rai, Rani<br />

Mukerji and Preity Zinta slept with<br />

people such as Subhash Ghai, Yash<br />

Chopra and Yash Johar to get where<br />

they were. Verma, Kapoor and most<br />

of the Bollywood industry have<br />

defended themselves, calling India<br />

TV’s claims unfounded and sensational<br />

and claimed that the video<br />

footage of Kapoor is misleading.<br />

In 2009, Indian actress Suchitra<br />

Krishnamoorthi reported an<br />

incident in her blog where she narrowly<br />

escaped sexual advances from<br />

a producer while casting for a film<br />

role.<br />

Payal Rohatgi had raised the<br />

spectre of sex-for-role bargain by<br />

accusing director Dibakar Banerjee<br />

of having asked her to take her<br />

top off when she auditioned for a<br />

role for his film Shanghai. Rohatgi<br />

claimed that she and Dibakar became<br />

friends over time and she was<br />

shocked when he allegedly made<br />

the indecent proposal. She said that<br />

she did not get the role in the film<br />

because she refused to submit to<br />

Banerjee’s demand. Banerjee, on the<br />

other hand, claims that Payal was<br />

not in a sound state of mind and<br />

he never made any such proposal.<br />

He admitted helping her in times of<br />

her personal crisis, but claimed that<br />

Payal was maligning him because<br />

she was rejected for the role.

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