Issue 12
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GPLUS SEP 14 - SEP 20, 2013 5<br />
G-View<br />
FOR<br />
STARDOM<br />
Casting couch<br />
and Assamese<br />
film industry<br />
Recently, there was a controversy<br />
reported in the Assamese theatre<br />
industry where an actor accused<br />
a proprietor of misbehaving with<br />
her and approached her for some<br />
sexual favours. She reported the incident<br />
to the police and other people<br />
after which the media reported<br />
the incident and it went viral. The<br />
proprietor claimed innocence and<br />
said that the charges were baseless<br />
and framed. Delving deep into the<br />
scenario, we discussed the issue<br />
with people involved with the film<br />
fraternity.<br />
Victims<br />
A young actor, Priyashree<br />
Kashyap, who recently acted in a<br />
yet to be released Assamese film,<br />
narrated her story of escape from<br />
a casting couch incident. She said,<br />
“I was in the sets of my film and after<br />
the shoot we were eating dinner<br />
when a director (as he claimed to be<br />
one) came and sat next to me. He<br />
was introduced to me by a common<br />
friend but never had a long conversation<br />
previously. As I was doing my<br />
first feature film, he asked me about<br />
my future plans and started talking<br />
about various scripts which he was<br />
working on. He then asked me how<br />
far I could go or sacrifice in life to<br />
become successful. He was talking<br />
about films like Jism 2 and asked<br />
me if I was ready to show flesh, as it<br />
was important and that all the successful<br />
actors did it these days. His<br />
approach was somewhat different<br />
and I could feel that his intensions<br />
were not decent. I became a bit rude<br />
and he told me that if I didn’t listen<br />
to him, I would not be selected for<br />
his films. I told him that I don’t care<br />
and never met him after that day.”<br />
Another young actor Pranami<br />
Bora said, “Casting couch does exist<br />
in the Assamese film industry.”<br />
Before joining films, I was related to<br />
theatre. I was also preparing for the<br />
interview to get into the National<br />
School of Drama (NSD). Once,<br />
while I was rehearsing, a director<br />
came to me claiming that he could<br />
give me tips, which would help me<br />
get into NSD. I thought he might<br />
guide me well as he was a director.<br />
He asked me to come to his place. I<br />
sat in his car and was on the way to<br />
his house, when he started talking<br />
to me in a different way. This made<br />
me believe that he was trying to flirt<br />
with me. He was boasting about his<br />
work and was claiming that he could<br />
change my life. He then told me that<br />
in the film industry you have to sacrifice<br />
many things to achieve success.<br />
He said that when people are<br />
together for two to three months,<br />
they become physically and mentally<br />
close in the process. I got scared<br />
and as soon as we reached near his<br />
place, I told him that I left my purse<br />
in the studio and took his permission<br />
to leave. He became angry and<br />
retorted that I would never achieve<br />
success. I left the place and never<br />
met him again.”<br />
A city based young model and<br />
an actor feels that people in the<br />
Assamese film industry look at females<br />
as sex objects. She said, “It is<br />
very tough for people to get a role<br />
these days. And after you get the<br />
role, one has to be always listening<br />
to the director and the producer.<br />
Some producers are always keen to<br />
talk to the female actor and make<br />
indecent approaches. They purposefully<br />
make the situation such<br />
that they get time to spend with the<br />
actor. The directors also feel that<br />
they are the kings and the actor<br />
will do whatever they say. During<br />
the nights, they drink on the sets<br />
and always try to flirt. I have also<br />
had some very pathetic situations<br />
but luckily escaped. I firmly believe<br />
that there are casting couches in<br />
the Assamese film industry and I<br />
also understand that people might<br />
ask why the females should allow<br />
such things to happen. But at times,<br />
the situation is uncontrollable and<br />
you also a worry about the family.<br />
People are also worried about their<br />
careers. It is not explainable but the<br />
situations are mostly unreported for<br />
various reasons.”<br />
The other side<br />
It is true that people take advantage<br />
of their positions, but people<br />
are also ready, these days, to do anything<br />
to fulfil their dreams. Some<br />
aspiring actors can go to any extent<br />
and sacrifice all values to make it<br />
big in life. Popular Assamese film<br />
actor Rabi Sharma said, “I have<br />
never seen any such incident in the<br />
film industry so I feel the concept<br />
doesn’t exist here. But some people<br />
forget that there is no shortcut to<br />
success. It totally depends from<br />
person to person as anyone can<br />
understand the approach and the<br />
intentions and if you do not like it<br />
than one can reject the offer. Some<br />
people feel that sacrificing values<br />
and taking a shortcut can provide<br />
success, which is absolutely incorrect.”<br />
Assamese film actor Zerifa Wahid<br />
is of the view that people fall<br />
prey to such situations when they<br />
are very desperate for name, fame<br />
and roles. She said, “It’s not just<br />
newcomers but even experienced<br />
people fall into the trap as they express<br />
signs that for roles, they could<br />
do anything. People who worship<br />
“It’s not just newcomers<br />
but even<br />
experienced people<br />
fall into the trap<br />
as they express<br />
signs that for<br />
roles, they<br />
could do anything.<br />
People<br />
who worship<br />
their profession<br />
and believe<br />
in their talent do<br />
not have to face<br />
such incidents.<br />
But people who<br />
are desperate and<br />
act as if they are<br />
available, can be<br />
trapped.”<br />
Zerifa Wahid<br />
Assamese actor<br />
their profession and believe in their<br />
talent do not have to face such incidents.<br />
But people who are desperate<br />
and act as if they are available, can<br />
be trapped. I appeal to the artistes<br />
not to be desperate for anything and<br />
should not opt for a shortcut to success.”<br />
A well know film director Diganta<br />
Mazumdar said that the Assamese<br />
film industry is very small<br />
and there are very few artistes and<br />
technical people. He said, “The concept<br />
of casting couch is not totally<br />
false but there are some people who<br />
have money and they produce films<br />
to become popular. They feel that if<br />
they make films they can enjoy life<br />
and target females to fulfil their desires.<br />
Some fall into trap and some<br />
don’t. Newcomers and people who<br />
are not that talented mostly fall into<br />
this trap as they need shortcuts to<br />
excel in life.”<br />
The mixed views give an idea<br />
that the casting couch exists in the<br />
Assamese film industry and it also<br />
depends upon person to person.<br />
But till when people will keep exploiting<br />
others, promising handsome<br />
returns? When will this shortcut<br />
method end in such industries<br />
and how will the government make<br />
sure that such incidents do not happen?<br />
Who is to be blamed for such<br />
cases, the one who exploits or the<br />
person who gets exploited?