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Issue 12

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GPLUS SEP 14 - SEP 20, 2013 5<br />

G-View<br />

FOR<br />

STARDOM<br />

Casting couch<br />

and Assamese<br />

film industry<br />

Recently, there was a controversy<br />

reported in the Assamese theatre<br />

industry where an actor accused<br />

a proprietor of misbehaving with<br />

her and approached her for some<br />

sexual favours. She reported the incident<br />

to the police and other people<br />

after which the media reported<br />

the incident and it went viral. The<br />

proprietor claimed innocence and<br />

said that the charges were baseless<br />

and framed. Delving deep into the<br />

scenario, we discussed the issue<br />

with people involved with the film<br />

fraternity.<br />

Victims<br />

A young actor, Priyashree<br />

Kashyap, who recently acted in a<br />

yet to be released Assamese film,<br />

narrated her story of escape from<br />

a casting couch incident. She said,<br />

“I was in the sets of my film and after<br />

the shoot we were eating dinner<br />

when a director (as he claimed to be<br />

one) came and sat next to me. He<br />

was introduced to me by a common<br />

friend but never had a long conversation<br />

previously. As I was doing my<br />

first feature film, he asked me about<br />

my future plans and started talking<br />

about various scripts which he was<br />

working on. He then asked me how<br />

far I could go or sacrifice in life to<br />

become successful. He was talking<br />

about films like Jism 2 and asked<br />

me if I was ready to show flesh, as it<br />

was important and that all the successful<br />

actors did it these days. His<br />

approach was somewhat different<br />

and I could feel that his intensions<br />

were not decent. I became a bit rude<br />

and he told me that if I didn’t listen<br />

to him, I would not be selected for<br />

his films. I told him that I don’t care<br />

and never met him after that day.”<br />

Another young actor Pranami<br />

Bora said, “Casting couch does exist<br />

in the Assamese film industry.”<br />

Before joining films, I was related to<br />

theatre. I was also preparing for the<br />

interview to get into the National<br />

School of Drama (NSD). Once,<br />

while I was rehearsing, a director<br />

came to me claiming that he could<br />

give me tips, which would help me<br />

get into NSD. I thought he might<br />

guide me well as he was a director.<br />

He asked me to come to his place. I<br />

sat in his car and was on the way to<br />

his house, when he started talking<br />

to me in a different way. This made<br />

me believe that he was trying to flirt<br />

with me. He was boasting about his<br />

work and was claiming that he could<br />

change my life. He then told me that<br />

in the film industry you have to sacrifice<br />

many things to achieve success.<br />

He said that when people are<br />

together for two to three months,<br />

they become physically and mentally<br />

close in the process. I got scared<br />

and as soon as we reached near his<br />

place, I told him that I left my purse<br />

in the studio and took his permission<br />

to leave. He became angry and<br />

retorted that I would never achieve<br />

success. I left the place and never<br />

met him again.”<br />

A city based young model and<br />

an actor feels that people in the<br />

Assamese film industry look at females<br />

as sex objects. She said, “It is<br />

very tough for people to get a role<br />

these days. And after you get the<br />

role, one has to be always listening<br />

to the director and the producer.<br />

Some producers are always keen to<br />

talk to the female actor and make<br />

indecent approaches. They purposefully<br />

make the situation such<br />

that they get time to spend with the<br />

actor. The directors also feel that<br />

they are the kings and the actor<br />

will do whatever they say. During<br />

the nights, they drink on the sets<br />

and always try to flirt. I have also<br />

had some very pathetic situations<br />

but luckily escaped. I firmly believe<br />

that there are casting couches in<br />

the Assamese film industry and I<br />

also understand that people might<br />

ask why the females should allow<br />

such things to happen. But at times,<br />

the situation is uncontrollable and<br />

you also a worry about the family.<br />

People are also worried about their<br />

careers. It is not explainable but the<br />

situations are mostly unreported for<br />

various reasons.”<br />

The other side<br />

It is true that people take advantage<br />

of their positions, but people<br />

are also ready, these days, to do anything<br />

to fulfil their dreams. Some<br />

aspiring actors can go to any extent<br />

and sacrifice all values to make it<br />

big in life. Popular Assamese film<br />

actor Rabi Sharma said, “I have<br />

never seen any such incident in the<br />

film industry so I feel the concept<br />

doesn’t exist here. But some people<br />

forget that there is no shortcut to<br />

success. It totally depends from<br />

person to person as anyone can<br />

understand the approach and the<br />

intentions and if you do not like it<br />

than one can reject the offer. Some<br />

people feel that sacrificing values<br />

and taking a shortcut can provide<br />

success, which is absolutely incorrect.”<br />

Assamese film actor Zerifa Wahid<br />

is of the view that people fall<br />

prey to such situations when they<br />

are very desperate for name, fame<br />

and roles. She said, “It’s not just<br />

newcomers but even experienced<br />

people fall into the trap as they express<br />

signs that for roles, they could<br />

do anything. People who worship<br />

“It’s not just newcomers<br />

but even<br />

experienced people<br />

fall into the trap<br />

as they express<br />

signs that for<br />

roles, they<br />

could do anything.<br />

People<br />

who worship<br />

their profession<br />

and believe<br />

in their talent do<br />

not have to face<br />

such incidents.<br />

But people who<br />

are desperate and<br />

act as if they are<br />

available, can be<br />

trapped.”<br />

Zerifa Wahid<br />

Assamese actor<br />

their profession and believe in their<br />

talent do not have to face such incidents.<br />

But people who are desperate<br />

and act as if they are available, can<br />

be trapped. I appeal to the artistes<br />

not to be desperate for anything and<br />

should not opt for a shortcut to success.”<br />

A well know film director Diganta<br />

Mazumdar said that the Assamese<br />

film industry is very small<br />

and there are very few artistes and<br />

technical people. He said, “The concept<br />

of casting couch is not totally<br />

false but there are some people who<br />

have money and they produce films<br />

to become popular. They feel that if<br />

they make films they can enjoy life<br />

and target females to fulfil their desires.<br />

Some fall into trap and some<br />

don’t. Newcomers and people who<br />

are not that talented mostly fall into<br />

this trap as they need shortcuts to<br />

excel in life.”<br />

The mixed views give an idea<br />

that the casting couch exists in the<br />

Assamese film industry and it also<br />

depends upon person to person.<br />

But till when people will keep exploiting<br />

others, promising handsome<br />

returns? When will this shortcut<br />

method end in such industries<br />

and how will the government make<br />

sure that such incidents do not happen?<br />

Who is to be blamed for such<br />

cases, the one who exploits or the<br />

person who gets exploited?

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