GIA Music Education Catalog ? 2011 - GIA Publications

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College Secondary Instrument Courses James O. Froseth GIA Publications, Inc. 1.800.GIA.1358 or 708.496.3800 • Fax: 708.496.3828 • www.giamusic.com 119
Conducting Music for Beginning Conductors An Anthology for Choral Conducting Classes Dennis Shrock Music for Beginning Conductors is an anthology of music designed to include all repertoire necessary for beginning choral conducting classes. Organized from simple to complex, the 103 pieces in the anthology represent and address standard and basic techniques, including entrances on and off beats, phrasings and articulations, fixed and changing dynamic levels, varied tempos and meters, fermatas, extended beat patterns, and mixed meters. In addition, each of these categories is explained at the beginning of the anthology. The pieces are scored so students have experience with unison, canonic, independent two-part, homophonic four-part, independent four-part, a cappella, and simple keyboard accompanied textures, and much of the music consists of folk songs and other familiar melodies that have been arranged with a simple harmonic bass part that can be played, if desired, on a keyboard instrument. All of the music is accessible in terms of melody, rhythm, and harmony, thus allowing the music to be read with relative ease and to be adaptable to classes of varying sizes and resources. G-7911 Spiral-bound, 176 pages . . . . . . . . . . . . . . . . . . . . . $28.95 Dennis Shrock has been called one of the very top choral scholars in the United States. He is also author of Choral Repertoire and Choral Scores (Oxford University Press), as well as the forthcoming Performance Practices in the Classical Era (GIA). In addition, he is editor of The Choral Scholar (the journal of the National Collegiate Choral Organization) and a frequent lecturer, guest conductor, and clinician, serving as Artist-in-Residence and member of the Conducting Institute at Westminster Choir College (2010), guest lecturer and conductor at Yale University (2009 –10), guest conductor of the Dallas Symphony Chorus (2010), and lecturer at American Choral Directors National Conferences (2009, 2011). 120 GIA Publications, Inc. 1.800.GIA.1358 or 708.496.3800 • Fax: 708.496.3828 • www.giamusic.com
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M U S I C E D U C A T I O N C A T A
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What’s New! Welcome to our 2011 M
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Teaching Music through Performance
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Contents Featured New Releases ....
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Featured New Releases A n e w a d v
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Instrumental Choral Music Music New
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General Music New Releases The Book
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General Interest New Releases Leade
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Instrumental New Releases The March
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Instrumental New Releases Teaching
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Instrumental Music New Releases New
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Instrumental New Releases New relea
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Instrumental New Releases Modeling
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Choral New Releases Rehearse! A Gui
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General Music New Releases A new so
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General Music New Releases Increase
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General Interest New Releases Move
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General Interest New Releases Socie
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Instrumental Music JOHN M. FEIERABE
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Instrumental John M. Feierabend Mus
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John M. Feierabend As part of John
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John M. Feierabend Featuring three
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Instrumental John M. Feierabend Mus
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John M. Feierabend First Steps in C
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John M. Feierabend Three recordings
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John M. Feierabend Eight Early Elem
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John M. Feierabend The Book of Pitc
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John M. Feierabend Conversational S
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TEACHING MUSIC SERIES Instrumental
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Instrumental Teaching Music Music S
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Page 77 and 78: LEADERSHIP Instrumental Music Leade
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Page 81 and 82: Instrumental Leadership Music A bes
Page 83 and 84: Leadership A high school and colleg
Page 85 and 86: Early Childhood “Finally, a marve
Page 87 and 88: Instrumental Music GENERAL MUSIC Al
Page 89 and 90: General Music Jump Right In The Gen
Page 91 and 92: General Music Folk songs, singing g
Page 93 and 94: General Music Now on CD! El Patio D
Page 95 and 96: General Music 100 tunes per CD… a
Page 97 and 98: General Instrumental Music Music Ex
Page 99 and 100: General Music Tootles 15 Easy Trios
Page 101 and 102: JAMES O. FROSETH A bestseller! A wo
Page 103 and 104: James O. Froseth General Music Do I
Page 105 and 106: James O. Froseth Rhythmic Flashcard
Page 107 and 108: ? 1 2 3 4 5 6 7 8 L t A. The em B.
Page 109 and 110: James O. Froseth Beginning Band Do
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Page 115 and 116: Froseth, Froseth, and Blaser Entry-
Page 117 and 118: James O. Froseth Vocal and Keyboard
Page 119: James O. Froseth College Secondary
Page 123 and 124: Conducting A groundbreaking DVD fro
Page 125 and 126: Conducting Master Conductors A hist
Page 127 and 128: Conducting Teach your conducting cl
Page 129 and 130: Conducting Conducting from the Insi
Page 131 and 132: Conducting Conducting Nuances Littl
Page 133 and 134: Instrumental Music Mr. Holland on t
Page 135 and 136: Instrumental Music The Evolution of
Page 137 and 138: Instrumental Music GIA WindWorks Se
Page 139 and 140: Instrumental Music Homage Chronicle
Page 141 and 142: Instrumental Music Frank Ticheli Co
Page 143 and 144: Instrumental Music Three of Edwin E
Page 145 and 146: Instrumental Music Composers on Com
Page 147 and 148: Instrumental Music Bringing Music t
Page 149 and 150: Instrumental Music A private lesson
Page 151 and 152: Instrumental Music The American Win
Page 153 and 154: Instrumental Music Band Instrument
Page 155 and 156: Instrumental Music Percy Grainger T
Page 157 and 158: Instrumental Music A beautiful facs
Page 159 and 160: Choral/Vocal The School Choral Prog
Page 161 and 162: Choral/Vocal Conversations between
Page 163 and 164: Choral/Vocal Wisdom, Wit and Will W
Page 165 and 166: Choral/Vocal The Anatomy of Melody
Page 167 and 168: Choral/Vocal See page 10 for “Ang
Page 169 and 170: Choral/Vocal The Choral Singer’s
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Choral/Vocal Voice for Life Choral
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Choral/Vocal Finding Middle Ground
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Choral/Vocal Movable Tonic A Sequen
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James Jordan TOWARD CENTER James Jo
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James Jordan Evoking Sound The Chor
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James Jordan Evoking Sound The Chor
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James Jordan EVOKING SOUND The Chor
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James Jordan Ear Training Immersion
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James Jordan Learn Conducting Techn
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James Jordan Evoking Sound Choral S
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James Jordan Interpolations on Sicu
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James Jordan Surrexit pastor bonus
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Body Mapping What Every Violinist N
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Body Mapping How to Learn the Alexa
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Body Mapping See page 194 for What
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Assessment The Practice of Assessme
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GENERAL INTEREST An indispensable g
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Instrumental General Interest Music
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General Interest Pathways A guide f
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General Interest Teaching Music wit
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BEGINNING Instrumental Jump Right I
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Beginning Instrumental New song col
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Music Learning Theory A major revis
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Music Learning Theory The Developme
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Music Learning Theory Preparatory A
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Music Learning Theory Learning Sequ
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Music Learning Theory All of our mu
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Music Learning Theory Harmonic Impr
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Music Learning Theory Advanced Meas
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Music Learning Theory New for Presc
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INDEX A Abrahams, Frank 74-75, 205
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Index Crider, Paula .... 131, 145 C
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Index Hilliard, Quincy. ..... 145 H
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Index Music Moves for Piano .......
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Index V Valerio, Wendy ..........83
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