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The Art & Dance Strip Wanlika Kaewkamchand

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THE DANCE STRIP<br />

SCHOOL FOR THE ADVANCEMENT OF ART AND DANCE<br />

LUBUMBASHI, DEMOCRATIC REPUBLIC OF CONGO<br />

WANLIKA KAEWKAMCHAND I GSAPP @ COLUMBIA UNIVERSITY I FALL 2009 I STUDIO : MICRO CITY<br />

CRITICS : MARKUS DOCHANTSCHI & CHAD KELLOGG


Research’s topic - National Identity<br />

Through all the different topics of what makes a national identity of Democratic Republic of Congo,<br />

I choose to focus my research on the most cultural and positive aspect, which is Music and <strong>Dance</strong>.


<strong>Dance</strong> in Africa is a way of life, a source of communication,<br />

and history, re-enacted through movement.<br />

“...Another outstanding characteristic of our outlook is our love for music,<br />

dance and rhythm. <strong>The</strong> proper subtitle for Africa should have been<br />

“Land of music, dance and rhythm.” D.K. Chisiza


Other than music and dance, the school will also<br />

promote Congolese/African <strong>Art</strong>s in crafting<br />

sculptures, textile design, drawing and painting.


Educational Proposal<br />

for the School of Advancement in <strong>Art</strong> and <strong>Dance</strong><br />

LARGE PERFORMANCE<br />

HALL<br />

CULTURAL CENTER<br />

enhance unity in society<br />

INPUT<br />

special features<br />

ART CRAFTING STUDIOS<br />

CONTEMPORARY DANCE<br />

LOCAL GOODS<br />

help to poverty/business<br />

INTERNATIONAL<br />

RECOGNITION<br />

exchange programs across<br />

OUTPUT<br />

back to the people


School’s Curriculum<br />

CONTEMPORARY<br />

DANCE<br />

PAINTING /<br />

DRAWING<br />

SCHOOL OF<br />

DANCE<br />

STUDIES OF<br />

LIBERAL ARTS<br />

SCHOOL OF ARTS<br />

AFRICAN MUSICAL<br />

INSTRUMENTS<br />

SCULPTING<br />

<strong>The</strong> <strong>Dance</strong> <strong>Strip</strong>’s educational system concentrates on two majors of <strong>Dance</strong> and <strong>Art</strong><br />

and the link between them is a standard study of Libert <strong>Art</strong>s.


Number of Enrollments<br />

1 st Year<br />

2 nd Year<br />

3 rd Year<br />

4 th Year<br />

3 classes x 25 students = 75<br />

3 majors x 12 students = 36<br />

3 classes x 25 students = 75<br />

3 majors x 12 students = 36<br />

3 classes x 25 students =<br />

3 majors x 12 students =<br />

75<br />

36<br />

3 classes x 25 students = 75<br />

3 majors x 12 students = 36<br />

Total<br />

= 444 Students<br />

<strong>The</strong> school will be a model intended for a 4-years college students for both genders.


Programatic Outline<br />

SPACE<br />

ROOM<br />

OCCUPANCY<br />

(max. # of people)<br />

SIZE<br />

(m 2 )<br />

NOTE<br />

THEATRE A<br />

1<br />

1200<br />

1750<br />

THEATRE B<br />

1<br />

300<br />

580<br />

THEATRE C<br />

1<br />

300<br />

580<br />

GALLERY<br />

1<br />

300<br />

200<br />

DANCE STUDIOS<br />

6<br />

30 per rm.<br />

140<br />

ART STUDIOS<br />

6<br />

12 per rm.<br />

140<br />

CLASSROOMS<br />

8<br />

30 per rm.<br />

50<br />

TEACHERS FACILITY<br />

12<br />

2-3 per rm.<br />

15<br />

CAFETERIA<br />

1<br />

900<br />

1000<br />

SHARED INSTITUTIONS<br />

1<br />

100<br />

120


Diagramatic Studies<br />

I. CENTRALIZED II. CLUSTERED III. LOOP<br />

IV. MIRROR/OPPOSITION<br />

V. CROSSED<br />

Bubble diagrams’ method were the initiative to my design approach. Crossed diagram (# V) of <strong>Dance</strong> and <strong>Art</strong><br />

schools’ facing each other forming an open space in between - is the diagram that is later developed.


SITE - National Museum of Lubumbashi<br />

In search for site, the school for<br />

the Advancement of <strong>Art</strong> and <strong>Dance</strong><br />

fits perfectly with the same block<br />

with the National Museum of<br />

Lubumbashi, since, it is already a<br />

cultural central block.


Sun Path Diagram<br />

N<br />

17:55pm<br />

JUNE<br />

6:29am<br />

W<br />

E<br />

18:08pm<br />

18:33pm<br />

TODAY<br />

5:40am<br />

DEC<br />

5:44am<br />

S


Views to Site


Developed Concept<br />

Combining <strong>Art</strong>, <strong>Dance</strong> and Music’s studios within one square per<br />

each year of students. <strong>The</strong> open space in-between them will link<br />

interaction of students from all school and years through the shared<br />

institutional program. <strong>The</strong> beauty is everyone will have the view to<br />

the dance studios and take inspiration from one another.


Developed Diagram<br />

<strong>The</strong> diagram represents the school sector of 4 years connected to the professional - performance center<br />

sector. Each school’s square consists of one of each of listed majors. <strong>The</strong> green which is the shared institutional<br />

will provoke the cross programming of all students to visit each square.


Public Circulation to Site<br />

B.O.H<br />

SCHOOL<br />

ENTRANCE<br />

MAIN PEDESTRIAN<br />

ENTRANCE<br />

SCHOOL<br />

ENTRANCE


Zoning the Project onto the Site<br />

EDUCATIONAL<br />

ZONE<br />

COMMERCIAL<br />

ZONE


Proposed Site Plan<br />

<strong>The</strong> school is situated nearly to center of site,<br />

purposely for convenient access from both sides<br />

of streets - however more closer to the National<br />

Museum of Lubumbashi to create the immediate<br />

cultural link from the performance center to<br />

the museum. <strong>The</strong> site is designed to be pourous<br />

with soft curvatures’ edges for friendly invitation,<br />

flow of drawing people from all directions<br />

to engage. It is the school that is part of everyone’s<br />

life and the community - not only restricted<br />

to the student.<br />

NEW LANDSCAPE


Plan - Ground Floor Plan<br />

DANCE STUDIO<br />

CANTEEN<br />

ART STUDIOS<br />

GALLERY<br />

main school entrance<br />

B.O.H.<br />

DANCE STUDIOS<br />

ART STUDIOS<br />

PERFORMANCE<br />

CENTER<br />

DANCE STUDIOS<br />

DANCE STUDIOS<br />

WORKSHOP<br />

WOOD/SCULPTURE<br />

SHOP<br />

ART STUDIOS<br />

main public entrance<br />

<strong>The</strong> developed diagram has flatten programs into two opposing strips of art and<br />

dance studios. <strong>The</strong>y intertwined each other to envelop five different enclosed,<br />

yet, opened space, which can be functioned as another form of dance<br />

space or place to exhibit student’s artwork.


Plan - Second Floor Plan<br />

TEACHER FACILITY<br />

LIBRARY<br />

ART STUDIOS<br />

DANCE STUDIOS<br />

PERFORMANCE<br />

CENTER<br />

DANCE STUDIOS<br />

DANCE STUDIOS<br />

CLASSROOMS<br />

MULTIFUNCTIONAL SPACE


Aerial View<br />

<strong>The</strong> red roof’s represents<br />

the <strong>Dance</strong> School - which<br />

its walls are more transparent,<br />

therefore, can be seen<br />

through once in central circulation.<br />

<strong>The</strong> strip has an inverse<br />

relationship<br />

on the outter ends.


South Facade


School’s Entrance


Interior from <strong>The</strong>atre’s Balcony


Atrium View looking @ <strong>The</strong>atre


Open Space between <strong>Art</strong> and <strong>Dance</strong> Studios


Main Public Entrance


Exploded Axonometric<br />

ROOF - PTFE with<br />

lightweight structure<br />

COLUMNS - Painted<br />

Aluminum<br />

WALLS & PARTITIONS<br />

- concrete and drywall<br />

BALCONY - second<br />

floor’s circulation<br />

2nd Layer of Exterior<br />

Wall in translucent<br />

glass panel +<br />

polycarbonate panels<br />

Exterior skin in translucent<br />

and opaque<br />

glass panels.<br />

*Performance Center’s<br />

skin as limestone

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