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Twentieth-Century Russian Literature. Selected Papers from the ...

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10<br />

between Yurii's two conversations, one with Fatima, <strong>the</strong> o<strong>the</strong>r with Olya Demina; <strong>the</strong> break<br />

between sections is located between <strong>the</strong>se conversations. Gradual amplification can be detected.<br />

Fatima's report is short, and <strong>the</strong> section abruptly ends before we can hear Yurii's response. The<br />

conversation with Demina is ampler, and Yurii interrupts her monologue with a neutral question:<br />

'What do you think about her?'. In this contact, both sides are impartial: Lara is absent, and Yurii<br />

is not outspoken. However, <strong>the</strong> reader is certainly supposed to perceive <strong>the</strong> flood of emotions<br />

overwhelming <strong>the</strong> hero when he hears <strong>the</strong> names of Lara and Antipov. Against <strong>the</strong> background<br />

of complete forgetfulness, this is a very strong event. Like <strong>the</strong> betrothal at <strong>the</strong> candle, Yurii's<br />

meeting with Lara's past is cast in <strong>the</strong> shadow of Antipov. Both events occurred at <strong>the</strong> places<br />

where he lived, and where Lara only visited.<br />

After <strong>the</strong> event in Brestskaya street, a slow movement starts that will eventually bring Yurii<br />

to Lara. Persuaded by Tonya, but against his own will, Yurii takes his family to <strong>the</strong> Urals. To<br />

save <strong>the</strong>mselves <strong>from</strong> cold and hunger, <strong>the</strong> Zhivagos leave Moscow and set out on <strong>the</strong> long<br />

journey to Varykino. On <strong>the</strong> way, an echo of <strong>the</strong> visit to Brestskaya street occurs. Yurii meets<br />

with Strelnikov-Antipov in his current home, <strong>the</strong> train. The two events have much in common.<br />

Yurii is brought to both places by an outsider, and with an objective o<strong>the</strong>r than this particular<br />

meeting. Both events include a clash with <strong>the</strong> new regime, although <strong>the</strong> manifestations of <strong>the</strong><br />

regime vary. In both places, <strong>the</strong> authorities are at work searching and interrogating; <strong>the</strong><br />

disgraceful row in Antipov's former house is, in fact, a victorious achievement of <strong>the</strong> armed<br />

struggle led by Strel'nikov <strong>from</strong> his quiet train residence.<br />

Lara is still far away <strong>from</strong> Yurii, and <strong>the</strong>re is a long way to go. The Zhivagos' vicissitudes<br />

during <strong>the</strong>ir long journey through Russia, and <strong>the</strong>ir life in Varykino sonstitute one more break on<br />

<strong>the</strong> LC. After <strong>the</strong> intermission of two Parts (VIII, IX), an upsurge of contacts begins.<br />

7. LOVE & INTIMACY<br />

L's voice in Y's dream (IX,5:278)<br />

Y and L meet in <strong>the</strong> library (IX,11:286)<br />

* Y and L meet near L's house (IX,13-15:289-296)<br />

Thinking of L, Y is captured by <strong>the</strong> partisans (IX,16:299)<br />

Mutual LOVE finally evolves, and becomes a fact. With this, <strong>the</strong> pulsation changes its rhythm:<br />

<strong>the</strong> echoes in this group are inverted. Ra<strong>the</strong>r than starting <strong>the</strong> group, a strong event is preceded<br />

by a crescendo of two, gradually amplified weaker events. First, Yurii dreams of a woman's

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