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THE ARCHERS<br />

SCRIPT AS BROADCAST<br />

WEEK 2<br />

EPISODE NO: 17177<br />

WRITER:<br />

EDITOR:<br />

DIRECTOR:<br />

ADRIAN FLYNN<br />

JULIE BECKETT<br />

KIM GREENGRASS<br />

REH/REC: WEDNESDAY 25 TH SEPTEMBER 2013<br />

READ THRU: 0915<br />

TAPE NO:<br />

OMNI NO:<br />

PBM339/13MD7177<br />

PBM339/13MZ2257<br />

TX DATE: MONDAY 21 ST OCTOBER 2013<br />

TX WEEK: 43<br />

SCENE:<br />

1. JAZZER MAURICE<br />

2. RUTH EDDIE<br />

3. MAURICE JAZZER LYNDA<br />

4. EDDIE RUTH<br />

5. LYNDA MAURICE<br />

6. JOE EDDIE<br />

7. JAZZER LYNDA<br />

ANNOUNCER:<br />

Maurice is being mother in ‘The Archers’.


2<br />

1.INT. SAWYER’S. OFFICE. 3.45 P.M.<br />

(MAURICE, SITTING AT THE DESK, IS HOLDING A TEA-<br />

POT. MAURICE’S TEA IS ALREADY POURED)<br />

MAURICE<br />

JAZZER<br />

MAURICE<br />

There’s enough left in the pot.<br />

Out for a while, is he?<br />

Another forty minutes at least. Delivering to the<br />

deli in Westbury.<br />

JAZZER<br />

Aye. Go on then, Maurice. (PULLS UP A CHAIR AND<br />

SITS DOWN)<br />

MAURICE<br />

(POURING INTO MUG) Even longer, if he starts<br />

telling them about the Bellingham’s Bounce. (TEAPOT<br />

DOWN)<br />

JAZZER<br />

MAURICE<br />

JAZZER<br />

MAURICE<br />

JAZZER<br />

MAURICE<br />

He’s like a puppy with a new squeaky toy.<br />

(MOVES MUG ACROSS TABLE) There you are, Jazzer.<br />

Ta. Very welcome.<br />

I’ve heard nothing else all morning.<br />

I can believe that.<br />

Still – if we’re selling more meals there and<br />

elsewhere, we can stop worrying about overproduction.<br />

JAZZER<br />

MAURICE<br />

I hadn’t even started worrying.<br />

At least it keeps our jobs safe a while longer.<br />

Help yourself to milk and sugar.<br />

JAZZER<br />

Ta. (POURS IN MILK FROM BOTTLE)


3<br />

(MAURICE AND JAZZER DRINK AD LIB THROUGH REST OF<br />

SCENE)<br />

MAURICE<br />

JAZZER<br />

So, was it anything in particular?<br />

Only to say the abattoir-run went fine. (TIPS IN<br />

SUGAR FROM BOWL)<br />

MAURICE<br />

JAZZER<br />

(GETS IT) Oh.<br />

He gets so wound up whenever I do it. Any more<br />

sugar?<br />

MAURICE<br />

JAZZER<br />

No.<br />

(PUTS BOWL DOWN) So I thought I’d better check into<br />

the Mothership. Put his mind at rest.<br />

MAURICE<br />

JAZZER<br />

You’ll have to stir it with a ‘Tom Archer’ biro.<br />

(PICKS UP BIRO AND STIRS/ APPROVING) Cosy enough in<br />

here while he’s out.<br />

MAURICE<br />

JAZZER<br />

MAURICE<br />

I don’t take advantage.<br />

Course no’. (STOPS STIRRING)<br />

Ten more minutes, and I’m back, stripping down the<br />

mincer.<br />

JAZZER<br />

(FISHING FOR CHANCE TO SMOKE) No chance of opening<br />

the window till then?<br />

MAURICE<br />

JAZZER<br />

You know the answer to that one.<br />

Aye. I was in bother for a crafty wee drag<br />

yesterday an’ all.<br />

MAURICE<br />

Did Tom catch you?


4<br />

JAZZER<br />

Worse than that. I was dropping off the milk at the<br />

Dower House and there’s <strong>this</strong> row of bushes. Cover<br />

from the road. Cover from the house. Perfect for a<br />

well-deserved rollie.<br />

MAURICE<br />

JAZZER<br />

MAURICE<br />

JAZZER<br />

MAURICE<br />

JAZZER<br />

MAURICE<br />

JAZZER<br />

MAURICE<br />

JAZZER<br />

What it is to be addicted.<br />

Only, soon as I sparked up, all hell let loose.<br />

Lilian spotted you?<br />

Not her. The woman they’ve got temping.<br />

Anthea?<br />

Aye. I think that’s her.<br />

A trim, well-presented lady?<br />

With a red bob and a stare can melt rivets?<br />

She has got quite searching eyes.<br />

Man – I never knew I had that many ‘sorrys’ in me.<br />

And she never even raised her voice.<br />

MAURICE<br />

JAZZER<br />

She does have a certain authority.<br />

A certain authority? I’d’ve signed over my firstborn<br />

if I had any wains.<br />

MAURICE<br />

Naturally she’d take a dim view of you smoking on<br />

the premises.<br />

JAZZER<br />

Thanks for the sympathy.(SLIGHT SUSPICION) Know her<br />

well then?<br />

MAURICE<br />

Not well. Though we have spoken to each other on a<br />

few occasions.


5<br />

JAZZER<br />

(THINKS HE’S GOT IT) Oh aye? Got the pacemaker<br />

purring, has she?<br />

MAURICE<br />

JAZZER<br />

No.<br />

Come on – there’s no shame. You’ve got her marked<br />

down as a hottie.<br />

MAURICE<br />

I’ve done no such thing. I simply find her a<br />

refreshing change.<br />

JAZZER<br />

MAURICE<br />

Is that right?<br />

Yes. It’s not often you find someone who values<br />

integrity over popularity.<br />

JAZZER<br />

MAURICE<br />

If you say so.<br />

But I’ve no interest in romantic attachments any<br />

more. They don’t suit me.<br />

JAZZER<br />

MAURICE<br />

JAZZER<br />

MAURICE<br />

You and me both.<br />

Besides, she’s already married.<br />

That wouldn’t stop some folks in Ambridge.<br />

I simply admire the way she conducts herself. You<br />

should have seen her with Tom yesterday.<br />

JAZZER<br />

MAURICE<br />

What happened?<br />

She and I happened to be queuing next to each other<br />

in the shop..<br />

JAZZER<br />

MAURICE<br />

(OVER) ‘Happened to be’?<br />

..When he came in with a delivery. And couldn’t<br />

resist asking if she’s ever tried his ready-meals.<br />

JAZZER<br />

Always the master of small talk.


6<br />

MAURICE<br />

She told him, very firmly, she never insults her<br />

digestion with convenience food..<br />

JAZZER<br />

MAURICE<br />

Excellent!<br />

(SLIGHT EMPHASIS) ..Especially when it’s so overpriced.<br />

JAZZER<br />

MAURICE<br />

JAZZER<br />

(GENUINE ADMIRATION) You beauty.<br />

Now that – to my mind – is a woman.<br />

I could almost feel sorry for him. And with Helen<br />

giving him a hard time an’ all…<br />

2. EXT. BROOKFIELD. COLLECTING YARD. 3.48 P.M.<br />

(MOST OF THE HERD IS GATHERED IN THE YARD. RUTH IS<br />

URGING THE LAST FEW THROUGH THE GATE.)<br />

RUTH<br />

EDDIE<br />

RUTH<br />

EDDIE<br />

RUTH<br />

(RELAXED) Go on. In you go.. In you go.<br />

(APP/HURRYING) Thanks Ruth. You got my text?<br />

Yes.<br />

I’m so sorry..<br />

Don’t worry about it, Eddie..(TO COW) Keep going.<br />

(CLOSES GATE)<br />

EDDIE<br />

I thought I’d be back in plenty of time for<br />

milking.<br />

RUTH<br />

EDDIE<br />

RUTH<br />

It was no trouble, bringing them in.<br />

You know what it’s like at clinics.<br />

(REMEMBERING) Oh, yes. How did your dad get on?


7<br />

3. INT. SAWYER’S. OFFICE. 3.48 P.M.<br />

(JAZZER AND MAURICE ARE STILL AT THE DESK)<br />

JAZZER<br />

MAURICE<br />

JAZZER<br />

MAURICE<br />

JAZZER<br />

MAURICE<br />

JAZZER<br />

MAURICE<br />

JAZZER<br />

MAURICE<br />

No. I wouldn’t say that. Not an argument.<br />

What was it then?<br />

More Tom trying to talk to her about something...<br />

Mm-hmm?<br />

And Helen kind of, pushing him off.<br />

(BEAT/ UNIMPRESSED) And that’s it?<br />

Aye.<br />

You don’t know what Tom wanted to talk about?<br />

I was too far away to hear clearly.<br />

Well, the giants of investigative journalism can<br />

rest easy. That’s not much of a scoop.<br />

JAZZER<br />

All I’m saying is. Tom’s concerned about something.<br />

It pays to know where your boss’s head’s at.<br />

(OFF: EXT DOOR OPENS. JAZZER AND MAURICE HURRIEDLY<br />

GET UP.)<br />

MAURICE<br />

(SOTTO) Never mind his head.. (MOVING THE MILK<br />

BOTTLE AND MUGS)<br />

JAZZER<br />

(SOTTO) You said a good forty minutes. (STRAIGHTENS<br />

THE CHAIRS)<br />

LYNDA<br />

JAZZER<br />

MAURICE<br />

(OFF) Hello?<br />

(SOFTLY) What’s she doing here?<br />

We’re in the office.


8<br />

LYNDA<br />

Ah.(COMING IN) Good afternoon, Maurice. Hello<br />

Jazzer.<br />

JAZZER<br />

MAURICE<br />

LYNDA<br />

Hi.<br />

Tom’s out at the moment, I’m afraid Lynda.<br />

I don’t want Tom. I’ve come in search of<br />

Borsetshire’s very own Sean Connery.<br />

JAZZER<br />

LYNDA<br />

That’s uncanny. How did you know I’d be here?<br />

(AMUSED) Oh. It’s not you I’m talking about Jazzer.<br />

4. EXT. BROOKFIELD. COLLECTING YARD. IN WITH THE<br />

HERD. 3.50 P.M.<br />

RUTH<br />

EDDIE<br />

Surely that’ll cheer him up?<br />

Normally it would do. He loves a good nose round<br />

someone else’s cider-press.<br />

RUTH<br />

EDDIE<br />

And Wesley Walker’s got quite a reputation.<br />

Oh yeah. One of the best micro-breweries in the<br />

county.<br />

RUTH<br />

EDDIE<br />

RUTH<br />

EDDIE<br />

RUTH<br />

EDDIE<br />

That’ll tempt your dad over, won’t it?<br />

Dunno, Ruth. Depends on his mood.<br />

(LIGHTLY) Oh.<br />

It was when they took the cast off.<br />

Ah. Didn’t look very good?<br />

He was horrified. And the truth is his arm looked<br />

awful.<br />

RUTH<br />

It’ll soon get back to normal.


9<br />

EDDIE<br />

I hope so. They put on a wrist splint to give him<br />

some support.<br />

RUTH<br />

EDDIE<br />

RUTH<br />

EDDIE<br />

(SYMPATHETIC) Oh.<br />

And he’s still very sore.<br />

He must be.<br />

So on the way back, he suddenly decides he don’t<br />

want to go anywhere else <strong>this</strong> week.<br />

RUTH<br />

EDDIE<br />

RUTH<br />

EDDIE<br />

He might change his mind by Wednesday.<br />

I hope so.<br />

I know Jim’s looking forward to it.<br />

It’s good of Jill, offering to take the pair of<br />

them over.<br />

RUTH<br />

EDDIE<br />

Wesley’s wife’s a friend of hers.<br />

Oh Yeah? I thought she’d have too much on, with the<br />

wedding.<br />

RUTH<br />

EDDIE<br />

RUTH<br />

EDDIE<br />

RUTH<br />

Oh, don’t. You’ll make me feel guilty.<br />

Oh?<br />

I’ve given her a job as well.<br />

What’s that?<br />

She’ll be here soon. Helping me get Rickyard ready<br />

for next week’s booking. She insisted.<br />

EDDIE<br />

She’s like dad. Well, like he was. Only happy when<br />

she’s busy.<br />

RUTH<br />

Every time I’ve talked to her lately, she’s working<br />

on the wedding cake.


10<br />

EDDIE<br />

I bet it’ll be a good ‘un. (LOUD VOCALISATION FROM<br />

ONE OF THE COWS) All right, girl. (GOING) Better<br />

start sending them in.<br />

RUTH<br />

And I’d better see if Jill’s torn herself away from<br />

the marzipan yet.<br />

5. INT. SAWYER’S. OFFICE. 3.55 P.M.<br />

(LYNDA, WITH SHOULDER-BAG, AND MAURICE ARE<br />

STANDING. LYNDA IS AT HER MOST CHARMING THROUGHOUT.<br />

MAURICE IS STILL ABSORBING THE SHOCK.)<br />

LYNDA<br />

MAURICE<br />

LYNDA<br />

MAURICE<br />

LYNDA<br />

MAURICE<br />

LYNDA<br />

Not at all, Maurice. No one’s ‘put me up’ to it.<br />

They must have done.<br />

Why?<br />

Me? In a play?<br />

Yes.<br />

As Robin Hood?<br />

As Robin in the prime of life. One who’s served<br />

abroad for twenty years..<br />

MAURICE<br />

LYNDA<br />

MAURICE<br />

LYNDA<br />

I don’t care what sort of Robin.<br />

You’d be perfect.<br />

I’m not an actor.<br />

No, no, no. What you mean is, you haven’t had much<br />

experience onstage.<br />

MAURICE<br />

LYNDA<br />

I’ve no experience..<br />

(OVER) Here’s a chance to remedy that..


11<br />

MAURICE<br />

..By choice. Not since Miss Porter talked me into<br />

being Third Shepherd.<br />

LYNDA<br />

MAURICE<br />

(READY TO POUNCE) Ah.<br />

Only because she promised us all liquorice<br />

bootlaces if the Nativity went off all right.<br />

LYNDA<br />

MAURICE<br />

LYNDA<br />

MAURICE<br />

So you have acted before?<br />

One ‘Lo’ and two ‘beholds’. That was it.<br />

From little acorns, Maurice..<br />

And I forgot the second ‘behold’, because Mary<br />

Norton stuck her tongue out at me. Bang went the<br />

boot-laces.<br />

LYNDA<br />

MAURICE<br />

LYNDA<br />

You mustn’t let modesty hold you back.<br />

It’s not modesty.<br />

Your very lack of experience may give you an<br />

advantage over everyone else.<br />

MAURICE<br />

LYNDA<br />

Eh?<br />

You see, Maurice, You’ll bring fresh, untutored<br />

charm to the role.<br />

MAURICE<br />

LYNDA<br />

MAURICE<br />

LYNDA<br />

MAURICE<br />

LYNDA<br />

MAURICE<br />

No I won’t, Lynda.<br />

A simple authenticity..<br />

I’m not bringing anything to it.<br />

Well, if that’s how you feel..<br />

(OVER) I do.<br />

..I won’t press you any further. For the moment.<br />

Good. I need to crack on with the mincer.


12<br />

LYNDA<br />

(FISHING IN SHOULDER-BAG) But perhaps if I leave<br />

you a <strong>script</strong>..<br />

MAURICE<br />

LYNDA<br />

There’s no point.<br />

(TAKING OUT SCRIPT) What harm is there in looking?<br />

(PUTS IT ON THE DESK)And perhaps reconsidering.<br />

MAURICE<br />

The harm is..(PICKS UP SCRIPT)..giving you false<br />

hope. Thanks very much for asking, Lynda. But, best<br />

take it with you, eh?<br />

6. EXT. GRUNDY FIELD. 5.50 P.M.<br />

BARTLEBY IS LICKING A SALT-BLOCK ON GROUND.<br />

EDDIE<br />

JOE<br />

EDDIE<br />

JOE<br />

(SOFTLY) You like that, don’t you Bartleby?<br />

(OFF) Don’t go giving him no treats.<br />

I’m not, Dad.<br />

(APP SLOWLY) Worst thing you can do, give him<br />

treats.<br />

EDDIE<br />

(GENTLY) Watch the track. It’s bumpy.(OFFERING AN<br />

ARM) Want me to..?<br />

JOE<br />

(APP) I told you when I got out the car. I’m<br />

perfectly all right by myself.<br />

EDDIE<br />

(SUDDEN MEMORY/ DIGS IN POCKET) Oh here.(TAKES OUT<br />

BRITISH LEGION POPPY) I got a poppy, like you<br />

asked.<br />

JOE<br />

EDDIE<br />

Oh.. ahh. Ta. (TAKES IT) I’ll settle up later.<br />

No need. And.. er.. want some help pinning it on?


13<br />

JOE<br />

I’ll do it myself when I gets home. I only come to<br />

stop you spoiling Bartleby.<br />

EDDIE<br />

JOE<br />

Don’t begrudge him a bit of salt.<br />

So long as that’s all you’re doing. It don’t do him<br />

no good, overfeeding. Not when I can’t exercise him<br />

proper.<br />

EDDIE<br />

He’s getting plenty of exercise. (PATS PONY) Aren’t<br />

you, boy?<br />

JOE<br />

EDDIE<br />

JOE<br />

EDDIE<br />

He wants the trap on, before he loses condition.<br />

Edward took him round with it last night.<br />

(UNIMPRESSED) For half an hour.<br />

He’s been doing a good job, with everything else<br />

he’s got on.<br />

JOE<br />

EDDIE<br />

I suppose so.<br />

Between me and him taking Bartleby out - and<br />

George helping with the grooming..<br />

JOE<br />

EDDIE<br />

(CUTS IN) Ah, now he has got a way with animals.<br />

William says he’s been helping train Baz an’ all.<br />

Retrieving. Stopping on the whistle.<br />

JOE<br />

EDDIE<br />

JOE<br />

(SADLY) Don’t do that, Bartleby.<br />

What?<br />

He’s looking at me. Wants to know why I ain’t<br />

taking care of him.<br />

EDDIE<br />

JOE<br />

No he don’t.<br />

He thinks I’m letting him down.


14<br />

EDDIE<br />

Look. If you like, we can walk him round the field<br />

a couple of times.<br />

JOE<br />

No. Not with it getting so dark. You can’t keep<br />

your footing.<br />

EDDIE<br />

JOE<br />

What about on the road?<br />

It’d be like a torment to him. Me and my stick,<br />

going so slow.<br />

EDDIE<br />

You’ll be looking after him properly soon. (BEAT)<br />

You tried any of them exercises yet? The ones the<br />

physio showed you?<br />

JOE<br />

EDDIE<br />

JOE<br />

No point.<br />

(GENTLY) You’ve got to have a go.<br />

I did <strong>this</strong> afternoon. Had to give up. They hurt<br />

like fury.<br />

EDDIE<br />

First time’s bound to be difficult. It’ll be easier<br />

tomorrow.<br />

JOE<br />

EDDIE<br />

No it won’t.<br />

(BEAT) Let’s go back, eh? See if Clarrie’s got a<br />

brew on.<br />

JOE<br />

No sense making an effort with exercises. I in’t<br />

never going to get no better.<br />

EDDIE<br />

JOE<br />

Dad..<br />

We shouldn’t’ve said ‘no’ last week, neither. We<br />

threw away the only chance of any good coming out<br />

of it.


15<br />

EDDIE<br />

JOE<br />

EDDIE<br />

We didn’t say ‘no’.<br />

Then how come we an’t heard from Wilson’s yet eh?<br />

You know what solicitors are like. They do<br />

everything in slow motion.<br />

JOE<br />

We should’ve taken what was offered. We gambled and<br />

we lost.<br />

EDDIE<br />

Come on. You’re looking at everything through a<br />

dark cloud. Things ain’t that bad.<br />

JOE<br />

EDDIE<br />

Ain’t they?<br />

We’ll hear from Wilsons soon enough. And the doctor<br />

said your wrist’s on the mend.<br />

JOE<br />

EDDIE<br />

JOE<br />

EDDIE<br />

Huh!<br />

Give it another week or two.<br />

It’s aching like billio.<br />

That’s why you’ve got to take your mind off it, as<br />

much as possible. Like going over to Heybury on<br />

Wednesday.<br />

JOE<br />

EDDIE<br />

JOE<br />

I told you. I in’t going.<br />

You don’t have to decide now.<br />

I in’t going. It’s bad enough being helpless at<br />

home. But I in’t showing meself up in front of<br />

strangers.


16<br />

7. INT. GREENACRES. HALL. 7.00 P.M.<br />

(JAZZER’S IN THE HALL. LYNDA IS STANDING OUTSIDE<br />

THE FRONT DOOR.)<br />

JAZZER<br />

LYNDA<br />

You’re sure?<br />

No, no, I won’t come in, thank you, Jazzer. I<br />

simply wanted to apologise.<br />

JAZZER<br />

LYNDA<br />

JAZZER<br />

LYNDA<br />

What for?<br />

For earlier.<br />

Hmm?<br />

Giving the impression I’m not interested in your<br />

acting ability.<br />

JAZZER<br />

Don’t fash yerself. I’m no’ much interested in it<br />

myself.<br />

LYNDA<br />

JAZZER<br />

LYNDA<br />

JAZZER<br />

LYNDA<br />

JAZZER<br />

LYNDA<br />

JAZZER<br />

LYNDA<br />

JAZZER<br />

LYNDA<br />

JAZZER<br />

You left so quickly, I couldn’t explain.<br />

I had to get back to the pigs.<br />

It’s not Sean Connery’s voice I’m after..<br />

(OVER) No?<br />

But his strong, masculine presence.<br />

(TAKES A MOMENT) You’re saying I haven’t got that?<br />

I’m referring to the older, more mature Connery..<br />

(OVER) Oh.<br />

..That’s all.<br />

So, did you talk Maurice into it?<br />

Sadly not.<br />

Didn’t think you would.


17<br />

LYNDA<br />

I did hope he might waver, when I explained my<br />

vision.<br />

JAZZER<br />

I could’ve told you you were wasting your time.<br />

He’s no’ into all <strong>this</strong> dressing-up, pretending to<br />

be a tree stuff.<br />

LYNDA<br />

The irony is, the more adamantly he refused, the<br />

more perfect he seemed for the role. Unflinching.<br />

Obdurate.<br />

JAZZER<br />

LYNDA<br />

Is that a flash way of saying ‘miserable’?<br />

Oh, Maurice offers much more than misery, Jazzer.<br />

He’s such a loss to the local stage.<br />

JAZZER<br />

Aye, well. You’d better break the bad news to Maid<br />

Marian then eh?<br />

LYNDA<br />

JAZZER<br />

LYNDA<br />

I haven’t cast one yet.<br />

No?<br />

If I can’t have Sean Connery, what chance Audrey<br />

Hepburn? I shall have to look at younger actors<br />

again.<br />

JAZZER<br />

(SUDDEN THOUGHT) Hold on there, Lynda. Don’t give<br />

up so soon.<br />

LYNDA<br />

JAZZER<br />

Sorry?<br />

If you haven’t chosen your Marian yet - Maurice<br />

might have a weak spot.<br />

MUSIC

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