The Poetical Works of Miss Susanna Blamire (1842) - Gredos ...
The Poetical Works of Miss Susanna Blamire (1842) - Gredos ...
The Poetical Works of Miss Susanna Blamire (1842) - Gredos ...
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<strong>The</strong> Salamanca Corpus: <strong>The</strong> <strong>Poetical</strong> <strong>Works</strong> <strong>of</strong> <strong>Miss</strong> <strong>Susanna</strong> <strong>Blamire</strong> (<strong>1842</strong>)<br />
Those painted pinions light and gay<br />
Must they then waft thee far away?<br />
Must they then spread before my sight,<br />
And shade me into deepest night?<br />
See where I’ve deck’d thy once lov’d shrine!<br />
See what gay flowers thy bust entwine!<br />
<strong>The</strong> morning rose that fades ere noon,<br />
Buds promising to blow full soon,<br />
<strong>The</strong> first green leaf that nature spreads,<br />
<strong>The</strong> first flowers rising from their beds<br />
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<strong>The</strong> daisy ever fond to blow,<br />
And the sweet drop that’s wrapp’d in snow;<br />
All these an <strong>of</strong>fering <strong>of</strong>t I’ve paid,<br />
As at thy shrine I fondly pray’d;<br />
Still didst thou promise thou wouldst be,<br />
Next to fond Fancy, kind to me.<br />
When gay Hygēa used to frown,<br />
And chain my rising wishes down;<br />
When she beyond yon hill would stray,<br />
And leave my sight a length <strong>of</strong> way;<br />
<strong>The</strong>n thou wouldst come, and with a smile<br />
Half charm the weary hour the while,<br />
Drawing a landscape sweet and fair<br />
That mingl’d with the s<strong>of</strong>test air,<br />
And painted Days <strong>of</strong> other hue,<br />
And Evenings spangl’d o’er with dew,<br />
And Hours that, laughing as they trode,<br />
Left a flower-circle on the sod.<br />
<strong>The</strong>n dost thou fly me?—Goddess, stay!<br />
Seest thou where Sickness chains the day?<br />
Seest thou what loads ‘tis forc’d to bear,<br />
And drag around the weary year?<br />
See! see! she now arrests my breath,<br />
And almost threatens instant death;<br />
A lifeless calm she now demands,<br />
And ties my weak unmoving hands,<br />
No more my fingers seek the lyre,<br />
And wildly sweep along the wire,—<br />
<strong>The</strong> trembling wire that <strong>of</strong>t has found<br />
<strong>The</strong> s<strong>of</strong>test way to sweetest sound,