Walter Benjamin, an Aesthetic of Redemption - Monoskop

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22. Benjamin, Origin of German Tragic Drama, p. 30.
23. Ibid.
24. Ibid., p. 31.
25. Benjamin, GS 1(1):211; Origin of German Tragic Drama, p. 31.
26. Ibid.
27. Benjamin, "Der Begriff der Kunstkritik in der deutschen Romantik," GS 1(1):69.
28. Ibid., p. 72.
29. Benjamin, "Theorie der Kunstkritik," GS 1(3):835.
30. Adorno, "Einleitung zu Benjamins 'Schriften,'" in Über Walter Benjamin, p. 36.
31. Adorno, "Vorrede" to Tiedemann, Studien zur Philosophie Walter Benjamins, p. 9.
32. Benjamin, "Ursprung des deutschen Trauerspiels," GS 1(1):208; Origin of German Tragic Drama, p. 29.
33. Adorno, Minima Moralia, p. 247.
34. Benjamin, Origin of German Tragic Drama, p. 34.
35. Ibid.
36. Ibid.
37. Ibid.
38. Ibid.
39. Cf. Adorno, Zur Metakritik der Erkenntnistheorie.
40. Benjamin, Origin of German Tragic Drama, p. 36.
41. Ibid., p. 33.
42. Ibid.
43. Benjamin, GS 1(1):215; Origin of German Tragic Drama, p. 35.
44. Cf. Adorno, Ästhetische Theorie, p. 208.
45. Benjamin, Origin of German Tragic Drama, p. 36.
46. Cf. Tiedemann, Studien zur Philosophie Walter Benjamins, pp. 5966.
47. Benjamin, Origin of German Tragic Drama, p. 45.
48. Benjamin, "Nachträge zum Trauerspielbuch," GS 1(3):95355.
49. Benjamin, "Einleitung" (original draft of the "Erkenntniskritische Vorrede" to Ursprung des deutschen
Trauerspiels), GS 1(3):935. For more on Benjamin's concept of "origin,'' see Tiedemann, Studien zur Philosophie
Walter Benjamins, pp. 7684.
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