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Male Homoeroticism In The Advertising Campaigns of Dolce ...

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6<br />

<strong>Male</strong> <strong>Homoeroticism</strong> <strong>In</strong> <strong>The</strong> <strong>Advertising</strong> <strong>Campaigns</strong> <strong>of</strong><br />

<strong>Dolce</strong> & Gabbana, Calvin Klein and Abercrombie & Fitch<br />

go for shopping happily. <strong>In</strong> this campaign, eye catcher role is played by the<br />

shocking tactic, which advertisement itself is supposedly based on.<br />

Image 2. An Advertisement Campaign <strong>of</strong> Calvin Klein 12<br />

Not always the homoerotic presentation is <strong>of</strong>fered with more than one figure.<br />

As seen in the advertisement campaign <strong>of</strong> Calvin Klein (CK) above, just one<br />

figure, not even fully naked, may very well be enough to emphasize<br />

homoeroticism. <strong>In</strong> this case, the spectator is exposed to two images <strong>of</strong> the same<br />

man, shot from two different angles. While the figure shown on the right is<br />

presented fully clothed with a suit, t-shirt and sunglasses, the one on the left is<br />

exhibited with a seductive approach, where he is seen either pulling his trousers<br />

down or pulling it on, apparently wearing no underwear. Another aspect <strong>of</strong> the shot<br />

on the left, apart from the seminaked body <strong>of</strong> the man focusing the homoerotic<br />

gaze on himself, is that; the rising <strong>of</strong> the fly button part <strong>of</strong> the trouser, intentionally<br />

or unintentionally, suggesting a phallic display.<br />

Again in this advertisement campaign, the spectating male consumer is urged to<br />

go for shopping via associating himself with the beauty and seductivness <strong>of</strong> the<br />

male body, as if that is the commodity sold in CK’s stores, not apparel. Hereby, the<br />

brand’s and the marketer’s target is reached.

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